Work samples

  • Donkey Head
    Donkey Head

    This sculpture is part of a series of in-progress steel and nylon sculptures based on objects I've collected throughout my life. The steel rods are used to create three-dimensional drawings from memory and photo reference, while the nylon resembles skin, it allows light to pass through, creating a hollow form that, for me, signifies absence and recalls death.

    Donkey Head

    17” x 5” x 6”

    steel, nylon, thread

    2023

    Available for Purchase
  • Angel (mother)
    Angel (mother)

    Archival ink drawing of an angel figurine gifted to me by my mother. Part of a series of object portraits from sentimental objects in my personal collection.

    Angel (mother)

    2022

    Original signed drawing on archival paper using acid-free ink.

    8”x10” in a gold brushed 11”x14” frame (inches). Frame comes with the original drawing.

    Available for Purchase
  • Ode to My Silence
    Ode to My Silence

    Part of a series of sculptures I started during the pandemic while taking nature walks. I collected pieces of wood that to me resembled the human body, and disassembled materials that had accumulated in my life, like jewelry and fabrics, to create assemblages that were tied to memories and parts of my identity. This particular one honors a time in my life where I had to silence myself often for survival.

    Ode to My Silence

    2021

    found wood, seashell dove, silver chain, rhinestone jewelry, nails

    Available for Purchase
  • Pitcher & Bowl
    Pitcher & Bowl

    Part of a series of digital paintings displayed as archival prints referencing sentimental objects in my personal collection. I start with a simple form of the original object, then turn away and complete the painting without looking at the object, allowing my subconscious to take over.

    Pitcher & Bowl

    2022

    digital painting as archival print

    Available for Purchase

About Jacqueline

Jacqueline Yvonne Tull is a mixed-media, Baltimore-based artist. She is the Interdisciplinary Sculpture Studio Manager and Metal Fabrication Instructor for the Maryland Institute College of Art, and a member of Automat Collective, an artist-run gallery in Philadelphia, Pennsylvania. Jacqueline grew up in Greenbelt, Maryland, and completed her Bachelor of Fine Arts degree at the Pennsylvania College of Art and Design in Lancaster, Pennsylvania while spending summers studying plein-air… more

Steel and Nylon Series

In a series of steel and nylon sculptures, based on objects I’ve collected, I use steel rod to create three-dimensional “drawings” from memory that form a skeletal structure upon which the nylon can be applied. The use of steel, known for its industrial use on mass scale, rendered into the feminine and personal, references the ways that mass produced objects become imbued with personal meaning by their collectors. Through a process that is reflexive and experimental, the nylon serves multiple functions: As a membrane, its twists, folds, and stitching resemble skin, entrails, sutures, while holding space and allowing light to pass through. The hollowness of the form becomes an empty vessel referencing absence or death, and the ways we use objects to live beyond our bodies. I currently have one complete (Donkey Head) and four more in progress.

  • Donkey Head
    Donkey Head

    In a series of steel and nylon sculptures, based on objects I’ve collected, I use steel rod to create three-dimensional “drawings” from memory that form a skeletal structure upon which the nylon can be applied. The use of steel, known for its industrial use on mass scale, rendered into the feminine and personal, references the ways that mass produced objects become imbued with personal meaning by their collectors. Through a process that is reflexive and experimental, the nylon serves multiple functions: As a membrane, its twists, folds, and stitching resemble skin, entrails, sutures, while holding space and allowing light to pass through. The hollowness of the form becomes an empty vessel referencing absence or death, and the ways we use objects to live beyond our bodies. I currently have one complete (Donkey Head) and four more in progress.

    Donkey Head

    2023

    17” x 5” x 6”

    steel, nylon, thread

    Available for Purchase
  • Donkey Head (front view)
    Donkey Head (front view)

    Donkey Head (front view)

    2023

    17” x 5” x 6”

    steel, nylon, thread

    Available for Purchase
  • Donkey Head (left view)
    Donkey Head (left view)

    Donkey Head

    2023

    17” x 5” x 6”

    steel, nylon, thread

    Available for Purchase
  • Donkey Head (detail)
    Donkey Head (detail)

    Donkey Head

    2023

    17” x 5” x 6”

    steel, nylon, thread

    Available for Purchase

Wood Diaries

I began this series during the pandemic while taking nature walks. I started collecting pieces of wood that reminded me of the human body, disassembling things that had accumulated throughout my life, like old jewelry and fabric, and combined them into assemblages that recalled deeply personal memories and aspects of my identity.

