Work samples
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A Jumble Of Small Things Priceless And Worthless
A Jumble Of Small Things Priceless And Worthless - narrative found object assemblage wall-relief sculpture, 46 x 32 x 5 inspired by the Zora Neale Hurston essay of the same name. We are each a jumble of small things and our things could be traded and we would still be happy. We can find personal meaning in objects. The stilts (legs) are inspired by a world in the book "Einstein's Dreams" where people felt they lived their longest and best life the farther they were from the center of the earth. I strive to live my best life. (2023)
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Time Flies When You're Having Fun
Time Flies When You're Having Fun - 24 x 15 x 5, narrative found object assemblage wall-relief sculpture with a vintage travel suitcase as the base. The base is filled with and elaborated with many forms of fun and enjoyment. Each object can be part of the narrative for an enjoyable life. Time is flying by.....let's enjoy it. (2023)
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Ain't Like I'm A Woman Got No Place To Go
Ain't Like I'm A Woman Got No Place To Go - narrative found object assemblage wall-relief sculpture, 27 x 12 x 3.5, inspired by Bonnie Raitt song lyrics and responding to the sentiment that mature women are unseen, over-the-hill, past-their-prime, done. (2023)
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Over The River And Through The Woods
Narrative found object assemblage wall-relief sculpture, 41 x 16 x 3, inspired by a gift of a broken piano. The only piano I had played was on the front porch of my Grandmother's farm. That gift caused me to reflect on my many wonderful memories at my Grandmother's farm in Michigan. Every summer I enjoyed adventures that were quite different than my usual days in Chicago. I cherish these memories and imagine we all have special thoughts of visiting our grandmother. This sculpture features the piano keys, fisher price barn, woodpecker toothpick holder(similar to the one in the dining room), embroidery hoop, tiny jars of assorted goods, woodpecker, strawberry, brush, architectural detail, my Grandmother's broken plate, corn on the cob holders, cookie cutters, cow, pig, chicken, skunk, etc. For me, each object is a story. (2024)
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About Linda
Linda Popp creates narrative found object assemblage sculptures. She uses artifacts and symbolic objects to convey stories about relationships with family, place, love, faith, nature, self, time, and other themes. During the process, she goes beyond her personal stories and the narrative becomes universal as she feels our stories are all connected. Some objects/symbols are obvious; others may be interpreted by viewers differently as they bring their own experiences to the work. Linda enjoys… more
Relationship with Time
As I am aging, I am very aware of "Enjoying The Passing Of Time." In this series I am reflecting on past experiences enjoyed and new adventures that I am looking forward to. I think both activities are very important for our mental and emotional health. Sadly, seniors are often invisible in our society, but I am trying to say, "don't move so fast." We still have dreams to fulfill. If we have made it this far, we are pretty resilient and have first-hand knowledge to share. We are also appreciative of each day and don't take our time on this earth for granted. I am not going to waste my time on the "small stuff," and will cherish my good fortune. In the "Blue Zones" where people live the longest, one of the characteristics that they have in common is a sense of purpose. I am extremely grateful for the sense of purpose my art-making gives me.....and I don't plan on stopping anytime soon!
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Making A Long Story Short
Narrative found object assemblage wall-relief sculpture, 40 x 21 x 5, reflecting on my life. I consider this a self-portrait over time. Every object is a personal story, a personal memory, but my hope is that the viewer will connect with the objects and reflect on their own narrative. The sculpture features a transistor radio, Westie sculpture, model train tracks, a heart filled with buttons, fountain, birds, beaded flowers, Popeye paint set, jacks, stenciled crate board (from my Grandmother's farm), measuring tape, Oscar Mayer wiener truck whistle, Cracker Jack box, etc. (2024)
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A Jumble Of Small Things Priceless And Worthless
A Jumble Of Small Things Priceless And Worthless - 46 x 32 x 5, narrative found object assemblage wall-relief sculpture that I consider my self-portrait over time. The title is an essay by Zora Neale Hurston that resonates with me. She states that we are each a jumble of things. We all put meaning into our treasured momentos. She also thinks that we could all dump our things together, scoop out a new jumble, and still be happy. We can connect with the new things in different ways. This is my hope for my work.......something from my story will cause you to reflect on your own narrative and bring you understanding. Younger viewers can also learn from these objects as they might not know what they are. Maybe an object will remind you of your grandmother and you will give her a call or think of her memory sweetly.
The "stilts" are from a world in "Einstein's Dreams" where people felt they could live their longest, best life the further they were from the center of the earth. I am living my best life.
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Staying Young At Heart
Staying Young At Heart - 25 x 10 x 5, narrative found object assemblage free-standing sculpture reminding myself and others that growing older does not mean one has to grow old (2024). Even if we can't do some of the youthful activities like skiing and skating, we can still fondly reminisce and maintain a youthful spirit. The base is a vintage roller skate and the top is a vintage Fischer Price toy about telling time. The main compartment is an arrangement featuring a skater and skier, tinker toys, Christmas light, paint set, ice cream spoon, candy, game pieces, noise maker, small bike, jump rope, etc. From other views you can see a sand shovel, car key, cookie cutter, birthday candles, two elderly figures, model train sign "Slow...road ahead," skate key, paper mache flower, ballerina paper doll figure, clicker toy, etc.
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Time Flies When You're Having Fun
Time Flies When You're Having Fun - 24 x 15 x 5, narrative found object assemblage wall relief sculpture, inviting the viewers to reflect on fun times in their own lives and to look forward to more adventures (2023). The base is a vintage suitcase and is embellished with noisemakers, clown bank, Eight O'Clock coffee bank, Oscar Mayer wiener whistle, bed spring, model train track, toy airplane and car, clip-on bird ornament, 45 disc, etc. The noisemakers aren't attached, so the fun can continue.
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Ain't Like I'm A Woman Got No Place To Go
Ain't Like I'm A Woman Got No Place To Go - 27 x 12 x 3.5, narrative found object assemblage sculpture addressing the thought that older women are obsolete. The title is a lyric from a Bonnie Raitt song that I feel is filled with attitude. I've still got places to go, people to see, things to do. A vintage female figure is standing on a cigarette case and surrounded by earrings, a compact and a compass, beaded flowers, a lucky penny, and the leaning tower of Pisa. She is crowned with an elaborate comb, and a toy convertible car with the door open. The piece also holds a long red glove, miniature high heel, garter, lipstick, perfume bottle, a dangling purse clasp, etc. (2023)
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Sing To Me My Morning Bird
Sing To Me My Morning Bird - 26 x 12 x 4, narrative found object assemblage wall- relief sculpture reminding viewers to be grateful for each morning (2023). The birds start each day with a song. The sculpture features many vintage breakfast items such as coffee measuring spoon and strainer, coffee cup and saucer, tea strainer, egg and egg cup, spice grinder, etc.
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Enjoying The Passing Of Time
Enjoying The Passing Of Time - 15 x 8 x 4, narrative found object assemblage free-standing sculpture, with a vintage roller skate as the base (2021). Noise-makers, ice cream container, clown figure, Christmas light, jump rope, skater, viking, dog, and carriage figures, mitten clip, etc. give the viewer an opportunity to reflect on their own enjoyment narrative. From other views you can see a woven pot holder, 45 disc, cover of a children's coloring book, repurposed lithograph, frog, compass, etc.
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A Girl I Used To Know *.jpeg
A Girl I Used To Know - 33 x 14 x 5, narrative found object assemblage wall-relief sculpture reflecting on the types of toys and activities for girls when I was young (2023). Reflecting on how the toys and activities have changed in step with changes is our society. The base is a child’s ironing board featuring a small old photo of me at my toy ironing board. A Barbie doll dress is being ironed on the board. The sculpture also features a Slinky, child’s block, doll, egg basket, pop beads, Barbie shoes and jewelry box, thimble and thread, ballerina, candle-holder, etc.
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Take The Chance To Celebrate The Day
Take This Chance To Celebrate The Day - 22 x 10 x 3, narrative found object assemblage wall relief sculpture featuring vintage cookie cutters, "toaster" salt & pepper shakers, noise-makers, light switch plate, pot holder, tea strainer, pick-up sticks, etc. (2022) Each morning is appreciated and each day is filled with opportunities.
