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About Margaret

Baltimore City
Margaret Rorison is filmmaker, projectionist, educator, and curator from Baltimore, MD.  Her work aims to support and preserve contemporary filmmakers and film culture.  Her current work focuses on portraiture, memory, and the precarity and beauty of nature. Her work has been exhibited at Anthology Film Archives, Miami PULSE Art Fair, Microscope Gallery, The Museum of The Moving Image, The National Gallery of Art, and The Walker Art Center. Her short films have shown at festivals including The Ann Arbor Film Festival, Edinburgh International Film Festival, Images Festival, SF CROSSROADS, Open… more

Memory of August

Memory of August 
2017 | 16mm | 6m | sound

A series of moments captured in room 139. Intimate spaces of time spent with my grandmother, Margaret during a month long recovery in a rehabilitation center in Baltimore, Maryland. 


Special Jury Award for Best Experimental Short, New Orleans Film Festival, 2017 
Edinburgh International Film Festival, International Premiere, 2017 
  • Memory of August  (still frame)
    Memory of August (still frame)
    My grandmother, Margaret looks out the window of her room in a recovery center.
  • Memory of August  (still frame)
    Memory of August (still frame)
    My grandmother, Margaret lost in thought.
  • Memory of August  (still frame)
    Memory of August (still frame)
    Margaret looks at an old family album my mother brought to help her with memory loss and recovery after a fall.
  • Memory of August (still frame)
    Memory of August (still frame)
    Margaret looks outside her window as I film her recovery process.
  • Memory of August
    Memory of August is a short 16mm film shot on two rolls of 100' film and edited in camera. The film documents a series of intimate moments spent with my grandmother, Margaret during the first of many hospital trips due to her Alzheimer's diagnosis.

Lichtenberg Skies

This is a short 16mm film, that studies the Klingenberg Power Plant and surrounding landscape in former East Berlin. The film has been hand processed and incorporates 35mm stills, interviews and field recordings of the area.
This is a current work in progress, which started in November 2015 at a residency at Lichtenberg Studios in Berlin Germany. 
  • Lichtenberg Skies (Still)
    Lichtenberg Skies (Still)
  • Lichtenberg Skies (Still)
    Lichtenberg Skies (Still)
  • Lichtenberg Skies (Still)
    Lichtenberg Skies (Still)
  • Lichtenberg Skies (Still)
    Lichtenberg Skies (Still)
  • Lichtenberg Skies (Still)
    Lichtenberg Skies (Still)

One Document for Hope

One Document for Hope
2016 | 16mm to digital | B/W | 8m | sound 

One Document for Hope is a short film shot during the 2015 Baltimore Uprising. It incorporates the sterile and procedural narrative of the Baltimore City Police Scanner recorded on Monday April 27 against precious moments of gathering, celebration and protest in Baltimore from April 28 – May 3, 2015. The film was shot with a 16mm Bolex and edited in camera during the week of the 2015 Baltimore Uprising. The footage was provided through The Ann Arbor Film Festival ORWO Award for Best Cinematography. 

Documentation: Margaret Rorison 
Thanks to Karl Ekdahl for providing the BCP scanner recordings. 
Baltimore, Maryland 2015

Select Screenings
Affinities, or The Weight of Cinema curated by Kevin Jerome Everson & Greg de Cuir Jr., The National Gallery of Art, Washington, D.C.
Minneapolis St. Paul International Film Festival
Ann Arbor Film Festival 




  • One Document for Hope  (still frame)
    One Document for Hope (still frame)
    Baltimore citizens participate in a large celebration in the streets of North Ave after the announcement made by Baltimore City State's Attorney, Marilyn Mosby on May 1, 2015 that her office had filed charges against six police officers after the medical examiner's report ruled Freddie Gray's death a homicide.
  • One Document for Hope  (still frame)
    One Document for Hope (still frame)
    Protestors fill the streets to protest the death of Freddie Grey while armored Baltimore City Cops stand guard.
  • One Document for Hope (still frame)
    One Document for Hope (still frame)
    The National Guard officially leaves Baltimore City after a weeklong curfew and occupation during the 2015 Baltimore Uprising in response to the murder of Freddie Gray.
  • One Document for Hope
    2016 | 16mm to digital | B/W | sound | 8m The sterile and procedural narrative of the Baltimore City Police Scanner recorded on Monday April 27 against precious moments of gathering, celebration and protest in Baltimore from April 28 – May 3, 2015. Documentation: Margaret Rorison Thanks to Karl Ekdahl for providing the BCP scanner recordings. Baltimore, Maryland 2015

