Work samples
About Sara
Pronouns: She/her/hers - Born in Tulsa, Oklahoma and raised in Portland, Oregon, Sara Kaltwasser is a multidisciplinary artist, and community art educator. Sara currently lives and works in Baltimore City. Invested in Community Art & Practice, Sara's foundation is rooted in art education, history, socially-engaged modalities and collective community development.
Sara uses painting, installation, collage & assemblage, sculpture, research and performative process… more
Fragile Pedagogies
This body of work explores the relationship between white fragility and rejections of socially-conscious and equity-focused curriculums in all realms of academic discourse. Critical Race Theory, and its relationship to how we understand systems of oppression in this country, is both essential in the present and vital to our future.
The suggestion that socially-conscious and equity-focused curriculums present conversations around justice, equity and oppression as problematic is rooted in white supremacy and a perceived loss of power.
When young people learn about the world and its foundations - its histories, and our often challenging relationships to each other, they grow. They develop empathy for their neighbor. They understand that the concept of fairness is often a rigged proposition. They learn that their families bootstraps have been built on other people's backs… and that that is wrong.
When we hide our histories….When we pretend that oppression does not exist… When we ignore our own complicity as white people, and suppress access to this knowledge for our children, we do them a disservice. We make fragile people that believe they have no connections to systems of power and that change is not necessary now or in the future. That belief - is dangerous.
It will ruin us all.
They Tied Themselves in Knots
They Tied Themselves in Knots is an exploration of the Flag as a symbol for a nation. Using mixed media painting techniques, images create a panoramic landscape where scenes of flags proliferate into chaotic combinations of lines and form. Wrapping around themselves, and other objects, the flag begins to obscure the space, uncontrolled. Inspiration was derived from the following poem as part of the process of creating this work.
FLAG
What’s that fluttering in the breeze?
It’s just a piece of cloth
that brings a nation to its knees.
What’s that unfurling from a pole?
It’s just a piece of cloth
That makes the guts of men grow bold.
What’s that rising over the tent?
It’s just a piece of cloth
that dares the coward relent.
What’s that flying across a field?
It’s just a piece of cloth
that will outlive the blood you bleed.
How can I possess such a cloth?
Just ask for a flag my friend.
Then blind your conscience to the end.
From Half-Caste and Other Poems, John Agard 2004
Red Flags
red-flag verb
transitive verb
: to identify or draw attention to (a problem or issue to be dealt with)
: something that indicates or draws attention to a problem, danger, or irregularity
: a warning signal or sign
What is a flag? Is it an object? An item made with fabric and affixed to a rigid piece of wood stabbed into the ground. Something to be shifted and eventually tattered by the striking force of the wind and elements over time.
Is a flag a warning? Is it the opening shot in the fight for a space does not belong to you. Is it a tool of suppression? A pinpoint on a distant hill, always claiming.
Is a flag a nation? The manifestation of patriotism in its purest form... an assertion of one's sovereign right to freedom. But whose freedom's does a flag protect?
Drawing Connections/Corrections
Drawing Connections considers how we chronicle history, and how we go on to tell those stories generation to generation.
These retellings of moments in our histories inform the foundation of how we understand who we are, our relationship each other, the nation, and the world. The visual articulation of a timeline is a powerful thing. It lets us envision our own ability to make the future through our viewing of the past... but at what cost.
Art History is an action.
As an action, it can provide both reward and consequence... and in doing so speak to power… all the while ensuring a narrative that benefits those who wield such power, allowing them to continue to hold on to it.
The Histories We Make
People are trapped in history and history is trapped in them - James Baldwin
This series of mixed-media monotype prints explore the tacit connections between Western Art History and American History, and how these thin threads of information and image inform US identity.
Using collage, printmaking, and painting questions emerge that examine how these stories and images affirm mythologized heroism, colonialist narratives, and conceptions of whiteness?
How do purposeful ommissions of shared stories in the Western Historical canon lead to insurrection?
Can a painting of a founding father start a riot?
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The Histories We Make - Two Patriots?
