Work samples
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A Black Girl’s Country
In A Black Girl's Country, the Black girl's complexity is laid open and housed in a soft jubilee that trumpets through us, "finally, we are home." Featuring more than 50 members of the Baltimore community, this film showcases women and girls, across multiple generations, radiating pure joy and embracing their unapologetic freedom in a space they truly own. This multifaceted experience of Black womanhood is a collaborative effort with director and spoken word artist NIA JUNE, cinematographer Kirby Griffin, and creative director and musician APoetNamedNate. Through moving portraits, original poetry, and music, the three Baltimore natives offer a renewed gaze at the Black woman and the world she embodies and ask viewers: "what do you know of A Black Girl's Country?"
The film was acquired by the Baltimore Museum of Art as part of its permanent collection in 2021 and exhibited in the Contemporary Wing at the beginning of 2024.
Available for Purchase -
The Unveiling of God / a love letter to my forefathers (Excerpt)
In this short film, Black men and boys swim, play, embrace loved ones, and navigate various physical and emotional landscapes. The Unveiling of God / a love letter to my forefathers is an operatic visual poem that celebrates the Black men in the artists' lives. In counter to narrow and destructive ideas of masculinity that are present — though not unchallenged — in contemporary media and music, NIA JUNE, Kirby Griffin, and APoetNamedNate created an arresting work that celebrates male strength through tenderness. As the artists note, “The Unveiling of God / a love letter to my forefathers is a visual interpretation of NIA JUNE's imagination on the matter of her forefathers and Black men prematurely removed from her life.
Available for Purchase -
The Unveiling of God Official Trailer #1
Black men and boys swim, play, embrace loved ones, and navigate various physical and emotional landscapes. The Unveiling of God / a love letter to my forefathers is an operatic visual poem that celebrates the Black men in the artists' lives. In counter to narrow and destructive ideas of masculinity that are present — though not unchallenged — in contemporary media and music, NIA JUNE, Kirby Griffin, and APoetNamedNate created an arresting work that celebrates male strength through tenderness. As the artists note, “The Unveiling of God / a love letter to my forefathers is a visual interpretation of NIA JUNE's imagination on the matter of her forefathers and Black men prematurely removed from her life.
Available for PurchasePlease contact [email protected] for all purchase inquiries.
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Keep What You Sow Trailer
This short documentary spotlights four Baltimore-born entrepreneurs — Mrs. Tammy, Danny, KC, and Akio — who, through dedication and innovation, have become trailblazers in their industries and neighborhoods. Ms. Harris, owner of Carey Hardware, continues the legacy of her father, who ran the store in the 1980s. KC, a welding artist and the founder of KC’s Studio, aims to break the barrier of entry and encourage more Black individuals to enter the field. Danny, the visionary behind Illicit Rag Vintage, works to cement Baltimore’s place in the fashion world by being a resource to local designers and models. Akio, of Akio’s Glorious Heroes, customizes clothing to honor his mother while telling impactful stories and preserving history through streetwear design. Keep What You Sow documents their journey, highlighting how these self-starters not only contribute to Baltimore’s cultural landscape but also uplift the community.
The film debuted at Center Stage Baltimore in 2022.
About NIA
NIA JUNE is a published poet, filmmaker, arts educator, dancer, and author of Paper Trails of the Undying. In 2020, she was recognized by Baltimore Magazine as Best Poet of Baltimore and in 2023, Best Filmmaker of Baltimore. Her directorial debut, A Black Girl's Country, featured in national and international film festivals and was acquired by the Baltimore Museum of Art as a part of their permanent collection. JUNE’s award-winning film, The Unveiling of God / a love letter to my… more
The Unveiling of God / a love letter to my forefathers
In this short film, Black men and boys swim, play, embrace loved ones, and navigate various physical and emotional landscapes. The Unveiling of God / a love letter to my forefathers is an operatic visual poem that celebrates the Black men in the artists' lives. In counter to narrow and destructive ideas of masculinity that are present — though not unchallenged — in contemporary media and music, NIA JUNE, Kirby Griffin, and APoetNamedNate created an arresting work that celebrates male strength through tenderness. The film features over 100 residents, artists, and local businesses such as B360 Baltimore and Upton Boxing Gym.
