Work samples
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"In Faith"In Faith shares the spiritual journey of two friends. A Muslim man and a Christian woman move through circles of storytelling, revealing friction, connection, and a deeper understanding of their beliefs. Vignettes of dance, music, and spoken word weave together the performance. All are invited to marvel at humankind’s differing truths and experiences of reality. Conception and direction by Nicole A. Martinell (choreographer/dancer) with collaborators Tim Nohe (composer), Jamahl Rahmaan (movement artist/choreographer), Dr. Homayra Ziad (scholar-activist), and the Deep Vision dancers.
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Rhythmic InterplayRhythmic Interplay" explores the divine, organizing pulse of nature. Choreography: Nicole A. Martinell. Original Sound Score: Timothy Nohe. Video: Adan Rodriguez. Featured dancers are Deep Vision members Lacee Buckholz, Sade' Morgan, Chelsea Patten, Baylee Wong.
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The space between (us)“The space between (us)” is an interdisciplinary performance work inspired by the physical, social, and emotional barriers created by the architecture of public spaces. Premiere at Gibbs Street Gallery, VisArts; 7 Dancers; Nicole Martinell (choreography); Lisa Dillin (sculptures); PJ Dorsey and Erik Spangler (music); Jonathan Hsu (photo); SlingshotVideo (video)
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Cadence, or lack thereof“Cadence, of lack thereof” illuminates the awkward do-si-do of social interactions. Premiered in Tulsa, OK at the Choreography Exchange Festival; Reprise at Baltimore Theatre Project, 2019. 2 Dancers; Collaborators include Samantha Hopkins and Jeanna Riscigno/Rachel Moore (dancers), Kendra Shapanus (costume); Kevin Vinck (video).
About Nicole A.
Nicole A. Martinell is a choreographer, dance and somatic educator, performer, and mother of 3. In 2011, Martinell founded Deep Vision Dance Company (DVDC) – a vehicle for her choreographic and entrepreneurial endeavors. Described as “absolutely breathtaking to behold” by DCMetroTheatreArts, Martinell’s choreography has been featured at venues, festivals, and universities throughout the Baltimore/DC area as well as up the… more
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In Faith
One of Martinell's most ambitious works to date, In Faith shares the spiritual journey of two friends. A Muslim man and a Christian woman move through circles of storytelling, revealing friction, connection, and a deeper understanding of their beliefs. Vignettes of dance, music, and spoken word weave together the performance. All are invited to marvel at humankind’s differing truths and experiences of reality.
Conception and direction by Nicole A. Martinell (choreographer/dancer) with collaborators Tim Nohe (composer), Jamahl Rahmaan (movement artist/choreographer), Heather Mork (lighting design), Dr. Homayra Ziad (scholar-activist), and the Deep Vision dancers.
In Faith premiered in a 1 hour and 20 minute version at Baltimore Theatre Project in March 2022. Martinell then recreated In Faith into a 35 minute work. This reimagination of the work shall premiere in March 2023 alongside Japanese arttist, Saiko Kino.
The creative process for In Faith involved the fusing of choreographic tools with intergroup dialogue skills. Martinell shared her creative process research throughout 2022 at the National Dance Eduation Conference and the Maryland Dance Education Association Conference.
Conception and direction by Nicole A. Martinell (choreographer/dancer) with collaborators Tim Nohe (composer), Jamahl Rahmaan (movement artist/choreographer), Heather Mork (lighting design), Dr. Homayra Ziad (scholar-activist), and the Deep Vision dancers.
In Faith premiered in a 1 hour and 20 minute version at Baltimore Theatre Project in March 2022. Martinell then recreated In Faith into a 35 minute work. This reimagination of the work shall premiere in March 2023 alongside Japanese arttist, Saiko Kino.
The creative process for In Faith involved the fusing of choreographic tools with intergroup dialogue skills. Martinell shared her creative process research throughout 2022 at the National Dance Eduation Conference and the Maryland Dance Education Association Conference.
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"Nafs" from "In Faith"Jamahl Rahmaan performing the solo, "Nafs," in the premiere of "In Faith" at Baltimore Theatre Project, March 2022. Photo by JHsumedia.
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"In Faith"In Faith shares the spiritual journey of two friends. A Muslim man and a Christian woman move through circles of storytelling, revealing friction, connection, and a deeper understanding of their beliefs. Vignettes of dance, music, and spoken word weave together the performance. All are invited to marvel at humankind’s differing truths and experiences of reality. Conception and direction by Nicole A. Martinell (choreographer/dancer) with collaborators Tim Nohe (composer), Jamahl Rahmaan (movement artist/choreographer), Dr. Homayra Ziad (scholar-activist), and the Deep Vision dancers.
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Creative Process of "In Faith"The creative process for "In Faith" involved the fusing of choreographic tools with intergroup dialogue skills. Martinell shared her creative process research throughout 2022 at the National Dance Eduation Conference and the Maryland Dance Education Association Conference. Graphs by Nicole Martinell and photos by JHsumedia.
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"Group Dhikr" from "In Faith"Aizad Kamal, Moustapha Pemy, and Jamahl Rahmaan performing the "Group Dhikr," in the premiere of "In Faith" at Baltimore Theatre Project, March 2022. Photo by JHsumedia.
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"Distractions" from "In Faith""Distractions" in the premiere of "In Faith," Baltimore Theatre Project, March, 2022.
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"Remembering Maryam" from "In Faith""Remembering Maryam" in the premiere of "In Faith" at Baltimore Theatre Project, March 2022. Photo by JHsumedia.
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"Purify" from "In Faith"Martinell's solo, "Purify," in the premiere of "In Faith," Baltimore Theatre Project, March 2022.
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"Concluding Moment" from "In Faith""Concluding Moment" in the premiere of "In Faith" at Baltimore Theatre Project, March 2022. Photos by JHsumedia.
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"Rhythmic Interplay" from "In Faith""Rhythmic Interplay" in the premiere of "In Faith" at Baltimore Theatre Project, March 2022. Photos by JHsumedia.
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"In Faith" Postcard"In Faith" postcard for March 2022 premiere at Baltimore Theatre Project. Photos by JHsumedia. Design by Lynne Menefee. Dancers: Baylee Wong, Sade Morgan, Lacee Buckholz.
Physics & Dance: Matter, Energy, Human
Martinell’s fascination with physics and dance emerged during her site work in AKIMBO 2014 at the Station North Chicken Box. The site-exploration was a large-scaled, interactive, cause and effect grid.
From here, the proscenium work, Causal Nexus, birthed. Investigating the visual beauty of unfolding physical phenomena, Causal Nexus explored collisions, momentum, and energy in a closed system surrounded by gradually enclosing, cushioned walls.
Choreography further evolved into two forms: Matter, Energy, Human, an evening length contemporary work, and Learning Physics through Movement, an arts integration outreach program for K-12 students, both debuting in 2016. Learning Physics through Movement has been shared with numerous schools throughout 2016-2017.
Matter, Energy, Human was a groundbreaking work by Martinell. This work premiered throughout the MidAtlantic region in numerous cites; in black box theaters, proscenium stages, and large-scale sculptures; and in varying lengths and recreations.
Matter, Energy, Human delves into the intersections between quantum physics, metaphysical theory, and the human experience. Each section uncovers the visual beauty of unfolding physical phenomena while illuminating the complex, yet delicate, human condition – physically, emotionally, spiritually, and as a universal whole. Deepak Chopra’s writings in Everyday Immortality: A Concise Course in Spiritual Transformation impact the connective fabric of the work. Audiences witness two storylines – (1) energy and matter and (2) the seemingly concrete human experience – that parallel, impact, weave, crescendo, and converge. Collaborator Timothy Nohe composes the evolving, oscillating sound score.
World Premiere: April 2016; Length: 42 minutes; Dancers: Deep Vision Dance Company
World Premiere Reconstruction: February 2017; Length: 20 minutes; Dancers: Deep Vision Dance Company
Matter, Energy, Human was nominated as a Baltimore Best Performance 2017.
