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About Outcalls

Baltimore City

Outcalls Band's picture
"All hail Outcalls, the reigning queens of the Baltimore City music scene." (Baltimore Magazine) Led by Olsen-Ecker and Wimbish, both classically-trained musicians, Outcalls creates genre-defying music that counters the tired narratives pervading much of today’s popular songs. Greatest Hits, Vol. 1, their latest album, and accompanying theatrical and musical variety show Release The Gowns was hailed as "a brilliant departure from the normal relase show formula." (Bmore Art) Olsen-... more


Greatest Hits, Vol. 1: Why do we deny women greatness? (2021)

Outcalls's upcoming third album, Greatest Hits, Volume 1: Why do we deny women greatness?, is a direct response to former Recording Academy president Neil Portnow’s 2018 call for women to “step up” following decades of male-dominated Grammy Awards ceremonies. The 10-track album by writing team Britt Olsen-Ecker and Melissa Wimbish is a showcase of woman-fronted collaboration and will be released digitally and on pressed vinyl in spring 2021.

Mr. Portnow's flippant language glosses over decades of embedded discrimination; a study led by the USC Annenberg Inclusion Initiative in January 2020 concluded that only 11.7% of Grammy nominees between 2013 and 2020 were women. Only 143 out of 1,220 nominations have gone to women in the last seven years. One of many alarming statistics revealed that, across 800 songs, the likelihood of more than one woman being involved in a duo or band collaboration was just 5.8% compared to the 21% who worked as solo artists. In other words, as the study depressingly summarized: “For females, music is a solo activity.” 

Furthermore, it has been the "industry standard" for women to defer to men in the context of production and engineering. The aforementioned USC Inclusion Initiative study reveals that in 2020, from a pool of 500 songs, the ratio of male to female producers was 37 to 1. It is imperative that women become leaders not only creatively, but in the technical aspects of their work. Upon completion of Greatest Hits, Outcalls will have significantly increased their engineering, mixing, and producing credits.

Following the release, Outcalls will complete production for supporting visual material to be presented as five, 8-minute episodes. Music from the album will eventually be paired with documentary footage, interviews, and artistic videography. The entire project will investigate the history and current reality of discrimination imposed upon women in various creative industries and the ways in which women have helped each other thrive in spite of this history.

This album will be one of many that energizes female collaborations, further empowers women to pursue creative leadership roles, and promotes career longevity for women in recording and production. When leaders like Mr. Portnow express fatigue with movements toward equity, statistics like those above reveal the true tiredness in our industry. 

Tracks included on the album (in no particular order): 
Love to Fight
Vitamin D
Baltimore Rap
Thots & Prayers
Call Sometime

No King (Live at Futura Studios)
Get to You
Sebben, Crudele

  • Mother

    Written by Outcalls & Jennifer Pague // Production by Jennifer Pague // Additional production by MATEYO // Featuring Christie Macdonald (Guitar) & Kevin Powe Jr. (Bass) // Engineered by Jennifer Pague // Additional vocal engineering by MATEYO // Mixed by Steve Wright // Recorded @ Cathead Noise in LA & The Moose House in Baltimore // Mastered by Phillip Klum Mastering
  • Love to Fight (rough mix clip)

    "Love to Fight" is a reminder that sometimes you have to dance it out when you're stressed about democracy. Written by Outcalls and Micah E. Wood // Performed by Outcalls with Kevin Powe, Jr. (bass) and Charles Wilson (drums) // Produced by Outcalls and Micah E. Wood // Mixed by Steve Wright, Wrightway Studios
  • Vitamin D (rough mix clip)

    "Vitamin D" was recorded at Peabody Conservatory in March 2020. The album version will feature Baltimore rapper Kotic Couture. Written by Outcalls and Kotic Couture // Performed by Outcalls and Kotic Couture with Christie MacDonald (guitar), Kevin Powe, Jr. (bass), and Justin Kruger (drums) // Produced by Outcalls // Mixed by David Sexton
  • Thots & Prayers (unmastered clip)

