Work samples
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Our Rhythm Documentary: Baltimore, featuring Shodekeh."A Baltimore taste of the major motion picture project Our Rhythm, & an idea of what this worldwide experience will be, recently screened at TEDxPittsburgh, 2017." - Our Rhythm.
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Dubscience Films: Beatbox & Ballet Ft. Shodekeh Talifero (Short Film)."Starting his photojournalistic grind at many of the events that are part of the city’s underground arts/entertainment/culture scene, “Dubscience” found a home in the world of performance photography, capturing classic images of incredible area artists doing their thing on stages across the city." - Dubscience Photography & Film.
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Tuvan Throat Singing | Alash & Shodekeh @ TEDxBaltimore, 2016."TED is a nonprofit devoted to spreading ideas, usually in the form of short, powerful talks (18 minutes or less). TED began in 1984 as a conference where Technology, Entertainment and Design converged, and today covers almost all topics — from science to business to global issues — in more than 100 languages. Meanwhile, independently run TEDx events help share ideas in communities around the world." - TED Talks.
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The Baltimore Symphony Orchestra Take-Out Sessions, with Shodekeh + Classical Revolution present live musical reinterpretations of Felix Mendelssohn's "A Midsummer Night’s Dream" @ The Crown, 2014."Usually the BSO eats-in, but sometimes we like to dish up some classical take-out! Join members of the Baltimore Symphony, Classical Revolution Baltimore , and professional beat boxer Shodekeh for the ultimate Mendelssohn jam sessions. Challenge your musical taste buds as they riff off the score from the BSO’s upcoming production of A Midsummer Night’s Dream." - The Baltimore Symphony Orchestra.
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About Shodekeh
What if you were given an opportunity to reimagine your resume and / or cv as an online arts exhibition? What would that fusion possibly look like beyond those standard formats? After being inspired in part by the The Covid Art Museum, that's what I've attempted to do here with the unique curatorial flexibility and dynamic functionality of the Baker Artist Portfolios...
With 38 years of personal, professional and community-based experience, Dominic “Shodekeh” Talifero continues to make… more
Immersion: Ethnomusicology, Ambassadorship & Traditional Explorations Around The World.
Previous Board Memberships: The Greater Baltimore Cultural Alliance (2012-2017).
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A Fight For Music, People & Culture.Shodekeh, an African name of Nigerian origin. Definition - "Warrior. One who fights for what he believes." -
The Global Phenomenon of the Human Beatbox: Shodekeh & Северин Сигуней @ the Sayan Ring Festival in Abakan, Russia, 2012."Beatboxing fundamentally began in New York City in conjunction with the birth of the hip-hop subculture on the streets of Harlem. In the early to mid-eighties, three names stand out head and shoulders above the rest - Darren 'Buffy' Robinson, Doug E Fresh and Biz Markie. They are crowned as the first three pioneers of beatboxing in their own respective and innovative ways. Thanks to the internet, beatboxing has become a global phenomenon enjoyed by millions internationally." - Human Beatbox.com -
Daina Fusion: Shodekeh & Lithuanian Folk Singers in Siauliai, Lithuania for the US Embassy of Lithunania program American Month of Culture, 2009."The development of Lithuanian folk music has been documented about a hundred years. In 1908–1909 the first Lithuanian folk melodies were recorded on wax cylinders by Eduard Wolter, professor at the St. Petersburg University & an eminent scholar of the Lithuanian language, history, archaeology & folklore. In 1911 Lithuanian folk songs were recorded by another famous specialist in Lithuanian philology professor at the Helsinki University Aukusti Robert Niemi (his cylinders are stored in Helsinki)." - The Institute of Lithuanian Literature & Folklore. -
Kwanzaa Celebration with Founder of Kwanzaa Dr. Maulana Karenga @ The Reginald F. Lewis Museum, with musical guests Sankofa Dance Theater & Shodekeh. Photo by the Baltimore Sun, 2013."Dr. Maulana Karenga, founder of Kwanzaa, joins this year's Kwanzaa Celebration to make it extra special. Sankofa Dance Theater entertains us with storytelling and African dancing. Beatboxer Shodekeh joins them for an electrifying, improvised “Drum Talk." An interactive children’s workshop on the principles of Kwanzaa is led by Culture Kingdom Kids. Shop at the African marketplace of crafts, clothing, & more." - The Reginald F. Lewis Museum of Maryland African American History & Culture, Smithsonian Affiliate. -
Silk Road Fusion: Members of the Silk Road Ensemble, featuring special guests Shodekeh & Alash at Smithsonian's Freer & Sackler Galleries, 2017."Deeply inspired by Yo-Yo’s lifelong pursuit to better understand his neighbors, we take on the collective stewardship of Silkroad with the firm belief that embracing difference leads to a more hopeful world. As we consider the values of inclusion and curiosity that drew us together in the first place, we are energized by the prospect of what we can achieve, and we have been hard at work formulating a vision for the years ahead." - Silk Road Ensemble. -
Emissary: Shodekeh, board member of the Asian Arts & Culture Center of Towson University, with the Tibetan Monks of the Drepung Loseling Monastery, 2016."From October 31 through November 3, Tibetan Buddhist monks from the Drepung Loseling Monastery return to Towson U to create the Akshobhya mandala sand painting. The Akshobhya Buddha is known as the Unshakeable Victor for conflict resolution and peace. Their residency includes the mandala sand painting demonstration, lectures and closing ceremony." - The Asian Arts & Culture Center of Towson University. -
Kurdish Fusion: Ghazi Kurdistani with Shodekeh & Ali & Halgurd Omar during World Refugee Day @ The Walters Art Museum, 2013."The international showcase celebrates Baltimore as the home to talented refugees and immigrants. Baltimore’s favorite beat boxer, Shodekeh, headlines w/ all of the international acts. Eritrean husband & wife, Abebe Setarge & Eyersaliem Zemichael, sing to African beats. Sokoja Kondorka, musician from Darfur, sings in native masalit and fur languages while playing electric guitar. Visit our organizations on the Sculpture Court throughout the day and hear indigenous Kurdish music by Ghazi Kurdistani, Ali Omar & Halgurd Omar." - The Creative Alliance. -
Prince Edward Islands Meets Baltimore: Shodekeh & Vishten @ the American Folk Festival in Bangor, Maine, 2016."For more than a decade, Acadian power trio Vishtèn has gained a prominent position on the international stage. These multi-instrumentalists combine unprecedented arrangements of traditional Acadian songs with dazzling instrumental creations with Acadian & Celtic flavors, all transcended by a contemporary sensibility & rock & indie-folk influences." - Vishten. -
Cyber Trad: A musical experiment that combines melodic sensibilities from traditional Irish and Breton music, and blends them with rhythmic elements of contemporary Quebecois, funk, and Hip Hop."But perhaps the album’s most compelling inclusion is the percussive backing. Talifero grew up around hip hop music and his work here adds substantially to Olwell’s artistic vision. His contribution is uniformly interesting, but is effective on a track like “Bal Plin / The Evil Fairy,” where his beatboxing engages with the melodic nuances of Olwell’s playing in a most responsive way. It’s particularly good on “Ingonish / The Queen of May,” where he beatboxes as Olwell lilts." - The Irish Echo. -
Bhangra Fusions: Red Baraat, featuring Shodekeh during the 2017 IlluminAsia Festival @ the Smithsonian's Freer & Sackler Galleries. Photo by Cory Herl Grace."The pioneering Brooklyn Bhangra, party juggernaut, Red Baraat have made a name for themselves as one of the best live bands playing anywhere in the world. Led by dhol drummer Sunny Jain, the drum and brass + guitar band delivers an unprecedented, high energy, gut-busting fusion of jazz, hip-hop beats, rock muscle, funky go-go, and scalding hot bhangra." - Red Baraat.
Larynxphrase Theory: The Human Beatbox For Movement, Dance & Choreography in the 21st Century (A Convergent Foundation for Breath Art Studies), 2006 - 2026.