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Don't Give Me No Rocking Chair
Don'T Give Me No Rocking Chair - 24 x 9 x 4, narrative found object assemblage wall-relief sculpture featuring vintage note-holder (the passport can be changed), watch, badges, birthday candles, toy chair, old bay can, noise-makers, etc.(2022) addressing ageism. Seniors still have places to go, people to see, things to do. Insert finger snap.
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Relationship with Dreams/Opportunities
We now have many women in Congress, a female Vice-President, astronauts, doctors, and football coaches. Even Barbie has many different careers! The glass ceiling is definitely cracking, which I find very exciting. Opportunities have changed so much just even in my life-time! I wonder how these new opportunities have changed the dreams of young girls. I love how little girls now can portray their "future self" in their drawings. They imagine that they can become anything! I want to celebrate that in my work, but I also want to remind us that this was not always the case. My mother, aunts, grandmother and women of that time were focused on domestic issues and taking care of the home. Opportunities were so different then for all young people, especially for women. Our roles were clearly defined by gender. I am so grateful to the men and women who did the work to pave the way for us all to dream bigger and better for ourselves and the world.
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Sugar And Spice And Everything Nice.jpg
Sugar And Spice And Everything Nice - 16 x 7 x 5, narrative found object assemblage free-standing sculpture (companion to "Snips And Snails And Puppy Dog Tails")....that's what little girls are made of. Reflecting on the dreams of young girls from days gone by based on the opportunities for women during that era. The base is a child's toy oven and the top is an ashtray that features a female figure with moveable legs and fan. Most girls dreamt of being like their mother, a skater, a ballerina, a bride, pretty and domestic. These ideas are represented with a variety of vintage objects. From other views you can also see a bottle cap trivet, vintage family photograph, advertisement, buttons, white fence, tape measure, ash tray, etc. (2021)
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Snips And Snails And Puppy Dog Tails.jpg
Snips And Snails And Puppy Dog Tails - 14 x 13.5 x 4, narrative found object assemblage free-standing sculpture (companion to "Sugar And Spice And Everything Nice") exploring the games and activities of boys in comparison to those of girls. (2022) Realizing ways specific gender identities were promoted in toys and products. The base is a child's hammering toy and the piece is topped with a pair of worn out child's shoes. The arrangement of found objects include a child's xylophone, mitten clips, B rattle, Oscar Meyer whistle, rocking horse, cowboy, dinosaur, water pistol, boy scout badges, holster, Lincoln logs, Lucky Strike can, etc.
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Unprepared To Be Unseen
Unprepared To Be Unseen - 24 x 10 x 2, narrative found object assemblage wall-relief sculpture considering the limited dreams and opportunities for older, mature women. They still want to be "seen." The base is a black case topped with a black hair bow and veil and a black beaded purse hanging from the base. The narrative continues with a perfume bottle that has a young female figure as the topper. The case is adorned with jewelry and filled with a cameo, comb, powder puff and compact, watch, ring, lipstick, hair pins and curler, broch featuring a young female figure, and a rouge tin. (2022)
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Back In The Day
Back In The Day - 26 x 7 x 2.5, narrative found object assemblage wall-relief sculpture exploring the roles, activities, opportunities for females back in the day. The hidden agenda is that when we see older women today, many do not consider that they may have had very exciting earlier years. That narrative is told with an elaborate hair comb, perfume bottle, rouge can and puff, lipstick and mirror, manicure set, garter, cameo, curved furniture detail, and a ceramic female figure with feathers. (2023)
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Dream New Dreams
Dream New Dreams - 21 x 12 x 2, narrative found object assemblage wall-relief sculpture (companion to "Almost Grown-Up Dreams"). What were the dreams and opportunities of this young woman during her time? Exploring the idea that activities and dreams of women have been influenced by the opportunities open to them. This work features a vintage photo album page with photo of a young woman, fan, embroidery hoop, pearls, card of buttons, tatting with tool, stereoscopic photograph, letter opener, hair clip, garter hook, toy fence, etc. (2022)
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Almost Grown-Up Dreams
Almost Grown Up Dreams - 16 x 9 x 2, narrative found object assemblage wall-relief sculpture (companion to "Dream New Dreams") considering the dreams, opportunities, and activities of boys from days gone by. I feel that in many cases they weren't as limited as young women.....hence the winning part of the wish bone. The narrative is shared using a vintage photo album page with a photo of a young man, wallet, car, razor, blades box, level, key ring, tobacco ad, card of buttons, cocktail stirrer, map, and fortune cookie fortune, "Your fortune is on its way!" (2022)
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I Wish I May, I Wish I Might
I Wish I May, I Wish I Might - 21 x 8 x 3, narrative found object assemblage wall-relief sculpture (companion to "Dream Big") thinking of what this young girl's wishes might have been. The base is a vintage photo album page with a photo of a young girl, with a frame corner as a pediment and shoe figures on top. The narrative is embellished with an arrangement of found objects including a beaded purse, jacks, skate key, house key, pearls, hair pins, Holy Communion momento, cookie cutter, activity book page, barette, etc. (2022)
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Dream Big
Dream Big - 21 x 8 x 2.5 narrative found object assemblage wall-relief sculpture (companion to "I Wish I May, I Wish I Might") exploring the activities, dreams, and opportunities of young boys in days gone by. The base is a page from a vintage photo album with a photo of a young boy, topped with a piece of decorative framing and a pair of display shoe figures. The narrative is elaborated with a miniature golf game, fishing weights, arrow, paper doll police uniform, card of buttons, car keys, View-Master card, boy scout badge and scarf clasp, cap pistol caps, and the winning part of the wish bone. (2022)
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Rattle Those Pots And Pans
Rattle Those Pots And Pans, 9 x 4 x 2, narrative found object assemblage wall-relief sculpture using an embellished mint tin and a strainer as the base. Reflecting on the domestic role and expectations for women. Working small is a challenge like working with a limited palette. The narrative includes a Morton salt shaker, ball of string, kitchen cabinet knob, drawer handle, cameo, pie crust wheel, coffee pot top, etc. (2020) This was a lyric in a Bill Haley song: Get out in that kitchen and rattle those pots and pans.....an expected woman's role.
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I Am The Woman I Can Be
I Am The Woman I Can Be - 8.5 x 3 x 1, narrative found object assemblage wall-relief sculpture with a mint tin as the base. Exploring the role of women in the 1930's and 40's considering the opportunities offered to them. The narrative is told with a vintage button on a card illustrated with a young woman and her children and extolling the quality of the product for all of her sewing needs. The arrangement also includes a small cast metal female figure, lipstick, perfume bottle, bobbin, earrings, cameo, clothes line wheel, hair clips, and a Girl Scout badge. (2020)
Relationship with Love (Family)
This is where my narrative found object assemblage sculpture work began. I was teaching Art II in high school and my students were working intently on amazing portraits and then self-portraits. Their products were outstanding, but I felt their process was getting stale. In an effort to shake it up I introduced the problem: "Explore the symbolism of found objects in order to create a portrait of a person you have had a long-term relationship with." As the teacher, I needed to make a prototype, so my piece was "Anne's Angel".....a portrait of my mother. I was immediately hooked on the process. I could convey so much and reflect on so many characteristics, qualities, and experiences in one piece. For me, these family portraits became shrines to honor these people that meant so much to me. After doing several more portraits, I began to explore other ideas and themes about family. This series spans many years. By the way, my students loved the work too. When I see them now, many, many years later, they tell me they still have their sculptures proudly displayed.
