Work samples

  • Atlantic City

    This story was published in Necessary Fiction. It was later highlighted on Longform as recommended fiction. 

  • pages five and six.pdf

    “Kate Wyer’s Land Beast is a stunning and important work of fiction, and its rhinoceros narrator is an unforgettable character, a lasting encounter with a life torn from the heart of the wild world. It joins recent books by Tania James, J.M. Ledgard, and Colin McAdam in exactingly rendering the consciousness of an animal, attempting to erase the Otherness we’ve made, to remind us of what we might have forgotten: how every living thing is another form of Us, who we mistreat at our peril. This is a beautiful and heartrending book, by one of my favorite new writers.”
    —Matt Bell, author of Scrapper

  • Girl, Cow, Monk

    “Kate Wyer’s poetic, elegiac fiction is a necessary salve for anyone who yearns for the disappearing natural world. GIRL, COW, & MONK is a captivating, figurative portrait of the search for an authentic self—and of grief at the traditions sacrificed to the quest. I loved this novella! Like an illuminated manuscript, GIRL, COW, & MONK glitters with strange symbols and enduring truths.”—Kate Reed Petty

  • Egress two fictions

    These two fictions were published in Egress. You'll see that I've returned to the same setting as my story "Atlantic City", but from a different character's point of view. 

About Kate

Baltimore County

 Kate Wyer attended Goucher College, where she received the Elizabeth Woodworth Reese Prize from Madison Bell. She earned her MFA from the University of Baltimore. Wyer won the Women Writing About Women contest sponsored by the Mid-Atlantic Arts Foundation and was awarded a fellowship to attend the Summer Literary Seminars in Lithuania. She is the author of three experimental novels and has been published in numerous journals. She holds an MLIS from St. John's University and is a teen… more

Girl, Cow, Monk

Open Kate Wyer’s Girl, Cow & Monk and find interlinked novellas unfolding like a set of time-lapse portraits, united by their longing and inherent magic. In Girl, Cow a girl and her cow embark on a journey along the sea, going anywhere other than here; Monk follows the mysteries and austerity of monastic life, a vow of silence, desire and a (re)discovery of voice.

October 1st, 2020 Meekling Press

“A girl walks into the ocean. A monk interrogates his walls. This beautiful book got into me, cast me like a rider on a slow amusement. It is calibrated to make you remember yourself—as a moving body, as a dynamic sensory index—all in precise, glowing language that skips the everyday. It invites you to imagine other ways of existing in your own time, to realize yourself anew in the context of your own skin. Its point is not transcendence but instead: a velcro disengagement from the mundane, toward a sublime, enveloping sensation: a tidal carry, a silent room, a sound bath. GIRL, COW, & MONK is a profoundly somatic marvel. I loved it.”—Amanda Goldblatt


The manuscript was a finalist of the Omnidawn Fabulist Fiction contest. It was also a semi-finalist for the Grazing Grain chapbook contest. 

Excerpts were published in West Branch http://westbranch.blogs.bucknell.edu/kate-wyer/10/2018/

 

  • Girl, Cow & Monk
  • GIRL, COW, MONK_WYER 4.2018 20.pdf
    Excerpt from Girl,Cow
  • GIRL, COW, MONK_WYER 4.2018 27.pdf
    Girl, Cow
  • GIRL, COW, MONK_WYER 4.2018 33.pdf
    Monk
  • GIRL, COW, MONK_WYER 4.2018 37.pdf
    Monk
  • GIRL, COW, MONK_WYER 4.2018 39.pdf
    Monk
  • GIRL, COW, MONK_WYER 4.2018 41.pdf
    Monk
  • west branch matt bell.png
    west branch matt bell.png
    Matt Bell describes my writing
  • monk.png
    monk.png
    Excerpt from the publication West Branch

Land Beast

“Kate Wyer’s Land Beast is a stunning and important work of fiction, and its rhinoceros narrator is an unforgettable character, a lasting encounter with a life torn from the heart of the wild world. It joins recent books by Tania James, J.M. Ledgard, and Colin McAdam in exactingly rendering the consciousness of an animal, attempting to erase the Otherness we’ve made, to remind us of what we might have forgotten: how every living thing is another form of Us, who we mistreat at our peril. This is a beautiful and heartrending book, by one of my favorite new writers.” —Matt Bell, author of Scrapper

100 % of the profits from this book go to anti-poaching organizations. 