    Years of inaction regarding gun control has led to horrific violence in neighborhoods across the country. "Thots & Prayers" is an ode to victims as well as a sarcastic, defiant question from the living to the leadership in our country: "Will you pray for me?" Written by Outcalls // Performed by Outcalls with Christie MacDonald (guitar), Kevin Powe, Jr. (bass), and Justin Kruger (drums) // Produced by Outcalls // Mixed by Tony Staiti
  • Everything (demo clip)

    This demo of "Everything" is in the early recording stages and will be a collaboration with producer Jennifer Pague. Written and performed by Outcalls // Produced by Outcalls and Jennifer Pague
  • Call Sometime (rough mix clip)

    "Call Sometime" is a ballad about the dread of and the longing for phone calls. Written by Outcalls // Performed by Outcalls with Daniel A. Ryan (guitar) // Produced by Outcalls and Daniel A. Ryan
  • Get to You (unmastered clip)

    "Get to You" will be featured in Nicholas Jarecki's drama thriller, CRISIS, in theaters February 26, 2021. Written by Outcalls // Performed by Outcalls with Christie MacDonald (guitar), Kevin Powe, Jr. (bass), and MATEYO (drums) // Produced by Outcalls and MATEYO // Mixed by MATEYO
  • No King (unmastered clip) Live at Futura Studios

    While on tour in summer 2018, Outcalls recorded a live version of their award-winning song, "No King" at Futura Studios. This previously unreleased track will be featured on GREATEST HITS, VOLUME 1. Written by Outcalls // Performed by Outcalls with Justin Kruger (drums) // Mixed by John Weston
  • Recording vocals

    Britt recording vocals for "Vitamin D" at WrightWay Studios, Baltimore, MD.
  • Recording vocals

    Melissa recording vocals for "Vitamin D" at WrightWay Studios, Baltimore, MD.

"Crisis" Feature Film: Original Motion Picture Soundtrack (2021)

“In a series of interwoven storylines: a drug trafficker arranges a multi-cartel Fentanyl smuggling operation; an architect recovering from an Oxycodone addiction tracks down the truth behind her son’s disappearance; a university professor battles unexpected revelations about his employer, a pharmaceutical company bringing a new ‘non-addictive’ painkiller to market.” (Deadline)

Director Nicholas Jarecki’s dramatic thriller, Crisis, features the song “Get to You” which was written and performed by Outcalls specifically for the film. Britt and Melissa were tasked with creating a track in the style of Brill Building pop, a term popularized in the 1960s that refers to a subgenre of teen idol and girl group songs.

“Get to You” was recorded at Moose House Studios in Baltimore and engineered by Mathew Oral. Distributed by the indie film upstart Quiver, the movie starring Gary Oldman, Armie Hammer, and Evangeline Lilly will be in theaters nationwide on February 26, 2021, followed by a digital and on-demand release March 5. 

  • Get to You (unmastered clip)

    "Get to You" is featured in Nick Jarecki's drama thriller, CRISIS, in theaters February 26, 2021. Written and performed by Outcalls // Produced by Outcalls and MATEYO
  • At Moose House studio

    From L-R MATEYO (engineer), Adam (assistant), and Melissa
  • At Moose House studio

    MATEYO at the console at the Moose House, Baltimore, MD.
  • Recording team

    Kevin (Bass) and Christie (Guitar) recording "Get To You" at the Moose House in Baltimore.
  • CRISIS in Deadline

    Article from Deadline announcing the premiere of "Crisis" by Nicholas Jarecki. (Published 12.18.20)

Single: "Mother" (2020)

“Mother” was released in February 2020 and written in collaboration with producer/singer-songwriter Jennifer Pague of Vita and the Woolf. The lyrics suggest fraught feelings between mother and child without explicitly describing a conflict. While writing and recording the music for “Mother,” Jennifer pushed Britt and Melissa to embrace experimental synth sounds and electronic beats.