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Over The River And Through The Woods
Narrative found object assemblage wall-relief sculpture, 41 x 16 x 3, reflecting on summers at my Grandmother's farm in Michigan. The days were filled with adventures that were quite different from my days in Chicago. I imagine many of us have wonderful memories of visiting our Grandmother. I cherish these memories and continued to visit, even driving from Maryland, as long as there was still family there. This sculpture features the piano keys, fisher price barn, woodpecker toothpick holder(similar to the one in the dining room), embroidery hoop, tiny jars of assorted goods, woodpecker, strawberry, brush, architectural detail, my Grandmother's broken plate, corn on the cob holders, cookie cutters, cow, pig, chicken, skunk, etc. For me, each object is a story. (2024)
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You Will Outgrow Your Shoes
You Will Outgrow Your Shoes - 22 x 13 x 3.5, narrative found object assemblage wall-relief sculpture inspired by a song lyric, you will outgrow your shoes......but you will always be my baby (companion to "You Will Outgrow Your Shoes Too"). I think most parents feel this way. I had the shoes, so as soon as I heard the song, I had my intention. I have a daughter, so this piece became very personal and universal at the same time. I used objects from different ages to tell the story, from a diaper pin to an engagement ring. The fan was given to me by a former student and was her childhood toy. My daughter had one very similar. So many wonderful stories.....many memories that we might share. Barrettes, Barbie shoes, marbles, worry dolls, skate key, car key, jump rope, graduation tassel, jacks, knitting doll, rounded point scissors, lipstick, etc. (2023)
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You Will Outgrow Your Shoes Too
You Will Outgrow Your Shoes Too - 25 x 11 x 3.5, narrative found object assemblage wall relief sculpture inspired by the song lyric, you will outgrow your shoes......but you will always be my baby (companion to "You Will Outgrow Your Shoes"). I think most parents feel this way. I had completed the sculpture about daughters, so I felt I should address parents and sons. I had the intention, but it took me awhile to find the shoes. Once I did I knew exactly where I was going....I used objects from different ages to tell the story that no matter what age you are, you will always be my baby. From your saved lost tooth to your Winston lighter, and every stage in between.............yo-yo, dart, razor, mitten clip, bow tie, marshal badge, airplane, sliding bead toy, etc. (2023)
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Little Boy Blue And The Man In The Moon
Little Boy Blue And The Man In The Moon - 14 x 15 x 5, narrative found object assemblage free-standing sculpture inspired by the Harry Chapin song, "Cats In The Cradle." (companion to "But We'll Have A Good Time Then") I am exploring the father/son relationship over time. The base is a roller skate and the top is a shoe stretcher with a foot size measuring ruler in the middle. There are a few comparisons such as the toy cowboy and the real spur, the child's block with a sailing boat and a real fishing reel. On the back there is a Superboy comic, a Howdy Doody cap, a toy gun holster, with Army rank stripes, an air mail envelope, and a lighter. Other objects include a compass, oil can, cast metal sledding figure, baby shoes, golf tee, marbles, chess piece, etc. (2019)
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But We'll Have A Good Time Then
But We'll Have A Good Time Then - 22 x 14 x 6, narrative found object assemblage free-standing sculpture inspired by the Harry Chapin song, "Cats In The Cradle." (companion to "Little Boy Blue And The Man In The Moon") I am exploring the father/son relationship over time. There are a couple of funny connections.....the TV antenna and Bugs Bunny Pez dispenser (rabbit ears), adult pipe and child's peace pipe, Cootie bug and cicadas, ruler pencil box and adult foldable ruler. The base is a child's cobler's bench toy. A Superboy comic is on the back. The men working sign alludes to the message of the song........dads need to make time with their sons. (2019)
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Mending Socks And Hearts
Mending Socks And Hearts - 14 x 6.5 x 4, narrative found object assemblage wall-relief sculpture reflecting on ways that women have used their sewing skills to take care of their families. I have memories of my grandmother and mother darning socks. I think of love language....using deeds to show love. A cast metal female figure sits on top with a darning bulb and a pin cushion. Most people probably don't even know what darning is any more. Other objects for her sewing include needles, thread, bobbins, thimble, needle threader, buttons, snaps, hooks, and a tape measure. There is a card of thread with a 5 cent price tag, a heart cookie cutter, and pieces of my grandmother's yo-yo quilt. I just recently learned that the strawberry hanging from the tomato pin cushion could be used to sharpen needles. (2023)
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Each Stitch Entwined With Love
Each Stitch Entwined With Love - 24 x 9 x 7, narrative found object assemblage wall-relief sculpture reflecting on ways women have used their handicrafts to show love for their family. The base is part of an old sewing box. It houses a doll in a crocheted hat and dress. I have memories of my mother sewing clothes for my doll. She is surrounded by an arrangement of handicraft objects such as knitting needles, crochet hook, tatting tool and tatting, crocheted doilies and flowers, basket of yarn, embroidery hoop, needles, thread, thimble, bobbin, buttons, knit doll hat, and Singer sewing machine oil. There is also a metal door knocker of a woman at a spinning wheel. (2023)
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Love And A Pinch Of Salt
Love And A Pinch Of Salt - Narrative found object assemblage wall relief sculpture reflecting on ways we use our cooking and baking skills to show love to our family. The narrative is told with an arrangement of numerous vintage cooking items, such as a grater, pie bird, ladle, Morton salt, can openers, strainer, pie wheel, pot holder, Sons Of Italy tomatoe can, measuring cups, and a pot holder. A slat from a crate with a Dill Pickles stencil that was used at my grandmother's farm to ship to Chicago is decorated with a momento depicting the patron saint of cooks. (2023)
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My Hands Come From Adele
My Hands Come From Adele - 28 x 19 x 5, narrative found object assemblage wall-relief sculpture about my grandmother. That is her photo as a young woman...the story is that she tore the photo up because she didn't like the boys' haircuts. We found a copy many years later. The base of this piece is the top of a shipping crate with the shipping label and handle used to ship eggs from the farm to Chicago. Her story features many babies and many pigs....different stories. I also included a train garden fence, deer, rooster, farmer figures, spools of thread, canning jar cover, sewing needles, pine cone, rosary, missel, and bed wheel. All objects are representing memories. She made the quilt pieces and the tea strainer was hers. (2007)
Relationship with Love (All People)
"We Should Believe In Each Others' Dreams".....I guess, being a teacher, I always have. Actually, I often believed students could go beyond their own dreams. I am very saddened by the lack of empathy and compassion that I see in the world today. I am frustrated by the disrespect and lack of care for all creatures and our natural environment...."There Is So Much That Needs To Be Tended." I watch the news and then I go to my studio to work out my sorrow and frustration. Seeing reports of children escaping violence to be put in cages in our country breaks my heart. Being in schools, I know many children are not safe and loved at home. "They Need A Sheltered Nest" was made in response to these and other news reports. Notice their nest is on stilts to live their longest, best life as in "Einstien's Dreams." Just recently I saw a report in the news about the rise in teen suicides and in the report family and friends were so bewildered saying they had no clue their teen was struggling. We need to check in on each other and communicate better. "You Are Not Alone"
As you can see, I am a positive person and desperately hang on to the belief that we have the power to make this world a better place. My hope is that my visual response to current events might inspire others to explore their own personal feelings and make a positive action.
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Tomorrow Will Be Kinder
Narrative found object assemblage wall-relief sculpture, 34 x 17 x 3, reflecting on my hope for a kinder society. As I am anxious and depressed about the politics and divisions in our country, I can deal with my feelings by making art. Perhaps my work will inspire someone to consider their actions and make positive change. I tried to address many of the issues that we are currently dealing with such as climate change and our environment, mistreating immigrants, broken infrastructure, banning books, Ukraine, female image, taxes, LGBT+, safety, and female choice. I included a rooster to wake up and offer a helping hand and a hummingbird (a symbol for hope and renewal). This sculpture features butterflies, birds, shells, trees, model train track, pearls, books, flowers, three bottles filled with fortunes, buttons, and maple seeds, a feather, and tax tokens hanging from a level, a rooster, glove, etc.