  • Heirloom
    Heirloom

    Heirloom

    2021

    found wood, wire, nails, amethyst beads

    5" x 7" x 3.5" 

    *this piece has been sold

  • Ode to My Silence
    Ode to My Silence

    Ode to My Silence

    2021

    found wood, seashell dove, chain, rhinestone floral gems

    10" x 17" x 14" 

    Available for Purchase
  • I Can Fix Anything
    I Can Fix Anything

    I Can Fix Anything

    2021

    found wood, glass beads, string, wire nails, epoxy

    4.5" x 21" x 9" 

    Available for Purchase
  • Angel Came Back When I Scraped My Knee
    Angel Came Back When I Scraped My Knee

    Angel Came Back When I Scraped My Knee

    2021

    found wood, nylon stocking, brass wire, jade beads, glass beads, epoxy

    6.5" x 28" x 5" 

    Available for Purchase
  • Angel Came Back When I Scraped My Knee (detail)
    Angel Came Back When I Scraped My Knee (detail)

    Angel Came Back When I Scraped My Knee (detail)

    2021

    found wood, nylon stocking, brass wire, jade beads, glass beads, epoxy

    6.5" x 28" x 5" 

    Available for Purchase
  • When I Finally Make It Home
    When I Finally Make It Home

    When I Finally Make It Home

    2021

    found wood, curtain hem, adhesive

    6.5" x 16" x 21"

    Available for Purchase

Object Portraits

In my childhood household, where objects were treated as family, the ink "object portraits" I am now producing have been a nod to the wall of gold-framed family portraits with which I grew up. In my drawings, the context of color and setting are removed, leaving the viewer with enough information to see that the object is cherished by someone, but without the full context of the relationship, as we often experience when we are struck by an object in a second-hand store, estate sale, or even a trash heap.

  • Angel (mother)
    Angel (mother)

    Archival ink drawing of an angel figurine gifted to me by my mother.

    Angel (mother)

    2022

    8" x 10" drawing in 11" x 14" frame

    Available for Purchase
  • Pitcher & Bowl
    Pitcher & Bowl

    Archival ink drawing of a decorative pitcher and bowl that I found at a thrift store.

    Pitcher & Bowl

    2022

    8" x 10" drawing in 11" x 14" frame

    Available for Purchase
  • Dry Weeds
    Dry Weeds

    Archival ink drawing of a bundle of weeds I kept and dried from Bartram's Garden, a local park where I found mental respite while living in Philadelphia through the pandemic.

    Dry Weeds

    2022

    8" x 10" drawing in 11" x 14" frame

    Available for Purchase
  • Shark
    Shark

    Archival ink drawing of a shark fetus in a jar that I purchased as a child from Rehoboth Beach. 

    Shark

    2022

    8" x 10" drawing in 11" x 14" frame

    Available for Purchase
  • Sword
    Sword

    Archival ink drawing of a decorative sword I bought from a yard sale as a child.

    Sword

    2022

    8" x 10" drawing in 11" x 14" frame

    Available for Purchase
  • Clock Tower
    Clock Tower

    Archival ink drawing of a tabletop curiosity cabinet that looks like a miniature clock tower. Found at a thrift store.

    Clock Tower

    2022

    8" x 10" in 11" x 14" frame

    Available for Purchase
  • Cherry Stump
    Cherry Stump

    Archival ink drawing of a cherry tree stump given to me by a woodworker. 

    Cherry Stump

    2022

    8" x 10" drawing in 11" x 14" frame

    Available for Purchase
  • Candle Holder
    Candle Holder

    Archival ink drawing of the first object I successfully made from wood turning, a maple candle holder.

    Candle Holder

    2022

    8" x 10" drawing in 11" x 14" frame

    Available for Purchase

Digital Paintings

For my digital paintings, I start with a basic form of an object as a springboard, then turn away from the object to complete the painting, and allow moods, thoughts, and motifs arise from my subconscious and complete the composition. My experience with oil and ink painting influences how I use the digital medium. The final pieces are displayed as archival, limited edition prints.


 

  • Pitcher & Bowl
    Pitcher & Bowl

    Pitcher & Bowl

    2022

    digital painting as archival print

    24” x 32” cold press mounted on archival mat in a 30” x 40” frame (1 of 5)

    16” x 20” in a double mat with sleeve, mat size 20” x 24” (1 of 10)

    8” x 10” in an archival mat with sleeve 11” x 14” mat (1 of 15)

    Available for Purchase
  • Pig
    Pig

    Pig

    2022

    digital painting as archival print

    24” x 32” framed, cold press mounted, signed archival print. (full frame 30” x 40”): Limit of 5

    16” x 20” signed archival print. Double mat with sleeve. (full mat size 20” x 24”): Limit of 10

    8” x 10” signed archival print. Mat with sleeve. (full mat size 11” x 14”): Limit of 15

    Available for Purchase
  • Candelabra
    Candelabra

    Candelabra

    2022

    digital painting as archival print

    24” x 32” cold press mounted on archival mat in a 30” x 40” frame (1 of 5)