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The Histories We Make - A Red Flag
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The Histories We Make - White Out
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The Histories We Make - Power Makes... Something
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The Histories We Make - Oh Beautiful
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The Histories We Make - Join or Die
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The Histories We Make - Look What You Made Me Do
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The Histories We Make - Inquiry at the Capital
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The Histories We Make - Raise the Flag
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The Histories We Make - Pledge to the Canon
Frontline Histories
…Not the kind of leadership that is about supervision, or power, or even some idea of success. But rather, a form of leadership that is about taking on the responsibility to care for another person. The kind of leadership that centers the humanity that we all share, and that reveals the better angels of our nature.
Frontline workers, nursing home workers, hospital cafeteria staff, cleaning crews, and more. They come to work everyday, at great personal risk to themselves in this current moment, because they know, this is what needs to happen... they are saving peoples lives. Not just through infection control, not just from contracting Covid-19, but from the isolation that takes hold as we stay separate, to stay safe.
Leadership isn't the grand gesture. It abounds in the moments of quiet compassion. It manifests even when you feel the existential fear of not knowing what the future will bring. I see this leadership in the countenance of my coworkers. I hear it in the voices of my sisters and brother.
They… are leaders.
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This Is My CallingAcrylic on Paper and Panel with Ink, Graphite, and Colored Pencil, 2021 Bibliography - People Are Dying - New York Times - Dr. Colleen Smith (3/26/2020) The Reality is Incredibly Hard - The Atlantic - Bryce Covert (4/14/2020) Health Care Workers Don't was to be Heroes - Scientific America - Daniel Barron (6/21/2020) - - - - - - A Portrait of Certified Nursing Assistant, Maggie Kaltwasser - - - - - -
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We Can Be Better Than We Have Ever BeenAcrylic on Paper and Panel with Ink, Graphite, and Colored Pencil, 2021 Bibliography - In the Time of Plague - N. Scott Momaday Growing Old, Alone - Annie Lowrey - The Atlantic (1/2/2021
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To Hold To Hold To HoldAcrylic on Paper and Panel with Ink, Graphite, and Colored Pencil, Bibliography - Mighty Die Young - Joy Oladokun A Happy Thought - Franz Wright - 2006
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I Have Been to ForeverAcrylic on Paper and Panel with Ink, Graphite, and Colored Pencil, Bibliography - Look Up - Joy Oladokun A Happy Thought - Franz Wright - 2006
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Deaths Dallas 3,301Acrylic on Paper and Panel with Ink, Graphite, and Colored Pencil, Bibliography - Away Down the River - Alison Krauss State Covid-19 Data for Texas (2/23/2021) Obituary for Col. Dearl F. Jones
Re/Write
The Myth - Painted Installation
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The Myth40 Paintings, Acrylic and Ink on Canvas paper, 2020
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They Myth - GAcrylic, Ink, and Graphite on Canvas paper
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The Myth - RAcrylic, Ink, and Graphite on Canvas paper
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The Myth - EAcrylic, Ink, and Graphite on Canvas paper
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The Myth - AAcrylic, Ink, and Graphite on Canvas paper
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The Myth - TAcrylic, Ink, and Graphite on Canvas paper
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The Myth - NAcrylic, Ink, and Graphite on Canvas paper
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The Myth - EAcrylic, Ink, and Graphite on Canvas paper
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They Myth - SAcrylic, Ink, and Graphite on Canvas paper
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The Myth - SAcrylic, Ink, and Graphite on Canvas paper
Warnings
Desk panels are adorned with illustrations and graffiti one would typically find on well-used school furniture. Each desk also contains a lined notebook paper of varying quality and functionality, as well as a pencil in a various state of use. As the panels progress, the desks become more damaged, and the paper and pencil become increasingly more limitied in their function.
Each paper contains repeated lines from a poem by Stephen Dobyns, Toward Som Bright Moment.
Each desk includes both random drawings as well as lines from On Tyranny by Timothy Snyder.
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Warnings InstallationLarge Scale Installation - Mixed Media
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Warnings IAcrylic and Ink on Black paper, Wood, pencil, masking tape, penci, 2019
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Warnings IIAcrylic and Ink on Black paper, Wood, pencil, masking tape, penci, 2019
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Warnings IIIAcrylic and Ink on Black paper, Wood, pencil, masking tape, penci, 2019
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Warnings IVAcrylic and Ink on Black paper, Wood, pencil, masking tape, penci, 2019
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Warnings VAcrylic and Ink on Black paper, Wood, pencil, masking tape, penci, 2019