Touring Schedule:
-“Matter, Energy, Human,” Theatre Project, Baltimore, MD, April 2016 (42 min)
-Artscape with Miki Flores-Amper’s Crater!, Baltimore, MD, July 2016 (42 min)
-“Impacting Spaces Tour,” Community Education Center, Philadelphia, PA; Intersections Festival, Atlas Performing Arts Center, Washington, DC; Theatre Project, Baltimore, MD, February-March 2017 (20 min)
-“Deep Vision,” Opera House, Havre de Grace, MD, October 2017 (42 min)
Collaborators: Timothy Nohe (music composition, analog and digital synthesis), Shelly Purdy (percussion), Julian Hicks and Chloe Wiecz (voice), Leigh Targaryen and Jay Buechler (costumes), Heather Mork (lighting design)
Photo Shoot inspired by work at Hoen & Co Lithograph Building: https://flic.kr/s/aHskZDJZJk
From here, the proscenium work, Causal Nexus, birthed. Investigating the visual beauty of unfolding physical phenomena, Causal Nexus explored collisions, momentum, and energy in a closed system surrounded by gradually enclosing, cushioned walls.
Choreography further evolved into two forms: Matter, Energy, Human, an evening length contemporary work, and Learning Physics through Movement, an arts integration outreach program for K-12 students, both debuting in 2016. Learning Physics through Movement has been shared with numerous schools throughout 2016-2017.
Matter, Energy, Human was a groundbreaking work by Martinell. This work premiered throughout the MidAtlantic region in numerous cites; in black box theaters, proscenium stages, and large-scale sculptures; and in varying lengths and recreations.
Matter, Energy, Human delves into the intersections between quantum physics, metaphysical theory, and the human experience. Each section uncovers the visual beauty of unfolding physical phenomena while illuminating the complex, yet delicate, human condition – physically, emotionally, spiritually, and as a universal whole. Deepak Chopra’s writings in Everyday Immortality: A Concise Course in Spiritual Transformation impact the connective fabric of the work. Audiences witness two storylines – (1) energy and matter and (2) the seemingly concrete human experience – that parallel, impact, weave, crescendo, and converge. Collaborator Timothy Nohe composes the evolving, oscillating sound score.
World Premiere: April 2016; Length: 42 minutes; Dancers: Deep Vision Dance Company
World Premiere Reconstruction: February 2017; Length: 20 minutes; Dancers: Deep Vision Dance Company
Matter, Energy, Human was nominated as a Baltimore Best Performance 2017.
Touring Schedule:
-“Matter, Energy, Human,” Theatre Project, Baltimore, MD, April 2016 (42 min)
-Artscape with Miki Flores-Amper’s Crater!, Baltimore, MD, July 2016 (42 min)
-“Impacting Spaces Tour,” Community Education Center, Philadelphia, PA; Intersections Festival, Atlas Performing Arts Center, Washington, DC; Theatre Project, Baltimore, MD, February-March 2017 (20 min)
-“Deep Vision,” Opera House, Havre de Grace, MD, October 2017 (42 min)
Collaborators: Timothy Nohe (music composition, analog and digital synthesis), Shelly Purdy (percussion), Julian Hicks and Chloe Wiecz (voice), Leigh Targaryen and Jay Buechler (costumes), Heather Mork (lighting design)
Photo Shoot inspired by work at Hoen & Co Lithograph Building: https://flic.kr/s/aHskZDJZJk
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Matter, Energy, HumanPhotoshoot for premiere of “Matter, Energy, Human." Dancers: Deep Vision Dance Company; Music Composition: Timothy Nohe; Lighting Design: Heather Mork; Photo by: Michael R. Faulkner.
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Matter, Energy, HumanPhotoshoot for premiere of “Matter, Energy, Human." Dancers: Deep Vision Dance Company; Music Composition: Timothy Nohe; Lighting Design: Heather Mork; Photo by: Michael R. Faulkner.
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"Causal Nexus" PremierePremiere of "Causal Nexus" at Baltimore Theatre Project, April 2015; Dancers: Deep Vision Dance Company; Music Composition: Timothy Nohe and Shelly Purdy; Lighting Design: Heather Mork; Costumes: Leigh Targaryen and Jay Buechler; Photo by: Michael R. Faulkner.
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Matter, Energy, Human“Matter, Energy, Human” delves into the nature of human existence and our connection to the greater universe. 20 min reconstruction premiered at the Community Education Center, Philly, PA in the “Impacting Spaces” Tour, 2017; 6 Dancers; Collaborators include Timothy Nohe (music), Heather Mork (lighting design), Leigh Targaryen and Jay Buechler (costume)
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"Learning Physics through Movement" WorkshopFacilitated by one of DVDC’s talented teaching artists or by Martinell herself, the dance/movement classes enable students to explore physics concepts in an intimate and supportive environment. Classes are filled with collaboration, creative problem solving, and improvisatory games as students connect physics and dance. Photo of DVDC teaching artist, Kelly Weckesser Hall, with Immaculate Conception Xstream Movers (5th graders). Photo by Karen Kuebler.
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"Matter, Energy, Human" with Miki Flores-Amper's Crater! at Artscape"Matter, Energy, Human" at Artscape with Miki Flores-Amper's Crater! Recorded July 16, 2016. Choreography by Nicole Martinell. Sound score composed and recorded by Timothy Nohe. Friction percussion by Shelly Purdy. Analog synthesis, e-bow guitar, percussion by Timothy Nohe. Boy-soprano, Ruskin Nohe-Moren. Elizabeth Terschuur rehearsal director. Dancers: Kristina Ganssle, Chelsea Green, Kelly Weckesser Hall, Samantha Hopkins, Caitlin McAfee, Zoe Papaeracleous, Ciarra Phillip, Lizzy Purcell and Alyssa Whitney.
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Matter, Energy, Human“Matter, Energy, Human” delves into the nature of human existence and our connection to the greater universe. Newly realized, 42 minute work performed at the Havre de Grace Opera House, 2017; 6 Dancers; Collaborators include Timothy Nohe (music), Heather Mork (lighting design), Leigh Targaryen and Jay Buechler (costume). *Nominated as a Baltimore Best Performance 2017.
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"Learning Physics through Movement" by Deep Vision Dance CompanyCreated by Artistic Director Nicole A. Martinell in collaboration with Physicist Dr. Svetlana Gladycheva, “Learning Physics through Movement” is an arts integration program for K-12 students that shares innovative ways to explore and grasp physics concepts through the art of dance. Concepts, such as inertia, force, and equilibrium, are introduced to students through creative movement classes, hands-on experiences, and performance excerpts. Students discover that physics describes our everyday lives and find joy in creating and learning. Video features original music composition by Tim Nohe. Photos/video courtesy of: Karen Kuebler (Immaculate Conception Elementary), Christina Lim (Towson Univ. Dance & Physics Students), T.R. Masino (West Towson Elementary), Caitlin McAfee and Zoe Papaeracleous (Towson Univ. Community Dance), and Serene Webber (Seton Keough High School)
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Causal NexusInvestigating the visual beauty of unfolding physical phenomena, "Causal Nexus" explores collisions, momentum, and energy in a closed system surrounded by gradually enclosing, cushioned walls. Premiered at Baltimore Theatre Project, 2015; Video of Baltimore Dance Invitation, 2015; 6 Dancers; Collaborators include Timothy Nohe and Shelly Purdy (music), Heather Mork (lighting design), Leigh Targaryen (costume)
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"Matter, Energy, Human" PremierePremiere of “Matter, Energy, Human” at Baltimore Theatre Project, April 2016. Dancers: Deep Vision Dance Company; Music Composition: Timothy Nohe; Lighting Design: Heather Mork; Costumes: Leigh Targaryen and Jay Buechler; Photo by: City Digital Photography.