Shodekeh defines "The Larynxphrase Theory + Method" as the creative, experimental, practical & pedagogical convergences of Beatboxing + Vocal Percussion with the sustained necessity of original music for dance technique courses and academic programs. This fusion of methodologies has created pathways for new experiences of dance-based proprioception, voice + movement embodiments, improvisational explorations and overall choreographic expression, most evident in the development of Shodekeh's "Breath Art" practice born out of this dynamic fusion. This experimental application has allowed him to develop advanced skills in providing musical support as a Breath Artist & Beatbox-based technique composer for Ballet, Contact Improv, Release, Lester Horton, Cunningham and a wide variety of other Modern Dance Techniques. He is also highly experienced in leading voice + movement instruction, breath art for dance and musical improvisation + composition for dance.
"One night in 2006, Towson University dance professor Vincent Thomas was at a poetry slam where Talifero performed. Afterward, the two exchanged business cards, and the beatboxer has been working with Towson University ever since. "Sitting in a cafe chair my body and spirits began to move. I was so intrigued with what sounds were being captured in the tightly held microphone," Thomas says about that initial meeting. "It was a musical journey, like riding the roller coaster of Space Mountain. I had to know more about him and to hear more of his musical abilities. My mind immediately raced to my modern dance classes I was teaching at Towson University." "I knew his musical abilities would pair with physical bodies moving through space. This is artistic and educational research firsthand, Thomas adds. "This collaborative journey of movement and sound/music has been so rich for the learning and creative aspects of our students and faculty alike. It has expanded possibilities of our art and adds to the rich fabric of our department." - Towson University.
"SANTA MONICA, Calif. — It sounds like such a simple thing. Breathing. In fact, Breath artist Dominic Shodekeh Talifero, who goes by Shodekeh, says it’s something most people don’t even think about. “And I think that’s a reflection of a larger dynamic,” he explained. “I think we live very disembodied lives.” It’s something he’s actively trying to change. A professional beatboxer, he spent his life immersed in hip hop culture, but things began to take on a new direction when he was playing music for a dance class at Towson University. They asked if he could do something more elongated, more environmental, and what came out sounded like ocean waves, rustling winds, distant birds. At the time, he didn’t have a name for what he was doing, but over the next few years of research and experimentation and inspiration, he forged his own path. This week Shodekeh has been doing a residency at Santa Monica College, collaborating with dance and music classes and holding workshops. Dance majors, like Raven Smith, are already aware of the connection between breath and body, but were excited about this opportunity to explore new ways for combining the two. “The way you breathe can really translate into your movement,” Raven said. “It can really transform the way you dance.” She and some of her classmates will soon put what they’ve learned to work. They will be participating in a public performance on Saturday at the SMC Barrett Gallery at the Santa Monica College Performing Arts Center. After this sonic pre-show, as it’s billed, Shodekeh will be performing one of his compositions at the BroadStage in concert with the group So Percussion. Breathing is an art, he says, but it’s also much more — a healing force tied to many aspects of life, including wellness, environmental stresses, even social justice. “Breath art can help unpack some of those things,” he explained. At least, that’s what it’s done for him. Shodekeh is a survivor of childhood abuse and says he found using his voice as an instrument helped him reclaim his body and his agency. “You can’t buy that,” Shodekeh said. “That’s priceless. And fighting for that is worth more than gold.” The pandemic also changed our relationship to breathe. Fear of airborne disease. Masks blocking our faces. We’re still in the midst of it, but Shodekeh also feels that we are on the verge of a shift in what he calls breath culture in the 21st century. “It’s more than just making cool sounds,” he explained. “Hopefully it can be used as a tool for something way bigger than yourself.” The human body has limitless potential, he says. We just have to learn to breathe into it." - Spectrum News 1, Santa Monica.
His past work with the Towson University Department of Dance has led to many other appointments as a musician-in-residence at the Community College of Baltimore County Dance program, the Goucher College Dance program, NYU Tisch School of Dance, the Patapsco High Center for the Arts Dance program, The Peabody Dance BFA program of Johns Hopkins University. Shodekeh's work as music faculty at the American Dance Festival @ Duke University has also led to many other opportunities as a guest musician for such lumanaries as Ailey II of the Alvin Ailey American Dance Theater, the Bill T. Jones / Arnie Zane Dance Company, Eiko Otake, Liz Lerman, the Paul Taylor Dance Company, Senga Nengudi and Shen Wei Dance Arts.
Larynxphrase Theory Bibliography: "The Art of the Turnaround" by Michael Kaiser. "The Creative Habit" & "The Collaborative Habit" by Twyla Tharp.
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Convergences: Shodekeh's & TU Dance Alumni Krysia Bock's Voice + Movement Collaborations & Residencies at Towson University, the American Dance Festival @ Duke University, Naropa University & the Corcoran School of the Arts & Design, 2006 - 2013.NOW Performance: Shodekeh Sho'dekeh "The Corcoran College of Art and Design (500 17th St. NW) will be hosting Shodekeh at 7 p.m. in collaboration with dancer and choreographer Krysia Bock. He'll also be holding workshops with students all weekend to conceptualize his performance. The performance is part of the weekly Corcoran Uncorked, which is free for members and students." - The Washington Examiner. Photograph by Philip Edward Laubner.
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Larynxphrase Exhibit A: "Beatbox and Ballet" Documentary Short, Ft. Shodekeh Talifero & The Towson University Department of Dance (Musician-in-Residence, 2006 - 2018).
Department of Dance Shodekeh's Video at the 2011 BMA exhibit "The Towson University Department of Dance's Mission advocates Dancing for a Lifetime by challenging students to examine and refine their approaches to the arts of dancing, choreography, and dance education. Towson offers professional dance training within the context of a comprehensive liberal arts education. Majors experience rigorous preparation to dance and create dance at all ages and stages of life—in professional companies, as educators and as arts advocates." - The Towson University Department of Dance.
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Larynxphrase II: Shodekeh, Music Faculty at the American Dance Festival @ Duke University, 2007 - 2010.2010 ADF School Catalog by American Dance Festival "Heralded as “One of the nation’s most important institutions” by the New York Times and as “The world’s greatest dance festival” by the New York Post, the American Dance Festival’s sustained record of creative achievement is indivisible from the history of modern dance. Since 1934, ADF has remained committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields." - The American Dance Festival.
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Larynxphrase Exhibit B: Shodekeh, Music Faculty for the American Dance Festival NYC @ LaGuardia Arts, 2009.
American Dance Festival: Home Friday Guest Artist Classes with Quilan Arnold "ADF is fortunate to have some of the finest dance musicians in the country on its roster. The American Dance Festival has been a magnet drawing together diverse artists, styles, theories, and dance training methods; from this creative mix the ADF has emerged as the sponsor of performances by some of the greatest choreographers and dance companies of our time. Jack Anderson traces the development of ADF from its beginnings in New England to its seasons at Duke University. He displays the ADF for the multidimensional creature it is—a center for performances, a school for the best young dancers in the country, and a provider of community and professional services." - The American Dance Festival @ Duke University.
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"Corps de Ballet" choreographed & directed by TU Dance alumni Kate Hutchison. Breath Art music score composed by Shodekeh. Winner of the Vermont Symphony Orchestra Award of Best Integration of Music at the Middlebury New Filmmakers Festival, 2023.Corps de Ballet Aerial Improv with Shodekeh Winner of the 2024 Women Empowerment Award at the Rome Film Festival & the 2023 International Music Video Underground Award.
"The wispy quality of professional ballerinas sets a precedent for aspiring dancers that is often unachievable through healthy practices. As a result, young dancers are typically tempted to change their bodies by overexercising or under-eating. Director Katherine Hutchinson visually expresses how ballet shaped her body image using aerial dance and an original score. The film demonstrates the restriction of body shame and the freedom of relinquishing that shame." - The Middlebury New Filmmakers Festival.
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Larynxphrase Exhibit C: "Corps de Ballet" choreographed & directed by Kate Hutchinson. Breath Art music score composed by Shodekeh. Winner of Best Film Score Award at the Roma Short Film Festival in Rome, Italy, 2023.
About | AirKatherine Dear Terry.... Sincerely, Nancy & Jayne Official selection at the Tokyo International Short Film Festival, the San Francisco Aerial Arts Festival, the Toronto Indie Filmmaker's Festival & the Aerial Arts Film Festival, 2024.
