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About Shodekeh
Visual Resume + CV Remix Curatorial Statement: What if you were given an opportunity to re-imagine your resume and / or cv as an online arts exhibition? What would that fusion possibly look like beyond those standard formats? After being inspired in part by the The Covid Art Museum, that's what I've attempted to do here with the unique curatorial flexibility and dynamic functionality of the Baker Artist Portfolios. This overall process was also greatly inspired by the idea and practice of self-… more
Immersion: Ethnomusicology, Ambassadorship & Traditional Explorations Around The World.
Previous Board Memberships: The Greater Baltimore Cultural Alliance (2012-2017).
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A Fight For Music, People & Culture.Shodekeh, an African name of Nigerian origin. Definition - "Warrior. One who fights for what he believes." -
The Global Phenomenon of the Human Beatbox: Shodekeh & Северин Сигуней @ the Sayan Ring Festival in Abakan, Russia, 2012."Beatboxing fundamentally began in New York City in conjunction with the birth of the hip-hop subculture on the streets of Harlem. In the early to mid-eighties, three names stand out head and shoulders above the rest - Darren 'Buffy' Robinson, Doug E Fresh and Biz Markie. They are crowned as the first three pioneers of beatboxing in their own respective and innovative ways. Thanks to the internet, beatboxing has become a global phenomenon enjoyed by millions internationally." - Human Beatbox.com -
Daina Fusion: Shodekeh & Lithuanian Folk Singers in Siauliai, Lithuania for the US Embassy of Lithunania program American Month of Culture, 2009."The development of Lithuanian folk music has been documented about a hundred years. In 1908–1909 the first Lithuanian folk melodies were recorded on wax cylinders by Eduard Wolter, professor at the St. Petersburg University & an eminent scholar of the Lithuanian language, history, archaeology & folklore. In 1911 Lithuanian folk songs were recorded by another famous specialist in Lithuanian philology professor at the Helsinki University Aukusti Robert Niemi (his cylinders are stored in Helsinki)." - The Institute of Lithuanian Literature & Folklore. -
Kwanzaa Celebration with Founder of Kwanzaa Dr. Maulana Karenga @ The Reginald F. Lewis Museum, with musical guests Sankofa Dance Theater & Shodekeh. Photo by the Baltimore Sun, 2013."Dr. Maulana Karenga, founder of Kwanzaa, joins this year's Kwanzaa Celebration to make it extra special. Sankofa Dance Theater entertains us with storytelling and African dancing. Beatboxer Shodekeh joins them for an electrifying, improvised “Drum Talk." An interactive children’s workshop on the principles of Kwanzaa is led by Culture Kingdom Kids. Shop at the African marketplace of crafts, clothing, & more." - The Reginald F. Lewis Museum of Maryland African American History & Culture, Smithsonian Affiliate. -
Silk Road Fusion: Members of the Silk Road Ensemble, featuring special guests Shodekeh & Alash at Smithsonian's Freer & Sackler Galleries, 2017."Deeply inspired by Yo-Yo’s lifelong pursuit to better understand his neighbors, we take on the collective stewardship of Silkroad with the firm belief that embracing difference leads to a more hopeful world. As we consider the values of inclusion and curiosity that drew us together in the first place, we are energized by the prospect of what we can achieve, and we have been hard at work formulating a vision for the years ahead." - Silk Road Ensemble. -
Emissary: Shodekeh, board member of the Asian Arts & Culture Center of Towson University, with the Tibetan Monks of the Drepung Loseling Monastery, 2016."From October 31 through November 3, Tibetan Buddhist monks from the Drepung Loseling Monastery return to Towson U to create the Akshobhya mandala sand painting. The Akshobhya Buddha is known as the Unshakeable Victor for conflict resolution and peace. Their residency includes the mandala sand painting demonstration, lectures and closing ceremony." - The Asian Arts & Culture Center of Towson University. -
Kurdish Fusion: Ghazi Kurdistani with Shodekeh & Ali & Halgurd Omar during World Refugee Day @ The Walters Art Museum, 2013."The international showcase celebrates Baltimore as the home to talented refugees and immigrants. Baltimore’s favorite beat boxer, Shodekeh, headlines w/ all of the international acts. Eritrean husband & wife, Abebe Setarge & Eyersaliem Zemichael, sing to African beats. Sokoja Kondorka, musician from Darfur, sings in native masalit and fur languages while playing electric guitar. Visit our organizations on the Sculpture Court throughout the day and hear indigenous Kurdish music by Ghazi Kurdistani, Ali Omar & Halgurd Omar." - The Creative Alliance. -
Prince Edward Islands Meets Baltimore: Shodekeh & Vishten @ the American Folk Festival in Bangor, Maine, 2016."For more than a decade, Acadian power trio Vishtèn has gained a prominent position on the international stage. These multi-instrumentalists combine unprecedented arrangements of traditional Acadian songs with dazzling instrumental creations with Acadian & Celtic flavors, all transcended by a contemporary sensibility & rock & indie-folk influences." - Vishten. -
Cyber Trad: A musical experiment that combines melodic sensibilities from traditional Irish and Breton music, and blends them with rhythmic elements of contemporary Quebecois, funk, and Hip Hop."But perhaps the album’s most compelling inclusion is the percussive backing. Talifero grew up around hip hop music and his work here adds substantially to Olwell’s artistic vision. His contribution is uniformly interesting, but is effective on a track like “Bal Plin / The Evil Fairy,” where his beatboxing engages with the melodic nuances of Olwell’s playing in a most responsive way. It’s particularly good on “Ingonish / The Queen of May,” where he beatboxes as Olwell lilts." - The Irish Echo. -
Bhangra Fusions: Red Baraat, featuring Shodekeh during the 2017 IlluminAsia Festival @ the Smithsonian's Freer & Sackler Galleries. Photo by Cory Herl Grace."The pioneering Brooklyn Bhangra, party juggernaut, Red Baraat have made a name for themselves as one of the best live bands playing anywhere in the world. Led by dhol drummer Sunny Jain, the drum and brass + guitar band delivers an unprecedented, high energy, gut-busting fusion of jazz, hip-hop beats, rock muscle, funky go-go, and scalding hot bhangra." - Red Baraat.
Larynxphrase Theory (Collection X): The Kinesthetic Innovations of the Human Beatbox For Movement, Dance & Choreography in the 21st Century (A Convergent Foundation for Breath Art Studies), 2006 - 2026.
Artistic + Curatorial Statement: Shodekeh defines "The Larynxphrase Theory + Method" as the creative, experimental, practical & pedagogical convergences of Beatboxing + Vocal Percussion with the sustained necessity of original music for dance technique courses and academic programs. This fusion of methodologies has created pathways for new experiences of dance-based proprioception, voice + movement embodiments, improvisational explorations and overall choreographic expression, most evident in the development of Shodekeh's "Breath Art" practice born out of this dynamic fusion. This experimental application has allowed him to develop advanced skills in providing musical support as a Breath Artist & Beatbox-based technique composer for Ballet, Contact Improv, Release, Lester Horton, Cunningham and a wide variety of other Modern Dance Techniques. He is also highly experienced in leading voice + movement instruction, breath art for dance and musical improvisation + composition for dance.
"One night in 2006, Towson University dance professor Vincent Thomas was at a poetry slam where Talifero performed. Afterward, the two exchanged business cards, and the beatboxer has been working with Towson University ever since. "Sitting in a cafe chair my body and spirits began to move. I was so intrigued with what sounds were being captured in the tightly held microphone," Thomas says about that initial meeting. "It was a musical journey, like riding the roller coaster of Space Mountain. I had to know more about him and to hear more of his musical abilities. My mind immediately raced to my modern dance classes I was teaching at Towson University." "I knew his musical abilities would pair with physical bodies moving through space. This is artistic and educational research firsthand, Thomas adds. "This collaborative journey of movement and sound/music has been so rich for the learning and creative aspects of our students and faculty alike. It has expanded possibilities of our art and adds to the rich fabric of our department." - Towson University.
"SANTA MONICA, Calif. — It sounds like such a simple thing. Breathing. In fact, Breath artist Dominic Shodekeh Talifero, who goes by Shodekeh, says it’s something most people don’t even think about. “And I think that’s a reflection of a larger dynamic,” he explained. “I think we live very disembodied lives.” It’s something he’s actively trying to change. A professional beatboxer, he spent his life immersed in hip hop culture, but things began to take on a new direction when he was playing music for a dance class at Towson University. They asked if he could do something more elongated, more environmental, and what came out sounded like ocean waves, rustling winds, distant birds. At the time, he didn’t have a name for what he was doing, but over the next few years of research and experimentation and inspiration, he forged his own path. This week Shodekeh has been doing a residency at Santa Monica College, collaborating with dance and music classes and holding workshops. Dance majors, like Raven Smith, are already aware of the connection between breath and body, but were excited about this opportunity to explore new ways for combining the two. “The way you breathe can really translate into your movement,” Raven said. “It can really transform the way you dance.” She and some of her classmates will soon put what they’ve learned to work. They will be participating in a public performance on Saturday at the SMC Barrett Gallery at the Santa Monica College Performing Arts Center. After this sonic pre-show, as it’s billed, Shodekeh will be performing one of his compositions at the BroadStage in concert with the group So Percussion. Breathing is an art, he says, but it’s also much more — a healing force tied to many aspects of life, including wellness, environmental stresses, even social justice. “Breath art can help unpack some of those things,” he explained. At least, that’s what it’s done for him. Shodekeh is a survivor of childhood abuse and says he found using his voice as an instrument helped him reclaim his body and his agency. “You can’t buy that,” Shodekeh said. “That’s priceless. And fighting for that is worth more than gold.” The pandemic also changed our relationship to breathe. Fear of airborne disease. Masks blocking our faces. We’re still in the midst of it, but Shodekeh also feels that we are on the verge of a shift in what he calls breath culture in the 21st century. “It’s more than just making cool sounds,” he explained. “Hopefully it can be used as a tool for something way bigger than yourself.” The human body has limitless potential, he says. We just have to learn to breathe into it." - Spectrum News 1, Santa Monica.