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We Should Believe In Each Others' Dreams
We Should Believe In Each Others' Dreams - 15 x 15 x 3 - narrative found object assemblage wall- relief sculpture featuring objects from many different cultures all working together in an interesting, unified composition......my hope for our country. A friend gave me the little slippers as a present and immediately I knew I could start on this piece that I had been thinking about for quite a while. The title is a lyric in a hymn, which gave me my intention. This peculiar wooden box had the small compartments.....I believe it was hand-made, but I don't know the purpose. I had a multicultural collection of objects, some given to me by former students, and started to arrange them within the space. I felt it was important to include the figures laying face down next to the Statue Of Liberty as this was during the time of the BLM protests. We all have dreams for ourselves, our families, our communities, and if we support each other, we can make those dreams come true. (2020)
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They Need A Sheltered Nest
They Need A Sheltered Nest - 12 x 12 x 20, narrative found object assemblage free-standing sculpture with a bell jar atop a lampshade frame that is woven with yarn and a book strap. This is atop legs of branches, a broom, a weaving shuttle. Suspended beneath the jar are baby shoes. Safe within the bell jar, housed in a hand-painted flower pot, we see a young girl jumping rope, a baby, a mailbox, a pencil and a "Greatest Mom" necklace. There is a small silver bird in the process of weaving the nest. As a society we need to create sheltered nests for all of our children. (2020)
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Anyone Can Eat Burnt Toast
Narrative found object assemblage wall-relief sculpture, 22 x 10.5 x 3, inspired by a story I read. Mom fixed dinner and burnt the toast. The son was questioning his father as to why he would eat the burnt toast instead of complaining. Of course, his reply was, "anyone can eat burnt toast." It is better to be kind and honor the person's intention. I felt this simple gesture was so profound and my hope is that we can all be kinder to others. This sculpture features vintage coffee pot salt and pepper shakers, toaster salt and pepper shakers, glove stretchers, rooster, tea bag holder, cookie cutter, cup and saucer, coffee tin, pot holder, etc. 2024
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We Fly Just Like Birds Of A Feather
We Fly Just Like Birds Of A Feather - 18 x 17 x 2, narrative found object assemblage wall-relief sculpture celebrating the many women who have loved me, supported me, and inspired me.....and continue to do so. The electrical plugs and the folded tape measure represent the enormous energy of supportive women. My grandmother is represented in the vertical section on the left with a tall feather in the background and female robin's feathers in the tube. My mother is represented in the bottom horizontal section. That's her paddling her canoe to her job. Her domestic skills are recognized with the pin cushion, thimble, sewing guide, etc. She was a beautician represented with the hair curler. The middle section is filled with my fellow art teaching friends....my gang. The top section is our flock of women: young, old, all colors, all types....we can fly with each others' support. (2019)
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We Are All Mothers To Each Other
We Are All Mothers To Each Other - 20 x 7 x 4, narrative found object assemblage wall-relief sculpture (companion to "There Is So Much That Needs To Be Tended"). We need to care for each child as if they were our own. We need to care for every person as if they were our family. This caring is represented by a heart cookie cutter and a child figure cookie cutter. A baby in a crib figurine sits atop a collection of mothering items such as a pin cushion, baby spoon, diaper pins, a doll, baby buttons on a card. In the center is a strong-looking cast metal female figure.....she can do this. (2022)
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There Is So Much That Needs To Be Tended
There Is So Much That Needs To Be Tended - 21 x 7 x 4, narrative found object wall-relief sculpture (companion to "We Are All Mothers To Each Other"). After the Uvalde shootings President Biden commented on the empty chair at family tables, which really saddened me. An empty chair sits atop a heart that surrounds a map of Uvalde. There is so much in our world that needs our care and attention represented by various objects in this piece. A Peace embroidery, milagros, One World needles, a patch for "Friendship Around The World," Save Ukraine bracelet, sea shell, penguins, arrowhead, and a Statue of Liberty. The little red bird and flowers are meant to keep us strong and positive in our efforts. (2022)
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You Are Not Alone
You Are Not Alone - 7 x 17 x 2.5, narrative found object assemblage wall-relief sculpture about staying connected with each other. A small vintage notecard with holding hands and flowers is in the center of the piece. A fortune stating "happiness is sitting next to you" and a model railroad sign stating "watch children" are part of the message. A letter holder is on the top with authentic letters....one from my uncle to his family during the war. We need to be here for each other. A vintage phone directory, phone cord, and mini-princess phone charm may prompt us to give a call to a friend in need. Or sit and have a cup of coffee and share some love. Go for a visit via train, plane, car. Too many people are feeling alone. We need to stay connected and communicate. Everyone needs to feel safe. (2022)
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Those Who Wish To Sing Will Always Find A Song
Those who Wish To Sing Always Find A Song - 29 x 12 x 4, narrative found object assemblage wall-relief sculpture focusing on people that are always positive and share their love with the world. A small clip-on red bird perches on the top, starting each day with a song. The child’s xylophone was a wonderful find for the narrative and the composition. A heart cookie cutter, harmonica, juice harp, golden rule ruler, red 45 disc, red film canister, noisemaker, Art Lesson book, and Statue Of Liberty elaborate the narrative of spreading love to all. (2021)
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Go And Celebrate The World
Narrative found object assemblage wall-relief sculpture, 26.5 x 15 x 4.5, featuring many objects representing different cultures. My favorite is the venetian gondola salt and pepper shakers......what a souvenir! My hope is that just as I have created a unified composition of differing cultures, our world can be unified. We can celebrate all peoples. I also feel one way to learn about other cultures is through travel. I encourage all to learn more about different cultures and celebrate our differences. 2024
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Relationship with Love (Nature)
This series was prompted by the COVID shut down. The gym was closed, so my exercise became running/jogging/walking outdoors. I became aware of all of the beauty that surrounds me every day in nature in a way that I never had before. We all went through the changes of seasons as time went on and I was amazed by the variety of colors, forms, and textures of the changing environment. Being the constant collector, I began picking up all sorts of natural objects. As my appreciation grew, and my collection grew, I was inspired to share my new discoveries....my discoveries about nature and about myself in the process. Ideally, my work will cause the viewer to reflect on their own relationship with nature.....go outside....take a breath....take a walk....enjoy....and protect our precious environment.
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Have You Ever Wandered Lonely Through The Woods?
Have You Ever Wandered Lonely Through The Woods? - 15 x 20 x 4, narrative found object assemblage wall-relief sculpture featuring a deer antler, bird's nest, eggs, turtle shell, feather, acorn, and other natural objects. Humans are represented by the shoe form and the furniture detail. A lonely feather hangs from the furniture detail. The title is from a Brandi Carlisle song. (2020)
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Adopt The Pace Of Nature.jpeg
Adopt The Pace Of Nature - 12 x 7.5 x 1.5, narrative found object assemblage wall-relief sculpture (companion to "Her Secret Is Patience") featuring a collection of natural objects. These are arranged in a box enshrined with human-made details....a drawer handle, furniture finials, and a drawer pull. (2021)
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Her Secret Is Patience
Her Secret Is Patience - 11 x 7.5 x 2, narrative found object assemblage wall-relief sculpture (companion to "Adopt The Pace Of Nature") featuring a collection of natural objects. These are arranged in a box enshrined with human-made details....a drawer handle, furniture wheels, and a drawer pull. (2021)
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Surrounded By A Slow Resurrection
Surrounded By A Slow Resurrection - 9 x 21 x 4, narrative found object assemblage wall-relief sculpture (companion to "Saying A Slow Good-Bye") during the Springtime. We have gone through a change of seasons with Covid restrictions. On walks I have gathered a bone, turtle shell, egg, hornets' nest, honeycomb, pussy willow, and dried flowers. Humans are represented by the shoe form, bottle, and furniture detail. (2021)
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Saying A Slow Good-Bye
Saying A Slow Good-Bye - 13 x 23 x 4, narrative found object assemblage wall-relief sculpture (companion to "Surrounded By A Slow Resurrection") during the Fall. We have gone through a change of seasons with Covid restrictions. On walks I have gathered an antler, butterfly, feathers, leaves, milk pod, honeycomb, wheat, and branches. Humans are represented by the wood block, wooden detail, and furniture detail. (2021)
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Take A Moment, Take A Rest
Take A Moment, Take A Rest - 14 x 7 x 2, narrative found object assemblage wall-relief sculpture during the Fall. We have gone through a change of seasons with Covid restrictions. On walks I have gathered a bone, eggs, wood pieces, feather, oak galls, pussy willows, leaves, wheat, and shells. (2021)
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Hear The Whispers In The Winter Woods
Hear The Whispers In The Winter Woods - 9 x 10 x 2, narrative found object assemblage wall-relief sculpture. We have gone through a change of seasons with Covid restrictions. On walks I have gathered a skull, branch with bracken, berries, fur, flowers, pine cone, pine needles, and a hornets' nest. Humans are represented by the furniture detail. (2021)
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Are You Open To Your Bliss?
Are You Open To Your Bliss? - 9 x 9 x 1.5, narrative found object assemblage wall-relief sculpture. We have gone through a change of seasons with Covid restrictions. On walks I have gathered a small skull, feathers, bees, lilies of the valley, shells, butterfly, pine cones, and branches. We are the buttons behind bars. Some are too busy to feel the bliss of nature.