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"Warp Trance Riff" by Senga Nengudi, Shodekeh & Ella Boyd Brocker @ the Colorado Springs Fine Arts Center @ Colorado College. Breath Art composed by Shodekeh. Supported by Shodekeh's NEH Professorship & Breath Art Residency @ CC, 2024 - 2025.Senga Nengudi "In this most recent academic year I was awarded the National Endowment for the Humanities Distinguished Teaching Professorship here at Colorado College for 2024 - 2025, & one of my main projects in this fellowship as the very first "Breath Artist-in-Residence" was to reimagine Senga Nengudi's multimedia + fabric art piece "Warp Trance" directly with the legendary "process artist" herself." - Dominic Shodekeh Talifero.
"Senga Nengudi has been working in sculpture and performance for over 50 years, and finally the global art world is catching up. Her signature pieces in nylon mesh and sand are suggestive yet insist on an expansiveness of signification. Her early performances in Los Angeles in the 1970s were integral to the development of the art scene there, and engaged African and Asian performative modalities." - The American Academy of Arts & Sciences.
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Larynxphrase Exhibit D: "Warp Trance Riff" by Senga Nengudi, Shodekeh & Ella Boyd Brocker @ The Colorado Springs Fine Arts Center @ Colorado College. Breath Art composed by Shodekeh during his NEH Breath Art Residency, 2024 - 2025.
Senga Nengudi: Warp Trance - Fine Arts Center "The video art of this work is now available for viewing on You Tube, & I'm so very inspired by Senga's holistic brilliance & neverending curatorial process, as she has found a way to subtly edit, stitch, collage & essentially "fabricize" my creative breath techniques + embodied movements & the collaborative choreography of CC dance major Ella Boyd Brocker into the very artwork itself." - Dominic Shodekeh Talifero.
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Larynxphrase V: "Vodalities" by Shodekeh from the compilation album "25x25" with choreography by Kele Roberson of the Nederlands Dans Theater (work in progress), 2026.Nederlands Dans Theater "Hello Mr. Talifero, I hope this message finds you well. My name is Kele Roberson, I am dancer currently with Netherlands Dans Theater, a contemporary dance company located in Den Haag, Netherlands. I recently stumbled upon “25x25” and upon listening felt incredibly compelled by your two incredible tracks in the album, Vodalities I & II, that draw on the breath and voice /vocal percussion...I have been searching for music for months now and these two tracks felt like an absolute gift to stumble upon - I feel they somehow link exactly to what I feel and imagine for the piece I’d like to make." - Kele Roberson of the Nederlands Dans Theater.
Available for PurchaseShodekeh's "Vodalities" featured on Sō Percussion's 25x25
Available on Cantaloupe Music
https://cantaloupemusic.com/albums/25x25
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Larynxphrase Exhibit E: "Vodalities: I. The Universality of Breath Art" composed by Shodekeh to be used in choreography by Kele Roberson of the Nederlands Dans Theater, 2026.
"Thank you so much for your response and your permission…!! I so greatly appreciate it. And how fitting that you used to make music for dance - you can absolutely feel it when you listen!! I will make sure to send through things / info as it comes along. I would also love to see/ hear any more material related to the music you might have!" - Kele Roberson of the Nederlands Dans Theater.
Available for Purchase
Museum Danger: Film, Art & Visual Interpretations of the Human Beatbox.
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Jazz Stracts: A painting created live in the moment by artist David Cunningham, of a performance at Center Stage featuring Shodekeh & Jazz musicians Kevin Robinson & Vatel Cherry, 2008."Mr. Cunningham is a developing artist who is constantly working with people and observing many situations through creative problem solving. His emphasis has been to create a greater perception and clarity in his waking version of the world. He cares a great deal for the children and adults he meets each day. The social concerns and qualities for the development of life through the means of art is his current language of choice. As a painter, Mr. Cunningham opens many doors in order to decipher a renewal within his vision." - The Maryland State Arts Council. -
River / Alash: Artwork by Jabari Weathers."He is presently seeking refuge in Baltimore, Maryland. Currently, he makes fantasy and sci-fi art for himself and others to keep up his glamor (and because it’s fun). Other things that he enjoys are pen and paper role playing games, singing in public places, and things that are thoroughly uncanny." - About the artist Jabari Weathers. -
Hood. -
Tuv. -
Shu-De: A dynamic & cinematic case study in filmmaking, music documentation & the dangers of context negligence on & behind the camera. -
Our Rhythm: A dynamic & cinematic case study in filmmaking, music documentation & the holistic benefits of contextual exploration, featuring Shodekeh. -
DC. -
Musical Interpretationist in Residence: My kinetic music installation for the Resident Reunion Group Exhibition @ The Creative Alliance, February 6th - March 19th, 2016."Creative Alliance is proud to present the Resident Artists Reunion Group Exhibition. Nearly 50 artists have made The Patterson’s eight studios, where they live and work, a home since 2003 after the Creative Alliance redeveloped the vacant Patterson Movie Theater into Baltimore’s premier multi-arts center." - The Creative Alliance. -
Ireland. -
Air Branches: An X-ray image of my lungs, reinterpreted & synthesized with an illustrated windpipe & tree branches by multimedia visual artist Erica Hansen."This body of work examines the psyology and mythology of song. They were created to illustrate the embodiment of song through three specific vocal artists and traditions. Beat-Boxing, Operatic singing, and Tuvian Throat singing were embodied by Dominic Shodekeh, Bonnie Lander and Ian Hessler, in a series of performances through 2012. Embody Air, Fire, and Water are part of an animation series that accompanies the performers." - Erican Hansen.
The 5th Element: The Timeless Traditions of Hip Hop, Beatboxing & B-Boy Subculture in the 21st Century.
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City Paper Big Music Issue, Hip Hop Edition. -
Sho @ the J Dilla Tribute, hosted by Grap Luva. -
Sho & Jerell, Sons of Hip Hop. -
Graffiti Mandalas. -
Shodekeh, Q Bert & Rizqi Rachmat. -
Lester Spence's photo research for the book Stare in the Darkness: The Limits of Hip-hop and Black Politics. -
Sho & Symantyx. -
The 5th Element United: Shodekeh + Max Bent together representing the Human Beatbox, one of the primary pillars of Hip Hop Culture. Photo by Julie Bent."Max Bent makes music with his mouth. Beat boxing is the vocal art of producing percussive and melodic elements simultaneously using the mouth, tongue, sinus cavity, etc. Max has 22 years of beat boxing experience and has performed widely in both the real and virtual world. He is best known for his tutorial videos on the popular beat box website www.beatbox.TV. He organized the 2003 DC beat box expo and released a successful beat box themed DVD entitled Foundations. Max is currently developing a beat boxing program for middle school and high school students in Baltimore, MD." - The Maryland State Arts Council. -
The Hip Hop tradition of Beatboxing, influenced by Go Go Traditions. -
HH.
Muziki Box Theory: The Musical Ambassadorship of Hip Hop + The Human Beatbox in the 21st Century, 2006 - 2026.
"Music diplomacy is the use of music and musical activities as a means of promoting cultural understanding, exchange, and diplomacy between nations and communities. Music diplomacy can take many forms, including musical performances, festivals, workshops, and educational programmes. It can involve collaborations between musicians from different countries or regions, as well as the promotion of traditional and contemporary music from various cultures around the world." - Diplo.
Shodekeh is highly adept in adjudication, curation,musical diplomacy, performance and programming in the context of world music fusion and collaboration. Musical + cultural advocacy and "paralinguistic musical improvisation" are additional skill sets that allow him to transcend boundaries that may exist between musicians of different languages and indigenous sound traditions.
"Alash’s inclusion of master beatboxer and musical adventurer Shodekeh on the album represents a deliberate choice in their vision of the future development of Tuvan music. Since Alash’s formation, the group members have sought to master the roots of their deep musical heritage and yet find ways to participate in the interconnected sound world of the 21st century. Performing with Shodekeh, himself the bearer of a rich but often misunderstood vocal tradition, creates a real-time musical connection between living performers, organically created and deeply rooted, yet futuristic. Shodekeh is a professional beatboxer, vocal percussionist, and hip hop-xöömei artist based in Baltimore, Maryland, whose deep interest in experimenting and collaborating with varying musical cultures and genres takes him to destinations worldwide. Shodekeh’s first trip to Tuva was documented in the 2016 film Shu-de! From classical, jazz, and modern dance to reinterpretations of “The Star-Spangled Banner,” Shodekeh’s ability simultaneously to act as a preservationist and catalyst for change serves his many creative and rhythmic travels as an individual musician, and as founding director and lead curator of Embody, a festival of the vocal arts. About his work with Alash, Shodekeh enthuses, “My experience working with Alash has been very organic, fluid, synchronistic. To be given a rare opportunity to add my sound in tribute not only to Tuva, but also to Kongar-ool Ondar, the musical father of the ensemble (which makes him one of my musical uncles), tells me that we’re the next generation of ambassadors, preservationists, and storytellers. The journey continues, as well as the culture and the music.” - Smithsonian Folkways Recordings / Smithsonian Center for Folklife and Cultural Heritage.
