I use "bleeding" tissue paper, water and archival pulp substrate to capture the chaotic movement of water and color blending on a spinning surface. By mounting my project on a potter's wheel, I'm able to stand above my work, and while in motion use the wet tissue like a brush. As the wheel turns at different velocities and intervals, the ink spreads and mixes with other colors while simultaneously the intricate stains are absorbed into the pulp substrate permanently.