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Hear The Song Within The Silence
Hear The Song Within The Silence - 20 x 8 x 2, narrative found object assemblage wall-relief sculpture (companion to "See The Beauty When There's Nothing There") focusing on opening yourself to truly appreciating nature. Slowing down and enjoying the natural beauty that's right around us. I had just retired and moved to the country. I started to gather natural objects like feathers, pine cones, acorns, bees, rocks, and maple seeds. But some are still too busy, represented by the people figures behind the branches. I was one of those people for too long. (2017)
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See The Beauty When There's Nothing There
See The Beauty When There's Nothing There - 20 x 8 x 2 narrative found object assemblage wall-relief sculpture (companion to "Hear The Song Within The Silence") focusing on opening yourself to truly appreciating nature. Slowing down and enjoying the natural beauty that's right around us. I had just retired and moved to the country. I started to gather natural objects like feathers, pine cones, acorns, bees, rocks, and maple seeds. But some are still too busy, represented by the people figures behind the nails. I was one of those people for too long. (2017)
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Relationship with Love (True)
"I Want A Sunday Kind Of Love" is an old song by Etta James. I often get my working titles from song lyrics. I listen to music in my studio, and different lyrics speak to me and I jot them down. I think it's an idea that I'd like to explore further and I don't want it to get lost. When that working title connects with an object (in this case, the kissing bride figure), it gives me my intention to start a new piece. I then add it to my "queue" and begin gathering symbolic/metaphorical objects and artifacts to illustrate the narrative. I have learned to allow time for this part of the process. It's like visual brainstorming. No judging, just gathering from my collections of "priceless and worthless" things. After my intention and objects have "marinated" together for awhile, I am ready to move it to the front burner. Then the "hard fun" begins and I start arranging, adding, eliminating. and allowing the story to be told. I enjoy the challenge of getting these objects to work together physically and in terms of composition. I have learned not to rush this part of the process too, and to still stay open to new ideas and objects along the way. Often a friend will drop off a bag of "worthless" things and in it is exactly what I needed to complete a work. I think people enjoy seeing their cast-offs get a new life. I know I do.
This series is about finding that one love to go through life with. It has been a winding journey and I have documented different stories along the way. I'm like the Taylor Swift of visual art. My art process has helped me to process my feelings.
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Take Me To Heart And I'll Always Love You
Take Me To Heart And I’ll Always Love You - 27 x 11 x 3, narrative found object assemblage wall-relief sculpture exploring a love that lasts. The base is a hanky box with the cover featuring a silhouette of a young couple with him kissing her hand. There is a vintage postcard of a young couple stating “marry me and make me happy” behind an elderly couple. Flowers and doves decorate the scene. The home with a white picket fence was the dream of many young couples. Two birds are perched on the top with their long necks creating a heart below the arch of a dustpan. A woman’s hanky hangs from a decorative hook on the bottom…….women were meant to drop their hanky near a man they were interested in so he cold pick it up and return it to her. The title is from an Aretha Franklin song lyric. (2023)
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Promises Of Always And Forever
Promises Of Always And Forever- 15 x 10 x 3, narrative found object assemblage wall-relief sculpture reflecting on marriage. I found the wedding couple figures at a flea market for $1 which started me wondering what ever happened to Anna and Frank that their momentos were here for sale. I imagine that their promise did last but someplace down the road the descendants lost interest. Cupid watched over them from his perch on the top reclining in front of the fan. The little spirals of fabric below the figures are trim from my mother’s wedding dress. (2022)
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I Want A Sunday Kind Of Love
I Want A Sunday Kind Of Love - 28 x 10 x 4, narrative found object assemblage wall-relief sculpture exploring the desire to find true love. White vintage Cupid and bride figurines, bed wheels, bed frame, and banister lead us through the composition. A pair of rocker salt and pepper shakers are used to communicate a long term relationship. The wrist corsage is my “mother of the bride” corsage from my daughter’s wedding. I believe I was listening to an Etta James song with this lyric. (2022)
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To Love And Be Loved In Return
To Love And Be Loved In Return - 18 x 8 x 2.5, narrative found object assemblage wall-relief sculpture exploring the idea of true love. The elderly couple figures sit side by side. A Certificate Of Marriage and a pattern for an embroidery of a young couple can be seen behind the arrangement of objects. A cookie cutter heart and a Thomas Mann heart join in a composition with a wishbone, two bottle openers and two clasps. The title is from a Nat King Cole song lyric. (2018)
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Now You're Just Somebody I Used To Know
Now You're Just Somebody I Used To Know - 20 x 6 x 3, narrative found object assemblage wall-relief sculpture reflecting on some of the detours along the journey of finding a true love. The narrative is told with the losing part of the wish bone, return to sender repurposed etching, address number, house key, door knob plate, a heart cookie cutter. There is a row of frogs because you have to kiss alot of frogs before you find the prince. The title is from a song lyric. (2015)
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You Will Shelter Me And I Will Shelter You
You Will Shelter Me And I Will Shelter You - 13.5 x 13 x 3.5, narrative found object wall-relief sculpture reflecting on combining two households. The wishbone is wishing for a Happy Home (needles). Cupid is watching over the composition. Two separate houses, with an oil can symbolizing the man and sweet oil representing the woman. A printing block of an engagement ring, pin cushion, Boy Scout Science badge, apple, and a wooden bird represent the couple. It's not a straight line, but a curving, winding path. The title is a lyric sung by Ray LaMontagne. (2016)
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Let Me Be The One You Come To
Let Me Be The One You Come To - 21 x 7 x 3.5, narrative found object assemblage wall-relief sculpture that was censored from an exhibit at the public library because of the vintage postcard of a female in an exotic pose. Reflecting on longing and attracting a partner with a beaded purse, decorative flowers, lacy fabric, hanging crystal, and glass love birds. Assorted objects representing male/female are arranged within the space. The title is from a Tina Turner song lyric. (2015)
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I'll Cross That Bridge With Lessons Learned
I'll Cross That Bridge With Lessons Learned - 27 x 8 x 5, narrative found object assemblage wall-relief sculpture reflecting on venturing into a relationship after having been burned. I couldn't believe I found a vintage postcard of a fallen bridge. A cast metal bridge sits on top with a shot glass filled with fortunes and a clock face representing part of the story. A case of wishbones and a fishing tackle are another part of the narrative.....but not "there's lots of fish in the sea." An oil can is pointed at a bobbin over a vintage valentine. A nautical compass, a magnifying glass, and a dice might help the new adventure. (2011)
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No Dancing Shoes Have Touched These Dusty Floors
No Dancing Shoes Have Touched These Dusty Floors - 33 x 12 x 5, narrative found object assemblage wall -relief sculpture considering loneliness. Wishing for a Superman who could bring his razor, necktie, shoe horn, and put his shoes under the bed. The title is a Jack Johnson song lyric. (2012)
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Take From Me My Lace
Take From Me My Lace - 8 x 10 x 3, narrative found object assemblage free-standing sculpture exploring the qualities and skills women bring to relationships. A vintage photo of a woman, and a printer's block of a man can be seen through the crocheted glove that holds the base in its' grasp. The narrative continues with thimbles, spools of thread, hooks, embroidery hoop, perfume, hat pins, and a coffee cup. The rear view features a vintage photo of a dowdy, but well-dressed woman, a doillie, and a card of antique buttons. The piece is on a pedestal of drawer pulls. The title is from a Stevie Nicks lyric. (2017)
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Relationship with Place
This series began while I was listening to James Taylor, "Bartender Blues." The lyric "I need four walls around me to hold my life" resonated with me and I wanted to explore it further. I began to reflect on the different places that I have called home or have felt like "home" to me throughout my life. It caused me to think about the joys and sorrows and how my experiences in each place have shaped me. "501" was my childhood home featuring a caboose, since it was next to the rairoad tracks. To this day I attribute my amazing sleeping ability to learning to sleep through all of the train noise. "#11" housed many joys but also many struggles, so I picked up my sticks and moved on. In "433" I feel I grew to my true self. The stilts are inspired by "Einstein"s Dream" where in one of his worlds people felt they lived their longest, best life the farther they were from the center of the earth. I have shared a few of my stories here, but I like to allow the viewer to reflect on their own narrative when viewing my work. My jumble of objects may remind them of their own experiences and very different stories. We are each a "jumble of small things priceless and worthless" and I hope we can treasure our shared experiences with these objects.