Shodekeh's previous work in this context includes collaborations with the Asian Arts & Culture Center @ Towson University, the Baltimore Sister City Kawasaki (Japan) Committee, the Greater Baltimore Cultural Alliance, Lijiang Studios in Lijiang, China, the One Beat program in partnership with the U.S. Department of State's Bureau of Educational and Cultural Affairs, the Smithsonian Center for Folklife & Cultural Heritage, Smithsonian Folkways Recordings, the Smithsonian National Museum of Asian Art, the Tuvan Cultural Center of the Ministry of Culture of the Republic of Tuva and the U.S. Embassy of Lithuania.
Board Appointments: The Greater Baltimore Cultural Alliance (2012 - 2018). Rhymes With Opera (2011 - 2012). The Asian Arts & Culture Center @ Towson University (2017 - 2022). The Baltimore Kawasaki Sister City Committee (2017 - 2022). The Arthur Friedheim Music Library of the Peabody Conservatory @ Johns Hopkins University (2018 - 2021).
The Muziki Box Theory Bibliography: "Overtone Singing: History, Development, and Influence in Contemporary Music" by Jocelyn Black (California State University Master's Theses). "Tuva, Among the Spirits: Sound, Music and Nature in Sakha and Tuva" by Smithsonian Folkways. "Tuva: Voices From the Center of Asia" by Smithsonian Folkways.
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Tuvan Khoomei: Alash & Shodekeh @ TED Talks, 2016. Shodekeh's first collaboration with a professional Throat Singer took place with Fuyuki Yamakawa (Tokyo, Japan) at the High Zero Festival in Baltimore, MD, 2006.Sho'dekeh & Alash Blackwater Vision Quest "Since Alash and beatboxer Shodekeh first met in 2011, they have forged an ongoing friendship and an ever evolving musical collaboration. Shodekeh, based in Baltimore, Maryland, is a vocal percussionist and breath artist who serves as musical accompanist and composer in residence for Towson University’s Department of Dance, as well as dance accompanist at Johns Hopkins Peabody Institute. Shodekeh often tours with Alash in the States, and he has become a regular visitor to Tuva. The 2016 documentary film "Shu-de!" directed by Michael Faulkner, documents Shodekeh’s musical journey to Tuva and features Alash and other musicians. Alash and Shodekeh continue to build a unique musical and cultural bridge between Baltimore, Maryland, and Kyzyl, Tuva. Bady-Dorzhu Ondar of Alash joined Shodekeh and friends to create the music for "Traveler" a short video animated by students at the Maryland Institute College of Art Animation Department. Shodekeh's project EMBODY, dedicated to music created by no instruments other than the human voice, has teamed up with Alash to combine Tuvan music with American hip hop. Most recently, a number of Baltimore hip hop musicians joined Bady-Dorzhu and Shodekeh in recording the album Embodiments. - Alash Ensemble.
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Muziki Box Exhibit A: Alash, featuring Shodekeh @ TED Talks, 2016.
Alash and Shodekeh "Shodekeh has visited Tuva twice. At the most recent visit, they celebrated Alash’s 20th anniversary. The Ministry of Culture for the Republic of Tuva honored Shodekeh with a certificate of thanks and acknowledgement, highlighting the contributions he has made to advocate for the presence of music on the global stage, he said. “When I got that, let me tell you, I was so touched. It has been a really great challenge and adventure and experience — working with Alash,” he said. “I continue to learn so much not just about their music, but about their language and their culture and their land in Southern Siberia.” - Chicago Tribune.
Available for PurchaseAchai by Alash & special guest Shodekeh
Available on Smithsonian Folkways Recordings
https://folkways.si.edu/alash/achai
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Lithuanian Sutartinės: Shodekeh (BeatBox) & Lithuanian Folk Singers @ Siauliai, Laiptu galerija for "The American Month of Culture." Shodekeh's artist residency was hosted by the U.S. Embassy of Lithuania, 2009.U.S. Embassy in Lithuania: Homepage SHODEKEH IN LITHUANIA 2009 Shodekeh was been awarded an "American Month of Culture" grant for musical ambassadorship by the U.S. Embassy of Lithuania in 2009. "The Educational and Cultural Sections work with Lithuanian universities, teacher training institutions, and other academic, cultural, governmental and nongovernmental organizations to support English Language Teaching programs development of civic education curricula. In keeping with our objectives to increase understanding about U.S. society and policies, and to broaden dialogue between Americans and U.S. institutions and their Lithuanian counterparts, the U.S. Embassy invites American speakers and specialists, distributes publications in both English and Lithuanian and sponsors programs related to such issues as U.S. foreign policy, U.S.-Lithuanian relations, support for the development of democratic institutions and a democratic society, rule of law, and American culture, history and society." - The U.S. Embassy of Lithuania.
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Muziki Box Exhibit B: "Lithuanian Sutartinės Fusion" - Shodekeh (BeatBox) & Lithuanian Folk Singers @ Siauliai, Laiptu galerija for "The American Month of Culture." Shodekeh's artist residency was hosted by the U.S. Embassy of Lithuania, 2009.
Celebrity traveler: Shodekeh's musical treks "The U.S. Embassy in Vilnius, together with the U.S. Department of State’s Bureau of Educational and Cultural Affairs (ECA) has sent more than 1300 Lithuanian academic and professional exchange participants to the U.S., and about 300 Americans have come to Lithuania to study, teach and conduct research. People-to-people exchanges enhance mutual understanding between the U.S. and Lithuania." - The U.S. Embassy of Lithuania.
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Advanced World Fusion: Shodekeh & the Silkroad Ensemble (Ed Perez, Hadi Eldebek) at the Smithsonian's Capital Fundraiser @ The National Museum of African American History & Culture, also featuring Alvin Ailey American Dance Theater & Valerie June, 2018.Silkroad Ensemble BEAT BOXERS "There are many ways of speaking - and we must speak - with every note, every sound, every beat we have within us, as we come beautifully and musically together despite distance, different languages, approaches, trainings and expectations - what Silkroad does is radical and shall remain radical; and art, in its purest sense, rejects the inhumanity of violence and demands that we see each other as we see ourselves. That way, and that way only, is the path to transformative change - and we stand for nothing less.” - Rhiannon Giddens, Artistic Director of the Silkroad Ensemble.
"Yo-Yo Ma conceived Silkroad in 1998 as a reminder that even as rapid globalization resulted in division, it brought extraordinary possibilities for working together. Seeking to understand this dynamic, he recognized the historical Silk Road as a model for cultural collaboration – for the exchange of ideas, tradition, and innovation across borders. In a groundbreaking experiment, he brought together musicians from the lands of the Silk Road to co-create a new artistic idiom: a musical language founded in difference, a metaphor for the benefits of a more connected world." - The Silkroad Ensemble.
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"Vodalities" (The majority of Movement II composed + recorded by Shodekeh in one take) Asian Premiere @ The University of the Arts Singapore, to be performed by the UAS percussion ensemble led by Mark Suter of the Silkroad Ensemble in March of 2026.
Mark Suter - Silkroad Universal Wind: Haegeum Meets Hip Hop 해금 비트박스 즉흥 "Percussionist and composer Mark Suter appears as a chamber musician and collaborative artist in both classical and world music arenas. He is associate principal percussionist of the Singapore Symphony Orchestra and heads the percussion department at the Nanyang Academy of Fine Arts of the University of the Arts, Singapore. His passion for hand percussion has led him to study and perform in Costa Rica, Brazil, Cuba, and Kazakhstan. Suter continues his journey under the tutelage of South Indian Master Sri D Rajagopal." - Silkroad Ensemble.