Shodekeh's Dance Improvography: Shodekeh's past work with the Towson University Department of Dance has led to many other appointments as a musician-in-residence at the Community College of Baltimore County Dance program, the Goucher College Dance program, NYU Tisch School of Dance, the Patapsco High Center for the Arts Dance program, The Peabody Dance BFA program of Johns Hopkins University. Shodekeh's work as music faculty at the American Dance Festival @ Duke University has also led to many other opportunities as a guest musician for such lumanaries as Ailey II of the Alvin Ailey American Dance Theater, the Bill T. Jones / Arnie Zane Dance Company, Eiko Otake, Liz Lerman, the Paul Taylor Dance Company, Senga Nengudi and Shen Wei Dance Arts.
Larynxphrase Bibliography: "The Art of the Turnaround" by Michael Kaiser. "The Creative Habit" & "The Collaborative Habit" by Twyla Tharp. "Senga Nengudi: Topologies" catalogue published by Hirmer Publishers. "Senga Nengudi: Improvisational Gestures" catalogue published by the University of Colorado in Colorado Springs. "A Body in Fukushima" by Eiko Otake & William Johnston. "From Trinity to Trinity" by Kyoko Hayashi, translated by Eiko Otake.
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Larynxphrase, Movement I: Shodekeh's & TU Dance Alumni Krysia Bock's Collaborations & Residencies at Towson University, the American Dance Festival @ Duke University, Naropa University & the Corcoran School of the Arts & Design, 2006 - 2013.NOW Performance: Shodekeh Sho'dekeh "The Corcoran College of Art and Design (500 17th St. NW) will be hosting Shodekeh at 7 p.m. in collaboration with dancer and choreographer Krysia Bock. He'll also be holding workshops with students all weekend to conceptualize his performance. The performance is part of the weekly Corcoran Uncorked, which is free for members and students." - The Washington Examiner. Photograph by Philip Edward Laubner.
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Larynxphrase Exhibit A: "Beatbox and Ballet" Documentary Short, Ft. Shodekeh Talifero & The Towson University Department of Dance (Musician-in-Residence, 2006 - 2018).
Department of Dance Shodekeh's Video at the 2011 BMA exhibit "Sometimes people say to me "I'm confused, how does your Beatboxing work in the context of Dance at Towson University?" I try to explain it in simple terms & also extensively other times. But to see your own breath embodied full-out through highly skilled movement & dance? Maybe some things are better left as being totally indescribable." - Dominic Shodekeh Talifero.
"The Towson University Department of Dance's Mission advocates Dancing for a Lifetime by challenging students to examine and refine their approaches to the arts of dancing, choreography, and dance education. Towson offers professional dance training within the context of a comprehensive liberal arts education. Majors experience rigorous preparation to dance and create dance at all ages and stages of life—in professional companies, as educators and as arts advocates." - The Towson University Department of Dance.
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Larynxphrase, Movement II: Shodekeh & TU Dance Alumni Abby Magalee for "TU Innovator in Residence" by Towson University, 2021.Shodekeh — TU's Innovator-in-Residence "I have to take a moment to give a very special shout out to movement collaborator & choreographer Abby Magalee, the Imperator Furiosa of dance...Thank you for your creative contributions, brilliant insights & the overall embodiment of my voice & music as it appeared in the recent video story about my work as the TU COFAC Innovator-in-Residence & my upcoming composer's journey to Carnegie Hall, & especially for the part where it looks like you're about to kick me right in the head, amazing...The Towson University Department of Dance was the first place I became acknowledged as a composer for hundreds of classes, choreographic works & countless mid-term & final performance examinations in a manner that was authentic & creatively sustained, all the way from 2006 - 2018. So it makes such perfect sense to have things come full circle & collaborate once again with TU Dance alumni Abby for this video project, one of the best dance friends I've ever had." - Dominic Shodekeh Talifero.
"I believe the power of live performance has the capacity to shift our perspectives, drop into the present moment, and connect one another on a deeper level." - Abby Magalee.
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Larynxphrase Exhibit B: Shodekeh, Music Faculty for the American Dance Festival NYC @ 1 minute + 6 seconds at LaGuardia Arts, 2009.
2010 ADF School Catalog by American Dance Festival Friday Guest Artist Classes with Quilan Arnold "ADF is fortunate to have some of the finest dance musicians in the country on its roster. The American Dance Festival has been a magnet drawing together diverse artists, styles, theories, and dance training methods; from this creative mix the ADF has emerged as the sponsor of performances by some of the greatest choreographers and dance companies of our time. Jack Anderson traces the development of ADF from its beginnings in New England to its seasons at Duke University. He displays the ADF for the multidimensional creature it is—a center for performances, a school for the best young dancers in the country, and a provider of community and professional services." - The American Dance Festival @ Duke University.
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Larynxphrase, Movement III: "Corps de Ballet" by TU Dance alumni Kate Hutchison. Breath Art music score composed by Shodekeh. Winner of the Vermont Symphony Orchestra Award of Best Integration of Music at the Middlebury New Filmmakers Festival, 2023.Corps de Ballet Aerial Improv with Shodekeh Winner of the 2024 Women Empowerment Award at the Rome Film Festival & the 2023 International Music Video Underground Award.
"The wispy quality of professional ballerinas sets a precedent for aspiring dancers that is often unachievable through healthy practices. As a result, young dancers are typically tempted to change their bodies by overexercising or under-eating. Director Katherine Hutchinson visually expresses how ballet shaped her body image using aerial dance and an original score. The film demonstrates the restriction of body shame and the freedom of relinquishing that shame." - The Middlebury New Filmmakers Festival.
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Larynxphrase Exhibit C: "Corps de Ballet" choreographed & directed by Kate Hutchinson. Breath Art music score composed by Shodekeh. Winner of Best Film Score Award at the Roma Short Film Festival in Rome, Italy, 2023.
About | AirKatherine Dear Terry.... Sincerely, Nancy & Jayne jam exploration with breath artist Shodekeh "Meet my friend Shodekeh. He will be making the musical score for my video, “Corps de Ballet”. Dominic “Shodekeh” Talifero is a groundbreaking and highly adept Beatboxer, Vocal Percussionist and Breath Artist who pushes the boundaries of the human voice within and outside the context of Hip Hop music and culture." - Kate Hutchinson.
Official selection at the Tokyo International Short Film Festival, the San Francisco Aerial Arts Festival, the Toronto Indie Filmmaker's Festival & the Aerial Arts Film Festival, 2024.
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Larynxphrase, Movement IV: "Warp Trance Riff" by Senga Nengudi & Shodekeh @ the Colorado Springs Fine Arts Center @ Colorado College. Breath Art composed by Shodekeh. Supported by Shodekeh's NEH Professorship & Breath Art Residency @ CC, 2024 - 2025.Senga Nengudi Shodekeh "In this most recent academic year I was awarded the National Endowment for the Humanities Distinguished Teaching Professorship here at Colorado College for 2024 - 2025, & one of my main projects in this fellowship as the very first "Breath Artist-in-Residence" was to reimagine Senga Nengudi's multimedia + fabric art piece "Warp Trance" directly with the legendary "process artist" herself and Ella Boyd Brocker of the CC Dance program" - Dominic Shodekeh Talifero.
"Senga Nengudi has been working in sculpture and performance for over 50 years, and finally the global art world is catching up. Her signature pieces in nylon mesh and sand are suggestive yet insist on an expansiveness of signification. Her early performances in Los Angeles in the 1970s were integral to the development of the art scene there, and engaged African and Asian performative modalities." - The American Academy of Arts & Sciences.
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Larynxphrase Exhibit D: "Warp Trance Riff" by Senga Nengudi, Shodekeh & Ella Boyd Brocker @ The Colorado Springs Fine Arts Center @ Colorado College. Breath Art composed by Shodekeh during his NEH Breath Art Residency, 2024 - 2025.
Senga Nengudi: Warp Trance - Fine Arts Center "The video art of this work is now available for viewing on You Tube, & I'm so very inspired by Senga's holistic brilliance & neverending curatorial process, as she has found a way to subtly edit, stitch, collage & essentially "fabricize" my creative breath techniques + embodied movements & the collaborative choreography of CC dance major Ella Boyd Brocker into the very artwork itself." - Dominic Shodekeh Talifero.
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Larynxphrase, Movement V: "Vodalities I & II" composed by Shodekeh from the compilation album "25x25" with choreography by Kele Roberson of the Nederlands Dans Theater (work in progress), 2026.Nederlands Dans Theater "Hello Mr. Talifero, I hope this message finds you well. My name is Kele Roberson, I am dancer currently with Netherlands Dans Theater, a contemporary dance company located in Den Haag, Netherlands. I recently stumbled upon “25x25” and upon listening felt incredibly compelled by your two incredible tracks in the album, Vodalities I & II, that draw on the breath and voice /vocal percussion...I have been searching for music for months now and these two tracks felt like an absolute gift to stumble upon - I feel they somehow link exactly to what I feel and imagine for the piece I’d like to make." - Kele Roberson of the Nederlands Dans Theater.