This time I’m licking the plate clean

Hit the bullseye on an easy target 
Weren't we just getting somewhere?
It makes no difference
Sit right on top of all the games we used to play
Not gonna make a scene
I’ll lick that plate 

Mother, you said to me: 
Don’t make me fall apart
If you make me fall apart, it’s your fault (it’s your fault) 

Better now, but better when? 
This doesn’t feel like it ends 

You be the dog, I’m the dirty dishes 
Take it all away against my wishes
It’s your fault
Take the blame
Don’t you make a scene
Get that plate clean!
Just like mother would have told me 

Better now, but better when? 
This doesn’t feel like it ends
Better now, but better when?
This doesn’t feel like it ends

Music Videos & Commercials (2016-2020)

"Stay" Official Music Video (2020)
"No King" Live Acoustic (2020)
"Sebben, Crudele" (2020)
Reyka Vodka Commercial (2020) & Maryland Department of Agriculture Commercial (2020)
"Pillcauzbee" Official Music Video (2019)
"Skip to Sunrise" Official Music Video (2017)

"Stay" Official Music Video (2020)
Produced by Outcalls and UMBERTO LEE, "Stay" stars Britt and Melissa as sword-fighting seekers of revenge. After Britt's boyfriend (portrayed by her real-life husband, Elliott Rauh) forgets her birthday, the two women decide that he must answer for his crime. Shot in the Harwood and Mt. Vernon neighborhoods of Baltimore, the film features epic cityscapes, fight choreography by weapons expert Lewis Shaw, and unmistakable Charm City swag.

“Stay” promises to be another hit among the duo’s feminist canon with a story familiar to all of us: Failed romance and the petty grudges which resurface during the throes of a breakup. Moments of silence and sparse accompaniment are used throughout the piece in order to showcase natural vocal quality and lyrical content. A lilting ballad melts into the soulful, pulsating chorus with the addition of bass guitar and kick drum. By the second verse, a rhythmic "about face" dials into an unrelenting vocal patter. This work highlights the duo's knack for drama and willingness to defy pop formulas in order to present the best story.

"No King" Live Acoustic (2020)
The results of the 2016 election were devastating for millions of women all over the world. Outcalls wrote "No King" during this period of unrest and anger leading up to the election of twice-impeached president, Donald J. Trump. After four years of performing the song live, it has become an Outcalls mantra for standing up to power.

In November 2020, the group was invited to perform for Baltimore's The Real News Network as part of their Election Night coverage. This live version of "No King" was designed, filmed, and edited by Outcalls.  

"Sebben, Crudele" (2020)
The Pleiades Project is an NYC-based artist collective whose mission is to promote and develop the work of female-identifying artists. ​Their video project, 24, is adapted from a famous collection of 24 Baroque tunes which are often assigned as first songs to beginning voice students. Many singers end up despising the collection because of its constant use, but this project is meant to reimagine the work as a vehicle for contemporary women’s stories. At the conclusion of this series, The Pleiades Project will have showcased the diverse work of 30 female artists, including singers, directors, editors, choreographers, and fine artists. 

“Sebben, Crudele” by Outcalls is part of the fifth season of 24. With their contribution, Britt and Melissa meant to parody a typical conservatory musician experience. Inspired by the overwhelming number of video meetings and online learning platforms as a result of the coronavirus pandemic, the setting is the first day of voice performance class taking place via Zoom. In this episode, when Britt and Melissa each forget to prepare a song for class, they turn their cameras off, mute their microphones, and throw together a version of Antonio Caldara’s “Sebben, Crudele” which leaves their colleagues shaking with envy.

Reyka Vodka Commercial (2020) & Maryland Department of Agriculture Commercial (2020)
Since March 2020 when COVID-19 was declared a global pandemic, most live music events in Baltimore have been relegated to online and outdoor gatherings. WTMD Radio was one of the first organizations to announce a virtual summer concert series to be streamed on Facebook Live. They invited Outcalls to create commercials for their July and September Virtual First Thursdays sponsored by Reyka Vodka and the Maryland Department of Agriculture. Both commercials were directed, written, filmed, scored, and edited by Outcalls.