The author notes: “In 2017, my father died at 47 years old due to a heroin overdose. Through my grief, I realized that several men in both my paternal and maternal families led short, complicated lives. In my innate desire to know and understand them, I created this work. While writing and directing the film’s poems and images, I was able to finally look my fathers in their eyes and discover myself. I was able to forgive them for myself and on behalf of my mother, my grandmothers, and my children to come. The Unveiling of God / a love letter to my forefathers is a visual interpretation of my imagination on the matter of my forefathers and Black men prematurely removed from my life. Through poetry, music, and moving portraits, the film asks its viewers: what could they have been, unburdened by the gravity of an oppressive system and known to the God in themselves?”
It premiered at The Parkway Theater in 2021 and exhibited in The Culture: Hip Hop and Contemporary Art in the 21st Century, an exhibiting touring museums across Baltimore, MD; St. Louis, MO; Frankfurt, Germany; Cincinnati, OH; and Ontario, Canada. It is also included in the curriculum at University of Baltimore and Coppin State University in 2022 and 2023 semesters.
Original Poetry Written and Performed by NIA JUNE
Directed by NIA JUNE and APoetNamedNate
Cinematography by Kirby Griffin
Edited by Kirby Griffin, NIA JUNE, APoetNamedNate
Produced by NIA JUNE
Original Sountrack by APoetNamedNate, Brandon Woody, Troy Long, Tyler Moonlight, Black Assets, Zadia, Blaqstarr, Omnia Azar, Dee Dave, and T.Ali.
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The Unveiling of God / a love letter to my forefathers
Original Poetry Written and Performed by NIA JUNE
Directed by NIA JUNE and APoetNamedNate
Cinematography by Kirby Griffin
Edited by Kirby Griffin, NIA JUNE, APoetNamedNate
Produced by NIA JUNE
Original Sountrack by APoetNamedNate, Brandon Woody, Troy Long, Tyler Moonlight, Black Assets, Zadia, Blaqstarr, Omnia Azar, Dee Dave, and T.Ali.
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The Unveiling of God / a love letter to my forefathers (Still—06)
Still of Sharayna Ashanti Christmas and her son Bashi Rose in the Foundation chapter of The Unveiling of God / a love letter to my forefathers. The Foundation chapter explores the Black woman’s impact in the lives of Black men and the Black community at large. The mother-son duo, in traditional African print garments next to a wall of gold-framed family photos, displays the imperative role of motherhood and familial upbringing as the groundwork of adulthood. This shot is accompanied by an archival clip of Amina Baraka, discussing the importance of value systems as descendants of a diasporic community.
Shot by Kirby Griffin, directed by NIA JUNE and APoetNamedNate, featuring Sharayna Ashanti Christmas and Bashi Rose.
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The Unveiling of God / a love letter to my forefathers (Still—05)
Still of ToneZone performing a 12 o’clock wheelie on a dirt bike in the Freedom chapter of The Unveiling of God / a love letter to my forefathers. While Baltimore is known as the “Dirt Bike Capital,” it is often frowned upon by city officials and residents in certain areas. The Freedom chapter explores the radical act of breaking down barriers to experience unabashed joy while living under oppressive systems. This chapter was inspired by my late father who frequently took my sister and I to Druid Hill Park on Sundays to watch dirt bike riders. This scene was shot in collaboration with B-360, an organization that utilizes dirt bike culture and STEM education to equip youth and young adults with the skills to secure educational and career opportunities, while changing the negative perception of dirt bike riders.
Shot by Kirby Griffin, directed by NIA JUNE and APoetNamedNate, featuring ToneZone. Filmed at B-360 camp.
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The Unveiling of God / a love letter to my forefathers (Still—04)
Still of Wykeem Franklin and his son Solar Be Infinite at Whitelock Community Farm in the opening of The Unveiling of God / a love letter to my forefathers. This opening scene of the film portrays the fertile ground of self-actualization through spirituality and grounding work. Wykeem, caretaker of the community space, tends to the grounds alongside his son, symbolizing inner growth and passing on these values to future generations. Located in Baltimore's Whitelock community, a predominantly Black neighborhood resisting gentrification, the farm serves as a metaphor for self discovery and survival for Black individuals through urban foraging and farming.
Shot by Kirby Griffin, directed by NIA JUNE and APoetNamedNate, featuring Wykeem Franklin and Solar Be Infinite.
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The Unveiling of God / a love letter to my forefathers (Still—03)
Still of The Jacobs Family in the Foundation section of The Unveiling of God / a love letter to my forefathers. The Foundation chapter explores the Black woman’s impact in the lives of Black men and the Black community at large. The Jacobs family, a resilient blended unit, embodies the essential elements of raising Black children. Destinii and Rickie, the parents, exemplify these elements through discipline and unconditional love. Their portrayal reflects a healthy partnership and a commitment to healing generational traumas. The traditional family portrait also nods to the stylistic tradition of Black family portraits from the seventies, eighties, and nineties.