Available for PurchaseShodekeh's "Vodalities" featured on Sō Percussion's 25x25
Available on Cantaloupe Music
https://cantaloupemusic.com/albums/25x25
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Larynxphrase Exhibit E: "Vodalities I & II" composed by Shodekeh to be used in choreography by Kele Roberson of the Nederlands Dans Theater (work in progress), 2026.
Vodalities: I. The Universality of Breath Art Dancers & choreographers "Thank you so much for your response and your permission…!! I so greatly appreciate it. And how fitting that you used to make music for dance - you can absolutely feel it when you listen!! I will make sure to send through things / info as it comes along. I would also love to see/ hear any more material related to the music you might have!" - Kele Roberson of the Nederlands Dans Theater.
Available for Purchase
Museum Danger: Film, Art & Visual Interpretations of the Human Beatbox.
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Jazz Stracts: A painting created live in the moment by artist David Cunningham, of a performance at Center Stage featuring Shodekeh & Jazz musicians Kevin Robinson & Vatel Cherry, 2008."Mr. Cunningham is a developing artist who is constantly working with people and observing many situations through creative problem solving. His emphasis has been to create a greater perception and clarity in his waking version of the world. He cares a great deal for the children and adults he meets each day. The social concerns and qualities for the development of life through the means of art is his current language of choice. As a painter, Mr. Cunningham opens many doors in order to decipher a renewal within his vision." - The Maryland State Arts Council. -
River / Alash: Artwork by Jabari Weathers."He is presently seeking refuge in Baltimore, Maryland. Currently, he makes fantasy and sci-fi art for himself and others to keep up his glamor (and because it’s fun). Other things that he enjoys are pen and paper role playing games, singing in public places, and things that are thoroughly uncanny." - About the artist Jabari Weathers. -
Hood. -
Tuv. -
Shu-De: A dynamic & cinematic case study in filmmaking, music documentation & the dangers of context negligence on & behind the camera. -
Our Rhythm: A dynamic & cinematic case study in filmmaking, music documentation & the holistic benefits of contextual exploration, featuring Shodekeh. -
DC. -
Musical Interpretationist in Residence: My kinetic music installation for the Resident Reunion Group Exhibition @ The Creative Alliance, February 6th - March 19th, 2016."Creative Alliance is proud to present the Resident Artists Reunion Group Exhibition. Nearly 50 artists have made The Patterson’s eight studios, where they live and work, a home since 2003 after the Creative Alliance redeveloped the vacant Patterson Movie Theater into Baltimore’s premier multi-arts center." - The Creative Alliance. -
Ireland. -
Air Branches: An X-ray image of my lungs, reinterpreted & synthesized with an illustrated windpipe & tree branches by multimedia visual artist Erica Hansen."This body of work examines the psyology and mythology of song. They were created to illustrate the embodiment of song through three specific vocal artists and traditions. Beat-Boxing, Operatic singing, and Tuvian Throat singing were embodied by Dominic Shodekeh, Bonnie Lander and Ian Hessler, in a series of performances through 2012. Embody Air, Fire, and Water are part of an animation series that accompanies the performers." - Erican Hansen.
Historiography: For Whom It Stands, Untold Stories of the Flag & the American People. Music Researcher & Curator in residence of the Reginald F. Lewis Museum, Smithsonian Affiliate, 2013 - 2015.
The 5th Element: The Timeless Traditions of Hip Hop, Beatboxing & B-Boy Subculture in the 21st Century.
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City Paper Big Music Issue, Hip Hop Edition. -
Sho @ the J Dilla Tribute, hosted by Grap Luva. -
Sho & Jerell, Sons of Hip Hop. -
Graffiti Mandalas. -
Shodekeh, Q Bert & Rizqi Rachmat. -
Lester Spence's photo research for the book Stare in the Darkness: The Limits of Hip-hop and Black Politics. -
Sho & Symantyx. -
The 5th Element United: Shodekeh + Max Bent together representing the Human Beatbox, one of the primary pillars of Hip Hop Culture. Photo by Julie Bent."Max Bent makes music with his mouth. Beat boxing is the vocal art of producing percussive and melodic elements simultaneously using the mouth, tongue, sinus cavity, etc. Max has 22 years of beat boxing experience and has performed widely in both the real and virtual world. He is best known for his tutorial videos on the popular beat box website www.beatbox.TV. He organized the 2003 DC beat box expo and released a successful beat box themed DVD entitled Foundations. Max is currently developing a beat boxing program for middle school and high school students in Baltimore, MD." - The Maryland State Arts Council. -
The Hip Hop tradition of Beatboxing, influenced by Go Go Traditions. -
HH.
Shodargan (Collection VIII): The Musical, Scientific & Diplomatic Innovations of Shodekeh & The Alash Ensemble (Tuvan Khöömei + The Human Beatbox), 2011 - 2024.
Artistic + Curatorial Statement: "Shodargan, my Tuvan name gifted to me last Winter in Southern Siberia by Dargan, the legendary blacksmith of The Tuvan Cultural Center in Kyzyl, Tuva." - Shodekeh, 2015. Since his first curated encounter with the mysteries and complexities of Tuvan Throat Singing in 2006 at the High Zero Festival, and beginning his collaborations with Alash, one of the world's leading Tuvan Khoomei ensemble, Shodekeh has become a major curatorial advocate for modern day fusions with this ancient tradition. The name "Shodargan" represents the direct synthesis of his Hip Hop-based techniques and musicality with the diverse forms of Tuvan Khoomei here in the U.S., throughout Southern Siberia of the Russian Federation and on site in one of the world capitals of Khoomei in Kyzyl, Tuva. Without seeking assistance from the highly regarded Fulbright Fellowship or other embassy-oriented initiatives, Shodekeh and Alash have developed more unique grassroots methods for the cultivation of their musical exchanges, which in turns secures their musical and cultural innovations without any outside interference. Regarding the misunderstood and misappropriated uses of Hip Hop's indispensable element of Beatboxing, and the linguistically endangered tradition of Tuvan Khoomei, a creative hands-on approach regarding the fusion of these two vocal paradigms becomes essential. All of this in turn has enabled Shodekeh to become highly adept in fellowship adjudication, cultural curation, musical diplomacy, performance and programming in the context of world music fusion and collaboration. Musical + cultural advocacy and "paralinguistic musical improvisation" are additional skill sets that allow him to transcend boundaries that may exist between musicians of different languages and indigenous sound traditions. Shodekeh's previous work in this context of dynamic cultural fusion and musical diplomacy includes collaborations with the Asian Arts & Culture Center @ Towson University, the Baltimore Sister City Kawasaki (Japan) Committee, the Greater Baltimore Cultural Alliance, Lijiang Studios in Lijiang, China, the One Beat program in partnership with the U.S. Department of State's Bureau of Educational and Cultural Affairs, the Smithsonian Center for Folklife & Cultural Heritage, Smithsonian Folkways Recordings, the Smithsonian National Museum of Asian Art, the Tuvan Cultural Center of the Ministry of Culture of the Republic of Tuva and the U.S. Embassy of Lithuania.
"Alash’s inclusion of master beatboxer and musical adventurer Shodekeh on the album represents a deliberate choice in their vision of the future development of Tuvan music. Since Alash’s formation, the group members have sought to master the roots of their deep musical heritage and yet find ways to participate in the interconnected sound world of the 21st century. Performing with Shodekeh, himself the bearer of a rich but often misunderstood vocal tradition, creates a real-time musical connection between living performers, organically created and deeply rooted, yet futuristic. Shodekeh is a professional beatboxer, vocal percussionist, and hip hop-xöömei artist based in Baltimore, Maryland, whose deep interest in experimenting and collaborating with varying musical cultures and genres takes him to destinations worldwide. Shodekeh’s first trip to Tuva was documented in the 2016 film Shu-de! From classical, jazz, and modern dance to reinterpretations of “The Star-Spangled Banner,” Shodekeh’s ability simultaneously to act as a preservationist and catalyst for change serves his many creative and rhythmic travels as an individual musician, and as founding director and lead curator of Embody, a festival of the vocal arts. About his work with Alash, Shodekeh enthuses, “My experience working with Alash has been very organic, fluid, synchronistic. To be given a rare opportunity to add my sound in tribute not only to Tuva, but also to Kongar-ool Ondar, the musical father of the ensemble (which makes him one of my musical uncles), tells me that we’re the next generation of ambassadors, preservationists, and storytellers. The journey continues, as well as the culture and the music.” - Smithsonian Folkways Recordings / Smithsonian Center for Folklife and Cultural Heritage.
Shodekeh's Diplomatic Itinerography: American Month of Culture Artist Residency at the U.S. Embassy of Lithuania, 2009. The Greater Baltimore Cultural Alliance board memeber (2012 - 2018). Rhymes With Opera advisory board member (2011 - 2012). The Asian Arts & Culture Center advisory board member @ Towson University (2017 - 2022). The Baltimore Kawasaki Sister City Committee advisory board member (2017 - 2022). The Arthur Friedheim Music Library advisory board member of the Peabody Conservatory @ Johns Hopkins University (2018 - 2021). Artist Residency at Lijiang Studio in Lijiang, China, 2019.
Shodekeh's Khöömeiography: Shodekeh's Artist Residency at the Tuvan Cultural Center in Kyzyl, Tuva in 2012, 2014 & 2019. "Achai" with the Alash Ensemble, released by Smithsonian Folkways, 2017. The Alash Ensemble 2017 U.S. Fall Tour, 2018 U.S Spring Tour, 2018 U.S. Fall Tour, 2019 U.S. Spring Tour, 2019 Fall Tour, 2020 U.S. Winter Tour. "Embodiments" with Bady Dorzhu Ondar of Alash, released by Ear Up Records, 2022.