"Pillcauzbee" Official Music Video (2019)
"Pillcauzbee" is a soulful, trance-pop ballad that depicts the excitement of a night out followed by the terror of being drugged and unable to move. The victim challenges their accuser with the words, "Here's a question for your heart: Did you leave with what you wanted?"

Multimedia artist and experimental animator Oona Taper  led creative direction and animation for "Pillcauzbee." Aesthetically, the animated video uses mixed media with primary figures created in ink, then color-inverted to produce white lines on black background. Additional textures and patterns combine vivid colors in pastel, paint and digital forms as well as 2D paper stop-motion puppets. 

"Skip to Sunrise" Official Music Video (2017)
Like an operatic ensemble number, "Skip to Sunrise" overlaps two different vocal melodies and sparse lyrical phrases to express individual thoughts on the same event. Vocal polyphony is juxtaposed with sections of unison singing to illustrate both the confusion and moments of clarity within a volatile relationship. A reoccuring melisma, sung in unison by both voices at the end of every polyphonic phrase, functions as a chorus throughout the piece. 

Conceptualized by Baltimore writer, playwright, and director Lola B. Pierson, the music video is a collection of experiments in light manipulation, facial expression, and movement. In one frame, ignited sparklers trace the letters "O-U-T-C-A-L-L-S" in an otherwise completely dark room. In another, Wimbish and Olsen-Ecker perform classic Meyerhold movement etudes donning sequin gowns under a red spotlight. These elements of random, experimental theatre combined with imaginatively lit shots and post-production effects by Skyler Jenkins make for a transfixing video debut. 

  • Stay - Official Music Video (2020)

    Produced by Outcalls and UMBERTO LEE, the official music video for "Stay" stars Britt and Melissa as sword-yielding seekers of revenge. Written and performed by Outcalls // Directed by Kenny Johns
  • No King - (Live acoustic) (2020)

    This acoustic performance of "No King" was recorded in November 2020 and featured on The Real News Network's 2020 Election Night coverage. "No King" was written to denounce patriarchy and sexism. Written and performed by Outcalls // Filmed and edited by Outcalls
  • Sebben Crudele (2020)

    An episode for The Pleiades Project's series "24" in which artists were tasked with reimagining a selection from the book of 24 Italian Songs and Arias. The video features a new rendition of Antonio Caldara's "Sebben, Crudele" along with a skit written by Outcalls to parody their experiences in conservatory education. Musical arrangement by Outcalls // Beat by Micah E. Wood.
  • Reyka Vodka Commercial (2020)

    Sponsored by Reyka Vodka for WTMD's July 2020 Virtual First Thursdays Series. Written, filmed, and edited by Outcalls.
  • Maryland Department of Agriculture Commercial

    Sponsored by Maryland Department of Agriculture for WTMD's September 2020 Virtual First Thursdays Series. Written, filmed, and edited by Outcalls.
  • Pillcauzbee - Official Music Video (2019)

    "Pillcauzbee" is the third track on Outcalls's EP, NO KING. Animation by Oona Taper // Produced by Outcalls
  • Skip to Sunrise - Official Music Video (2017)

    "Skip to Sunrise" is the fourth track on Outcalls's EP, NO KING. Directed by Lola B. Pierson // Produced by Outcalls

No King EP (2017)

Outcalls self-released their second EP, No King, to critical acclaim in September 2017. The title track catapulted the vocal duo onto the local arts scene with credits from every major Baltimore publication including The Baltimore Sun's "30 Songs that defined 2017," Baltimore Magazine’s "Best Music of 2017" and the "Big Baltimore Playlist," as well as features in Baltimore Beat, Brightest Young Things (DC), and Johns Hopkins University's The Hub.  

Outcalls was the recipient of a Baltimore Alternative Music Award from 89.7 WTMD for Best Vocal Performance ("No King"). They were ranked #6 in WTMD's Top 89 Songs of 2017 ("No King"). On the Spotify platform alone, the EP's six tracks have a combined streaming of over 123,000 plays.

