Work samples
About Philippe
Philippe Ricard is an artist and printmaker from Santa Barbara, California. In 2024, he graduated with a BFA in Printmaking from the Maryland Institute College of Art, where he also worked as a print technician in the Risograph lab. In 2023, Ricard was a Studio Intern at Pyramid Atlantic Art Center in Hyattsville, Maryland. Notable exhibitions include 2024’s Mesh: A Juried National Exhibition of Screenprinted Works at Pyramid Atlantic, 2023’s Pupal State at Marisa Newman Projects in New York… more
Attached Observer
Attached Observer is the title of my 2025 solo exhibition at the Washington Printmakers Gallery. This show expanded the body of work I started with my 2024 exhibition, A Few Blocks From Here, to explore the city as a site of contradictions: between beauty and debauchery, romance and anxiety, community and alienation.
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Delirium at the Intersection2025
etching, spraypaint aquatint, a la poupée
11.5”x9” plate on 17”x14.5” paper
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Who Cares If We Get Caught?2025
etching, spraypaint aquatint, drypoint
7”x7” plate on 11”x11.5” paper
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Light Rail Romantic2025
etching, aquatint, drypoint
9”x6” plate on 14”x10.75” paper
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Lost Dog Fantasy2025
etching, spraypaint aquatint
6"x9" plate on 10"x14" paper
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ID Check Embrace2025
monotype, watercolor, colored pencil
9”x12” plate on 14”x17.5” paper
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The Voyeur2025
monotype, watercolor, colored pencil
9”x12” plate on 14”x17.5” paper
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An Offer You Can't Refuse2025
monotype, watercolor
16"x18" plate on 20"x23" paper
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Are You Here Yet?2025
etching, aquatint, spraypaint aquatint, drypoint, a la poupée
12”x16” plate on 16”x21” paper
A Few Blocks From Here
A Few Blocks From Here, May 2024, marked the culmination of my Printmaking BFA at MICA.
From the artist statement:
"Through the lens of drawing, I seek to explore, document, and dramatize the every-day complexity and underappreciated ridiculousness of the urban environment that surrounds me: Baltimore. My work is on the one hand rooted in drawings of real places and memories of personal experiences, and on the other hand exaggerated, chaotic, staged. This contrast extends to my choice of print as a medium. Printmaking allows me to combine both direct and indirect forms of drawing— derived from sketchbooks, photographs, and even in situ marks made on the printing plate itself— into compositions that maintain the material traces of each layer. My goal is a subjective type of documentation that records my presence just as much as the scene itself.
My fascination with this city comes from its unfamiliarity. I grew up in Santa Barbara, California, where lazy suburban sprawl was matched by an equally laid-back West Coasttitude. With Baltimore came a different way of life: fast-paced, stressful, and more than a little gritty. Seeking to understand the place in which I live, I became an active pedestrian and flâneur, interpreting my surroundings through exploratory walks. The walks, my day-to-day, and my art practice all intertwined in a way that enabled me to lay roots in this city, and to prove that I was here."
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Delirium at the Intersection2024
monotype, watercolor
24"x18" plate on 30"x22" paper
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New Construction2024
etching, aquatint, a la poupée
5"x8" plate on 11"x15" paper
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Bouchon, Bistro, Bocuse!2024
monotype
18"x16" plate on 22"x20" paper
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Finger Gun Carjack2024
etching, aquatint
9"x6" plate on 15"x11" paper
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Grocery Store Pilgrimage2023
monotype, colored pencil
19"x15"
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Closed for Good2024
etching, aquatint
7"x7" plate on 11"x11" paper
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Mutt Fleeing Surveillance2024
monotype
16"x18" plate on 20"x22" paper
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Across a Divide2024
etching, aquatint, spraypaint aquatint, a la poupée
10"x9" plate
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These Cats Smoke Reds2023
screenprint
26" x 10.5"