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I Need Four Walls Around Me, 433
I Need Four Walls Around Me, 433 - 40 x 11 x 6, narrative found object assemblage wall-relief sculpture reflecting on my home in Towson. This was the best place....as you can see by the stilts (I'm living my longest, best life). The neighbors called it the fun house since it was so colorful. I had painted the dining room chairs with crazy patterns topped with a branch and a Sawdy Jester carved bird (visionary artist). I did the kitchen backsplash in broken plates from family and friends. Those memories are represented here. The narrative is elaborated with a fan, cookie cutter, noise makers, croquet post, furniture detail, branches, Mickey Mouse Pez dispenser, bird on spring, cast metal girl figure, dog figure, etc. (2019)
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I Need Four Walls Around Me, 501
I Need Four Walls Around Me, 501 - 17 x 11 x 5, narrative found object assemblage wall-relief sculpture about my childhood home. Various stories from this time in my life are represented by child shoes, toy caboose, cookie cutter, maple seed pods, Christmas light, bike bell, Oscar Mayer whistle, skater, nut cracker, bobbins, buttons, cast metal skater, yo-yo, etc. (2018)
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I Need Four Walls Around Me To Hold My Life
I Need Four Walls Around Me To Hold My Life - 27 x 11 x 6, narrative found object assemblage wall-relief sculpture about the places I have called home throughout my life. The stories are told with a wooden Cardinal, scale, furniture details, crocheted glove, wood plane, vice, cast metal girl figure, flash cube, baby figure, Milagro, Monopoly houses, croquet posts, birdhouse, etc. I realized I learned so much from this piece that I needed to start a series. (2019)
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I Need Four Walls Around Me, 6 1-2 Mile Road
I Need Four Walls Around Me, 6 1/2 Mile Road - 28 x 13 x 7, narrative found object assemblage wall-relief sculpture about my times at my grandmother's farm. We were city kids and would sort of go wild when we went to the farm. Plus,I came from a huge family, so there were lots of cousins to have new adventures with. I loved this place. I still have the bed frame for the bed I always slept in growing up, and later with my daughter. You can see it represented here. Other memories are shared with the deer antlers, pine cone, cows, Roller Rink decal, feather, fishing tackle, clothes pins, frogs, drapery hardware, comb, horse, branch, etc. We spent many summers up at the farm. On the right side is a strip from a crate with the family name stenciled on it that was used to ship produce to Chicago before I was born. (2018)
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I Need Four Walls Around Me, #11
I Need Four Walls Around Me, #11 - 22 x 16 x 4, narrative found object assemblage wall-relief sculpture reflecting on my time living in my first house in Catonsville. It had a lot of ups and downs, highs and lows. I communicated my narrative using a Cardinal light bulb, bird in cage, pick-up sticks, saw handle, Al-anon pages, shot glass, ladder, cookie cutter, mother-daughter figures, cast metal female figure, canoe, paint brush, wish bones, etc. I eventually had to pick up my sticks, sell the house (upside down St, Joseph statue), move, and move on with my life. (2019)
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I Need Four Walls Around Me, 18411
I Need Four Walls Around Me, 18411 - 20 x 11 x 4, narrative found object assemblage wall-relief sculpture reflecting on my current home out in the country. This was a big move for me from my "fun" house where I was living my "best life" (433). But, we all need to keep moving forward and I am creating a new "best life." With each move I have learned more about myself and the world around me. I have communicated the narrative with a hummingbird, razor, perfume bottle, oil can, level, winding staircase (up to my studio), swan salt & pepper shakers, cast metal figures, a bone, deer, cat, icicle, boy and girl figurine, etc. (2019)
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They Know Their Way Back Home If They Follow Right
They Know Their Way Back Home If They Follow Right - 20 x 9 x 3 - narrative found object assemblage wall-relief sculpture. We should all be able to make our way home, and be welcomed and loved when we get there. Just as the birds make their way to their nest. The narrative includes a watch, keyring, map, whistle, clothes line pulley, house, stacked rocks, relief block of a bird, bird figurine, bird nest, branch, and rosary beads. (2014)
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There's More Than One Way Home
There's More Than One Way Home - 25 x 9 x 7, narrative found object assemblage wall-relief sculpture about staying connected to home. Sometimes we just can't physically be there, but we can visit in many way. Music, smells, activities, dreams, and, of course, objects can take us back home. The narrative is told with a photo, postcard, door knob, bed wheel, spool of thread, lilacs, hair curling rod, model railroad tracks, rock, etc. At the bottom is a shell on a branch which has grown around it. Always connected. (2010)
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Relationship with Female Image/Beauty
Women are bombarded with images of how we should look, what we should wear, the products we should use. Our face, our hair, our bodies are judged by some unrealistic standard. No wonder so many young girls struggle with body image. At the other end of the spectrum, we older women often feel we are invisible. I do feel that some women are now standing up to this barrage and reminding us that we are each beautiful in our own way. I am trying to do my part in this effort. I started collecting vintage compacts and beauty products and was motivated to create a series of work reminding us that we are so much more than our reflection in the mirror. All women, all sizes, shapes, colors, and ages should feel beautiful about themselves. Whether you are a cowgirl or a ballerina "Embrace Yourself As You Are."
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Embrace Yourself As You Are
Embrace Yourself As You Are - 9 x 5 x 5, narrative found object assemblage free-standing sculpture with a vintage compact as the base holding a cowgirl figure and a mature female figure surrounded by pearls, lipstick, perfume bottle, bobbin, hair comb, hair pic, cameo, pink ribbon, etc. This arrangement is balanced on a pedestal of a flipped glass goblet filled with pearls on an ashtray. The rim is trimmed with a doilie and pink ballerina figures. The back view is covered in a doilie and features a classical female figure with a halo of cloth pink roses. Seeing a Nick Cave exhibit inspired me to figure out how to add the pink ballerinas. Take a risk. All females are beautiful.(2022)
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All Dressed Up And No Place To Go
All Dressed Up And No Place To Go -16 x 9 x 2, narrative found object assemblage wall-relief sculpture with a vintage photo album cover as the base, crowned with a feathered bow hat, and finished with a beaded purse. To me there was a bit of longing in the figure's stance and expression. She has all of the necessities to prepare for a lovely night out.... a vintage compact, corsage, comb, pearls, lipstick, garter clip.....but no memories to make. (2021)
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Be Your Own Kind Of Beautiful
Be Your Own Kind Of beautiful - 8 x 4 x 4, narrative found object assemblage free-standing sculpture with a unique vintage compact for the base of the narrative. The compact holds a young female figure surrounded by objects of beautification such as a cameo brooch and cameo earrings, lipstick, perfume, hair clips, hat pin, ring. She and the viewer are being reminded to be their own kind of beautiful. The compact has a cover for the powder and the case which form a backdrop for the narrative. The covers hold brooches with different beautiful female faces trimmed with doilies. There is a gold pencil that I believe is from a date book or address book which adds to the narrative. The compact is perched on a pedestal of an amber doorknob on an amber goblet. (2022)
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More Beautiful Than You Imagine
More Beautiful Than You Imagine - 7 x 5 x 5, narrative found object assemblage freestanding sculpture with a vintage compact on a pedestal of a goblet filled with pearls and trimmed in a crocheted doillie. A young girl figure is in the center surrounded by objects for girls and for women such as a Cinderella watch (I had one growing up) pearl earrings, hair pins and a Barbie comb. There is a contrast of different clips: hair clips, mitten clips, and garter clips. The mirror of the compact has a ring of garter clips. The back is covered with a red crocheted rose. The girl is very innocent looking and we can hope she will always know how beautiful she is. (2021)
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Each Has Her Own Particular Grace
Each Has Her Own Particular Grace - 16 x 6 x 2, narrative found object wall-relief sculpture has a small vintage frame with photograph of a young woman and a high heel pin cushion on the top of an octagon shaped box. The box holds a female figurine with a swan, a tiny seated female figure, and cameo earrings. All different females, and all beautiful. A veiled hair bow with many antique tiny buttons hang in front of a crocheted basket pin cushion. Hair clips, rick rack, cloth tape measure, and pearls are added embellishments. The small size and tiny objects add to the delicate, graceful feel of this particular piece. Each woman has her own qualities that complete her particular grace. (2022)
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A Woman's Beauty Never Fades
A Woman's Beauty Never Fades - 10.5 x 6 x 6, narrative found object assemblage free-standing sculpture with a large vintage compact as the base for the narrative. The compact is trimmed in doillies and holds a lovely female figure perfume bottle with a delicate bow and flowers. She is surrounded by other beauty items such as lipstick, rouge tin, screw-on earrings, cameo brooch, garter clip, pearls, and cloth flowers, The back features an elaborate hair comb that crowns a scantily glad female figure bottle opener. What a find she was.....says a lot about female imagery! She is enshrined in a ring of hairclips.