Available for Purchase -
Advanced Global Ambassadorship: The One Beat Fellows Program, an initiative of Bang on a Can's "Found Sound Nation" and the U.S. Department of State’s Bureau of Educational and Cultural Affairs, guest adjudicated by Shodekeh in 2019, 2020 & 2021.Shodekeh Talifero - OneBeat "Launched in 2012, OneBeat began as an annual U.S-based residency and tour that brings early-career musicians together from around the globe to collaboratively write, produce and perform original music, and develop strategies for arts-based civic and social engagement. Over the past incredible 12+ years, this program has grown from a yearly U.S.-based residency and tour program (OneBeat U.S.) to a constellation of year-round programming, including residencies & tours in countries around the world (OneBeat Abroad), a virtual residency (OneBeat Virtual), a development and training institute (OneBeat Institute), annual microgrant (OneBeat Accelerator) and more. Organized as a public private partnership with the U.S. State Department, OneBeat has inaugurated over 650 Fellows from 78 countries/territories hailing from Africa, Asia, South America, North America and Europe, produced 200+ events in 69 cities around the world for 600,000+ audience members." - One Beat.
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Advanced Film Ambassadorship: "Our Rhythm" Documentary Short, featuring Shodekeh (the film's U.S. representative) with Alash, Joyce J. Scott, Cyber Trad, J Pope & the Hear Now, Eze Jackson & Linda Denise Fisher-Harrell | TEDxPittsburgh Cut, 2017.
TEDxPittsburgh 2017 Awakening Cybertrad "To some, music is the ultimate way of spreading ideas.The Our Rhythm Documentary is weaving together stories of 7 musicians in 7 locations around the world to show this concept in action." - Our Rhythm / TEDxPittsburgh.
"What is TEDxPittsburgh? We are an all volunteer-led platform for sharing ideas that affect our city, region, and world. Using the TED format, TEDxPittsburgh seeks to dig deeper on issues that matter locally and that when, shared, can be spread across the world to drive progress. Innovators in technology, entertainment, and design come together at our conferences to share ideas worth spreading." - TEDxPittsburgh.
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Cyber Trad: Mathew Olwell, Shodekeh & Aimee Curl, 2016."The most conspicuous feature on the album is the beat-boxing and vocal percussion of Dominic “Shodekeh” Talifero, which gives an urban funk and hip-hop gloss to the music, but the supporting instrumentation is notable: Simon Lepage’s electric bass, Aimee Curl’s upright bass, and Jaige Trudel’s cello provide the accompaniment for Olwell’s robust flute and cornemuse (French bagpipes); Olwell also plays bodhran, and Boston-area uilleann piper Joey Abarta appears on several tracks. In this framework – no guitar, bouzouki, or keyboard in the mix – although the melody still dominates, you’re more aware of the rhythm behind it, not only because of Talifero’s distinctive vocalisms but also the riffs, lines and fills from Lepage, Curl, and Trudel. And even though the beat is still there, of course, it’s enhanced, augmented, and redefined." - The Boston Irish Reporter.
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Muziki Box Exhibit E: Cyber Trad's "By the Hush, Me Boys" featuring Mathew Olwell, Shodekeh & Aimee Curl, 2016.
"CyberTrad is a musical experiment that combines melodic sensibilities from traditional Irish and Breton music, and blends them with rhythmic elements of contemporary Quebecois, funk, and Hip Hop. The project features Matthew Olwell on flute, vocals, and percussion, Dominic “Shodekeh” Talifero on human Beatbox, Simon Lapage on bass, and Aimee Curl on vocals. Original compositions and arrangements by Matthew Olwell make CyberTrad both familiar and intriguing." - Mathew Olwell.
Coda Theory: Shodekeh's Compositional Transferences & Classical + Hip Hop Fusion Methods in the 21st Century, 2010 - 2026.
"Is there actually a difference between hip-hop and classical music? While they may seem worlds apart, let’s explore both genres and discover the unique characteristics that set them apart, as well as the surprising commonalities that connect them." - American Music Institute.
Shodekeh is highly skilled in classical form adaptation, percussion composition, the curation + programming of classical fusion and Beatbox-based creative methods of "improvising as arrangement."
"This gifted beatboxer has defied all logic when it comes to making music. Without instrument or song, he’s performed with the BSO, taught workshops at Peabody, and founded the must-see Embody series, using stamina and originality to flaunt the wonders of the human voice." - Baltimore Magazine: The Music Issue.
"You could call Shodekeh (a.k.a. Dominic Earle Shodekeh Talifero) a beatboxer or a vocal percussionist, if you want to feel a little more refined about it. But what the Baltimore-based musician seems to be more than anything is a chameleon, breathing out entire rhythm and bass tracks and blending them into a borderless range of performance situations. Armed with an attention-grabbing talent and a laid-back charm, he has shared stages with hip hop artists, ballet dancers, and jazz musicians all over the country. This summer he’ll take a bow with the Baltimore Symphony Orchestra. Even Roger Ebert is a fan. Shodekeh finds a very beneficial exchange of ideas in this promiscuous genre-hopping. “I like to be challenged,” he explains. “It pushes me more, as a person who’s looking to always up the ante in regards to my musicianship.” With no formal musical training, he admits that he may initially have been seeking validation from other realms of music, but these days he’s simply looking to push himself and others in their creative artistry. It’s a strategy he finds makes for a good learning experience all around. Though plenty of young beatboxers find inspiration listening to the records of big-name artists like Doug E. Fresh and Rahzel (formerly of The Roots), Shodekeh says that the skills are just as likely to be passed on informally through a friend, a brother, or even a fellow beatboxer met by chance at a party. “Most of the time it’s a very organic, personal thing,” he says. “It’s definitely the kind of tradition where it’s one man’s journey or one woman’s journey. It’s kind of like learning how to cook just from hanging out in the kitchen with your mother.” When the tricks and skills of the trade are mastered, there also seems to be a kind of magician’s ethics in play. In an interview, Shodekeh is careful not to “give away” the methods and ideas behind the signature sounds of other artists. He does, however, seem to take a particular delight in the informal and impromptu skill-sharing that can happen when your instrument is always available, whether that’s performing with new voices at an improv session or breaking down the fourth wall and getting the audience in on creating the beats. In his own work, Shodekeh does not use any formal notation system, but he does point out how alphabet notation combined with some algebraic rules could convey ideas fairly efficiently. He does have pieces, in a sense, or perhaps what might be better characterized as cadenzas that he has composed and perfected structurally and can mix into a live performance, but plenty of room remains in his sets for improvisation and that’s a vital part of the equation in his mind. He explains that the approach “allows for a moment to really, truly exist. It’s just like a jazz concert. You have the springboard that’s written but you don’t know what’s going to happen in the middle, and that’s the beauty of it.” Though he also loves the work he does now as faculty accompanist for Towson University’s dance department as well as at the American Dance Festival at Duke University, Shodekeh is hesitant to take his work too deeply into the academy and formalize in that way. “I think it can exist organically anywhere,” he says, “but I don’t like the idea of teaching it in an academic setting. Not everything has to be institutionalized.” Still, education and experimentation are central to his work. Shodekeh’s most recent project, Embody, seeks to bring together a broad range of vocal artists under one umbrella and put what was once his more private pursuit of genre exploration front and center on the stage. A recent performance under this headline showcased a throat singer, an operatically trained vocalist, and of course Shodekeh’s personal brand of vocal percussion. He points out that “there is a lot of experimentation in beatboxing, actually a big part of it is nothing but experimentation. So I’m really interested in seeing how these realms can fuse with one another.” His ideas for cross-collaboration don’t stop there. “I would love to see a professional whistler with a throat singer, or a beatboxer with a yodeler,” he suggests. “I think we all have a lot to learn from one another.” - New Music USA.
Past work in this context includes collaborations with the American Opera Theater, the Baltimore Symphonic Band, The Baltimore Symphony Orchestra, the Boulder Philharmonic Orchestra, the BSO Orch Kids, Classical Revolution, the Columbia Orchestra, the Connecticut Youth Symphony, the Evolution Contemporary Music Series, Frederick Regional Youth Orchestra, Hartford Symphony Orchestra, the Hopkins Symphony Orchestra, the In Opera Series, the Kandinsky Trio, the League of American Orchestras National Conference, Meredith Monk, Mobtown Modern, Occasional Symphony, the Opus 89 Youth Orchestra @ The Hartt School, Rhymes With Opera, the Rochester Philharmonic Orchestra, Sō Percussion and the Shreveport Symphony Orchestra.