Shodargan Bibliography: "Overtone Singing: History, Development, and Influence in Contemporary Music" by Jocelyn Black (California State University Master's Theses). "Tuva or Bust!" by Ralph Leighton. "Where Rivers and Mountains Sing: Sound, Music, and Nomadism in Tuva and Beyond" by Ted Levin & Valentina Suzukei.
Shodargan Research Discography: Alash Ensemble: "Alash" (2007), "Buura" (2011) "Achai" (2015, re-released in 2017), "Meni Mana" (2020), "The Pathless Soundtrack + Meditations" (2020). Kongar-ol Ondar: "Genghis Blues Soundtrack" (1996), "Echoes of Tuva" (1996), "Tuva Groove" (1999), "Back Tuva Future" (1999). Huun Huur Tu: "60 Horses in my Herd" (1993), "The Orphan's Lament" (1994), "Fly, Fly My Sadness" (1996), "If I'd Be Born an Eagle" (1997), "Where the Young Grass Grows" (1999), "Ancestor's Call" (2010). The Tuvan National Orchestra self-titled album (2018). "Tuva: Voices From the Center of Asia" by Smithsonian Folkways (1990). "Tuva, Among the Spirits: Sound, Music and Nature in Sakha and Tuva" by Smithsonian Folkways (1999). "Enter The Wu-Tang: 36 Chambers" by the Wu Tang Clan, 1993.
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Shodargan Overtone I: Tuvan Khoomei + Hip Hop Fusion in the form of Alash & Shodekeh @ TED Talks, 2016.Sho'dekeh & Alash Iberi Choir live in Baltimore part 1 "Since Alash and beatboxer Shodekeh first met in 2011, they have forged an ongoing friendship and an ever evolving musical collaboration. Shodekeh, based in Baltimore, Maryland, is a vocal percussionist and breath artist who serves as musical accompanist and composer in residence for Towson University’s Department of Dance, as well as dance accompanist at Johns Hopkins Peabody Institute. Shodekeh often tours with Alash in the States, and he has become a regular visitor to Tuva. The 2016 documentary film "Shu-de!" directed by Michael Faulkner, documents Shodekeh’s musical journey to Tuva and features Alash and other musicians. Alash and Shodekeh continue to build a unique musical and cultural bridge between Baltimore, Maryland, and Kyzyl, Tuva. Bady-Dorzhu Ondar of Alash joined Shodekeh and friends to create the music for "Traveler" a short video animated by students at the Maryland Institute College of Art Animation Department. Shodekeh's project EMBODY, dedicated to music created by no instruments other than the human voice, has teamed up with Alash to combine Tuvan music with American hip hop. Most recently, a number of Baltimore hip hop musicians joined Bady-Dorzhu and Shodekeh in recording the album Embodiments. - Alash Ensemble.
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Shodargan Exhibit A: Alash, featuring Shodekeh @ TED Talks, 2016.
Alash and Shodekeh 2019 Annual Report - National Council for the Traditional Arts "Shodekeh has visited Tuva twice. At the most recent visit, they celebrated Alash’s 20th anniversary. The Ministry of Culture for the Republic of Tuva honored Shodekeh with a certificate of thanks and acknowledgement, highlighting the contributions he has made to advocate for the presence of music on the global stage, he said. “When I got that, let me tell you, I was so touched. It has been a really great challenge and adventure and experience — working with Alash,” he said. “I continue to learn so much not just about their music, but about their language and their culture and their land in Southern Siberia.” - Chicago Tribune.
Available for PurchaseAchai by Alash & special guest Shodekeh
Available on Smithsonian Folkways Recordings
https://folkways.si.edu/alash/achai
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Shodargan Overtone II: Kongar-ol Ondar, the first artistic director of Alash, performing with Shodekeh at the Tuvan Cultural Center (founded by Kongar-ol) in Kyzyl, Tuva, 2012.Kongar-ool Ondar, biographical sketch Shodekeh (BeatBox) & Lithuanian Folk Singers "Kongar-ol Ondar (March 29, 1962 – July 25, 2013) was a master throat singer from the Khemchik River, Tuva. He enjoyed a long and successful career both at home and abroad and was instrumental in the introduction of the art and culture of his homeland to the world beyond its borders. In 1993 alone, he performed and recorded with The Kronos Quartet, for their album Night Prayers; Ry Cooder, as well as Frank Zappa, the Grateful Dead’s Micky Hart, The Chieftains and Johnny “Guitar” Watson. Ondar was also a special guest at a command performance in New York City, sharing the stage with a troupe of Tibetan Monks and Japanese avant garde pioneer Kitaro. In 1994, Ondar joined forces with San Francisco artist Paul “Earthquake” Pena to record a groundbreaking blend of throat-singing and blues, aptly titled Genghis Blues." - Ondar.
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Shodargan Exhibit B: "SHU DE!" Big Sky Documentary Trailer featuring Shodekeh, Alash, Kongar-ol Ondar & The Tuvan National Orchestra, 2017.
Celebrity traveler: Shodekeh's musical treks Prudence Mabhena: Ipi Ntombi "Shu-De! is a documentary structured like a spiritual journey. It follows Baltimore beatboxer and vocal percussionist Shodekeh to the open wilds of southern Siberia where he collaborates with, learns from, and competes against world famous Tuvan throat singers. The expansive countryside and multiple performances are the heart of the film where we see and hear people of vastly different cultures connect via their art." - Post Typography.
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Shodargan Overtone III: Shodekeh's very 1st concept of collaborating with a professional Throat Singer, which was Fuyuki Yamakawa of Tokyo, Japan. This took place at the High Zero Festival of Experimental Improvised Music, 2006.High Zero: 2006 Documentation BEAT BOXERS "Last year, Shodekeh was the unexpected star of High Zero, initially only performing at an outdoor High Jinx event, until the organizers realized his versatility and capacity for experimentation and invited him to close out the festival with an incredible unannounced duet with Japanese throat singer Fuyuki Yamakawa, who wordlessly freestyled over the beatboxer’s rhythms." - The Baltimore Sun.
Available for PurchaseBlackwater Vision Quest : Fuyuki Yamakawa: Digital Music https://www.amazon.com/Blackwater-Vision-Quest-Fuyuki-Yamakawa/dp/B004PWGJS6
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Shodargan Exhibit C: Fuyuki Yamakawa & Shodekeh's "Polyglot" from the album "Blackwater Vision Quest" released by the High Zero Festival of Experimental Improvised Music, 2006.
About High Zero Universal Wind: Haegeum Meets Hip Hop 해금 비트박스 즉흥 "Fuyuki Yamakawa (b 1973, UK) is a ‘Khoomei’ singer, performer, sound creator who lives and works in Yokohama. He completes a Master Course in Tama Art University in 1999, and currently teaches in Tokyo University of the Arts and Tama Art University. His performance often includes his improvisation of musical happenings picks up and amplifying the sound of his heartbeat with an electronic stethoscope. By expressing himself through sound and light, he creates a deep resonance to the space as well as to the audience." - San Art.
Available for PurchaseBlackwater Vision Quest : Fuyuki Yamakawa: Digital Music https://www.amazon.com/Blackwater-Vision-Quest-Fuyuki-Yamakawa/dp/B004PWGJS6
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Shodargan Overtone IV: Shodekeh, Alash, Wendel Patrick & Khoomei Beat Winter Residency & performance for Alash's 20th Anniversary Concert @ The Tyva Republic Kok-Oola Theater for Musical Drama in Kyzyl, Tuva of Southern Siberia, 2019.IlluminAsia Shodekeh Talifero - OneBeat "Musicians: Bady-Dorzhu Ondar, vocals, igil, doshpuluur, guitar + Anya-ool Sam, vocals, doshpuluur, igil, guitar + Ayan Shirizhik, vocals, kengirge, shynggyrash, shoor, murgu, xomus + Shodekeh, human beatbox, hip-hop-xöömei. The three members are graduates of the Kyzyl Arts College and students of Kongar-ool Ondar, renowned master throat singer and member of the Tuvan parliament who was featured in the movie Genghis Blues.
Trained in traditional Tuvan music since childhood, they also cultivate a love of Western music—and sometimes include nontraditional instruments, old and new, drawing upon their knowledge of complex rhythms and Western harmonies to expand their musical possibilities. Smithsonian Folkways Recordings recently released the group’s latest album, Achai. Alash performs with guest artist Shodekeh Talifero, a professional beatboxer and vocal percussionist currently working in the Baltimore area and beyond." - The Smithsonian Institute.
Available for PurchaseAchai - Smithsonian Folkways Recordings https://folkways.si.edu/alash/achai
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Shodargan Exhibit D: Alash @ The Creative Alliance, featuring guest ensemble curations by Shodekeh. The album "Achai" was first self-released & distributed at the Creative Alliance in 2015 before being re-released by Smithsonian Folkways in 2017.
Our Rhythm Documentary Short | TEDxPittsburgh Cut Cybertrad "In 2011, that other world came to him when Alash Ensemble, masters of Tuvan throat singing, performed at a Baltimore art gallery. The rest is not only history, but it’s historic. Shodekeh jammed with Alash in Baltimore and visited Tuva twice, resulting in a film, “SHU-DE!” – “Let’s Go” – on their cultural, cross-continental collaborations. Since then, Shodekeh has learned from the masters and there have been almost-annual jam sessions during Alash U.S. tours, as well as a collaborative album, “Achai,” to honor Kongar-ool Ondar, the musical father of an entire generation of Tuvan musicians. Alash and Shodekeh will comingle cultures again Thursday, Oct. 17, this time in East Tennessee, at 7:30 p.m. in St. John’s Episcopal Church, 500 N. Roan St., Johnson City. The event is sponsored by the Mary B. Martin School of the Arts at East Tennessee State University." - East Tennessee State University.