    16” x 20” in a double mat with sleeve, mat size 20” x 24” (1 of 10)

    8” x 10” in an archival mat with sleeve 11” x 14” mat (1 of 15)

    Available for Purchase
  • Donkey Head
    Donkey Head

    Donkey Head

    2022

    digital painting as archival print

    24” x 32” cold press mounted on archival mat in a 30” x 40” frame (1 of 5)

    16” x 20” in a double mat with sleeve, mat size 20” x 24” (1 of 10)

    8” x 10” in an archival mat with sleeve 11” x 14” mat (1 of 15)

    Available for Purchase
  • Little Tree
    Little Tree

    Little Tree

    2024

    digital painting as archival print

    24” x 32” framed, cold press mounted, signed archival print. (full frame 30” x 40”): Limit of 5

    16” x 20” signed archival print. Double mat with sleeve. (full mat size 20” x 24”): Limit of 10

    8” x 10” signed archival print. Mat with sleeve. (full mat size 11” x 14”): Limit of 15

    Available for Purchase
  • Cat Skull
    Cat Skull

    Cat Skull

    2024

    digital painting as archival print

    24” x 32” framed, cold press mounted, signed archival print. (full frame 30” x 40”): Limit of 5

    16” x 20” signed archival print. Double mat with sleeve. (full mat size 20” x 24”): Limit of 10

    8” x 10” signed archival print. Mat with sleeve. (full mat size 11” x 14”): Limit of 15

    Available for Purchase

Parts of A Whole

Parts of A Whole was created in collaboration with artist Erin Wheary in response to the COVID-19 pandemic. With the majority of the Swarthmore College campus working remotely in many different locations, and International students unable to travel to visit family, Erin and I collected geographic coordinates from Swarthmore College faculty, students, and staff. These coordinates were laser engraved on hexagonal tiles of blue edge-glow acrylic, assembled in clusters in a single installation, and hung in Singer Hall. The installation remains a reminder of the collaboration between community members during this challenging time.

  • Parts of a Whole (view 1)
    Parts of a Whole (view 1)

    Parts of a Whole (view 1)

    Approximately 40 ft by 20 ft by 3 ft installation.

    Permanent installation in Singer Hall at Swarthmore College, Swarthmore, Pennsylvania.

  • Parts of a Whole (view 2)
    Parts of a Whole (view 2)

    Parts of a Whole (view 2)

    Approximately 40 ft by 20 ft by 3 ft installation.

    Permanent installation in Singer Hall at Swarthmore College, Swarthmore, Pennsylvania.

  • Parts of a Whole (view 3)
    Parts of a Whole (view 3)

    Parts of a Whole (view 3)

    Approximately 40 ft by 20 ft by 3 ft installation.

    Permanent installation in Singer Hall at Swarthmore College, Swarthmore, Pennsylvania.

  • Parts of a Whole (view 4)
    Parts of a Whole (view 4)

    Parts of a Whole (view 4)

    Approximately 40 ft by 20 ft by 3 ft installation.

    Permanent installation in Singer Hall at Swarthmore College, Swarthmore, Pennsylvania.

  • Parts of a Whole (view 5)
    Parts of a Whole (view 5)

    Parts of A Whole (view 5)

    Approximately 40 ft by 20 ft by 3 ft installation.

    Permanent installation in Singer Hall at Swarthmore College, Swarthmore, Pennsylvania.

  • Parts of a Whole
    Parts of a Whole

    Parts of a Whole (view 6)

    Approximately 40 ft by 20 ft by 3 ft installation.

    Permanent installation in Singer Hall at Swarthmore College, Swarthmore, Pennsylvania.

  • Parts of A Whole (view 7)
    Parts of A Whole (view 7)

    Parts of a Whole (view 7)

    Approximately 40 ft by 20 ft by 3 ft installation.

    Permanent installation in Singer Hall at Swarthmore College, Swarthmore, Pennsylvania.

  • Parts of a Whole (view 8)
    Parts of a Whole (view 8)

    Parts of a Whole (view 8)

    Approximately 40 ft by 20 ft by 3 ft installation.

    Permanent installation in Singer Hall at Swarthmore College, Swarthmore, Pennsylvania.

  • Parts of A Whole (view 9)
    Parts of A Whole (view 9)

    Parts of A Whole (view 9)

    Approximately 40 ft by 20 ft by 3 ft installation.

    Permanent installation in Singer Hall at Swarthmore College, Swarthmore, Pennsylvania.

  • Parts of A Whole (view 10)
    Parts of A Whole (view 10)

    Parts of A Whole (view 10)

    Approximately 40 ft by 20 ft by 3 ft installation.

    Permanent installation in Singer Hall at Swarthmore College, Swarthmore, Pennsylvania.