The space between (us)
"The space between (us)" is an interdisciplinary performance work inspired by the physical, social, and emotional barriers created by the architecture of public spaces.
Inspired by shopping mall seating areas and modern architecture, large-scale sculptures fill the gallery. When filled with dancers, the sculptures become enlivened spaces, illustrating conditioned behaviors of public spaces and separating bodies in motion. Beneath the surface, however, lives the possibility for creativity, freedom, self-expression, and intimate human connection.
Choreography: Nicole A. Martinell
Sculptures: Lisa Dillin
Featured dancers are Deep Vision members Deontay Gray, Samantha Hopkins, Melissa Lloyd, Sofie Massa, Rachel Moore, Sarah Smith, and Ann Zickefoose.
Additional collaborators include an original score by PJ Dorsey (Tarotplane) and Erik Spangler (DJ Dubble8), and costumes by Kendra Shapanus with video production support by Erik Dillinger and 3D fabrication support by Chip Banister, Wilder Childs, and Pete Karis.
Photo: Jonathan Hsu @JHsumedia
Video: SlingshotVideo
Premiere: VisArts, Rockville, MD
Reprise: Le Mondo, Baltimore, MD
Inspired by shopping mall seating areas and modern architecture, large-scale sculptures fill the gallery. When filled with dancers, the sculptures become enlivened spaces, illustrating conditioned behaviors of public spaces and separating bodies in motion. Beneath the surface, however, lives the possibility for creativity, freedom, self-expression, and intimate human connection.
Choreography: Nicole A. Martinell
Sculptures: Lisa Dillin
Featured dancers are Deep Vision members Deontay Gray, Samantha Hopkins, Melissa Lloyd, Sofie Massa, Rachel Moore, Sarah Smith, and Ann Zickefoose.
Additional collaborators include an original score by PJ Dorsey (Tarotplane) and Erik Spangler (DJ Dubble8), and costumes by Kendra Shapanus with video production support by Erik Dillinger and 3D fabrication support by Chip Banister, Wilder Childs, and Pete Karis.
Photo: Jonathan Hsu @JHsumedia
Video: SlingshotVideo
Premiere: VisArts, Rockville, MD
Reprise: Le Mondo, Baltimore, MD
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The space between (us)Performance of "The space between (us)" at Gibbs Street Gallery, VisArts, September 2019. Sculptures: Lisa Dillin; Dancers: Deep Vision Dance Company; Music: PJ Dorsey, Erik Spangler; Costumes: Kendra Shapanus. Photo by Jonathan Hsu.
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The space between (us)Performance of "The space between (us)" at Gibbs Street Gallery, VisArts, September 2019. Sculptures: Lisa Dillin; Dancers: Deep Vision Dance Company; Music: PJ Dorsey, Erik Spangler; Costumes: Kendra Shapanus. Photo by Jonathan Hsu.
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The space between (us)Performance of "The space between (us)" at Gibbs Street Gallery, VisArts, September 2019. Sculptures: Lisa Dillin; Dancers: Deep Vision Dance Company; Music: PJ Dorsey, Erik Spangler; Costumes: Kendra Shapanus. Photo by Jonathan Hsu.
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The space between (us)Performance of "The space between (us)" at Gibbs Street Gallery, VisArts, September 2019. Sculptures: Lisa Dillin; Dancers: Deep Vision Dance Company; Music: PJ Dorsey, Erik Spangler; Costumes: Kendra Shapanus. Photo by Jonathan Hsu.
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The space between (us): the creative processPreview of creative process for “The space between (us)," an interdisciplinary performance work inspired by the physical, social, and emotional barriers created by the architecture of public spaces. Premiere at Gibbs Street Gallery, VisArts, 2019; Collaborator Lisa Dillin (sculptures) and Deep Vision dancers.
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The space between (us)Performance of "The space between (us)" at Gibbs Street Gallery, VisArts, September 2019. Sculptures: Lisa Dillin; Dancers: Deep Vision Dance Company; Music: PJ Dorsey, Erik Spangler; Costumes: Kendra Shapanus. Photo by Jonathan Hsu.
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The space between (us)Performance of "The space between (us)" at Gibbs Street Gallery, VisArts, September 2019. Sculptures: Lisa Dillin; Dancers: Deep Vision Dance Company; Music: PJ Dorsey, Erik Spangler; Costumes: Kendra Shapanus. Photo by Jonathan Hsu.
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The space between (us)Performance of "The space between (us)" at Gibbs Street Gallery, VisArts, September 2019. Sculptures: Lisa Dillin; Dancers: Deep Vision Dance Company; Music: PJ Dorsey, Erik Spangler; Costumes: Kendra Shapanus. Photo by Jonathan Hsu.
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The space between (us)“The space between (us)” is an interdisciplinary performance work inspired by the physical, social, and emotional barriers created by the architecture of public spaces. Premiere at Gibbs Street Gallery, VisArts, 2019; 7 Dancers; Nicole Martinell (choreography); Lisa Dillin (sculptures); PJ Dorsey and Erik Spangler (music); Jonathan Hsu (photo); SlingshotVideo (video)
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The space between (us)Performance of "The space between (us)" at Gibbs Street Gallery, VisArts, September 2019. Sculptures: Lisa Dillin; Dancers: Deep Vision Dance Company; Music: PJ Dorsey, Erik Spangler; Costumes: Kendra Shapanus. Photo by Jonathan Hsu.
Site-Specific Work: History, Dance, & Architecture
Between 2012 – 2016, Martinell collaboratively choreographed a series of site-specific works for the AKIMBO Dance & Movement Art Festival. Works focused on the history, artwork, and/or architecture of the spaces. Spaces/Works included:
Evening at the Chesapeake Restaurant, Chesapeake Building (2016)
Bottle Caps & Suits, Baltimore Design School (2015)
Causal Nexus SITE, Station North Chicken Box (2014)
Sacred Spaces, Leidy Gallery/Fred Lazarus IV Center (2013)
Out of My Head, Westnorth Studio/roycrosse (2012)
Each work featured multiple collaborations, included audience interaction, and ranged in length from 20 minutes to 2 hours.
Evening at the Chesapeake Restaurant, Chesapeake Building (2016)
Bottle Caps & Suits, Baltimore Design School (2015)
Causal Nexus SITE, Station North Chicken Box (2014)
Sacred Spaces, Leidy Gallery/Fred Lazarus IV Center (2013)
Out of My Head, Westnorth Studio/roycrosse (2012)
Each work featured multiple collaborations, included audience interaction, and ranged in length from 20 minutes to 2 hours.
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"Evening at the Chesapeake," 2016Flashing back to the 1960s, "Evening at the Chesapeake Restaurant" (2016) transports you to the heyday of the historic Chesapeake Restaurant. Live jazz music and cigar smoke permeate the air as the who’s who of Baltimore rubs elbows, dances, sips martinis, and dines on steak and seafood. Premiere: Chesapeake, September 2016; Length: 20 minutes (2 hour loop). Collaborators: Deep Vision (Dancers) Charles Wilson (Drums), Todd Simon (Piano), Blake Meister (Bass), Chloe Wiecz (Vocals), Leigh Targaryen (Costumes). Photo by Walter Levy.
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"Evening at the Chesapeake Restaurant," 2016"Evening at the Chesapeake Restaurant" transports you to the heyday of the historic Chesapeake Restaurant (1960s). Live jazz music and cigar smoke permeate the air as the who’s who of Baltimore rubs elbows, dances, sips martinis, and dines. Premiere: Chesapeake Building, September 2016; Length: 20 minutes (2 hour loop). Collaborators: Deep Vision (Dancers) Charles Wilson (Drums), Todd Simon (Piano), Blake Meister (Bass), Chloe Wiecz (Vocals), Leigh Targaryen and Jay Buechler (Costumes). Photos by Walter Levy (#1-3), ZZ Handler (#4-9), McKenna DeBandi (#10-21).