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Shodargan Overtone V: "Achai" by Alash featuring Shodekeh, released by Smithsonian Folkways Recordings, 2017.Achai - Smithsonian Folkways Recordings World refugees day Pivot Zotamou feat Shodekeh "Achai, the Tuvan word for father, describes a deep paternal participation in the upbringing and growth of a new generation. It is also a fitting title for Alash’s new album to honor Kongar-ool Ondar, who served not only as a musical father for the ensemble, but also for an entire generation of Tuvan musicians. As Ondar shared memory and tradition, so too does Alash with spirited performances and forward-thinking collaborations. In the group’s first studio album for Smithsonian Folkways, Achai beautifully illustrates the adaptability of Tuvan music—organically created and deeply rooted, yet still interconnected with the sound world of the 21st century. Featuring master beatboxer Shodekeh, alongside time-honored Tuvan throat-singing styles, the album demonstrates how members of Alash have dedicated their lives to performing, preserving, developing, and growing the Tuvan tradition. They are worthy bearers of the culture of their fathers and sons. 57 minutes, 24-page booklet." - Smithsonian Folkways.
Available for PurchaseAchai - Smithsonian Folkways Recordings https://folkways.si.edu/alash/achai
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Shodargan Exhibit E: "Flute Box" from the Smithsonian Folkways release "Achai" featuring Alash & Shodekeh, 2017.
Chügle Sen Sen (Only You) Announcing the Maryland Traditions Folklife Area Program "Alash’s inclusion of master beatboxer and musical adventurer Shodekeh on the album represents a deliberate choice in their vision of the future development of Tuvan music. Since Alash’s formation, the group members have sought to master the roots of their deep musical heritage and yet find ways to participate in the interconnected sound world of the 21st century. Performing with Shodekeh, himself the bearer of a rich but often misunderstood vocal tradition, creates a real-time musical connection between living performers, organically created and deeply rooted, yet futuristic." - Smithsonian Folkways.
Available for PurchaseAchai - Smithsonian Folkways Recordings https://folkways.si.edu/alash/achai
Coda Theory (Collection IX): Shodekeh's Compositional Transferences, Arrangement Innovations & Musical Interventions in the 21st Century, 2009 - 2026.
Artistic + Curatorial Statement: Shodekeh defines the "Coda Theory" as the musical and cultural intervention / fusion practices of adapting Hip Hop pedagogies and Beatboxing techniques to Classical Canon and forms. This leaves listeners with the question, "Is this Classical or Hip Hop?" The argument is that the fusion methodologies take place in such a way that it can no longer be considered Classical, as the musical interventions naturally disrupts the hierarchal structures of the canon, no matter any level of institutional or ideological resistance. It now must be described as Hip Hop, or perhaps another creative description must be considered or applied. Through his countless collaborations in this context, Shodekeh has become highly skilled in classical form adaptation, percussion composition, musical intervention methodologies, the curation + programming of classical fusion and Beatbox-based creative methods of "improvising as arrangement."
"This gifted beatboxer has defied all logic when it comes to making music. Without instrument or song, he’s performed with the BSO, taught workshops at Peabody, and founded the must-see Embody series, using stamina and originality to flaunt the wonders of the human voice." - Baltimore Magazine: The Music Issue.
"You could call Shodekeh (a.k.a. Dominic Earle Shodekeh Talifero) a beatboxer or a vocal percussionist, if you want to feel a little more refined about it. But what the Baltimore-based musician seems to be more than anything is a chameleon, breathing out entire rhythm and bass tracks and blending them into a borderless range of performance situations. Armed with an attention-grabbing talent and a laid-back charm, he has shared stages with hip hop artists, ballet dancers, and jazz musicians all over the country. This summer he’ll take a bow with the Baltimore Symphony Orchestra. Even Roger Ebert is a fan. Shodekeh finds a very beneficial exchange of ideas in this promiscuous genre-hopping. “I like to be challenged,” he explains. “It pushes me more, as a person who’s looking to always up the ante in regards to my musicianship.” With no formal musical training, he admits that he may initially have been seeking validation from other realms of music, but these days he’s simply looking to push himself and others in their creative artistry. It’s a strategy he finds makes for a good learning experience all around. Though plenty of young beatboxers find inspiration listening to the records of big-name artists like Doug E. Fresh and Rahzel (formerly of The Roots), Shodekeh says that the skills are just as likely to be passed on informally through a friend, a brother, or even a fellow beatboxer met by chance at a party. “Most of the time it’s a very organic, personal thing,” he says. “It’s definitely the kind of tradition where it’s one man’s journey or one woman’s journey. It’s kind of like learning how to cook just from hanging out in the kitchen with your mother.” When the tricks and skills of the trade are mastered, there also seems to be a kind of magician’s ethics in play. In an interview, Shodekeh is careful not to “give away” the methods and ideas behind the signature sounds of other artists. He does, however, seem to take a particular delight in the informal and impromptu skill-sharing that can happen when your instrument is always available, whether that’s performing with new voices at an improv session or breaking down the fourth wall and getting the audience in on creating the beats. In his own work, Shodekeh does not use any formal notation system, but he does point out how alphabet notation combined with some algebraic rules could convey ideas fairly efficiently. He does have pieces, in a sense, or perhaps what might be better characterized as cadenzas that he has composed and perfected structurally and can mix into a live performance, but plenty of room remains in his sets for improvisation and that’s a vital part of the equation in his mind. He explains that the approach “allows for a moment to really, truly exist. It’s just like a jazz concert. You have the springboard that’s written but you don’t know what’s going to happen in the middle, and that’s the beauty of it.” Though he also loves the work he does now as faculty accompanist for Towson University’s dance department as well as at the American Dance Festival at Duke University, Shodekeh is hesitant to take his work too deeply into the academy and formalize in that way. “I think it can exist organically anywhere,” he says, “but I don’t like the idea of teaching it in an academic setting. Not everything has to be institutionalized.” Still, education and experimentation are central to his work. Shodekeh’s most recent project, Embody, seeks to bring together a broad range of vocal artists under one umbrella and put what was once his more private pursuit of genre exploration front and center on the stage. A recent performance under this headline showcased a throat singer, an operatically trained vocalist, and of course Shodekeh’s personal brand of vocal percussion. He points out that “there is a lot of experimentation in beatboxing, actually a big part of it is nothing but experimentation. So I’m really interested in seeing how these realms can fuse with one another.” His ideas for cross-collaboration don’t stop there. “I would love to see a professional whistler with a throat singer, or a beatboxer with a yodeler,” he suggests. “I think we all have a lot to learn from one another.” - New Music USA.
Shodekeh's Symphonography (2008 - 2025): Shodekeh's past work in this fusion context includes direct collaborations with the American Opera Theater, the Baltimore Symphonic Band, The Baltimore Symphony Orchestra with Marin Alsop, the Boulder Philharmonic Orchestra, the BSO Orch Kids, Classical Revolution, the Columbia Orchestra, the Connecticut Youth Symphony, the Evolution Contemporary Music Series, Frederick Regional Youth Orchestra, Hartford Symphony Orchestra with Carolyn Kuan, the Hopkins Symphony Orchestra, the In Opera Series, the Kandinsky Trio, the Kronos Quartet, the League of American Orchestras National Conference, Meredith Monk, Mobtown Modern, Occasional Symphony, the Opus 89 Youth Orchestra @ The Hartt School of the University of Hartford, The Peabody String Sinfonia, Rhymes With Opera, the Rochester Philharmonic Orchestra, Sō Percussion's 2022 Spring Tour & 2023 Spring Tour, and the Shreveport Symphony Orchestra.
Coda Bibliography: "12 Notes On Life and Creativity" by Quincy Jones. "The Pedagogy of Becoming: Identity Formation through the Baltimore Symphony Orchestra’s OrchKids and Venezuela’s El Sistema" by Ann H. Shoemaker (Dissertation submitted at the University of North Carolina).
Coda Research Discography: Deep Purple live with the Royal Philharmonic Orchestra, 1969. "Gone Till November" by Wyclef Jean with the New York Philharmonic Orchestra, 1997. "Roseland NYC Live" by Portishead and the New York Philharmonic Orchestra, 1998. Kenny Muhammad's live performance with the New York City Symphony Orchestra and conductor David Eaton, 2000. "Swinging Bach" by Bobby McFerrin and the Leipzig Symphony Orchestra, 2000. "The Architect" by Rob Swift, 2010. "RE: GENERATION"by DJ Premier with the Berklee Symphony Orchestra featuring Nas, 2012. Mozart's "Divertimento for String Trio," 1788. "String Quartet No. 3" by Felix Mendelssohn, 1838. "Youkali" by Kurt Weill, 1934. "A Midsummer Night's Dream" by Benjamin Britten, 1960. "Suite No. 3" by Bach.
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Coda, Prelude I: Fujiko's Fairy Tale: The Baltimore Symphony Orchestra, Marin Alsop & Shodekeh. U.S. premiere of Jennah Vanio's composition for Beatboxer & strings on July 23rd, 2010.BALTIMORE VOICES BSO Take-Outs @ The Crown Shodekeh & BSO Percussionists Brian Prechtl & Barry Dove "Baltimore beatboxer Shodekeh rehearses Fujiko's Fairy Tale with Music Director Marin Alsop and the Baltimore Symphony Orchestra. This unique collaboration will be featured in the BSO's Music of Frank Zappa and Phillip Glass concert at the Meyerhoff on Friday, July 23, 2010." - The Baltimore Symphony Orchestra. Photograph by What Weekly.