"Opening with a staccato synthesizer line, the dramatic 'No King' blooms into a tale of betrayal and revenge sung through lush, layered vocals." -Wesley Case, The Baltimore Sun

"Witchy, somewhat tribal, and even a little bit dusty old Spaghetti Western, 'Skip to Sunrise' has become one of our top songs of the year." -Baltimore Magazine

  • No King

    "No King" is the award-winning title track from Outcalls's second EP. Written and performed by Outcalls.
  • Coldblood

    Have you ever thought about getting stranded in Antarctica with your best friend and having a tough conversation about what happens when you run out of food? Yeah, us neither. "Coldblood" is the second track from Outcalls's second EP, NO KING. Written and performed by Outcalls.
  • Pillcauzbee

    "Pillcauzbee" is a soulful, trance-pop ballad that depicts the excitement of a night out followed by the terror of being drugged and unable to move. This is the third track from Outcalls's second EP, NO KING. Written and performed by Outcalls.
  • Skip to Sunrise

    Like an operatic ensemble number, "Skip to Sunrise" uses overlapping vocal lines and sparse lyrical phrases to express several thoughts at once. This is the fourth track from Outcalls's second EP, NO KING. Written and performed by Outcalls.

Touring History


Research, routing, venue booking, promotion, travel arrangements, and fundraising was done entirely in-house by Britt Olsen-Ecker and Melissa Wimbish to promote Outcalls's music catalogue and gain knowledge of best procedural practices for large scale tour management. Tour-related expenses were completely funded by personal donations from local fans and the meager Outcalls LLC bank account.

8/9: One Longfellow Square (Portland, Maine)
8/10: The Columbus Theatre (Providence, Rhode Island)
8/11: Midway Cafe (Boston, Massachusetts)
8/12: The Skinny Pancake (Burlington, Vermont)
8/15:  The Cavern (Toronto, Ontario)
8/16: Revolution Gallery (Buffalo, New York)
8/17: Bar L'entre Nous (Montreal, Quebec) 
8/18: C'mon Everybody (Brooklyn, New York) 
8/20: ShopRite (Wilmington, Delaware)
8/21: The Smiling Moose (Pittsburgh, Pennsylvania)
8/22: Jilly's Music Bar (Akron, Ohio)
8/23: Milkboy (Philadelphia, Pennsylvania)
8/24: The 8x10 (Baltimore, Maryland)

3/22: The Lazy Bee (Berea, Ohio)
3/23: Spot Tavern (Lafayette, Indiana)
3/24: Urban Artifact (Cincinnati, Ohio)
3/25: Bellarmine University (Louisville, Kentucky)
3/27: Siberia Lounge (New Orleans, Louisiana)
3/28: The Attic at the Blind Mule (Mobile, Alabama)
3/29: Jade Fox & Co. (Atlanta, Georgia)

8/10: The Alchemist (Stowe, VT)
8/11: Funk N' Waffles (Syracuse, NY)
8/13: The Skinny Pancake (Burlington, VT)
8/14: Bella Luna & The Milky Way Lounge (Boston, MA)
8/16: Young and Grumpy Studios (Brooklyn, NY)
8/17: C'mon Everybody (Brooklyn, NY)

10/5: T-Bar Social Club (June Lake, CA)
10/7: Harvard & Stone (Los Angeles, CA)
10/8: Puffers of Pismo (Pismo Beach, CA)
10/9: Santa Clara University (Santa Clara, CA)
10/10: MilkBar (San Francisco, CA)
10/11: Shine Cafe (Sacramento, CA)

No King Remixes

No King Remixes is an ongoing collaboration with musicians who specialize in beat production. Artists take stems (individual isolated tracks) from the original recording session of a song and create a new version of the piece. A common practice in hip-hop and electronic music, remixes often bring artists together whose paths might not otherwise cross on the local gigging scene. 

Outcalls' catalogue includes three remixes: "Coldblood Riddiot Remix" by Pittsburgh-based DJ Brendan Barstow, "Pillcauzbee Drew Scott Remix" by Baltimore producer Drew Scott, and "Skip to Sunrise Cascading Elephants Remix" by experimental electronic performer and producer Ben Parker of Louisville, KY. The next song in the series will be remixed by Baltimore musician Micah E. Wood.