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"Sacred Spaces," 2013"Sacred Spaces" (2013) is a collaboration with Congregate: an exhibition that established artist residencies within houses of worship. "Sacred Spaces" tells a story that connects the congregations, the artists’ works, and the AKIMBO community. Premiere: Leidy Gallery, September 2013; Length: 20 minutes (2 hour loop). Collaborators: Deep Vision (Dancers), Friday Night Book Club (Musicians), MICA M.F.A. Curatorial Practice, Laure Drougoul, Leo Hussey, Tiffany Jones, Bashi Rose, Katherine Kavanaugh (Artists). Photo by Zachary Z. Handler.
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"Sacred Spaces" AKIMBO 2013"Sacred Spaces" (2013) is a collaboration with Congregate: an exhibition that established artist residencies within houses of worship. "Sacred Spaces" tells a story that connects the congregations, the artists’ works, and the AKIMBO community. Premiere: Leidy Gallery, September 2013; Length: 20 minutes (2 hour loop). Collaborators: Deep Vision (Dancers), Friday Night Book Club (Musicians), MICA M.F.A. Curatorial Practice, Laure Drougoul, Leo Hussey, Tiffany Jones, Bashi Rose, Katherine Kavanaugh (Artists). Photos by Xiotain Yang (1-13) & City Digital (14-19).
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"Bottle Caps & Suits," 2015"Bottle Caps & Suits" (2015) explores the 100 year old history of a Baltimore factory - transitioning from the Crown Cork & Seal Company, to the Lebrow Brothers Clothing Company, and finally to the Baltimore Design School. Premiere: Baltimore Design School, September 2015; Length: 20 minutes (2 hour loop). Co-Choreographer: Peter Redgrave. Collaborators: Peter Redgrave (Performance Artist), Deep Vision Dance Company (Dancers) Griff Beheler (Music), Elizabeth Terschuur (Rehearsal Assistant). Videography by Michael R. Faulkner.
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"Bottle Caps & Suits," 2015"Bottle Caps & Suits" (2015) explores the 100 year old history of a Baltimore factory - transitioning from the Crown Cork & Seal Company, to the Lebrow Brothers Clothing Company, and finally to the Baltimore Design School. Premiere: Baltimore Design School, September 2015; Length: 20 minutes (2 hour loop). Co-Choreographer: Peter Redgrave. Collaborators: Peter Redgrave (Performance Artist), Deep Vision Dance Company (Dancers) Griff Beheler (Music), Elizabeth Terschuur (Rehearsal Assistant). Video by Michael R. Faulkner.
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"Out of My Head," 2012"Out of My Head"(2012) was an experiential journey through Westnorth Studio, into the meditative garden, and around the street corner. Dancers performed intricate movement, responding to artwork of various artists. Premiere: Westnorth Studio, September 2012; Length: 2 hour. Collaborators: Deep Vision (Dancers), royrosse (Sculptor), Helen Elliot (Enamel Artist), Valerie Maynard (Sculptor), Chloe Wiecz and David Bridgeman (Music). Photo by Zachary Z. Handler.
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"Out of My Head," AKIMBO 2012Out of My Head(2012) was an experiential journey through Westnorth Studio, into the meditative garden, and around the street corner. Dancers performed intricate movement, responding to artwork of various artists. Premiere: Westnorth Studio, September 2012; Length: 2 hour. Collaborators: Deep Vision (Dancers), royrosse (Sculptor), Helen Elliot (Enamel Artist), Valerie Maynard (Sculptor), Chloe Wiecz and David Bridgeman (Music). Photos by Zachary Z. Handler.
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"Causal Nexus SITE," 2014"Causal Nexus SITE" (2014) is an audience interactive, cause-and-effect dance or "system" based on the notion - one body, one action, one choice impacts subsequent events. Premiere: Station North Chicken Box, September 2014; Length: 2 hours. Collaborators: Andrew Freed (Musician). Photo by Rebecca Wolf.
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"Bottle Caps & Suits" AKIMBO 2015"Bottle Caps & Suits explores the 100 year old history of a Baltimore factory - transitioning from the Crown Cork & Seal Company, to" the Lebrow Brothers Clothing Company, and finally to the Baltimore Design School. Premiere: Baltimore Design School, September 2015; Length: 20 minutes (2 hour loop). Co-Choreographer: Peter Redgrave. Collaborators: Peter Redgrave (Performance Artist), Deep Vision Dance Company (Dancers) Griff Beheler (Music), Elizabeth Terschuur (Rehearsal Assistant). Photo by City Digital Photography.
Duos & Trios
Full of new collaborations and traveling adventures, Martinell created (and co-created) various new works, premiering in Tulsa, Oklahoma, New York City, New York, and her beloved Baltimore, MD.
Tender Root
Created and performed by Nicole A. Martinell (Deep Vision Dance Company) and Malcolm Shute (Human Landscape Dance), Tender Root is a duet exploring the transformative cycle of organic matter. Images of blooming, leaves unfurling, and vines weaving emerge as two, connected bodies seamlessly morph and create new forms. Undertones of human intimacy and interconnectivity thread through the work. Premiere: June 2018; Length: 9:40 minutes; Collaborators: Malcolm Shute (co-choreographer/music), Dancers: Nicole A. Martinell & Malcolm Shute; Special feature: ECOPOETIC, Washington Square Park, NY (2018). Additional performances: Inertia, Towson, MD (2018); Baltimore Theatre Project, MD (2019).
Cadence, of lack thereof
Cadence, or lack thereof is a witty duet illuminating the awkward do-si-do of social interactions. As the individuals attempt to connect their inner rhythms with each other’s habitual grooves, their playful banter of nonsensical dialogue and disjointed movements unfolds. In the subtext, the work teasingly portrays dancers in the creative process. Premiere: July 2018; Length: 9:00 minutes; Collaborators/Dancers: Samantha Hopkins, Jeanna Riscigno; Special Feature: Exchange Choreography Festival, Tulsa, OK (2018). Additional performances: Walters Museaum of Art, Baltimore, MD and Baltimore Theatre Project, MD (2019).
The Somethings in My Mind
The Somethings in My Mind reveals the tempting cycle of becoming consumed by our habitual, mental constructs. Our thoughts carry layers of emotional baggage and have the power to shift our view of reality and dissipate the conscious self. Through the image of a lingering rolling body at one’s feet, The Somethings in My Mind explores the strange, yet enchanting, burden of one’s thoughts. Original score by Griff Beheler and videography by Lindsay D'Andelet accompanies the work. Premiere: March 2019; Length: 13:00 minutes; Collaborators/Dancers: Samantha Hopkins, Nicole Martinell. Special Feature: Baltimore Theatre Project, MD (2019).
3
Exploring this sacred number reveals its connection to the integrity of existence; order is organically sustained through the underlying pulse of 3. Premiere: October 2013; Length: 10 minutes; Dancers: Deep Vision; Collaborator: Cuong Nguyen. Special feature: Maryland Choreographers Showcase, Clarice Smith Performing Arts Center, January 2014.
Flirt & Fizzle
A whimsical duet that the validity of relationships emerging from intrigue and fixation. Premiere: April 2010; Length: 10 minutes; Dancers: Lindsey Hedrick, Amina Royster (original cast); Collaborator: Ron Santana, David Merino (Video), Kendra Shapanus (Costume). Special features: Dance Place Choreographers Showcase, DC; Green Space, NY; Triskelion Arts, NY, 2011. Excerpt: https://youtu.be/U7YneLmcwqY; Video works highlights: https://youtu.be/Iu6-f-wOxIg
Tender Root
Created and performed by Nicole A. Martinell (Deep Vision Dance Company) and Malcolm Shute (Human Landscape Dance), Tender Root is a duet exploring the transformative cycle of organic matter. Images of blooming, leaves unfurling, and vines weaving emerge as two, connected bodies seamlessly morph and create new forms. Undertones of human intimacy and interconnectivity thread through the work. Premiere: June 2018; Length: 9:40 minutes; Collaborators: Malcolm Shute (co-choreographer/music), Dancers: Nicole A. Martinell & Malcolm Shute; Special feature: ECOPOETIC, Washington Square Park, NY (2018). Additional performances: Inertia, Towson, MD (2018); Baltimore Theatre Project, MD (2019).