Coda Theory Bibliography: "12 Notes On Life and Creativity" by Quincy Jones. "The Pedagogy of Becoming: Identity Formation through the Baltimore Symphony Orchestra’s OrchKids and Venezuela’s El Sistema" by Ann H. Shoemaker (Dissertation submitted at the University of North Carolina).
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Coda I: Fujiko's Fairy Tale: The Baltimore Symphony Orchestra, Marin Alsop & Shodekeh. U.S. premiere of Jennah Vanio's composition for Beatboxer & strings on July 23rd, 2010.BALTIMORE VOICES BSO Take-Outs @ The Crown "Baltimore beatboxer Shodekeh rehearses Fujiko's Fairy Tale with Music Director Marin Alsop and the Baltimore Symphony Orchestra. This unique collaboration will be featured in the BSO's Music of Frank Zappa and Phillip Glass concert at the Meyerhoff on Friday, July 23, 2010." - The Baltimore Symphony Orchestra. Photograph by What Weekly.
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Coda Exhibit A: Shodekeh Rehearses with Marin Alsop & the Baltimore Symphony Orchestra for the U.S. premiere of "Fujiko's Fairy Tale." Vocal Percussion composed & arranged by Shodekeh, 2010.
Q&A with Shodekeh Jennah Vainio (arr. Viitasaari): Beatbox Concerto for wind ...Variations for Four Drums "Baltimore beatboxer Shodekeh rehearses Fujiko's Fairy Tale with Music Director Marin Alsop and the Baltimore Symphony Orchestra. This unique collaboration will be featured in the BSO's Music of Frank Zappa and Phillip Glass concert at the Meyerhoff on Friday, July 23, 2010." - The Baltimore Symphony Orchestra.
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Coda II: Extensive Vocal Techniques: "Dolmen Music, Part 1 (Shodekeh’s Embody & Continuums Remix)" composed, arranged & remixed by Shodekeh for MONK MIX: Remixes and Interpretations of Music by Meredith Monk, 2012.Meredith Monk Dolmen Music, Part I Shodekeh's Embody & Continuum Remix "It’s darn near impossible to reinterpret material from a musical icon without diluting the original’s vitality or tampering with some key component of the artist’s vision. But local beatboxer Shodekeh effectively re-imagined Meredith Monk’s classic “Dolmen Music” as a hip-hop instrumental by enhancing it with a battery of rhythmic flourishes. Monk’s original displayed plenty of depth but not much drive, while the Shodekeh track, featured on Monk Mix, favored solid beats over the drift of abstraction. It exuded mystery, even as it flexed newfound might, and proved to be the highlight of a collection that also featured Bjork and DJ Spooky." - Baltimore Magazine. Image courtesy of ECM Records.
Available for PurchaseDolmen Music - Meredith Monk
Available on ECM Records
https://ecmrecords.com/product/dolmen-music-meredith-monk/
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Coda Exhibit B: Dolmen Music, Part 1 (feat. Shodekeh’s Embody & Continuums Remix) composed, arranged & remixed by Shodekeh for MONK MIX: Remixes and Interpretations of Music by Meredith Monk, 2012.
Baltimore Magazine "Best of Baltimore" Award: Best Homage for Shodekeh's Meredith Monk Remix, 2012. Featuring Dr. Erik Spangler, Max Bent, Kate Porter & Bonnie Lander.
"Composer, vocalist, filmmaker and MacArthur Fellow Meredith Monk has created a unique body of work that uses the voice as an instrument. Now, her songs have been covered and remixed by a wide array of musicians, from Bjork to Caetano Veloso to DJ Spooky. Monk joins us to share her reaction to the surprising results on “Monk Mix.” - WNYC Studios.
Available for PurchaseMONK MIX
Available at Meredith Monk & the House Foundation for the Arts
https://www.meredithmonk.org/store/cds
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Coda III: A Classical Synthesis in the 21st Century: Classical Revolution, featuring Shodekeh @ TEDxMidAtlantic, 2012.Classical Revolution: Taking Classical Music to the Streets A Midsummer Night's Dream - Michael Ching "Classical Revolution is built around the idea that performing live classical music can change communities. Founded in 2007 in San Francisco, the idea has spread all around the world. Rafaela Dreisin of the Baltimore chapter of Classical Revolution will lead a combined group of musicians from both DC and Baltimore in a regional collaboration crafted specifically for TEDxMidAtlantic 2012. Both groups perform regularly in and around Baltimore and Washington with performances ranging from impromptu public venues to regularly scheduled evening events." - TEDxMidAtlantic. Photo by TED Talks.
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Coda Exhibit C: Taking Classical Music to the Streets: Classical Revolution & Shodekeh at TEDxMidAtlantic, 2012.
Classical *Revolution Classical Revolution Baltimore - The Luckiest (Ben Folds), featuring Shodekeh "Classical Revolution is a chamber music organization known for holding performances of classical music in unusual spaces. Charith Premawardhana founded the organization in 2006 at San Francisco’s Revolution Café. As of 2013, the organization had 38 chapters in different cities in North America and Europe including London, Berlin, and Paris. The group focuses on accessibility to the audience and creating opportunities for local musicians to perform. Its tagline is "chamber music for the people." - Classical Revolution.
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Coda IV: "Vodalities" composed by Shodekeh for Sō Percussion. An extension of his Innovation Capstone III (The Vodality Theory) during his time as Innovator-in-Residence @ Towson University. World premiere at Carnegie Hall, 2021. Composed in 2020.View Program Notes Vodalities: Paradigms of Consciousness for the Human Voice was co-commissioned by the Caramoor Festival, Sō Percussion’s New Work Development Program, Bard Conservatory Percussion, Baylor University Percussion, the University of Michigan Percussion, and Vanderbilt University Percussion.
"Shodekeh Talifero’s Vodalities: Paradigms of Consciousness for the Human Voice was composed orally and transmitted to Sō Percussion through recordings. He originally sent us the three movements as completed performances and also as individual stems for transcribing each part. We then translated his vocal percussion sounds into physical percussion. The skill, creativity, and range of colors in Shodekeh’s practice is astonishing. The only way to fully grasp this is to hear him perform, which is why it is essential to listen to the accompanying mp3s before building your own interpretation of the piece." - Dr. Adam Sliwinski of Sō Percussion.
Available for Purchase -
Coda Exhibit D: "Vodalities" composed by Shodekeh for Sō Percussion. An extension of his Innovation Capstone III (The Vodality Theory) during his time as Innovator-in-Residence @ Towson University. Composition film released by Vic Firth.
Collaborations Virginia Tech: KandinskyBeatDown 2009 "Vodalities, Paradigms of Consciousness for the Human Voice" composed by Dominic Shodekeh Talifero: Asia premiere @ the University of the Arts Singapore in the National Design Centre of Singapore in 2026.
Available for Purchase -
Coda V: "Deadlock: Concerto For Beatboxer" composed by Ruby Fulton. Beatboxing & Vocal Percussion composed & performed by Dominic Shodekeh Talifero. World premiere with the Boulder Philharmonic Orchestra (2012). Archived at UCLA, 2020.
Contemporary Music Score Collection Guide "Program Note: Deadlock is a concerto custom-made for Baltimore beatboxer Shodekeh, an artist of vocal percussion. Many thanks to Wilbert Brown of the Fells Point Chess Club in Baltimore for writing the chess game which provides the underlying structure of the music. I composed the first movement while in residency at the Hermitage Artist Retreat in Englewood, Florida." - Ruby Fulton.
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Coda Exhibit E: Boulder Philharmonic | Ruby Fulton - Deadlock I. (2012) for beatbox soloist and orchestra, featuring Dominic Shodekeh Talifero with the Boulder Philharmonic Orchestra in 2012 & the Shreveport Symphony Orchestra in 2013.
Performances of Works by American Composers Group 5 Works "I would love to see how the composer notated this for beat boxer!" - Davey Doodle.