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Coda Exhibit A: Shodekeh Rehearses with Marin Alsop & the Baltimore Symphony Orchestra for the U.S. premiere of "Fujiko's Fairy Tale." Vocal Percussion composed & arranged by Shodekeh, 2010.
Q&A with Shodekeh Jennah Vainio (arr. Viitasaari): Beatbox Concerto for wind ...Variations for Four Drums "Baltimore beatboxer Shodekeh rehearses Fujiko's Fairy Tale with Music Director Marin Alsop and the Baltimore Symphony Orchestra. This unique collaboration will be featured in the BSO's Music of Frank Zappa and Phillip Glass concert at the Meyerhoff on Friday, July 23, 2010." - The Baltimore Symphony Orchestra.
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Coda, Prelude II: Extensive Vocal Techniques: "Dolmen Music, Part 1 (Shodekeh’s Embody & Continuums Remix)" composed, curated, arranged & remixed by Shodekeh for MONK MIX: Remixes and Interpretations of Music by Meredith Monk, 2012.Meredith Monk Dolmen Music, Part I Shodekeh's Embody & Continuum Remix "It’s darn near impossible to reinterpret material from a musical icon without diluting the original’s vitality or tampering with some key component of the artist’s vision. But local beatboxer Shodekeh effectively re-imagined Meredith Monk’s classic “Dolmen Music” as a hip-hop instrumental by enhancing it with a battery of rhythmic flourishes. Monk’s original displayed plenty of depth but not much drive, while the Shodekeh track, featured on Monk Mix, favored solid beats over the drift of abstraction. It exuded mystery, even as it flexed newfound might, and proved to be the highlight of a collection that also featured Bjork and DJ Spooky." - Baltimore Magazine. Image courtesy of ECM Records.
Available for PurchaseDolmen Music - Meredith Monk
Available on ECM Records
https://ecmrecords.com/product/dolmen-music-meredith-monk/
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Coda Exhibit B: Dolmen Music, Part 1 (feat. Shodekeh’s Embody & Continuums Remix) composed, curated, arranged & remixed by Shodekeh for MONK MIX: Remixes and Interpretations of Music by Meredith Monk, 2012.
MONK MIX: Remixes & Interpretations of Meredith Monk Baltimore Magazine "Best of Baltimore" Award: Best Homage for Shodekeh's Meredith Monk Remix, 2012. Featuring co-performers & co-composers Dr. Erik Spangler, Max Bent, Kate Porter & Bonnie Lander.
"Composer, vocalist, filmmaker and MacArthur Fellow Meredith Monk has created a unique body of work that uses the voice as an instrument. Now, her songs have been covered and remixed by a wide array of musicians, from Bjork to Caetano Veloso to DJ Spooky. Monk joins us to share her reaction to the surprising results on “Monk Mix.” - WNYC Studios.
Available for PurchaseMONK MIX
Available at Meredith Monk & the House Foundation for the Arts
https://www.meredithmonk.org/store/cds
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Coda, Prelude III: A Classical Synthesis in the 21st Century: Classical Revolution, featuring Shodekeh @ TEDxMidAtlantic, 2012.Classical Revolution: Taking Classical Music to the Streets A Midsummer Night's Dream - Michael Ching "Classical Revolution is built around the idea that performing live classical music can change communities. Founded in 2007 in San Francisco, the idea has spread all around the world. Rafaela Dreisin of the Baltimore chapter of Classical Revolution will lead a combined group of musicians from both DC and Baltimore in a regional collaboration crafted specifically for TEDxMidAtlantic 2012. Both groups perform regularly in and around Baltimore and Washington with performances ranging from impromptu public venues to regularly scheduled evening events." - TEDxMidAtlantic. Photo by TED Talks.
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Coda Exhibit C: Taking Classical Music to the Streets: Classical Revolution & Shodekeh at TEDxMidAtlantic, 2012.
Classical *Revolution Classical Revolution Baltimore - The Luckiest (Ben Folds), featuring Shodekeh Classical Revolution Baltimore - Ysaye and Beat Box featuring Shodekeh "Classical Revolution is a chamber music organization known for holding performances of classical music in unusual spaces. Charith Premawardhana founded the organization in 2006 at San Francisco’s Revolution Café. As of 2013, the organization had 38 chapters in different cities in North America and Europe including London, Berlin, and Paris. The group focuses on accessibility to the audience and creating opportunities for local musicians to perform. Its tagline is "chamber music for the people." - Classical Revolution.
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Coda, Prelude IV: "Vodalities" composed by Shodekeh. An extension of his Innovation Capstone III (The Vodality Theory) during his time as Innovator-in-Residence @ Towson University. World premiere at Carnegie Hall, 2021. Composed in 2020.View Program Notes Percussion Studio Recital - Fall 2023: featuring Shodekeh, breath artist Vodalities: Paradigms of Consciousness for the Human Voice was co-commissioned by the Caramoor Festival, Sō Percussion’s New Work Development Program, Bard Conservatory Percussion, Baylor University Percussion, the University of Michigan Percussion, and Vanderbilt University Percussion.
"Shodekeh Talifero’s Vodalities: Paradigms of Consciousness for the Human Voice was composed orally and transmitted to Sō Percussion through recordings. He originally sent us the three movements as completed performances and also as individual stems for transcribing each part. We then translated his vocal percussion sounds into physical percussion. The skill, creativity, and range of colors in Shodekeh’s practice is astonishing. The only way to fully grasp this is to hear him perform, which is why it is essential to listen to the accompanying mp3s before building your own interpretation of the piece." - Dr. Adam Sliwinski of Sō Percussion.
Available for Purchase -
Coda Exhibit D: "Vodalities" composed by Shodekeh for Sō Percussion. An extension of his Innovation Capstone III (The Vodality Theory) during his time as Innovator-in-Residence @ Towson University. Composition film released by Vic Firth.
Collaborations Virginia Tech: KandinskyBeatDown 2009 "Vodalities: Paradigms of Consciousness for the Human Voice" by S. Talifero // U-M Percussion Ens. "Vodalities, Paradigms of Consciousness for the Human Voice" composed by Dominic Shodekeh Talifero: Asia premiere @ the University of the Arts Singapore in the National Design Centre of Singapore in 2026.
"In a completely different vein is Vodalities, Paradigms of Consciousness for the Human Voice, created by composer and performing artist Shodekeh Talifero, who pays tribute to Bobby McFerrin, Ella Fitzgerald, and Doug E. Fresh in an exploration of wordless vocal techniques used by musicians around the word. Talifero’s vocal percussion merged with the sounds produced by So Percussion, for whom the piece was written, in a fascinating experience that was as compelling visually as it was aurally." - Classical Voice of North America.
Available for Purchase -
Coda, Prelude V: "Deadlock: Concerto For Beatboxer" composed by Ruby Fulton. Beatboxing & Vocal Percussion composed & performed by Dominic Shodekeh Talifero. World premiere with the Boulder Philharmonic Orchestra (2012). Archived at UCLA, 2020.
Contemporary Music Score Collection Guide Happy Holidays from Sirena and Shodekeh! "Program Note: Deadlock is a concerto custom-made for Baltimore beatboxer Shodekeh, an artist of vocal percussion. Many thanks to Wilbert Brown of the Fells Point Chess Club in Baltimore for writing the chess game which provides the underlying structure of the music. I composed the first movement while in residency at the Hermitage Artist Retreat in Englewood, Florida." - Ruby Fulton.
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Coda Exhibit E: Boulder Philharmonic | Ruby Fulton - Deadlock I. (2012) for beatbox soloist and orchestra, featuring Dominic Shodekeh Talifero with the Boulder Philharmonic Orchestra in 2012 & the Shreveport Symphony Orchestra in 2013.
Performances of Works by American Composers Group 5 Works Organizational Profile Beatboxer Shodekeh joins Hopkins Symphony Orchestra "I would love to see how the composer notated this for beat boxer!" - Davey Doodle.
"There are 6 main beats which were created by Shodekeh (1 for each of the chess pieces) and his part in the score is more like a map, showing when to play each of the beats and for how long. The soloist used a chess board on a music stand for his score in some of the performances!" - Ruby Fulton.
Jazz/Age: A Non-Linear Tribute Through Hip Hop + Beatboxing in the 21st Century.