Sight Unseen Workshop & Screening Series

Sight Unseen is a roaming experimental film and workshop series which was initially funded by the MICA Launch Artist in Baltimore Award upon my graduation at MICA in the spring of 2012. Since it's inception, the series has worked with over 120 artists, curated 30 programs and has worked with many venues and institutions including, The Goethe Institute, The Baltimore Museum of Art, Maryland Institute College of Art, Johns Hopkins University, The Pittsburgh Filmmakers and The High Zero Foundation.

Sight Unseen organizes a workshop series which is also funded by the MICA Launch Artists in Baltimore Award. Sight Unseen invites chemists, filmmakers and educators to Baltimore to teach workshops on various photochemical processes in collaboration with other community spaces throughout the city. Sight Unseen has invited The Process Reversal Collective, Australian Filmmakers, Richard Tuohy and Dianna Barrie and Alex Mackenzie to conduct workshops and present their works to the Baltimore community.

 In 2014, Process Reversal held a two day hand made emulsion workshop at Current Space Gallery and community darkroom. Richard Tuohy and Dianna Barrie from Nano Lab in Australia presented their handmade 16mm films at The Red Room and held a workshop at Full Circle Darkroom on their alternative film processing technique, CHROMAFLEX.  And in the Spring of 2016, Vancouver based artist, Alex Mackenzie came to Baltimore to present his live film performances at The Red Room and teach a workshop on expanded cinema at Psychic Readings, a performance and studio space in Baltimore. 

  • Expanded Cinema Workshop
    Expanded Cinema Workshop
  • Alex Mackenzie presents his work at The Red Room
    Alex Mackenzie presents his work at The Red Room
  • Hand processed Chromaflex results!
    Hand processed Chromaflex results!
  • Instructors, Richard Tuohy & Dianna Barrie inspect the film
    Instructors, Richard Tuohy & Dianna Barrie inspect the film
  • Film hangs to dry
    Film hangs to dry
  • Handmade Emulsion Workshop at Current Space
    Handmade Emulsion Workshop at Current Space
  • Handmade Emulsion Workshop at Current Space
    Handmade Emulsion Workshop at Current Space
  • Handmade Emulsion Workshop at Current Space
    Handmade Emulsion Workshop at Current Space
  • Handmade Emuilsion Workshop still
    Handmade Emuilsion Workshop still
  • Handmade Emulsion Workshop still
    Handmade Emulsion Workshop still

PULL/DRIFT

PULL/DRIFT
2013 | 16mm to video | 10m | sound

PULL/DRIFT is a collaborative project that evolved into many parts. In 2013,  Clarissa Stowell Gregory and Joshua Wade Smith collaborated on dance & sculpture for a performance involving: water, woods and raft. Clarissa & Joshua created the site-specific performance PULL / DRIFT on September 8th at Patapsco Valley State Park, Daniels Area.

For six months, Baltimore photographers/filmmakers Liz Donadio, Carr Kizzier, and myself documented the evolution and execution of this site-specific performance, which finalized in a gallery exhibition, Pull / Drift: In the Slipstream at Gallery CA from December 6 2013 - January 10, 2014.

The documentation that I captured from the dance performance became a 16mm film with a live sound accompaniment by sound artist, Josh Millrod. This piece premiered at Mono No Aware Festival of Expanded Cinema in December of 2013. 