"There are 6 main beats which were created by Shodekeh (1 for each of the chess pieces) and his part in the score is more like a map, showing when to play each of the beats and for how long. The soloist used a chess board on a music stand for his score in some of the performances!" - Ruby Fulton.
Jazz/Age: A Non-Linear Tribute Through Hip Hop + Beatboxing in the 21st Century.
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Lafayette Gilchrist & Shodekeh. Photo by Wendel Patrick, 2015."On Sunday evening, the regular rhythm section was joined by special guest Shodekeh, Baltimore's beatbox specialist extraordinaire. His inventive vocal percussion added a new level of complexity that markedly enhanced the material. And when he took a solo, he held his own with any of the jazz soloists on stage." - The City Paper, "Lafayette Gilchrist and the New Volcanoes impressively blend jazz and go-go at the Windup Space." -
Ethel Gives Thanks: Ethel Ennis, featuring Shodekeh & the Stef Sciaggari Trio at the Creative Alliance, November 27th, 2010."Shodekeh performed with Ethel Ennis and her trio at the Creative Alliance last year. "I'd had my eye on her for awhile," he says. "She has a lot of musical tricks up her sleeve. It took Ethel out of her comfort zone," says her husband, Earl Arnett. But it was improvisation, and I've done a lot of that over the years," adds Ennis. "You know, beatboxing is really just a new name for something that's very old." - Baltimore Magazine. -
Shodekeh & Towson University Jazz Major/Saxophonist Liam Hurlbut @ Towson University, 2014. Photo by Olivia Mika."Towson is recognized as one of the finest music programs in Maryland. Our programs in music education, performance, composition, and jazz draw outstanding students who pursue successful careers in music." - Towson University Department of Music. -
Jazz & Soul vocalist Navasha Daya & Shodekeh, in conversation during Embody, a series of the Vocal Arts, 2016."Called an “Astral Soul Goddess” by the prestigious UK publication Mojo Magazine, Navasha Daya is an exceptionally gifted and seasoned singer, songwriter, producer, musician, performing arts curator, certified holistic wellness practitioner, and spiritual and cultural arts activist who from childhood was inspired and encouraged to use her voice and talents to uplift others and inspire change." - Navasha Daya. -
The Treme Brass Band, Benny Jones Sr. & special guest Shodekeh @ the American Folk Festival in Bangor, Maine, 2016."New Orleans' legendary Treme Brass Band has played traditional New Orleans brass band music for decades and is loved all around the world. The musicians of Treme Brass Band are survivors. Treme Brass Band gained fans around the world via the HBO show "Treme" as well as appearances in Spike Lee's documentary "When The Levees Broke" and the popular television show NCIS New Orleans on CBS." - The Treme Brass Band. -
Jazz Diaspora: Shodekeh performing with the legendary New Orleans Pianist Henry Butler & New Orleans Musical Ambassador Lilian Boutté @ the Conference on World Affairs Jazz Concert, 2009."After watching Shodekeh perform in Colorado, Chicago Sun-Times critic Roger Ebert later wrote about the experience in his online journal: “He picked up a mike, and I assumed he was a vocalist. Well, in a way he was. Shodekeh is a percussionist who plays his body as his instrument. He's the only percussion section I've ever seen with choreography.” - The Maryland State Arts Council. -
Sho & Jazz Cats. -
Michael Mwenso & the Shakes, featuring Shodekeh."Whether fulfilling the role of vocalist, emcee, showman, or impresario, Michael Mwenso conveys both the sophistication and spontaneity of hardcore jazz and the music’s folkloric roots with impeccable craft, creativity, and communicative flair. Most frequently, Mwenso performs as leader—or ringleader—of Michael Mwenso and The Shakes, a revue comprising between three to five vocalists and a rotating ensemble that includes rising stars like drummers Joe Saylor and Jamison Ross." - Michael Mwenso. -
Marc Avon Evans & Shodekeh @ Be Free Fridays, 2016."Marc A. Evans, a native Baltimorean, was born into music. Yet amazingly, this son of a vocalist and jazz saxophonist didn't discover his own music until his late teens. Finally, as a student at Morgan State University, under the tutelage of Dr. Nathan Carter, Evans began nurturing a love for music. Out of that nurturing arises one of the most sultry, smoky baritones ever." - Marc Avon Evans. -
Jazz Drummer, Vocalist & Composer Erik Kennedy & Shodekeh."Eric Kennedy, a Baltimore native, is a drummer, vocalist, percussionist, educator and composer. Eric’s introduction to all styles of music and early music training was initiated by his musical relatives, who also cultivated his love of jazz. Eric continued his arts education at the Baltimore School for the Arts studying classical percussion and voice with Baltimore Symphony Orchestra percussionist John Locke, Donna Di Stefano and the late Dr. Nathan Carter and Ms. Jewel Churn of Frederick Douglass HIgh School." - Eric Kennedy.
Black Larynx: Dynamics + Vodalities of Musical Experiments, Existentials & Extremophiles.
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Below Zero: Shodekeh, the poster child representing the extreme nature inherent within the genres of Beatboxing + Hip Hop for the 2008 High Zero Festival of Experimental Improvised Music."High Zero is the premier festival of Improvised, Experimental music on the East Coast, being fully devoted to new collaborations between the most inspired improvisors from around the world. Lasting two weeks in total, the festival brings together 28 core musicians each year, but also involves a much larger subculture of musicians in Baltimore and on the East Coast. Unlike many related festivals, High Zero is not narrow in terms of sensibility or subculture, but rather widely inclusive of all the different types of experimental music-making in the moment." - High Zero. -
Alumnus Ex: Shodekeh, alumni of High Zero, the Red Room & the After Now series. -
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Zero Numeral. -
Blur. -
Versus. -
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PFFF... -
Monks. -
Dolmen Music, Part 1 (Shodekeh’s Embody & Continuums Remix) MONK MIX (CD2): Remixes & Interpretations of Music by Meredith Monk."It’s darn near impossible to reinterpret material from a musical icon without diluting the original’s vitality or tampering with some key component of the artist’s vision. But local beatboxer Shodekeh effectively re-imagined Meredith Monk’s classic “Dolmen Music” as a hip-hop instrumental by enhancing it with a battery of rhythmic flourishes. The Shodekeh track, featured on Monk Mix, favored solid beats over the drift of abstraction. It exuded mystery, even as it flexed newfound might, & proved to be the highlight of a collection that also featured Bjork & DJ Spooky." - Baltimore Magazine, 2012.
The Inner-Child / Inner-Elder Theory: Hip Hop Education Paradigms for Elementary Through College Levels in the 21st Century, 2006 - 2026.
"Sō Percussion, Shaw, and Shodekeh share their perspectives on composition and collaborative performance in an informal audience discussion immediately following the performance on March 20. The artists also will share their talents and expertise with Virginia Tech students during their visit, both at the Creativity and Innovation District living-learning community and in music, creative writing, and dance courses. Shodekeh will lead a workshop with students in a Roanoke City after-school program. Educators and students in grades five through 9 from Blacksburg, Christiansburg, Floyd, Pembroke, and Salem, predominantly, will attend a free matinee performance by Sō Percussion and Shodekeh." - Virginia Tech.
