About Kevina
My artwork consists of sculptures, paintings, and mixed media works based on the theme of existence. Existence in the sense of 'fleeting' versus ' permanent'. Some works are in bronze representing a very permanent material depicting 'bog bodies' from the bogs of Ireland. These people are gone but are still here. Other works in mixed media honor forgotten 'discarded' objects either through a natural process (pinecones, natural debris) or discarded manufactured objects, (toys,… more
Bog Bodies in Bronze
My curiousity about bog bodies is based in trying to understand how these people, although long gone from this earth, are still here with us 'in the flesh'.
I began my study by observing and sketching the bodies in museums, Tollund Man, Graubelle Man in Denmark and Germany, Cloney Cavan Man, and several others in the National Museum of Ireland.
After sketching, I decided that I needed to create three-dimensional versions and began to explore how I could do that authentically. I choose to cast them in bronze because of it's permanance. Moreover, this process parallels the life cycle of the bog body. The wax model when finished is buried in several layers of sand and scilica as it is dipped, dried and repeated. This builds up a heavy coating over time and the wax body is completely encased in layers. This is similar to how the body in the bog is buried under several layers of turf over a period of time.
When the bog body gets discovered and reintroduced into the world the body is still there, it has changed and yet it is the same person. The wax model gets put in a burn out chamber and the wax is removed and then bronze poured into the casing. When cool the casing is then broken away to reveal the bronze bog body. In a similar way the actual bog body is buried in the bog (I equate this with the burn out chamber) but people don't know where they are until they are suddenly discovered and then all the archeologist come aboard and spend their time researching and cleaning the body.
The cleaning and presenting the bronze sculpture can be compared to this latter process.
NOTE:
I plan to make some visuals with left over casings from the bronze cast process and in some of my current pieces I have surrounded them with turf from the bogs of Ireland.
Cone Heads
During my college years in Ireland I had the opportunity to spend a summer in Paris and one of the highlights of that trip was visiting the Catacombs. I have always been interested in bones and skulls and I was completely facinated by being able to walk through these caverns full of arranged skulls and bones. When I returned to college that fall I began a very large sculpture based on this experience. It consisted of a layering of cut up branches and chestnuts but it became too much and I never finished it. I remember my professor suggesting that I do a little each day in order to accomplish this task. I regret not finishing it, so this is attempt number two, this time using pine cones and wax.
Following my professor's advice from long ago, I set about creating one pinecone head a day or thirty a month. I did for several month and experiments with stacking them.
Some arrangments I cast in are bronze and some arranged by stacking and/or hanging with hand knitted ropes.
These are works in progress building towards an installation where I hope to build a tunnel-like structure that one can walk through in order to recreate my experience in Paris.
I returned to see this place with my family a few years ago and it is still intrigues me.
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All Together NowStacked pinecones showing different facial expressions. The intention is to show the uniqueness of each individual pinecone.
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All Together Now II
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IMG_6135.JPG
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It's All About Balance
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Autumn GloryAfter making several pinecone heads I experimented with different arrangements before sketching. I discovered that when painting the pinecones the arrangements dictated the mood of the sketches.
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IMG_6152.JPGSeven Virtures
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IMG_6146.JPGWhy is it turning sideways. Is it alive.
Found Object paintings
Creating mixed media pieces based on items I have found in my environment has become a way for me to connect the past with the present. At first, I found myself draw to mostly natural objects but as time passed I began collecting manufactured items too.
These artworks are influenced by objects/people who have completed their useful lives. This could be a body found in the bog in Ireland having been buried there for several years or merely a pine cone that has just dropped from a tree. It is about place, accident, and my finding it, to elevate it to a status of importance.
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Getting to the Point
Getting to the Point was created during the pandemic where I create a large series of of tiny artworks, one per day. Afterwards I put them together to tell different stories depending on how the objects created characters. This one I named as an overall purpose of getting to the point or purpose of these creations.
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Perpetual BalanceWhile a skull is a reminder of our mortality it is also a symbol of transformation and change. The bird skulls, in different states of decay, symbolize the need to maintain our relationship with nature and keep it in balance. While I embrace all things ancient in my artwork I try to find ways to balance this with contemporary life. To this end I usematerials from my everyday travels as inspirations in creating. Here, for examples, the eye sockets are created usng a bottle car fond in Old Ellicott City (outside the Judges Bench) on the darker skull and this is balanced with a bottle cap insert (found outside my house in Elkridge) on the lighter one. The surface textures of gesso, gel, and paint are combined with other found natural materials to immortalize them. version 2. This balanced composition encourages viewers to be mindful of nature. My materials, processes and images are symbolic. I use found objects such as bottle caps and twigs from a local town, Ellicott City, MD. This old city suffered two devastating floods symbolized by the decaying skulls. I create the bird skulls by slow layering of gesso to build up vloume and texture. The clock, also from the floods, represents time and balances opposite a biodiversity spiral. The central pathway connects all.
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EC Jewel.JPGCreated with gesso, acrylic paint and found rocks.
Figure drawing and sculpture
This section consists of figure drawings, paintings and wax sculptures created during figure drawing sessions at various locations (Ho Co Center for the Arts, MICA, Painting School in Baltimore. Figure drawing gives me time to just relax and draw/sculpt, practice my craft without being too concerned with creating finished pieces.
Sometimes these works do go on to be included in finished pieces and sometimes they can become a stand alone pieces. This is particularly true of the wax figures.
Plein Air Artworks
As part of my interest in place I like to go on location and paint. A few favorites include Old Ellicott City and Columbia MD.
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Jimilu's Bronze
This was painted at the Columbia Paint Out in the fall of 2023.
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View from Judges Bench
The Wine Bin, liquor store painted from inside the upstairs of Judges Bench. During this Plein Air weekend in July 2023 there was a massive smog event which made it dangerous to be outside breathing the air. I choose this view because it reminded me of plein air events in Ireland where it is often too wet to paint outside. Many times, Irish artists go inside (their car or a pub) to paint looking out. Still taking part in the event and only bending the plein air rules slightly.
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Isaacs Cabin
This is my first Plein Aer painting attempt during the Howard Co. Plein Air event.
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Our Local
Front view of The Judges Bench Pub in Old Ellicott City, MD. This was painted during the Howard Co. Plein Aer event of 2021. It was created during a weekend of cicada explosion and also during the pandemic. The sidewalk in front of the pub was covered in cicada wings so to commemorate the time and place I incorporated them into the brickwork of the path.