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The Beauty Of A Woman With Passing Years Only Grows
The Beauty Of A Woman With Passing Years Only Grows - 20 x 10 x 2, narrative found object wall-relief sculpture with a vintage photo album cover as the base crowned with a veiled hat, and with hanging curtain tassles. There is a tiny female figure sitting inside the rouge tin surrounded by screw-on earrings a chrocheted flower, and a watch. The composition includes a calendar from 1912 with pressed flowers, buttons on a card, pink pieces from my grandmother's yo-yo quilt and pink powder puffs, a perfume bottle, brooch, and cameo. There is a beauty in these objects as there is beauty in all women.
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Just As I Am
Just As I Am - 10 x 5 x 5, narrative found object assemblage free-standing sculpture with a vintage compact balanced on a beaded pedestal of glass vessels. The female figure is a perfume bottle of a young girl.....may she learn she is beautiful just as she is. She stands with a crocheted flower, which are also featured on the back of the compact. The assemblage includes lipstick, a thimble, a tiny cameo necklace with the gold chain winding through the composition, pearl earrings, hair curler, lock and key, and doll comb. (2021)
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Your Children See Their History In Your Face
Your Children See Their History In Your Face - 26 x 6.5 x 3, narrative found object assemblage wall-relief sculpture reminding all women that they are beautiful as they are. When considering plastic surgery, know that your changed appearance will impact your children. You have a shared history that includes your changing appearance. The base is a jewelry box housing an arrangement of cosmetics and child toys.... a Jacob's ladder, vintage watch, skater figure, beauty products, cookie cutter, Russian nesting doll, brownie barrette, doll shoes, etc. (2020)
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You're Beautiful As You Feel
You're Beautiful As You Feel - 4.5 x 3.5 x 3, narrative found object assemblage free-standing sculpture with a vintage compact as the base on a door knob pedestal. The compact holds a female cast metal figure, a ballerina, and a mannequin surrounded by perfume, lipstick, hair clips, hat pins, pearls and earrings. The back is covered with a crocheted flower. The title is a lyric from a Carole King song......we should all channel our inner ballerina and feel beautiful. (2021)
Works on Paper
I had been considering trying to work flat for quite a while. Then a call for entry to the Maryland Federation of Art's "Art On Paper Exhibit" got me actually working. Sometimes the criteria for an exhibit might be the motivating push that I need. So, I began with the shallow shadow boxes, some old photographs from the family photo-bin, some of my old lithographs and etchings, and the Art Nouveau switch plate frames (used to protect the wall-paper) that had been sitting around the studio for quite a while too. Though I couldn't stay with only paper, I am happy to report that the pieces did get accepted in the show.
The small 7 x 5 collages began when I discovered my mother's photo album from 1940....the year she graduated from high school. Oh my, this was such a wonderful experience. I found myself responding to this woman that I knew, but as this young woman enjoying her late teen years, getting ready to leave home, preparing to start her adult life. What were her hopes and dreams at that time? What words of encouragement could I offer her, knowing her future. I was seeing the entire family as much younger versions of the people I love. The process made me think of myself, and all young women as we graduate and begin new chapters of our lives. I did a suite of twelve collages.... a goal for an exhibit at Hamilton Art Gallery. I'm sure I will continue this new year as I continue to learn so much in the process.
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Scattered In The Wind
Scattered In The Wind - 11 x 14 x 2 - narrative found object assemblage/collage centered around a school class photo from grade 2, 1956 (I'm in there). The photo is framed by a vintage switch plate frame used to protect wallpaper. I have repurposed an old lithograph and an etching about loosing contact with someone. These second graders are all now scattered in the wind like the maple seed pods. The narrative is elaborated with a travel pilgrimage booklet, buttons, paper doll dress, doll dress, address book page, and an advance to go Monopoly card. (2020)
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I Always Thought That I'd See You Again
I Always Thought That I’d See You Again - 11 x 14 x 2 - narrative found object collage/assemblage inspired by a James Taylor song lyric. Thinking about my brothers who have passed away. You never realize in the moment that it could be the last time you see someone. Our story is shared with a vintage photograph, a switch plate frame (to protect the wallpaper), monopoly money and game pieces, model railroad tracks, skate key, toy cars, Superman comic, composition book cover, clothing hooks, holy card, toy cars, maple seed pods, repurposed lithograph, etc. (2020)
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Just Call Out My Name
Just Call Out My Name - 11 x 14 x 2, narrative found object collage/assemblage inspired by the James Taylor song, You’ve Got A Friend. Thinking about kindness and being there for each other. The narrative is shared using a vintage address book, Art Nouveau switch plate frame (to protect wallpaper), old photograph, repurposed etching, glove, locket, map, Easter card, hook and eye loops, cast metal figure, and photo corners. (2020)
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Our Roots Will Always Be Entwined
Our Roots Will Always Be Entwined - 10 x 10 x 2 - narrative found object collage/assemblage thinking of my sister who lives in Montana. We don’t get to see each other very often and I miss her. I imagine this is the case for many siblings. I am sharing our narrative with the first photo of us together (Polaroid), address book page, map, Forget Me Not seed packet, embroidery hoop, model train tracks, deer, bobbin, guitar tuning knobs, heart cookie cutter. I have used clothing hooks and eyes, and tangled vines to share the story that we will always to connected.
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The Shining Days When Life Was New
The Shining Days When Life Was New - 5 x 7- narrative found object collage featuring a photo of my mother from 1940. She is a young woman standing alone wearing a dress in a gentle breeze. This is the year she graduated from high school and I imagined what she might have been thinking/feeling. The photograph is elaborated with a garter clip, threader, bra strap, yo-yo quilt piece, buttons on card, crocheted trim, earring, pink paint samples, “It’s a nice day😊 fortune. I believe it is my grandfather in the piece of photo at the bottom. (2022)
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So Hard To Say Good-By
So Hard To Say Good-Bye - 7 x 5, narrative found object collage featuring a photograph of my grandparent and two aunts leaning out the front porch windows. I imagine this could be what my mother saw when she was leaving home after graduating high school. I have elaborated the narrative with hair pins (she became a beautician), and a wedding print (she got married). I imagine how difficult it was to leave home and head to Chicago on the train. I've given her a St. Christopher medal (patron saint of travelers). Each of the collages in this suite of 12 have a piece of yo-yo quilt made by my grandmother as a unifying element. (2022)
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We are Our Mothers' Daughters
We Are Our Mothers' Daughters - 7 x 5, narrative found object collage featuring a photograph of my mother and grandmother from 1940. It was very interesting to see these younger versions of the women I knew. I elaborated the narrative of this photograph with a mirror as I can see their reflections. I've also arranged a feather, yo-yo quilt piece, embroidery, pressed flowers, buckle, buttons with card, rosary, prayer card, and cup cake cups packaging. (2022)
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Go And Live Your Dream
Go And Live Your Dream - 7 x 5, narrative found object collage featuring a photograph of my mother standing by a car in a suit with a hat and purse. I know much of her story after leaving the farm for Chicago. I shared the narrative with a map, address book page, hair pin and box, yo-yo quilt piece, car key, needle and thread, butterfly, recipe card, and knotted string. The cloth spirals are from her wedding dress. (2022)
Available for PurchaseContact [email protected]
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Dear Brothers, Please Return Home
Dear Brothers, Please Return Home - 7 x 5, narrative found object collage featuring a photograph of two young boys hugging below windows with two flags. The flags were used to honor family members who were away in the service (my two uncles). The young boys are also two of my uncles. When I knew these men, they were all grown men. I hadn't appreciated their different life experiences until I saw this photograph. I elaborated the narrative using a zipper, army patch, yo-yo quilt piece, air mail envelope, military button, dried flowers, letter home, red, white, and blue ribbon. (2022)
Available for PurchaseContact [email protected]
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Home, Mother, And Ice Cream
Home, Mother, And Ice Cream - 7 x 5, narrative found object collage featuring a photograph of my uncle and grandmother enjoying ice cream. He is in his uniform and the photo is dated 1944. I believe he was home on leave. I elaborated the narrative with a Veteran's Day poppy, service medals, an addressed envelope, a letter written to "Dearest Mother" (1944 from Sicily), yo-yo quilt piece, heart, red, white, and blue ribbon. I imagine many soldiers dream of home, mother, and ice cream. (2023)
Available for PurchaseContact [email protected]
Community/Connection
I still love teaching, and now I get to teach about my own creative process, my narrative found object assemblage sculpture techniques and tips, challenges, risks, and the art of this art form. I love hands-on workshops where the participants get to experience the process themselves and I get to facilitate their exploration. I love teaching teachers who can then take the information back to their classrooms and develop lessons to engage their students in the assemblage process.....ripples in the pond. I love Artist Talks where I can help the audience appreciate the narrative found object assemblage process as an art form. It doesn't matter if it is in-person or via zoom.....it's building an artistic community. I've learned that I love making connections with others through my artworks and my teaching.