Teaching Experiences + Appearances: The African American Arts Festival @ The University of Baltimore. Alash's 15th Annniversary Concert, Kyzyl, Tuva, 2014. The American Folk Festival, Bangor, Maine, 2016. The American Visionary Arts Museum. The American Beatbox Championships: Preliminary Judge & Panelist, 2010. American University. Artscape. The Baker Artist Award Info Session @ The Baltimore Community Foundation. The Baltimore Lab School. The Baltimore Museum of Art. Beatboxer Entertainment, Inc. The Boys' Latin School of Maryland. The Bryn Mawr School. Centenary College. Child First. Collington Square Elementary. Coppin State University. The Dembildey 50th International Festival of Throat Singing & Tuvan Culture, Kyzyl, Tuva, 2012. DuVal High School: Beat Club. East Baltimore Community Elementary. The Edgar Allen Poe House & Museum. Elizabethtown College. The Enoch Pratt Library. The Eubie Blake Center. The Folklore Society of Greater Washington. The Friends School. Goucher College. Grambling State University. The Greater Baltimore Cultural Alliance. The International Human Beatbox Conference, New York City, 2004. The International Championship of Collegiate A Cappella, 2002. The International VSA Festival @ The Kennedy Center. The Jefferson Center: The Music Lab. Kwanzaa Celebration @ The Reginald F. Lewis Museum of Maryland African American History & Culture, 2013. Living Classrooms. The Lion 90.7 FM Penn State Student Radio, 1998 - 2002. Loyola University. The Marc Steiner Show. The Maryland Institute College of Art. The Maryland State Arts Council. Morgan State University. New Lens. New Music Box of The American Music Center. Notre Dame of Maryland University. Oberlin College. The Old Firehouse Teen Center. The Park School. The Refugee Youth Project. The Richmond Folklife Festival. Roanoke College. Rutgers University: New Brunswick, NJ. The St. Paul's School. Salzburg Global. The Sayan Ring International Ethnic Music Festival, Abakan, Russia (Southern Siberia), 2012. The Signal, WYPR. Stevenson University. TEDxBaltimore, 2011. TEDxMidAtlantic, 2012. TEDXBaltimore, 2016. Transformations: New Directions in Black Art, presented by The Maryland Institute of Art & Harvard University. The University of Baltimore. The University of Maryland Baltimore County. The University of Mary Washington. The University of Pennsylvania. The University of Pittsburgh. The University of Richmond. The University of Rochester. Virginia Tech University. The Walters Art Museum. Wide Angle Youth Media. Young Audiences.
"Old has been replaced by the new / When all is said and done, stand out amongst the few as examples of what one can do...I'll be a solitary star in the constellation / Transferring information into the minds of young prodigies / Looking up, wishing on my energy / Until the day they become entities parallel to me / The Universe's cycle of destiny / What exists is more than we see..." - Apani B. Fly, "Time Zone."
The Inner Child Theory Bibliography: "Awakening the Natural Genius of Black Children" by Dr. Amos N. Wilson. "Mathematics: A Beautiful Elsewhere" by Fondation Cartier pour l'art contemporain.
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Shared Science Communication With the Youth: A performance moment during the 2018 World Voice Day presented by Shodekeh, the Johns Hopkins Voice Center & the Greater Baltimore Medical Center, 2018."Do it, and see it, and be nobody else..." - Q Tip, "Do It, See It, Be It."
Shodekeh's first music ed engagement took place at the St. Paul's School in Baltimore, MD in 2006.
"A priceless moment from the youth portion of the evening during the 2018 JHU "World Voice Day" concert and celebration last month. Serving my city as a "musical parent" is a beautiful & irreplaceable gift..." - Dominic Shodekeh Talifero.
Photo courtesy of the Johns Hopkins Voice Center/Greater Baltimore Medical Center.
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"Learning to Breathe" featuring breath artist Shodekeh. A film by Orion Cenkl, Liam Elmore & Corrina Gardner of the Colorado College Film & Media Studies Program, 2024 - 2025.
Film and Media Studies "This short documentary explores the art of Dominic “Shodekeh” Talifero — a pioneering beatboxer, vocal percussionist, and breath artist who transforms breath into a powerful medium for expression and healing. Shodekeh investigates the deep connection between vocal percussion and breath arts, showing how they can raise awareness around mental health and highlight hip-hop’s role as a cultural intervention through a creative lens. Through his innovative performances and personal reflections, the film uncovers the therapeutic potential of sound and breath, offering a unique perspective on the intersection of art, mindfulness, and emotional resilience. Official Festival Selections (2025): The Grand Mesa Short Film Festival, the Prescott Film Festival, the Urbanite Arts and Film Festival." - Colorado College.
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Beatbox Modalities For the Youth: Shodekeh inside of the Hartford Symphony Orchestra's Musical Instrument Zone, 2011."Our education offerings provide engaging musical experiences led by our talented HSO musicians. Our programs, including school coaching, masterclasses, and in school performances. work within the classrooms to link music to learning. This takes place in the orchestra room, band room and classrooms as students gain a deeper connection to how music is integrated into their curriculum." - The Hartford Symphony Orchestra.
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Baltimore Boom Bap Society Family Edition, hosted by DJ Dubble 8 & Shodekeh, 2017.
"Family Boom Bap for participation by kids and grownups alike, hosted by DJ dubble8 and friends. Featuring special guests J Pope, Chuck the Madd Ox, Dan Samuels and 11-year-old beatmaker, Enterprize."
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Beatbox Algebra: Shared Math + Music Communication With the Youth @ The MIT Media Lab in collaboration with the Goethe Institut, 2019.free workshops with Shodekeh, a Baltimore beatboxer | Hub MIT Media Lab "Last Friday, we were at MIT for a day at the Kinderuni. We experienced some amazing experiments, learned about space, and had a professional beat boxer as our tour guide. Thanks to our amazing partners at Wunderbar Together, Goethe-Institut Washington, MIT List Visual Arts Center, MIT Museum, and MIT Comparative Media Studies / Writing, as well as, our professors Christoph Biemann, Dr. Joachim Hecker, Dr. Ana Laura Edelhoff, Dr. Reinhold Ewald, Shodekeh, Camille J. Moore (Emcee), as well as High Stakes, and last but not least all the volunteers who helped make this wonderful KinderUniUsa a success!" - Goethe Institut.
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Bard Conservatory: Percussion Studio Recital, featuring Shodekeh's Vodalities I, II & Movement III: The Mathematics of Beatboxing, 2023.
VIDEO: “Vodalities: Paradigms of Consciousness for the Human Voice” by Shodekeh Talifero // U-M Percussion Ensemble" Since 2011, members of Sō Percussion have conducted an intensive and elite undergraduate double-degree program in percussion performance at the Bard College Conservatory of Music. Currently, Eric Cha-Beach and Jason Treuting are directors of the program. Our course of study places emphasis on chamber music as a tool for creating thoughtful, well-rounded musicians. Students will have opportunities to explore music outside of the western tradition, most notably Gamelan, and to work closely with the John Cage Trust." - Bard Conservatory.
Available for Purchase -
Tuvan Khoomei + Hip Hop Fusions For the Youth: Shodekeh & Wendel Patrick during their Winter Residency in Kyzyl, Tuva for Alash's 20th Anniversary Concert Celebration, 2019.International Khöömei Academy "In addition to passing on their musical traditions to their own children, some of whom are already performing in their own ensembles, the members of Alash have brought the music and culture of Tuva to thousands of students and teachers at educational institutions ranging from pre-schools to hightech research facilities. In this way, by dedicating their lives to performing, preserving, developing, and growing the Tuvan tradition, they are worthy bearers of the culture of their fathers and sons." - Smithsonian Folkways.
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"Traveler" by Bady-Dorzhu Ondar & Shodekeh (Official Animation Music Video). Animation by the Maryland Institute College of Art Animation Department, 2024.
Animation (Major) Animated Music SEAF2020 "Animation is as old as storytelling—and more relevant than ever. It is a tool to educate, engage, and entertain, and it has an exceptional ability to convey messages and ideas, playing a crucial role in a variety of industries. As an Animation major at MICA, you will learn the art of creative thinking and flexibility while you master core skills the medium. These abilities will allow you to respond to today's ever-changing landscape, where technology continues to transform animation's potential." - The Maryland Institute College of Art Animation Program.
Available for PurchaseEmbodiments - Bady-Dorzhu Ondar & Shodekeh
Available on Ear Up Records.
https://www.earuprecords.com/embodiments
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Shodekeh's Music Education Residencies @ The Hartt School Community Division of the University of Hartford, 2011 - 2012. -
The American Folk Festival's Children's Stage: Amelia, Adelaide, Jeff and Shodekeh - "Turkey in the Straw and Spootiskerry" in Bangor, Maine, 2016.
"The historic town of Bangor, Maine, hosted the National Folk Festival from 2002-2004. Long the economic and cultural hub of eastern Maine, it enjoyed a century of dominance in the world lumber industry, but by the late 19th century, its once-bustling mills had closed and its riverfront had fallen out of use. Recognizing that the National could be the catalyst to propel its revitalization plans into a reality, Bangor applied to host the festival. A partnership with the NCTA was forged that would transform the cultural, economic, and physical landscape of the city." - The National Council for the Traditional Arts.
