Martinell’s fascination with physics and dance emerged during her site work at the Station North Chicken Box in AKIMBO 2014.  The site-exploration was a large-scaled, interactive, cause and effect grid.
 
From here, the proscenium work, Causal Nexus, birthed.  Investigating the visual beauty of unfolding physical phenomena, Causal Nexus explores collisions, momentum, and energy in a closed system surrounded by gradually enclosing, cushioned walls.  
 
Choreography further evolved into two  forms: Matter, Energy, Human, an evening length modern work, and Learning Physics through Movement, an arts integration outreach program for K-12, both debuting in 2016.  Learning Physics through Movement has been shared with numerous schools throughout 2016-2017.
 
Collaborators: Timothy Nohe (music), Svetlana Gladycheva (physicist), Deep Vision Dance Company (dancers), Heather Mork (lighting design), Leigh Targaryen (costume)

“3” is the number of truth and strength; “3” mediates, harmonizes, and connects; “3” is the key to divine perfection. Exploring this sacred number reveals its connection to the integrity of existence; order is organically sustained through the underlying pulse of 3.

Premiere: October 2013; Length: 10 minutes; Dancers: Deep Vision Dance Company
 
Collaborators: Cuong Nguyen (original music composition), Todd Marcus and Ruby Fulton (music accompaniment at “Evening of Artistic Excellence”)

*Special feature at the Maryland Dance Showcase at the Clarice Smith Performing Arts Center in January 2014.

Between 2012 – 2016, Martinell collaboratively choreographed a series of site-specific works for the AKIMBO Dance & Movement Art Festival.  Works focused on the history, artwork, and/or architecture of the spaces.  Spaces/Works included:
 
Evening at the Chesapeake Restaurant, Chesapeake Building (2016)
Bottle Caps & Suits, Baltimore Design School (2015)
Causal Nexus SITE, Station North Chicken Box (2014)
Sacred Spaces, Leidy Gallery/Fred Lazarus IV Center (2013)
Out of My Head, Westnorth Studio/roycrosse (2012)
 
Each work featured multiple collaborations, included audience interaction, and ranged in length from 20 minutes to 2 hours.

Curious and continually fascinated with working in collaborative settings, Nicole Martinell has developed a series of works that connect her to a variety of artists.  Though all of her works highlight collaborative processes, here are two fond memories:

Fractured Spectrum: Immersing the audience with videography and translucent mirrors, Fractured Spectrum traverses the continuum from dark, ambiguous self-absorption to light, clarity, and compassion. Premiere: June 2011; Length: 34 minutes; Dancers: Deep Vision; Collaborators: Ron Santana (Video), Paul Martinell (Mirrors). Special feature: Joe’s Movement Emporium and Theatre Project, 2012.

Laguna el Encanto (Charm Lagoon): Collides quirky modern dance with flashy flamenco movements, resulting in a peculiar bird ballad. Flamenco artist, Jamahl Rahmaan displays his delicious footwork as bird-like women swoon to be his mate. The rhythmic landscape is composed and performed live by regional artist, Griff Beheler.  Work celebrates the 5 year anniversary of Martinell's Deep Vision Dance Company at Baltimore Theatre Project in 2015.  Collaborators: Jamahl Rahmaan (flamenco artist), Griff Beheler (music composition).

Between 2012-2016, Martinell enjoyed researching the historical layers and bringing to life the women, dances, and music of the Ragtime Era.  Martinell created two an evening length works as well as a residency work for K-12 students and seniors.

Heady Collectables: Lighthearted and candid, heady collectables brings to life an assortment of head idioms, such as “two heads are better than one,” “hothead,” and “heads up!” Vibrant characters, Scott Joplin music, boxes, and humorous poetry weave together this witty work.  Premiere: January 2013; Length 36:00 minutes: Dancers: Deep Vision Dance Company. Collaborators: Caroll Dorritt (poet), Paul Martinell (props). Special feature: Dance Place & Capital Fringe Festival, 2013.

The Traveling Feet: Featuring live percussion music, aerobic dancing, audience interaction, and more, The Traveling Feet celebrates women of the Ragtime Era. Used as a means for self-expression, Ragtime dancing became a catalyst for social change during the women’s suffrage movement. Women displayed acts of defiance by swinging, swaying, and performing Animal Dances, through the streets.  Premiere: April 2014; Length: 35 minutes; Dancers: Deep Vision Dance Company. Collaborators: Patrick Roulet, Kyle Flens, Mark Craig, Rachel Roulet, Gunnar Folsom (music), Leigh Alexander and Jay Beuchler (costume).  Special feature: Baltimore Theatre Project, 2014/2015
 
Women of the Ragtime Era & The Traveling Feet: Youth/Senior Residencies: Immaculate Conception, Patapsco High School, Weinberg Village Senior Center, Jewish Community Center, Seton Keough High School, St. Joseph’s Nursing Home.

Recently celebrating its 5th year, AKIMBO is a festival of site-specific dance and movement art in Baltimore's Station North Arts & Entertainment District.  Comprised of the Artwalk, Teaser, & Spree, AKIMBO features 15+ professional dance companies and movement artists from traditional to experimental, plus music, spoken word, art installation, puppet, multi-media, performance art, and more.  Over 150 artists perform in AKIMBO for ~800 audience members each year.
 
During AKIMBO Artwalk (main event), artists present work in art galleries, restaurants, bridges, parks, murals, and businesses.   Artwork speaks to the architecture, history, and/or theme of the locations. At their own pace, audiences explore the neighborhoods rich architecture while participating in live art.  Over 50 volunteers in yellow shirts guide audiences along the way.
 
AKIMBO is a project of Deep Vision Dance Company, under the direction of co-founders/co-coordinators Nicole Martinell, dancer and choreographer, and Sidney Pink, local artist and curator.

When moving to Baltimore in 2008, Martinell choreographed a series of solo works.  Originally choreographed for her body, these works were later transposed onto othter individuals.  Twisted, emotional, thought-provoking journeys were key to these works as well as collaborative elements.  Both works were reconstructed on company members of Deep Vision Dance Company as well as students of the Towson University Dance Company between the years of 2015-2017.  Inner Palette has been performed by Deep Vision at the Havre de Grace Opera House (2017) and has been accepted to be performed at the Baltimore Dance Invitational (2018).  
 
Muffle (the Puppet)
Muffle characterizes the emotional journey of a woman longing to speak, express, and find herself. Existing in a world of unknowns, she continually suppresses her voice and molds herself to the ways of others. She has become a puppet manipulated by her own fear. Can she swallow the self-doubt, escape her shield, and discover freedom?
 
Inner Palette 
Inner Palette follows the journey of a woman sifting through complex layers of her psyche to reach self-acceptance.  As the emotionally and physically rich layers emerge and unfold, the dancer moves toward a heightened, frantic state before finally releasing, submitting, digesting, and opening her eyes to her true, inner fabric.
*Original version features 4 moldable sculptures composed of chicken wire, bottles, and construction fencing created by visual artist, Rebecca Wolf.

Laguna el Encanto is a fun, experimental work with Jamahl Rahmaan, Griff Beheler, and Deep Vision dancers, celebrating the 5 year anniversary of Martinell's Deep Vision Dance Company at Baltimore Theatre Project in 2015.

Laguna el Encanto (Charm Lagoon) collides quirky modern dance with flashy flamenco movements, resulting in a peculiar bird ballad. Flamenco artist, Jamahl Rahmaan displays his delicious footwork as bird-like women swoon to be his mate. The rhythmic landscape is composed and performed live by regional artist, Griff Beheler.