Click here to read the origin story. 

http://www.bmoreart.com/2017/02/collaboration-and-innovation-land-beast.html

http://landbeastnovel.org
  • Land Beast
    Land Beast
    Land Beast was first published as two stories in the journal, The Collagist. It tells the story of a mother rhino who lost her horn and her daughter to poaching, but who survived. Kate Wyer collaborated with the artist Katie Feild, who designed the book and created 40 watercolor illustrations. They have donated 100% of the proceeds from the novel to anti-poaching organizations.
  • international_rhino_foundation_logo__irf__overview.jpg
    international_rhino_foundation_logo__irf__overview.jpg
    100 percent of the proceeds have gone to this organization.
  • Land Beast spread 8 1.pdf
  • Land Beast spread 18.pdf
  • Land Beast spread 30.pdf
  • Land Beast spread 38.pdf
  • landbeast one.jpg
    landbeast one.jpg
    Artist Katie Feild to the left and author Kate Wyer to the right.
  • landbeast reading.jpg
    landbeast reading.jpg
    The launch of the book had the images Katie Feild created projected behind Kate Wyer as she read. http://www.bmoreart.com/2017/02/collaboration-and-innovation-land-beast.html Link to interview in BMore Art about the project
  • locust.jpg
    locust.jpg
    Katie Feild illustrated the novel
  • Land Beast spread 8 1.pdf

Black Krim

"Heirloom tomatoes lack the hardiness of grocery store hybrid varieties. They are grown in an archaic, inbred fashion; and yet, for all their isolation, they surprise one with their dramatic shapes, colors, and intense flavors-kind of like the characters in Kate Wyer's novel, BLACK KRIM. As the roots of their stubborn, closed systems slowly entangle, their surprising desires and tenderness bloom fiercely from these small, hard seeds." - Jen Michalski, author of THE TIDE KING

"Kate Wyer's Black BLACK KRIM is an elegant study of alienation and reconnection-with a warm human heart beneath the Zen-like detachment of its style." - Madison Smartt Bell, author of ZIG-ZAG WANDERER


BLACK KRIM was a finalist for the Debut-litzer from Late Night Library. 

Very early in the story, it becomes clear Martin has planned his arrival in the field. He is not homeless or suffering from dementia, as Corbina assumes.  He wants to start a life without a known history. He sensed Corbina’s vulnerability when he saw her at the farmer’s market selling heirloom tomatoes (Black Krims) and then began to imagine his path to her. Corbina allows Martin to stay at her house. She does not tell her mother about Martin. The choice to allow him to live with her is informed by Corbina’s isolation and lack of a father figure, as well as her poor relationship with her mother.  Her mother never spoke about Corbina’s father. Everything the mother says is suspect anyway; all the details are rewritten based on the audience. BLACK KRIM is a meditation on how unaware we can be of our own motivations and desires, and what happens when those needs are brought to light.
  • Black Krim cover
    Black Krim cover
    Kate Wyer's Black Krim was a finalist for the Debut-litzer from Late Night Library. It was published in 2014 by Cobalt Press. An excerpt, titled "Martin", appeared in Unsaid, Vol. 6. The journal awarded her their "Joan Scott Memorial Award” and also nominated her for a Pushcart Prize.
  • Black Krim a novel by Kate Wyer (Cobalt Press)
    The book trailer for Black Krim. It was filmed locally.
  • 3 voices.jpg
    3 voices.jpg
    Each character is represented by an illustration as a way to let the reader know who is speaking at the start of each chapter.
  • black krim reading.jpg
    black krim reading.jpg
    Reading from Black Krim at Artifact Coffee.
  • Pages from 2015 02 17 Krim interior print FINAL-martin.pdf
    The character Martin is represented by the foot.
  • Pages from 2015 02 17 Krim interior print FINAL-7 c.pdf
    Corbina is represented by the weed.
  • Pages from 2015 02 17 Krim interior print FINAL-9 b.pdf
    Corbina's mother, Brigit, is the bee.
  • Pages from 2015 02 17 Krim interior print FINAL-6 martin.pdf
    Martin
  • Pages from 2015 02 17 Krim interior print FINAL corbina long.pdf
    Corbina
  • Pages from 2015 02 17 Krim interior print FINAL-5 martin.pdf
    Martin