Cadence, of lack thereof
Cadence, or lack thereof is a witty duet illuminating the awkward do-si-do of social interactions. As the individuals attempt to connect their inner rhythms with each other’s habitual grooves, their playful banter of nonsensical dialogue and disjointed movements unfolds. In the subtext, the work teasingly portrays dancers in the creative process. Premiere: July 2018; Length: 9:00 minutes; Collaborators/Dancers: Samantha Hopkins, Jeanna Riscigno; Special Feature: Exchange Choreography Festival, Tulsa, OK (2018). Additional performances: Walters Museaum of Art, Baltimore, MD and Baltimore Theatre Project, MD (2019).
The Somethings in My Mind
The Somethings in My Mind reveals the tempting cycle of becoming consumed by our habitual, mental constructs. Our thoughts carry layers of emotional baggage and have the power to shift our view of reality and dissipate the conscious self. Through the image of a lingering rolling body at one’s feet, The Somethings in My Mind explores the strange, yet enchanting, burden of one’s thoughts. Original score by Griff Beheler and videography by Lindsay D'Andelet accompanies the work. Premiere: March 2019; Length: 13:00 minutes; Collaborators/Dancers: Samantha Hopkins, Nicole Martinell. Special Feature: Baltimore Theatre Project, MD (2019).
3
Exploring this sacred number reveals its connection to the integrity of existence; order is organically sustained through the underlying pulse of 3. Premiere: October 2013; Length: 10 minutes; Dancers: Deep Vision; Collaborator: Cuong Nguyen. Special feature: Maryland Choreographers Showcase, Clarice Smith Performing Arts Center, January 2014.
Flirt & Fizzle
A whimsical duet that the validity of relationships emerging from intrigue and fixation. Premiere: April 2010; Length: 10 minutes; Dancers: Lindsey Hedrick, Amina Royster (original cast); Collaborator: Ron Santana, David Merino (Video), Kendra Shapanus (Costume). Special features: Dance Place Choreographers Showcase, DC; Green Space, NY; Triskelion Arts, NY, 2011. Excerpt: https://youtu.be/U7YneLmcwqY; Video works highlights: https://youtu.be/Iu6-f-wOxIg
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Tender RootPerformance of "Tender Root" at the Inertia Choreographers Showcase, October 2018. Dancers/Collaborators: Nicole Martinell (Deep Vision Dance Company) & Malcolm Shute (Human Landscape Dance); Lighting Design: Rebecca Wolf. Photo by: Kanji Takeno.
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The Somethings in My MindPerformance of "The Somethings in My Mind" at Baltimore Theatre Project, March 2019. Griff Beheler (music), Lindsay D'Andelet (videography), Kendra Shapanus (costume); Kanji Takeno (photo).
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Tender Root"Tender Root" is a contemporary duet exploring the transformation of organic matter. Premiered at ECOPOETIC in Washington Square Park, New York City, NY. Collaborator: Malcolm Shute (co-choreographer, music). Dancers: Nicole Martinell & Malcolm Shute. Performance: Inertia Choreographers Showcase, Studio Theatre, Towson.
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The Somethings in My Mind“The Somethings in My Mind” explores the strange, yet enchanting, burden of one’s thoughts. Premiere at Baltimore Theatre Project, 2019; 2 Dancers; Collaborators Griff Beheler (music), Lindsay D'Andelet (videography), Kendra Shapanus (costume); Kanji Takeno (photo); Kevin Vink (video).
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Cadence, or lack thereofPerformance of "Cadence, or lack thereof" at the Exchange Choreography Festival, Tulsa, OK. Dancers/Collaborators: Samantha Hopkins, Jeanna Riscigno. Photo by: Nathan Harmon.
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Cadence, or lack thereof“Cadence, of lack thereof” illuminates the awkward do-si-do of social interactions. Premiered in Tulsa, OK at the Choreography Exchange Festival; Reprise at Baltimore Theatre Project, 2019. 2 Dancers; Collaborators include Samantha Hopkins and Jeanna Riscigno/Rachel Moore (dancers), Kendra Shapanus (costume); Kevin Vinck (video).
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The Somethings in My MindPerformance of "The Somethings in My Mind" at Baltimore Theatre Project, March 2019. Griff Beheler (music), Lindsay D'Andelet (videography), Kendra Shapanus (costume); Kanji Takeno (photo).
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3Photographer: Kanji Takeno Featured: Melissa Brady, Kelly Hall, Olivia Serrill
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3“3” reveals the significance of this sacred number, its connection to the integrity of existence, and how order is organically sustained through the underlying pulse of 3. Performance at MD Choreographers Showcase, 2014; Collaborators include Cuong Nguyen (music); Melissa Cole, Kelly Hall, and Olivia Serrill (dancers); Michael Faulkner (photo).
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Flirt & Fizzle"Flirt & Fizzle." Photo by: City Digital Photography. Dancers: Jeanna Riscigno, Lara Friedman. Collaborator: Ronald Santana. Performance: Uncover at Studio Theatre, Towson, MD, April 2011.
Ragtime Era: Women's Rights & The Traveling Feet
Between 2012-2016, Martinell enjoyed researching the historical layers and bringing to life the women, dances, and music of the Ragtime Era. Martinell created two an evening length works as well as a residency work for K-12 students and seniors.
Heady Collectables: Lighthearted and candid, heady collectables brings to life an assortment of head idioms, such as “two heads are better than one,” “hothead,” and “heads up!” Vibrant characters, Scott Joplin music, boxes, and humorous poetry weave together this witty work. Premiere: January 2013; Length 36:00 minutes: Dancers: Deep Vision Dance Company. Collaborators: Caroll Dorritt (poet), Paul Martinell (props). Special feature: Dance Place & Capital Fringe Festival, 2013.
The Traveling Feet: Featuring live percussion music, aerobic dancing, audience interaction, and more, The Traveling Feet celebrates women of the Ragtime Era. Used as a means for self-expression, Ragtime dancing became a catalyst for social change during the women’s suffrage movement. Women displayed acts of defiance by swinging, swaying, and performing Animal Dances, through the streets. Premiere: April 2014; Length: 35 minutes; Dancers: Deep Vision Dance Company. Collaborators: Patrick Roulet, Kyle Flens, Mark Craig, Rachel Roulet, Gunnar Folsom (music), Leigh Alexander and Jay Beuchler (costume). Special feature: Baltimore Theatre Project, 2014/2015
Women of the Ragtime Era & The Traveling Feet: Youth/Senior Residencies: Immaculate Conception, Patapsco High School, Weinberg Village Senior Center, Jewish Community Center, Seton Keough High School, St. Joseph’s Nursing Home.
Heady Collectables: Lighthearted and candid, heady collectables brings to life an assortment of head idioms, such as “two heads are better than one,” “hothead,” and “heads up!” Vibrant characters, Scott Joplin music, boxes, and humorous poetry weave together this witty work. Premiere: January 2013; Length 36:00 minutes: Dancers: Deep Vision Dance Company. Collaborators: Caroll Dorritt (poet), Paul Martinell (props). Special feature: Dance Place & Capital Fringe Festival, 2013.