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Lafayette Gilchrist & Shodekeh. Photo by Wendel Patrick, 2015."On Sunday evening, the regular rhythm section was joined by special guest Shodekeh, Baltimore's beatbox specialist extraordinaire. His inventive vocal percussion added a new level of complexity that markedly enhanced the material. And when he took a solo, he held his own with any of the jazz soloists on stage." - The City Paper, "Lafayette Gilchrist and the New Volcanoes impressively blend jazz and go-go at the Windup Space." -
Ethel Gives Thanks: Ethel Ennis, featuring Shodekeh & the Stef Sciaggari Trio at the Creative Alliance, November 27th, 2010."Shodekeh performed with Ethel Ennis and her trio at the Creative Alliance last year. "I'd had my eye on her for awhile," he says. "She has a lot of musical tricks up her sleeve. It took Ethel out of her comfort zone," says her husband, Earl Arnett. But it was improvisation, and I've done a lot of that over the years," adds Ennis. "You know, beatboxing is really just a new name for something that's very old." - Baltimore Magazine. -
Shodekeh & Towson University Jazz Major/Saxophonist Liam Hurlbut @ Towson University, 2014. Photo by Olivia Mika."Towson is recognized as one of the finest music programs in Maryland. Our programs in music education, performance, composition, and jazz draw outstanding students who pursue successful careers in music." - Towson University Department of Music. -
Jazz & Soul vocalist Navasha Daya & Shodekeh, in conversation during Embody, a series of the Vocal Arts, 2016."Called an “Astral Soul Goddess” by the prestigious UK publication Mojo Magazine, Navasha Daya is an exceptionally gifted and seasoned singer, songwriter, producer, musician, performing arts curator, certified holistic wellness practitioner, and spiritual and cultural arts activist who from childhood was inspired and encouraged to use her voice and talents to uplift others and inspire change." - Navasha Daya. -
The Treme Brass Band, Benny Jones Sr. & special guest Shodekeh @ the American Folk Festival in Bangor, Maine, 2016."New Orleans' legendary Treme Brass Band has played traditional New Orleans brass band music for decades and is loved all around the world. The musicians of Treme Brass Band are survivors. Treme Brass Band gained fans around the world via the HBO show "Treme" as well as appearances in Spike Lee's documentary "When The Levees Broke" and the popular television show NCIS New Orleans on CBS." - The Treme Brass Band. -
Jazz Diaspora: Shodekeh performing with the legendary New Orleans Pianist Henry Butler & New Orleans Musical Ambassador Lilian Boutté @ the Conference on World Affairs Jazz Concert, 2009."After watching Shodekeh perform in Colorado, Chicago Sun-Times critic Roger Ebert later wrote about the experience in his online journal: “He picked up a mike, and I assumed he was a vocalist. Well, in a way he was. Shodekeh is a percussionist who plays his body as his instrument. He's the only percussion section I've ever seen with choreography.” - The Maryland State Arts Council. -
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Michael Mwenso & the Shakes, featuring Shodekeh."Whether fulfilling the role of vocalist, emcee, showman, or impresario, Michael Mwenso conveys both the sophistication and spontaneity of hardcore jazz and the music’s folkloric roots with impeccable craft, creativity, and communicative flair. Most frequently, Mwenso performs as leader—or ringleader—of Michael Mwenso and The Shakes, a revue comprising between three to five vocalists and a rotating ensemble that includes rising stars like drummers Joe Saylor and Jamison Ross." - Michael Mwenso. -
Marc Avon Evans & Shodekeh @ Be Free Fridays, 2016."Marc A. Evans, a native Baltimorean, was born into music. Yet amazingly, this son of a vocalist and jazz saxophonist didn't discover his own music until his late teens. Finally, as a student at Morgan State University, under the tutelage of Dr. Nathan Carter, Evans began nurturing a love for music. Out of that nurturing arises one of the most sultry, smoky baritones ever." - Marc Avon Evans. -
Jazz Drummer, Vocalist & Composer Erik Kennedy & Shodekeh."Eric Kennedy, a Baltimore native, is a drummer, vocalist, percussionist, educator and composer. Eric’s introduction to all styles of music and early music training was initiated by his musical relatives, who also cultivated his love of jazz. Eric continued his arts education at the Baltimore School for the Arts studying classical percussion and voice with Baltimore Symphony Orchestra percussionist John Locke, Donna Di Stefano and the late Dr. Nathan Carter and Ms. Jewel Churn of Frederick Douglass HIgh School." - Eric Kennedy.
Mojafola + Applied Political Science (Collection IV): "The Anti-Racist Artist-in-Residence" Pilot Launch & Creative Consultations for the Butler Center @ Colorado College, 2024 - 2025.
Artistic + Curatorial Statement: "Today is my birthday / breathday, & on my 48th rotation around the sun, I'm so honored & humbled to share that I've also been invited to serve as the very first "Anti-Racist Artist-in-Residence" at the Butler Center of Colorado College for 2025 - 2026." - Dominic Shodekeh Talifero, September 30th, 2025.
"Dear Shodekeh, On behalf of the Butler Center, the College’s student-facing office for Diversity, Equity & Inclusion, we would like to extend an invitation to work with, partner, and collaborate on our collective antiracism commitments for the benefit of not only the CC student community, but the college community as a whole. In the coming weeks, we would like to work with and collaborate with you as an Antiracist Artist-In-Residence for the CC campus community. This letter serves as an acknowledgement of your gifts as a creative force on this campus, a research-based performance artist, and as a program creative. We want to uplift and celebrate your body of work and acknowledge the work you are still doing and facilitating for the CC community." - The Butler Center of Colorado College.
Shodekeh's Raceography: Shodekeh's work as an artist + arts-based researcher where tackling issues of systemic racism and the institutionalized cultures of white supremacy is the primary focus include direct collaborations with the Reginald F. Lewis Museum of Maryland African American History & Culture (2013 - 2015), the 2015 Regional Conference of Amnesty International, the "Ideations of Potential" living archive at the Towson University Special Collections & University Archives (established in 2021), "Blood at the Root" produced by the Towson University Department of Theatre Arts (2021), the Presidential Library of George Washington's Mount Vernon (Research Fellowship Class of 2023 - 2024), "The Northwestern Law Journal des Refusés" at the Northwestern Pritzker School of Law (2025) and the Butler Center of the Division of Institutional Equity & Belonging @ Colorado College (2024 - 2025).
The Anti-Racist Artist-in-Residence Bibliography: "5,000,000 Years of African Humanity: Tracing African-American Ancestry" by Helen Talifero Maddox. "Awakening the Natural Genius of Black Children" by Dr. Amos N. Wilson. "Echoes of the Old Darkland: Themes from the African Eden" by Dr. Charles S. Finch. "The Hiroshima Library" by Brandon Shimoda. "The Isis Papers" by Dr. Frances Cress Welsing. "Miseducation of the Negro" by Carter G. Woodson. "The Mismeasure of Man" by Dr. Stephen Jay Gould. "Stolen Legacy" by George G.M. James. "The United Independent Compensatory Code-System-Concept" by Neely Fuller Jr. "Yurugu: An African-Centered Critique of European Cultural Thought & Behavior" by Dr. Marimba Ani.
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Anti-Racist Creative Intervention I: Shodekeh's Breath Art performance in "Blood at the Root" @ Towson University, a core inspiration for his Anti-Racist Artist Residency @ Colorado College in 2025.Theatre Review: 'Blood at the Root' at Towson University "The play is written for a cast of six, but Del Valle has supplemented them with a background ensemble of nine, as well as the locally famous beatboxer, Dominic Shodekeh Talifero. The latter opens the show, dressed as a janitor and mopping the stage while creating ominous sounds and rhythms into a well-concealed body mic. Shodekeh reappears many times throughout the play, serving as connective tissue, as well as underscoring or as an accompaniment, to Del Valle’s electrifying movement sequences." - Theatre Review.
Photo courtesy of the Towson University Department of Theatre Arts.
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Anti-Racist Creative Consultations Exhibit A: A Letter of Invitation to consult & collaborate from the Butler Center @ Colorado College, 2025.MACHETE x SHODEKEH present Live & Radicalized "Dear Shodekeh, On behalf of the Butler Center, the College’s student-facing office for Identity, Diversity, Equity & Inclusion, we would like to extend an invitation to work with, partner, and collaborate on our collective antiracism commitments for the benefit of not only the CC student community, but the college community as a whole. As an Identity-based center, we pride ourselves on centering, advocating, and uplifting those with marginalized identities and lived experiences. We understand the importance of multicultural and diverse spaces on this college campus given the history of the founding of this institution of higher education. Celebrating and uplifting the work of creatives, authors and educators, is one of the many ways we collaborate and advocate for marginalized communities within the college campus. In the coming weeks, we would like to work with and collaborate with you as a creative consultant through your role as the college’s Breath Artist-In-Residence. This letter serves as an acknowledgement of your gifts as a creative force on this campus, a research-based performance artist, and as a program creative. We want to uplift and celebrate your body of work and acknowledge the work you are doing for the CC community. THANK YOU for your interest in upholding the college’s antiracist commitment and being a willing participant in our department’s efforts to educate, celebrate, and advocate for marginalized communities here at Colorado College." - The Butler Center.
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Anti-Racist Creative Intervention II (Community Outreach): Behind the Masc "Wing Chun" Master Class with instructor Dave Daniels in collaboration with the Butler Center, 2025.Dave Daniels Jr "I'm so excited to be serving as a co-organizer of this event taking place next week, as I've been a student of Wing Chun in the last several years. It's been much more challenging for me than I initially expected, & I still have a very long way to go. But I intend on finishing what I started, as this discipline has been one of the key factors in my continued growth." - Shodekeh.
"Dave Daniels having been a Fitness Professional for over 40 years and is Certified by NASM & various other organizations, is very experienced in various training modalities & is a Traditional Wing Chun Kung Fu Instructor and student under Master Keith Mazza. Mr. Daniels has been studying Traditional Wing Chun for over 20 years, is a student 1st and is always trying to improve and get better for his Clients & Students to best prepare them and help them get in the best shape of their lives." - Human Anatomy in Symmetry.
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Anti-Racist Creative Consultations Exhibit B (Community Outreach): West African Dance Professor Dallo Fall's "Roots & Rhythms" @ The Butler Center, 2025.Dallo Fall | Giving of Self + Senegal "Through my new ARAIR residency at the Butler Center, one of my main focuses is creating new community connections for the division of Institutional Equity & Belonging centered in cultural identity + artistic advocacy. Tomorrow's event featuring Dallo Fall will be an extraordinary example of that kind of new momentum." - Shodekeh.
"Dallo has been dancing since she was a very young girl. In her rural village in the Casamance region of Senegal, every major event in a person’s life is celebrated with music and dance. Dallo enjoys sharing the vibrant beauty of her culture through traditional percussion rhythm, dance movement, and song. She is an attentive and challenging teacher who works well with dancers of all levels. Dallo teaches African Dance at The Colorado College in Colorado Springs, CO. Together with her drum and dance ensemble,”Jamoral” she offers workshops and performances throughout Colorado’s Front Range." - Peak Radar.