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Working With Collections
In this video I am speaking to elementary and middle school students about my process of working with the objects that I have collected. This was created during the Covid lock-down for distance learning activities for Baltimore County Public Schools. The BCPS Visual Arts Office wanted to be able to continue with the curriculum, but had to account for students being able to work from home. By working with their own collections, the activity would be personalized and meaningful to the students. Everyone is back in the buildings now, but I have heard from teachers that they are still using my video as a resource in the classroom. I truly love helping students experience the joy of creating stories with found objects.
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Telling Stories
After my first video about working with collections a high school teacher asked if I could continue and discuss how I create a narrative using found objects. Telling stories in art is part of the high school visual arts curriculum. It was a natural progression for me to just continue the discussion as I continued working on the piece. I felt it was one of those "happy accidents" that I could illustrate my thinking and the progress in my creative process when the videos would be shown together. I hope my videos can inspire students to tell their authentic and meaningful stories.
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Bmore Art Interview
https://bmoreart.com/2022/09/craftswomanship-elegant-problems-and-relationships-linda-popp.html?fbclid=IwAR0NsdcWVTisCEVFYzH81ErGKlKyCSmJcE11vuJ-A-LJ8HR_7wtf46G3jQ4_aem_AU9o6lH48Uy-26vd3ND_6AX5luFR7z10WbvXR0u2yaAzeQFB6jsqBgeHtYTkVCpPZ0E
It was truly an honor to be interviewed by Dr. Karen Carroll during a studio visit. We have known each other for a long time through our art teaching. She was able to recognize the continuity between my art making and my teaching. She asked a number of questions that allowed me to share a bit about my journey and information about my creative process. It was an honor.
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Workshop, Stevenson University, "How To Design A Concept"
"How To Design A Concept" Workshop at Stevenson University, 10/25/2022, working with Fashion Design Studio students. They reviewed their problem, reflected on their process, developed the criteria for evaluation, and shared a critique of their in-progress work. Their final product was an installation in December featuring a fashion piece and their narrative sculpture about their journey. I can report that their installations were very thoughtful, creative, authentic responses to the problem. It was thrilling to see their work.
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Frederick Community College, Artist Talk with sculpture students, 2/23/2023
Frederick Community College, Artist Talk with sculpture students, 2/23/2023. This was a motivation/information session as the students begin their own assemblage sculpture. I explained my journey, my personal goals as an artist, my creative process, and techniques and tips followed by a Q & A. I presented a power point, shared several free-standing and relief sculptures, and two in-progress sculptures. The Q & A was very thorough as they were to begin their own work next class.
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National Art Education Association Conference Presentation, 4/14/2023
Telling Authentic Stories With Stuff....In The Classroom And The Studio, NAEA Conference presentation, 4/14/2023. The purpose of this presentation was to share strategies, tips, and techniques for students to create found object assemblage sculptures in order to communicate personal narratives. Teachers would feel comfortable and confident in their ability to facilitate personal story-telling working with all kinds of found materials, supplies, and tools. I shared many idea-generating strategies, management techniques, safety considerations, student work and artist statements, and work from my personal studio practice. I gave the teachers the power point as a resource for their classroom.
Creating personal narratives using found objects is an extremely relevant topic for Secondary Instruction. Personal choice and personal voice are embedded in the process. This is a unique process that allows students to experiment with forms, structures, materials, concepts, media and art-making approaches. Each found object involves creative problem solving for assemblage and students learn from trial and error. Through experimentation, practice, and persistence, students demonstrate the acquisition of skills and knowledge in this unique art form. Students explore the symbolism in found objects in order to express their ideas. This process also impacts their experiences with interpretation and response to the non-representational art of others. Students thrive on the personal responsibility and independence that this activity demands. They discover that creativity and innovative thinking are essential life skills that can be developed. National Standards for Creating, Responding, Presenting, and Connecting are addressed within this unit.
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Belmont University, Tennessee Art Academy workshop for teachers, Nashville, 7/11/2023
I had been invited to have a solo exhibit at Belmont University, Nashville as part of the Tennessee Art Academy ( professional development for arts teachers). I was also asked to offer an Artist Talk for teachers and faculty, an Artist Talk for students who had their work in a state-wide awards exhibit, and present a hands-on workshop for teachers. Since the time was relatively brief, and supplies limited for the workshop, I presented "Elaborating The Narrative Of A Photograph Using Collage, Assemblage, Sculpture Techniques." I had examples of each in my exhibit that they had seen the evening before the workshop. I also presented a power point to share tips, techniques, and my creative process. The teachers worked with collage and most were able to get a great start on a personal, meaningful collage/assemblage. Many said they couldn't wait to try this in their classrooms. I gave them the powerpoint to use as a resource.
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Towson University, workshop with art education students, 7/5/2023, student exhibit
I had been invited to show my work in a group exhibit, "Again" at Towson University. While the exhibit was on display, I taught a workshop to art education students. The problem I gave them was to explore the symbolism of found objects in order to create a sculpture about a meaningful event or person in their life. I used a power point to present tips, techniques, concepts, and my creative process. In the classroom I had several more sculptures and an in-progress sculpture as illustration. We also made a trip to the gallery for a visit to the exhibit. They were to complete their work to be included in an exhibit of their own at the end of the semester. The image is a student presenting her work at the exhibit. I gave my power point to the students to use as a resource in their future classrooms.
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Zoom Artist Talk with Mountain Ridge Junior High art students, Highland, Utah, 12/18/23
Zoom Artist Talk with Mountain Ridge Junior High art students, Highland, Utah, 12/18/23. Their teacher, Cherri Pitcher, had attended my workshop at the NAEA Conference in April. She reached out to me and asked if I would be interested in presenting to her class. Of course, I was thrilled. So, as part of the motivation for them to begin a sculpture unit, we met. They were in their classroom in Utah, and I was in my studio in Maryland. I gave them a tour since they said they had never been to an artist's studio before. Then, using the artworks that were there as illustration, I talked about my creative process, tips, and techniques. They asked questions throughout the talk. They were very interested and engaged as they were to begin their own sculptures. I hope to see their exhibit shortly.
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Artist Talk, Catonsville High School, Sculpture students, 12/18/2023
These students are in a 3D Art class at Catonsville High School. Their teacher, Windy Spiridigliozi contacted me about speaking with her class. She had used me as a resource for this class, and thought they would be excited to have the opportunity to see my work in person and discuss our work together. Knowing that the students had already created a small nature sculpture using a mint tin and a larger self-portrait assemblage sculpture, I revised my presentation. I did share my personal goals, techniques and tips for future work. We discussed the importance of taking the teacher's assignments and making meaningful, personal responses to the problem. I had a power point and shared several sculptures and in-progress pieces. Their work was on display and we had a critique. As they shared their work with me, I was so interested in their approaches to the problem. Each piece was very unique and thoughtfully created. I learned from them as they learned from me.....which is what I love about teaching.