The Traveling Feet: Featuring live percussion music, aerobic dancing, audience interaction, and more, The Traveling Feet celebrates women of the Ragtime Era. Used as a means for self-expression, Ragtime dancing became a catalyst for social change during the women’s suffrage movement. Women displayed acts of defiance by swinging, swaying, and performing Animal Dances, through the streets. Premiere: April 2014; Length: 35 minutes; Dancers: Deep Vision Dance Company. Collaborators: Patrick Roulet, Kyle Flens, Mark Craig, Rachel Roulet, Gunnar Folsom (music), Leigh Alexander and Jay Beuchler (costume). Special feature: Baltimore Theatre Project, 2014/2015
Women of the Ragtime Era & The Traveling Feet: Youth/Senior Residencies: Immaculate Conception, Patapsco High School, Weinberg Village Senior Center, Jewish Community Center, Seton Keough High School, St. Joseph’s Nursing Home.
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Residency Photo_PatapscoCelebrating the women, dances, and music of the Ragtime Era, “The Traveling Feet,” was transformed into an interactive performance/lecture demonstration and "animal dance" movement classes for youth and seniors. Photo of dancers with students at Patapsco High School and Center for the Arts after a multi-day residency. Photo by Sidney.
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The Traveling FeetPremiere of "The Traveling Feet" at Baltimore Theatre Project, April 2014. Dancers: Deep Vision Dance Company; Music Composition: Towson Percussion Group; Lighting Design: Heather Mork; Costumes: Leigh Targaryen and Jay Buechler. Photo by: City Digital Photography.
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Residency at Weinberg Village Senior CenterCelebrating the women, dances, and music of the Ragtime Era, “The Traveling Feet,” was transformed into an interactive performance/lecture demonstration for youth and seniors. Photo of dancers performing at Weinberg Village in Owings Mills. Photo by Nicole Martinell.
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The Traveling FeetPremiere of "The Traveling Feet" at Baltimore Theatre Project, April 2014. Dancers: Deep Vision Dance Company; Music Composition: Towson Percussion Group; Lighting Design: Heather Mork; Costumes: Leigh Targaryen and Jay Buechler. Photo by: City Digital Photography.
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The Traveling Feet (excerpt)Excerpt of premiere of "The Traveling Feet" at Baltimore Theatre Project, April 2014. Dancers: Deep Vision Dance Company; Music Composition: Towson Percussion Group; Lighting Design: Heather Mork; Costumes: Leigh Targaryen and Jay Buechler.
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The Traveling FeetPremiere of "The Traveling Feet" at Baltimore Theatre Project, April 2014. Dancers: Deep Vision Dance Company; Music Composition: Towson Percussion Group; Lighting Design: Heather Mork; Costumes: Leigh Targaryen and Jay Buechler. Photo by: City Digital Photography.
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The Traveling Feet (excerpt)Excerpt of reprise of "The Traveling Feet" at Baltimore Theatre Project, April 2015, in Martinell/Deep Vision’s 5 year anniversary, FLUX concert. Dancers: Deep Vision Dance Company; Music Composition: Patrick Roulet, Rachel Roulet, Gunnar Folsom; Lighting Design: Heather Mork; Costumes: Leigh Targaryen and Jay Buechler.
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"heady collectables"Site-specific photography of "heady collectables" by Zachary Z. Handler at the Paper Moon Diner. Dancers: Deep Vision.
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"heady collectables"Site-specific photography of "heady collectables" by Zachary Z. Handler at the Paper Moon Diner. Dancers: Deep Vision.
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heady collectables“heady collectables" playfully brings to life an assortment of head idioms, such as “out of my head,” “heads up!” and “hothead." Vibrant characters, Scott Joplin’s ragtime music, and humorous poetry by Doritt Carroll weave together this witty debut. Premiere: January 2013; Length: 36 minutes; Dancers: Deep Vision Dance Company; Collaborator: Doritt Carroll (Poetry), Paul Martinell (props), Leigh Targaryen and Jay Buechler (costumes). Special features: Dance Place, Washington, DC.
Deep Vision Dance Company (Founder/Artistic Director)
In 2011, Martinell founded Deep Vision as a vehicle for her choreographic and entrepreneurial endeavors. Over the past 12 years, Deep Vision has grown into an organization impacting many lives and much larger than Martinell’s dreams.
Based in Baltimore, Deep Vision is a performing arts, nonprofit organization dedicated to producing innovative choreographic work while creating a home for dancers, collaborating with regional artists, and educating the community in the creative process.
Deep Vision choreography has been featured at such east coast venues as Baltimore Museum of Art (MD), Dance Place (DC), Green Space (NY), Clarice Smith Performing Arts Center (MD), Triskelion Arts (NY), Gala Theatre at Tivoli Square (DC) among many others as well as unique, site-specific locations throughout Baltimore City. Deep Vision is a resident company at Baltimore Theatre Project.
Highly active in the community, DVDC/Martinell projects have included Go Deep! residency programs, By/4 Artist professional development series, Modern Dance for the Soma, Community Improvisation Jams, Dual Jams at Windup Space, AKIMBO Dance & Movement Art Festival, and choreographic mentorship for youth.
Based in Baltimore, Deep Vision is a performing arts, nonprofit organization dedicated to producing innovative choreographic work while creating a home for dancers, collaborating with regional artists, and educating the community in the creative process.
Deep Vision choreography has been featured at such east coast venues as Baltimore Museum of Art (MD), Dance Place (DC), Green Space (NY), Clarice Smith Performing Arts Center (MD), Triskelion Arts (NY), Gala Theatre at Tivoli Square (DC) among many others as well as unique, site-specific locations throughout Baltimore City. Deep Vision is a resident company at Baltimore Theatre Project.
Highly active in the community, DVDC/Martinell projects have included Go Deep! residency programs, By/4 Artist professional development series, Modern Dance for the Soma, Community Improvisation Jams, Dual Jams at Windup Space, AKIMBO Dance & Movement Art Festival, and choreographic mentorship for youth.
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DeepVisionDanceCompany_JHsumedia-14.jpgDeep Vision dancers, Lacee Buckholz, Sade Morgan, and Chelsea Patten. Photo by JHsumedia.
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By/4 Artist SeriesBy Local Artists / For Local Artists, these interactive, interdisciplinary workshops engage artists and educators in the areas of audience engagement, collaboration, self-promotion, creative processes, and more. Workshops are open and free to the community. Past workshops included such presenters as Liz Lerman, Alex Hewett, David London, ellen cherry, CJay Philip, and Buck Jabaily. Above photo features a 2014 workshop with Cassie Meador and Matthew Cumbie of Dance Exchange. Photo by Sidney Pink. Location: UMBC.
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Community Improvisation JamDeep Vision’s open Community Improvisation Jams have been taking place since 2011! All artists and passionate improvisers are invited to explore, intersect, react in the moment, and meet friends for future collaborations. Dancers, actors, musicians, visual artists, and literary artists are all welcome to contribute and build a rich creative environment. Photo of June 2014 art jam with Sidney Pink. Photo by Sidney Pink.
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DUAL JAM, "collaborative, spontaneous artmaking"Baltimore band, Friday Night Book Club & Deep Vision collaboratively presented and performed Dual Improv Jams at the Windup Space. A night of quirky, spontaneous fun, musicians and dancers responded to directives pulled from a hat every 20-minutes. Audience prompts and interaction threaded through the evening. Jams took place throughout 2013. Idea ignited from Andrew and Nicole’s collaboration for “Sacred Spaces” at AKIMBO 2013.
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Deep Vision's premiere of "Matter, Energy, Human"A Deep Vision photo shoot for the upcoming premiere of Martinell’s latest work, “Matter, Energy, Human.” Picture features Deep Vision company members, Lia Karagianopoulos and Kelly Weckesser Hall, and the photographic talents of Michael R. Faulkner.
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Community Improvisation JamsDeep Vision’s open Community Improvisation Jams have been taking place since 2011! All artists and passionate improvisers are invited to explore, intersect, react in the moment, and meet friends for future collaborations. Dancers, actors, musicians, visual artists, and literary artists are all welcome to contribute and build a rich creative environment.