Awards

-Girl, Cow is a semi-finalist for 2017 Grazing Grain chapbook contest
-Girl, Cow is a finalist for the Omnidawn 2014 Fabulist Fiction Chapbook contest
-Black Krim is a finalist for the Debut-litzer from Late Night Library July 2015
-Fence fellowship to attend the Summer Literary Seminars in either Lithuania or Kenya, 2014
-Pushcart nomination for the story "Martin," first published by Unsaid  
-Joan Scott Memorial Fiction Award presented by Unsaid
-Pushcart nomination for the story, “Scouts,” first published in Unsaid 5. 2011
-Fence fellowship to attend the Summer Literary Seminars in Lithuania, 2011
-Best of the Web nomination for, “Long Sounds,” published in LitNImage 2010
-Wigleaf’s “Long Short List” of Best Fiction for, “Single Bourbon and She’s Buying” first published in DOGZPLOT 2009
-Elizabeth Woodworth Reese grant from Goucher College, awarded upon graduation for, “outstanding creative writing portfolio.” 2002
-Winner of “Women Writing about Women,” contest hosted by Mid-Atlantic Arts Foundation. 2002
  • omnidawn.png
    omnidawn.png
    Finalist for Fabulist Fiction chapbook contest
  • midatlantic.png
    midatlantic.png
    I won the Women Writing about Women contest.
  • goucher.png
    goucher.png
    Elizabeth Woodworth Reese grant, awarded by Madison Bell, for outstanding creative portfolio
  • pushcart.png
    pushcart.png
    Nominated two times
  • sls.png
    sls.png
    Won two fellowships to attend the program

Publications

Abjective “Destable” ·
Autre, “The Pollinator”
· Big Lucks, “T-Bone” (Print)
· Birkensnake,“White Knees” (Print and Web)
· The Collagist, “Under”
· The Collagist, “Right Knee”
· The Collagist, “Land Beast”
· The Collagist, “Land Beast, Part Two”
· The Collagist, “Origin Story”
· The Collagist, “The Monk”
· decomP, “Overbite”
· DOGZPLOT, “Single-malt and She’s Buying”
· elimae, “How to Get Up”
· Exquisite Corpse, “Peanuts” and “Azerbaijan”
· Folio, American University, (Print) “Contuse “ 
· Fringe, “Transponder”
· Gold Wake Severed Asleep, (chapbook) “how is it when,” “bonepickers,” One and Two,” “Lake Habeeb” and “One Sunday Morning”
· Hobart, “Booby is from Bobo” and “YOU ARE NOT BETTER THAN THE DEAD”
· Keyhole, “Stand Up, Step Apart,” “A Run” and “Voice, Lost” (Print)
· Kill Author,“Groundswell” and “An Insurrection”
· LITnIMAGE, “Long Sounds”
· metazen, “An Extra Hole”
· Moonshot Magazine, “Future Wood” and “It is Not Kissing”
· Mudluscious Press, “Apart with Other People”
· Necessary Fiction, “Atlantic City”
· Neon,“Thin Wire,” “Ritchie Highway/Brooklyn Park” and “Bone Fire”
· NOO, “Gelatin” · PANK “Only in Motion”
· Poets and Artists (Oranges and Sardines), Self-portrait issue (Print on demand)
· pindeldyboz, “The Circles”
· Robot Melon, “Glass, Clay, Agate”
· Rotating History Project, “Ambient Water Columns Superior”
· Short, Fast and Deadly, “3:30”
· Unscroll, “Good Morning, King Leopold”
· Unsaid, “Scouts”
· Unsaid 6, Novel excerpt, “Martin”
· Unsaid 7, “Radio Ferry, Tern Mouth”
· Wigleaf ,“Dogcatcher”
· Wigleaf, “Kitchen”
· Wigleaf ,“My Guests”