Shot by Kirby Griffin, directed and set design by NIA JUNE and APoetNamedNate, featuring The Jacobs Family.
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The Unveiling of God / a love letter to my forefathers (Still—02)
Still of Demetrius and his daughter Noir in the Protector chapter of The Unveiling of God / a love letter to my forefathers. The Protector chapter explores stigmas surrounding Black men and emotional vulnerability, specifically interrogating the sentiment that crying or emotional distress is a display of weakness. The father-daughter duo shares a day filled with in-house activities, from playing video games to reading, brushing each other's hair, and concluding with a poignant embrace in front of the mirror. The juxtaposition of the father's protective love and emotional vulnerability highlights the intricate relationship between Black manhood and emotion.
Shot by Kirby Griffin, directed by NIA JUNE and APoetNamedNate, featuring Demetrius and Noir Johnson.
A Black Girl’s Country
In A Black Girl's Country, the Black girl's complexity is laid open and housed in a soft jubilee that trumpets through us, "finally, we are home." Featuring more than 50 members of the Baltimore community, this film showcases women and girls, across multiple generations, radiating pure joy and embracing their unapologetic freedom in a space they truly own. This multifaceted experience of Black womanhood is a collaborative effort with director and spoken word artist NIA JUNE, cinematographer Kirby Griffin, and creative director and musician APoetNamedNate. Through moving portraits, original poetry, and music, the three Baltimore natives offer a renewed gaze at the Black woman and the world she embodies and ask viewers: "what do you know of A Black Girl's Country?"
The film was acquired by the Baltimore Museum of Art as part of its permanent collection in 2021 and exhibited in the Contemporary Wing at the beginning of 2024.
Original Poetry Written and Performed by NIA JUNE
Directed by NIA JUNE
Creative Director and Original Score by APoetNamedNate
Cinematography by Kirby Griffin
Original Dance Choreography Developed and Performed by NIA JUNE
Additional Vocals by Wifty Bangura
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A Black Girl’s Country
Original Poetry Written and Performed by NIA JUNE
Directed by NIA JUNE
Creative Director and Original Score by APoetNamedNate
Cinematography by Kirby Griffin
Original Dance Choreography Developed and Performed by NIA JUNE
Additional Vocals by Wifty Bangura
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A Black Girl’s Country (Still — 004)
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A Black Girl’s Country (Still — 003)
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A Black Girl’s Country (Still —- 002)
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A Black Girl’s Country (Still—01)
Keep What You Sow: Homegrown Industries of Baltimore
This short documentary spotlights four Baltimore-born entrepreneurs — Mrs. Tammy, Danny, KC, and Akio — who, through dedication and innovation, have become trailblazers in their industries and neighborhoods. Ms. Harris, owner of Carey Hardware, continues the legacy of her father, who ran the store in the 1980s. KC, a welding artist and the founder of KC’s Studio, aims to break the barrier of entry and encourage more Black individuals to enter the field. Danny, the visionary behind Illicit Rag Vintage, works to cement Baltimore’s place in the fashion world by being a resource to local designers and models. Akio, of Akio’s Glorious Heroes, customizes clothing to honor his mother while telling impactful stories and preserving history through streetwear design. Keep What You Sow documents their journey, highlighting how these self-starters not only contribute to Baltimore’s cultural landscape but also uplift the community.
The film debuted at Center Stage Baltimore in 2022.
Directed by NIA JUNE
Cinematography by Kirby Griffin
Original Score by Brandon Woody & Troy Long
Produced by The Medicine Show
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Keep What You Sow: Homegrown Industries of Baltimore
Directed by NIA JUNE
Cinematography by Kirby Griffin
Original Score by Brandon Woody & Troy Long
Cast: Danny of Illicit Rag Vintage, Akio Evans of Akio’s Glorious Heroes, Tammy of Carey Hardware, KC of KC’s Studio
Produced by The Medicine Show
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Keep What You Sow (Still—005)
Danny of Illicit Rag Vintage (2)
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Keep What You Sow (Still—004)
Mrs. Tammy of Carey Hardware
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Keep What You Sow (Still—003)
Akio of Akio’s Glorious Heroes
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Keep What You Sow (Still—002)
KC of KC’s Studio
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Keep What You Sow (Still—001)
Danny of Illicit Rag Vintage
Available for Purchase
Taking Care: Portraits From Baltimore
Taking Care: Portraits from Baltimore offers an intimate look into the lives of Sandra, Ms. Harris, and Clayvon — three clients of Health Care for the Homeless whose paths converge at the organization’s doors. Sandra, an immigrant from Nicaragua, is a cancer survivor rebuilding her life. Ms. Harris, a former educator and dancer, survived a diabetic coma and continues to defy the odds. Clayvon, once a drug dealer and now an aspiring youth services worker, perseveres after a severe stroke. Through their survival stories, the film paints a compassionate and unflinching portrait of Baltimore’s unhoused community, shedding light on the persevering spirit of individuals navigating homelessness and the essential support Health Care for the Homeless provides.