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Deep Vision's logo comes to life!Artist Michael R. Faulkner brilliantly brings to life Deep Vision's logo through his photographic work. Photo features Deep Vision company members, Natalia Velarde and Kelly Weckesser Hall. www.deepvisiondancecompany.org
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Choreographic MentorshipMartinell/DVDC offers improvisation and choreography workshops for youth throughout the Greater Baltimore area. Goal is to provide valuable tools for creative and critical feedback process while educating young individuals on the joys of dance making. Students explore their creativity, intellectually discuss their process, discover their artistic voice, and support the uniqueness of others. Photo features Martinell with dance student at Seton Keough High School.
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Go Deep! ResidenciesGo Deep! are 1-5 day residencies at schools and community organizations. Students (youth/seniors/families) participate in interactive performances and movement classes centered on various themes, such as women’s suffrage and physics. Current programs include “The Traveling Feet of Ragtime” and “Learning Physics through Movement.” Photo at Weinberg Senior Center.
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AKIMBOCofounded by Martinell and Sidney Pink, AKIMBO is a site-specific dance and movement art festival in Station North Arts & Entertainment District, Baltimore City, MD. AKIMBO looks for artists to dream big, to propose ideas never seen before at AKIMBO, and to question the definitions of dance and movement art. AKIMBO encourages interdisciplinary projects, proposals that take artistic risks, and ideas that focus on a strong artistic vision/voice from the company or artist. www.AkimboBaltimore.com. Photo by Brian O'Doherty.
AKIMBO Dance & Movement Art Festival (Co-Founder/Artistic Director)
Recently celebrating its 5th year, AKIMBO is a festival of site-specific dance and movement art in Baltimore's Station North Arts & Entertainment District. Comprised of the Artwalk, Teaser, & Spree, AKIMBO features 15+ professional dance companies and movement artists from traditional to experimental, plus music, spoken word, art installation, puppet, multi-media, performance art, and more. Over 150 artists perform in AKIMBO for ~800 audience members each year.
During AKIMBO Artwalk (main event), artists present work in art galleries, restaurants, bridges, parks, murals, and businesses. Artwork speaks to the architecture, history, and/or theme of the locations. At their own pace, audiences explore the neighborhoods rich architecture while participating in live art. Over 50 volunteers in yellow shirts guide audiences along the way.
AKIMBO is a project of Deep Vision Dance Company, under the direction of co-founders/co-coordinators Nicole Martinell, dancer and choreographer, and Sidney Pink, local artist and curator.
During AKIMBO Artwalk (main event), artists present work in art galleries, restaurants, bridges, parks, murals, and businesses. Artwork speaks to the architecture, history, and/or theme of the locations. At their own pace, audiences explore the neighborhoods rich architecture while participating in live art. Over 50 volunteers in yellow shirts guide audiences along the way.
AKIMBO is a project of Deep Vision Dance Company, under the direction of co-founders/co-coordinators Nicole Martinell, dancer and choreographer, and Sidney Pink, local artist and curator.
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AKIMBO Artwalk, 2015 HighlightsAKIMBO 2015 highlight reel featuring 17 dance companies and movement artists throughout Station North, Baltimore, MD. Video filmed and created by Michael R. Faulkner. Featured companies: RealLivePeople, Alex D'Agostino/Noelle Tolbert, Deep Vision, Full Circle, Rebecca Free, Trajectory, Baltimore Dance Project, The Collective, Dance & Bmore, and Sarah Smith.
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AKIMBO Teaser 2013AKIMBO Teaser 2013 highlight reel, featuring Nicole Martinell/Deep Vision Dance Company, MICA Curaturial Practice’s “Congregate: Art + Faith + Community,” and Muse 360 Arts. Features photos by Xiotain Yang, Nicole Martinell, and Sidney Pink.
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AKIMBO Artwalk 2013AKIMBO is as much about the journey between the spaces as the experience within. A sense of beauty and safety within the community develops as audiences become aware of the rich and diverse offerings of Baltimore’s arts scene. Photo by Zachary Z. Handler, featuring Pendleton House at the Charles St. bridge.
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AKIMBO Teaser 2014AKIMBO Teaser 2014 highlight reel, featuring Nicole Martinell/Deep Vision Dance Company, Flamenco Sole/Experimental Flamenco, Dance & Bmore, Gifted Unity, and Baba Ghanoush. Features photos by Xiotain Yang, Nicole Martinell, and Sidney Pink.
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AKIMBO Artwalk 2012Musicians, performers, visual artists, movers and shakers craft performances that speak to the architecture, history, theme, and/or visual artwork of a rich variety of locations. AKIMBO Artwalk 2012 performance by Sky Blue Pink at the former Honey Carryout. Photography by Theresa Keil.
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AKIMBO TeaserAKIMBO Teaser kicks off the 3-part Festival. During the Teaser, artists perform improvisational scores in a round robin fashion, cycling through 5 or more locations in the arts district. Concluding the Teaser, artists parade down to the Greenmount neighborhood to dance with youth at the Wonderground Lot. Photographer: Nicole Martinell. Features: Deep Vision and Isa Leal companies.
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AKIMBO Dance JamBetween the northwest (Part A) and southeast (Part B) portions of the festival, there is an all-inclusive Dance Jam where audience, dancers and musicians can join together for an improvisational hour of dance and movement art. Photo features community members, Gifted Unity, Baltimore Dance Crews Project, and yellow shirt volunteers at the 2015 dance jam. Photo by Brian O'Doherty.
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AKIMBO Community WorkshopsAs a lead-up to AKIMBO, artists enjoy FREE workshops facilitated by such renowned artists as Liz Lerman and Joshua Legg and join in Meet & Greets in Station North locations. Following the Artwalk and Spree, after parties continue collaborative discussions, to heighten community building, and to demonstrate support and appreciation of all artists. Photo highlights artists participating in a workshop with Cassie Meador and Matthew Cumbie from Dance Exchange at UMBC.
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Yellow Shirt VolunteersAKIMBO engages audiences in site-specific performances along an experiential journey. Strategically located volunteers in bright yellow shirts assist people in moving from place to place and in interacting with site-specific dance. Audiences further create their own journey by perusing the AKIMBO website, www.AkimboBaltimore.com, and referencing the colorful postcards. Photo by Rebecca Wolf.
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AKIMBO 2016 HighlightsVideo reel represents photos by Zachary Z. Handler, representing the following companies - Full Circle Dance Company, Peter Redgrave and Khristian Weeks, Maggie Jones/Tiffany Spearman, Flamenco Sole/Experimental Flamenco, Sarah Smith, Baggypantsrich & mrsuaidi, darlingdance, Deep Vision Dance Company, Baltimore Dance Project, Zoe Cleous, Noa Heyne, Moveius Contemporary Ballet, Noelle Tolbert and Alexander D’Agostino, The Collective
Mirrors, Video, & Flamenco: Collaborative Explorations
Curious and continually fascinated with working in collaborative settings, Nicole Martinell has developed a series of works that connect her to a variety of artists. Though all of her works highlight collaborative processes, here are two fond memories:
Fractured Spectrum: Immersing the audience with videography and translucent mirrors, Fractured Spectrum traverses the continuum from dark, ambiguous self-absorption to light, clarity, and compassion. Premiere: June 2011; Length: 34 minutes; Dancers: Deep Vision; Collaborators: Ron Santana (Video), Paul Martinell (Mirrors). Special feature: Joe’s Movement Emporium and Theatre Project, 2012.
Laguna el Encanto (Charm Lagoon): Collides quirky modern dance with flashy flamenco movements, resulting in a peculiar bird ballad. Flamenco artist, Jamahl Rahmaan displays his delicious footwork as bird-like women swoon to be his mate. The rhythmic landscape is composed and performed live by regional artist, Griff Beheler. Work celebrates the 5 year anniversary of Martinell's Deep Vision Dance Company at Baltimore Theatre Project in 2015. Collaborators: Jamahl Rahmaan (flamenco artist), Griff Beheler (music composition).