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Anti-Racist Creative Intervention III: "Breath Art, A Creative Resource for Restoration, Resilience & Empowerment" led by Shodekeh for the Butler Center, 2025.This beatboxer shows you how to make art out of your breath "Next week I'll be leading a very unique Breath Art master class experience tailored specifically for the staff & students of the Butler Center (Anti-Racism + DEI) of Colorado College, & I can't wait to go deeper into it's many creative possibilities in terms of personal restoration & empowerment." - Shodekeh.
"In situations where there is much confusion and / or conflict about "praying," use and / or suggest the use of the following Compensatory Universal Prayer: Quietly "breathe in" (deeply) then breathe out. While doing so, think about "The Source" of your breath and your breathing, and how dependent you are on "The Source" that created it. This is a basic form of "The United-Independent Compensatory Universal Prayer." When you awaken from sleep, breathe deeply, and while holding and releasing your breath, think about The Source of each and every breath that you ever taken. Think about each "part" of your mind, body, and spirit, including your breath, as a gift that you have not yet "earned." Be silently thankful for all of those uncounted breaths that you have ever received. Constantly use logic in constructively thinking about, and appeciating the value of The Source ("The Creator," "The Great Spirit," "Allah," "All-Power," ect.)." - Neely Fuller Jr, "The United Independent Compensatory Code/System/Concept: A Compensatory Counter-Racist Code."
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Anti-Racist Creative Consultations Exhibit C: "Breath Altar' installation commissioned by the CC Music Dept for Iyanla Ayite's senior capstone "Sonic Portal to the Afrofuture" in 2025. Additional interview conducted & recorded at the Butler Center.S.P.A. (Sonic Portal to the Afrofuture) "I'll be creating, curating & maintaining a mini "breath art" installation for Iyanla's capstone today & all weekend here at Colorado College. There are still undeniable hopes through the youth." - Shodekeh.
"Shodekeh, Affirming your Wellness & Protection, You are a site of unobstructed flow, of focused power, of first Earth soil, of ancient alchemy, of ancestral reclamation, of spirit-body reparation, and of the reintegration between the seen and unseen. You are a trickster facilitating sublime storms, quiet collisions that will rumble like thunder only because sound travels slower than light. You are creating conditions for a falling apart that is a falling into place. You are, and the ground trembles as if every buried memory awakens like an army behind you, every disremembered story rumbles with a command to be told. You come like lightning and leave like thunder, a two-fold ripple of transformative and fertilizing truth. You are an undeniable storm, and I am honored to have collided with you. You return me to the birthright that is my breath, and you challenge me to do more careful work, the kind that none of the prevailing systems have instructions for or take concerted heed of. There is no chance of a place or person being left unchanged if they knew you. Whatever visions I can support, you let me know." - Iyanla Ayite.
Photograph courtesy of Colorado College.
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Anti-Racist Creative Intervention IV: "Get Out" Black Filmmaker Series screening & discussion hosted by Shodekeh in collaboration with the Butler Center, 2025.Jordan Peele's 'Get Out': The Oral History "This upcoming film screening & discussion of "Get Out" will be one of my main programs this Fall semester through my new ARAIR residency at the Butler Center, & I absolutely can not wait to lead this experience. As I'm currently studying this film in preparation, the countless layers & dimensions continue to reveal themselves, & attending the New York Film Academy as a college student back in 2001 continues to pay off." - Shodekeh.
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Anti-Racist Creative Consultations Exhibit D (Anti-Racist Book Reading): The Kerner Report, commissioned by President Lyndon B. Johnson. An innovation capstone + research anchor for Shodekeh's upcoming "Non-Linear Anti-Racism Time Capsules (2028 + 2068)."The Kerner Commission The Riot Report | American Experience | Official Site "Inspired by the Antiracist Book Club Fall 2025 - 2026 selections ("Nuclear Nuevo México: Colonialism and the Effects of the Nuclear Industrial Complex on Nuevomexicanos" by Myrriah Gómez & "Noor" by science fiction author Nnedi Okorafor) during my Anti-Racist Artist Residency, I decided to carefully choose my very own reading / research endeavor specific to my pilot launch, which became "The Kerner Report," first published in 1968 and commissioned by President Lyndon B. Johnson. This legendary report will be having it's 50th anniversary in 2028, hence the highly anticipated and dynamic relevance of my selection." - Dominic Shodekeh Talifero.
"Today I designed & installed my very first "Black History Lab" as a creative consultant for the Butler Center of Colorado College, including a rare 1968 copy of the "The Kerner Report," & my heart is so full right now. This immersive & hands-on lab experience was composed of the knowledge systems of libraries, art museums, special collections / archives, record stores, numismatics & oral histories + oral tradition, all curated to exist adjacently & concurrently at different paradigm stations within the same space of the center. This was a culminating response to the concept challenge / research prompt of "How do you turn Black History Month into a year-long & / or lifelong practice?" I could have given a "lecture presentation" I guess, but deep down inside that's not how I really rock. Creating a prototype model of a "humanities lab" was definitely the way for me to go, & I'll be unpacking so much from this experience all this week & for quite some time to come." - Shodekeh.
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Anti-Racist Creative Intervention V (Anti-Racist Artist-in-Residence pilot launch inspirations): Shodekeh's "Breath Garde" work on "Blood at the Root" + "Ideations of Potential" @ Towson University, 2021.Blood at the Root Frantz Fanon: Combat Breathing "Ideological (Technical) Difficulties...My character Mr. Jim E. Talifero in the play "Blood at the Root", the school janitor & the lost oracle of Cedar, LA, climbing a ladder in order to remove the nooses from the tree Ol' Devoted at Cedar High...Removing these nooses within the context of this theatrical production, (not including rehearsals) which by the time we have our final show on Saturday will total up tp eight separate occasions, has been more than extraordinarily difficult for me, especially as someone who has battled direct & indirect symbolic, violent acts of racism / white supremacy not only in society, but particularly in my own family as a child for many, many years, where I was supposed to feel safe. But yesterday several black student majors in the Theatre program here at Towson University told me that when I engage in the act of taking the nooses down, I am performing an act of heroism, similar to the scene of Christopher Plummer ripping the Nazi flag in half in the film "The Sound of Music". Feeling grateful to the Universe for sending me the exact encouragement I needed in order to complete the next four runs of this show, starting up once again tonight. My performance this evening will be dedicated to two of my great ancestors Lynwood Talifero & Linwood Talifero, who both fought against the Third Reich & the Axis Forces in World War II..." - Shodekeh.
"Breath Garde" (a term conceived of by Dominic Shodekeh Talifero in December of 2025): The curated applications of "Breath Art" which are maximized explicitly through the lens of Franz Fanon's concept of "Combat Breathing" in the name of fostering a diversity of creative, philosophical, experimental and musical efforts to counter institutionalized racism, white supremacy, colonialism and systemic oppression." - Shodekeh.
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Anti Racist Creative Consultations Exhibit E: "Fuck Your Fear" + "Radical Eyes" by Machete x Shodekeh. Conceptualized & recorded @ the Colorado College recording studios during Shodekeh's Anti-Racist Artist Residency. Released on February 27th, 2026.
Radical Eyes Foundations: "Breath Art is the Blues of the Human Beatbox...With my dear caremate + altar-companion Machete Garcia, I've released a brand new single entitled "Fuck Your Fear + Radical Eyes" & I'm so proud & yet humbled to say that not since recording with Joyce J. Scott & Bady Dorzhu Ondar of Alash have I been brought so close to the very essence of the Blues. This of course makes complete & total sense considering that she's originally from the haunted lands of Missouri. We'll be performing these two songs & more during a duet concert that we're having at 12:30 pm at the Seay Library of Music & Art @ Colorado College, which is more than fitting since we recorded our songs in the Colorado College Department of Music last Fall."
Special Note: If you have a pair of decent or advanced headphones, we highly recommend using them, because listening to what we've created is a bio-acoustic + bio-ancestral experience, just as music should be. - Shodekeh.
Black Larynx: Dynamics + Vodalities of Musical Experiments, Existentials & Extremophiles.
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Below Zero: Shodekeh, the poster child representing the extreme nature inherent within the genres of Beatboxing + Hip Hop for the 2008 High Zero Festival of Experimental Improvised Music."High Zero is the premier festival of Improvised, Experimental music on the East Coast, being fully devoted to new collaborations between the most inspired improvisors from around the world. Lasting two weeks in total, the festival brings together 28 core musicians each year, but also involves a much larger subculture of musicians in Baltimore and on the East Coast. Unlike many related festivals, High Zero is not narrow in terms of sensibility or subculture, but rather widely inclusive of all the different types of experimental music-making in the moment." - High Zero. -
Alumnus Ex: Shodekeh, alumni of High Zero, the Red Room & the After Now series. -
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Zero Numeral. -
Blur. -
Versus. -
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PFFF... -
Monks. -
Dolmen Music, Part 1 (Shodekeh’s Embody & Continuums Remix) MONK MIX (CD2): Remixes & Interpretations of Music by Meredith Monk."It’s darn near impossible to reinterpret material from a musical icon without diluting the original’s vitality or tampering with some key component of the artist’s vision. But local beatboxer Shodekeh effectively re-imagined Meredith Monk’s classic “Dolmen Music” as a hip-hop instrumental by enhancing it with a battery of rhythmic flourishes. The Shodekeh track, featured on Monk Mix, favored solid beats over the drift of abstraction. It exuded mystery, even as it flexed newfound might, & proved to be the highlight of a collection that also featured Bjork & DJ Spooky." - Baltimore Magazine, 2012.