The documentary premiered at Johns Hopkins University School of Nursing in 2024.
Director & Producer: NIA JUNE
Creative Director: APoetNamedNate
Director of Photography: Kirby Griffin
Creative Director & Musical Producer: APoetNamedNate
Executive Producer: Health Care for the Homeless
Original Score: APoetNamedNate, Brandon Woody, & Troy Long
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Taking Care: Portraits from Baltimore
Director & Producer: NIA JUNE
Creative Director: APoetNamedNate
Director of Photography: Kirby Griffin
Creative Director & Musical Producer: APoetNamedNate
Executive Producer: Health Care for the Homeless
Original Score: APoetNamedNate, Brandon Woody, & Troy Long
Cast: Sandra Davis, Clayvon York, Larrice Harris
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Taking Care (Still—003)
Ms. Harris
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Taking Care (Still—002)
Clayvon York
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Taking Care (Still—001)
Sandra and nephew
THREADS I "Leroy H, Carolina" by Brandon Woody's UPENDO featuring NIA JUNE and Asya Shaw
In Threads I “Leroy H. Carolina,” the Reginald F. Lewis Museum invites you to immerse yourself in the artistry of Black fiber artist Elizabeth Talford Scott, whose quilts transcend craft to become living narratives of Black womanhood. This interdisciplinary experience, produced by jazz trumpeter Brandon Woody and his band—Troy Long (Main Keys), Vittorio Stropoli (Aux Synth), Michael Saunders (Bass), Quincy Phillips (Drums), Wendel Patrick (Turntables), and Leon June (Engineer)—along with dancer Asya Shaw and poet NIA JUNE celebrates Scott’s visionary work during Jazz and Poetry Appreciation Month. This performance was presented in partnership with the exhibition BLACK WOMAN GENIUS: Elizabeth Talford Scott—Tapestries of Generations.
THREADS | "Leroy H, Carolina"
UPENDO featuring NIA JUNE and Asya Shaw
Brandon Woody - Trumpet
Troy Long - Main Keys
Michael Saunders - Bass
Quincy Phillips - Drums
Vittorio Stropoli - Aux Synth
Wendel Patrick - Turntables
NIA JUNE - Poetry
Asya Shaw - Dance and Choreography
Neon June - Sound Engineer
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THREADS I "Leroy H, Carolina" by Brandon Woody's UPENDO featuring NIA JUNE and Asya Shaw
UPENDO featuring NIA JUNE and Asya Shaw
Brandon Woody - Trumpet
Troy Long - Main Keys
Michael Saunders - Bass
Quincy Phillips - Drums
Vittorio Stropoli - Aux Synth
Wendel Patrick - Turntables
NIA JUNE - Poetry
Asya Shaw - Dance and Choreography
Neon June - Sound Engineer
Nanm Selés
A short dance film that honors movement in the most organic way. Two celestial souls explore what it means to be elemental in water while flowing through air and grounding in what feels like an eternal journey through space and time.
Directed and Choreographed by Brittney London
Dancers: Brittney London and NIA JUNE
Filmed and Edited by Kirby Griffin
Original Score by APoetNamedNate
Trumpet Performed by Brandon Woody
Production Engineers: Tyler Moonlight and Eric Barry
Paper Trails of the Undying
A collection by NIA JUNE and Kirby Griffin, Paper Trails of the Undying captures Baltimore’s endurance through a series of raw and intimate poems and photographs. This work portrays resilience in the face of motherhood, addiction, tradition, and the harsh impact of police brutality.
Sold at Greedy Reads, Bird in Hand, Charm City Books, and Everyone’s Place.
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PTOFU_EBOOK.pdf
A collection by NIA JUNE and Kirby Griffin, Paper Trails of the Undying captures Baltimore’s endurance through a series of raw and intimate poems and photographs. This work portrays resilience in the face of motherhood, addiction, tradition, and the harsh impact of police brutality.
Available at Greedy Reads, Bird in Hand, Charm City Books, and Everyone’s Place.