Fractured Spectrum: Immersing the audience with videography and translucent mirrors, Fractured Spectrum traverses the continuum from dark, ambiguous self-absorption to light, clarity, and compassion. Premiere: June 2011; Length: 34 minutes; Dancers: Deep Vision; Collaborators: Ron Santana (Video), Paul Martinell (Mirrors). Special feature: Joe’s Movement Emporium and Theatre Project, 2012.
Laguna el Encanto (Charm Lagoon): Collides quirky modern dance with flashy flamenco movements, resulting in a peculiar bird ballad. Flamenco artist, Jamahl Rahmaan displays his delicious footwork as bird-like women swoon to be his mate. The rhythmic landscape is composed and performed live by regional artist, Griff Beheler. Work celebrates the 5 year anniversary of Martinell's Deep Vision Dance Company at Baltimore Theatre Project in 2015. Collaborators: Jamahl Rahmaan (flamenco artist), Griff Beheler (music composition).
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Laguna el EncantoPhoto by: Michael R. Faulkner Dancers: Meli'sa Grier, Jamahl Rahmaan, Jasmine Rivera, Kristy Ganssle Collaborators: Jamahl Rahmaan (flamenco) and Griff Beheler (drums) Performance: FLUX at Baltimore Theatre Project, April 2015
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Laguna el EncantoPhoto by: Michael R. Faulkner Dancers: Meli'sa Grier, Jamahl Rahmaan, Jasmine Rivera, Kristy Ganssle Collaborators: Jamahl Rahmaan (flamenco) and Griff Beheler (drums) Performance: FLUX at Baltimore Theatre Project, April 2015
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Fractured SpectrumSite-specific photography of "Fractured Spectrum" by Zachary Z. Handler at the Patapsco Female Institute (PFI) Historic Park. Dancers: Deep Vision; Costumes: Leigh Targaryen.
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"Fractured Spectrum"Immersing the audience with videography and translucent mirrors, "Fractured Spectrum" traverses the continuum from dark, ambiguous self-absorption to light, clarity, and compassion. Premiere: June 2011; Length: 34 minutes; Dancers: Deep Vision; Music: Sigur Rós, Aphex Twin, Amon Tobin, Oval, Nosaj Thing, Leila, Mike Sheridan, Hiroshi Watanabe, Near the Parenthesis (edited by Paul Martinell and Ron Santana). Collaborators: Ron Santana (Video), Paul Martinell (Mirrors). Special feature: Joe’s Movement Emporium and Theatre Project, 2012.
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Laguna el EncantoFLUX production at Baltimore Theatre Project, April 2015 Dancers: Meli'sa Grier, Jamahl Rahmaan, Jasmine Rivera, Kristy Ganssle Collaborators: Jamahl Rahmaan (flamenco) and Griff Beheler (drums) Lighting Design: Heather Mork Costume Design: Katie Iannitello
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Fractured SpectrumSite-specific photography of "Fractured Spectrum" by Zachary Z. Handler at the Patapsco Female Institute (PFI) Historic Park. Dancers: Deep Vision; Costumes: Leigh Targaryen.
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Flirt & Fizzle"Flirt & Fizzle." Photo by: City Digital Photography. Dancers: Jeanna Riscigno, Lara Friedman. Collaborator: Ronald Santana. Performance: Uncover at Studio Theatre, Towson, MD, April 2011.
Solo Works: Muffle & Inner Palette
When moving to Baltimore in 2008, Martinell choreographed a series of solo works. Originally choreographed for her body, these works were later transposed onto othter individuals. Twisted, emotional, thought-provoking journeys were key to these works as well as collaborative elements. Both works were reconstructed on company members of Deep Vision Dance Company as well as students of the Towson University Dance Company between the years of 2015-2017. Inner Palette has been performed by Deep Vision at the Havre de Grace Opera House (2017) and has been accepted to be performed at the Baltimore Dance Invitational (2018).
Muffle (the Puppet)
Muffle characterizes the emotional journey of a woman longing to speak, express, and find herself. Existing in a world of unknowns, she continually suppresses her voice and molds herself to the ways of others. She has become a puppet manipulated by her own fear. Can she swallow the self-doubt, escape her shield, and discover freedom?
Inner Palette
Inner Palette follows the journey of a woman sifting through complex layers of her psyche to reach self-acceptance. As the emotionally and physically rich layers emerge and unfold, the dancer moves toward a heightened, frantic state before finally releasing, submitting, digesting, and opening her eyes to her true, inner fabric.
*Original version features 4 moldable sculptures composed of chicken wire, bottles, and construction fencing created by visual artist, Rebecca Wolf.
Muffle (the Puppet)
Muffle characterizes the emotional journey of a woman longing to speak, express, and find herself. Existing in a world of unknowns, she continually suppresses her voice and molds herself to the ways of others. She has become a puppet manipulated by her own fear. Can she swallow the self-doubt, escape her shield, and discover freedom?
Inner Palette
Inner Palette follows the journey of a woman sifting through complex layers of her psyche to reach self-acceptance. As the emotionally and physically rich layers emerge and unfold, the dancer moves toward a heightened, frantic state before finally releasing, submitting, digesting, and opening her eyes to her true, inner fabric.
*Original version features 4 moldable sculptures composed of chicken wire, bottles, and construction fencing created by visual artist, Rebecca Wolf.
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Inner PalettePerformance of "Inner Palette" at the Havre de Grace Opera House, October 2017. Dancer: Lia Karagianopoulos of Deep Vision Dance Company; Lighting Design: Heather Mork. Photo by: Nick Hood.
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Inner Palette"Inner Palette" follows the journey of a woman sifting through complex layers of her psyche to reach self-acceptance. As the emotionally and physically rich layers emerge and unfold, the dancer moves toward a heightened, frantic state before finally releasing, submitting, digesting, and opening her eyes to her true, inner fabric. Reconstruction premiered at the Havre de Grace Opera House, 2017; 1 Dancer; Collaborators include Lia Karagianopoulos (performer) and Heather Mork (lighting design).
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Inner PalettePerformance of "Inner Palette" at the Havre de Grace Opera House, October 2017. Dancer: Lia Karagianopoulos of Deep Vision Dance Company; Lighting Design: Heather Mork. Photo by: Nick Hood.
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Inner Palette (excerpt)Nicole Martinell performing the premiere of "Inner Palette" at the Inertia Choreographer's Showcase at the Dance Studio Theatre in Towson, MD. October 2010.
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MufflePhoto by: City Digital Photography Dancer: Jeanna Riscigno Performance: Uncover at Dance Studio Theatre, Towson, MD, April 2011
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MufflePhoto by: Michael R. Faulkner Dancer: Kelly Weckesser Hall Performance: FLUX at Baltimore Theatre Project, Baltimore, MD, April 2015
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MufflePhoto by: Michael R. Faulkner Dancer: Kelly Weckesser Hall Performance: FLUX at Baltimore Theatre Project, Baltimore, MD, April 2015
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MufflePhoto by: Michael R. Faulkner Dancer: Kelly Weckesser Hall Performance: FLUX at Baltimore Theatre Project, Baltimore, MD, April 2015
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Muffle (excerpt)Sam Hopkins performing a reprise of "Muffle" for Martinell/Deep Vision's 5 year anniversary concert, FLUX, at Baltimore Theatre Project, April 2015.
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Inner Palette"Inner Palette" follows the journey of a woman sifting through complex layers of her psyche to reach self-acceptance. As the emotionally and physically rich layers emerge and unfold, the dancer moves toward a heightened, frantic state before finally releasing, submitting, digesting, and opening her eyes to her true, inner fabric. (*Original 2010 version features 4 moldable sculptures composed of chicken wire, bottles, and construction fencing). Choreographer: Nicole A. Martinell Performer: Maria Kroat Sculptures: Rebecca Wolf Music: “Light is Calling” by Michael Gordon and “Ba Ba” by Sigur Rós