What distinguishes The Rob Levit Trio from the myriad of fine jazz groups today?

* Interacting with the audience to create an intimate and meaningful performance that will long be remembered.
* Commitment to educating youth and audiences of all ages on the unique place jazz holds in creativity, culture, and history.
* High standards of professionalism and efficiency in business and performance logistics for venues.

The Rob Levit Trio
What distinguishes The Rob Levit Trio from the myriad of fine jazz groups today?

* Interacting with the audience to create an intimate and meaningful performance that will long be remembered.
* Commitment to educating youth and audiences of all ages on the unique place jazz holds in creativity, culture, and history.
* High standards of professionalism and efficiency in business and performance logistics for venues.

The Rob Levit Trio
Rob Levit served as Artist-In-Residence at Arundel Lodge where he collaborated and worked with adults with severe mental illness to create music, art and prose that reflected the innate creativity, positive orientation and lives of this very talented yet oft-forgotten group. He worked closely with staff and emplyees to create a positive and safe environment for the "members" of Arundel Lodge to create. These innovations continue to this day at Arundel Lodge -- a model program for community arts in Anne Arundel County.
Rob Levit served as Artist-In-Residence at Arundel Lodge where he collaborated and worked with adults with severe mental illness to create music, art and prose that reflected the innate creativity, positive orientation and lives of this very talented yet oft-forgotten group. He worked closely with staff and emplyees to create a positive and safe environment for the "members" of Arundel Lodge to create. These innovations continue to this day at Arundel Lodge -- a model program for community arts in Anne Arundel County.
Sounds Like Now is a blog about music by Brian Sacawa.

I started Sounds Like Now in 2004 at the behest of Jerry Bowles, editor of the website Sequenza21. Though he had a few composer bloggers at the time, Jerry wanted to have the performers' perspective as well. I was hesitant at first--didn't want to feel like somebody was reading my diary--but ultimately decided that it would be a good idea (since there weren't too many performer-bloggers at the time) and fun (since I was full of opinions).