Throughout my documentation process of Pull/Drift, I focused on the flow of the human form and its relationship to its surrounding environments. I was interested in discovering a dialogue between limbs and hips, the curves of the land, the mechanics of flesh, the rhythmic channeling through water, grass and earth. I was captivated by how the development of motion sculptured a new sense of time and established a magical sense of ritualistic bliss.
  • PULL/DRIFT (excerpt)
    PULL/DRIFT (2014) documents a unique choreographed performance that took place one late summer afternoon in Patapsco State Park in Baltimore, Maryland. Choreographed by Clarissa Stowell Gregory and performed by The Effervescent Collective. Soundtrack composed by Josh Millrod.
  • PULL/DRIFT (still frame)
    PULL/DRIFT (still frame)
    The Effervescent Dance Collective performs "PULL/DRIFT" in the wooded area of Patapsco State Park in Baltimore County.
  • PULL/DRIFT (still frame)
    PULL/DRIFT (still frame)
    The Effervescent Dance Collective performs "PULL/DRIFT" in the wooded area of Patapsco State Park in Baltimore County.
  • PULL/DRIFT (still frame)
    PULL/DRIFT (still frame)
    The Effervescent Dance Collective performs "PULL/DRIFT" in the wooded area of Patapsco State Park in Baltimore County.
  • PULL/DRIFT (still frame)
    PULL/DRIFT (still frame)
    The Effervescent Dance Collective performs "PULL/DRIFT" in the wooded area of Patapsco State Park in Baltimore County.
  • PULL/DRIFT (still frame)
    PULL/DRIFT (still frame)
    The Effervescent Dance Collective performs "PULL/DRIFT" in the wooded area of Patapsco State Park in Baltimore County.
  • Spawn
    Spawn
    Archival pigment print from a 120 black and white negative film. I shot this image with a medium format camera that had a broken frame counter. I embraced the dysfunction and explored what the images would look like if I experimented with multiple exposures and random advancement of the film. This image is the result of this exploration.
  • Pull/Drift, 35mm
    Pull/Drift, 35mm
    Documentation of PULL/DRIFT live performance at MICA's Cohen Plaza July 2013
  • Exhibition view of PULL/DRIFT at Gallery CA (2013)
    Exhibition view of PULL/DRIFT at Gallery CA (2013)
    Entrance of the exhibition of PULL/DRIFT (2013) With support from Effervescent & friends, Clarissa Stowell Gregory and Joshua Wade Smith collaborated on dance & sculpture for a performance involving: water, woods and raft. Clarissa & Joshua created the site-specific performance PULL / DRIFT on September 8th 2013 at Patapsco Valley State Park, Daniels Area. For six months, Baltimore photographers/filmmakers Liz Donadio, Carr Kizzier, and Margaret Rorison documented the evolution and execution of this site-specific performance, and in this exhibition will share their personal visions of the Pull/Drift process, an immersive “experiment in movement, rhythm, and ritual.
  • Gallery CA installation view
    Gallery CA installation view
    Pull / Drift: In the Slipstream Gallery CA December 6th 2013 - January 10th, 2014 Pull / Drift: In the Slipstream is a collection of photographs, video, and film from the sculpture-dance performance Pull / Drift - a collaboration between choreographer Clarissa Gregory and sculptor Joshua Wade Smith. For six months, Baltimore artists Liz Donadio, Carr Kizzier, and Margaret Rorison documented the evolution and execution of this site-specific performance, that took place September 8th, 2013 at Patapsco Valley State Park's Daniels Area. This exhibition shares their personal visions of the Pull / Drift process, an immersive "experiment in movement, rhythm, and ritual."

vindmøller

vindmøller
2014 | 16mm | 3m | sound

This short film is a study of the monolithic wind turbines along the shores of Amager, Copenhagen. Triple exposed on one roll of color film, then finding four generations of grain. The soundtrack is a recorded live-improvisation by artist Mario de Vega using unstable media and acoustic resonators

Winner of ORWO Award for Best Cinematography, 53rd Ann Arbor Film Festival, 2015
  • vindmøller
  • vindmøller (still frame)
    vindmøller (still frame)
  • vindmøller (still frame)
    vindmøller (still frame)
  • vindmøller (still frame)
    vindmøller (still frame)

DER SPAZIERGANG

DER SPAZIERGANG
2013 | 16mm | 3m | sound

The film is shot on one 100' roll of 16mm color film, all of which was composed and shot in-camera. The film is made of up single frames taken during extensive walks throughout the layered historical landscape of Berlin, Germany in April 2013. 

The title, DER SPAZIERGANG (The Walk)  comes from a story by German-Swiss writer, Robert Walser.

Select Screenings 
27th The Images Festival, Toronto, ON
52nd Ann Arbor Film Festival, Ann Arbor, MI
NEW YEAR, NEW WORKS, The Filmmakers Co-Op, NYC 

  • DER SPAZIERGANG (still frame)
    DER SPAZIERGANG (still frame)
    View from the Tram in Berlin.
  • DER SPAZIERGANG (still frame)
    DER SPAZIERGANG (still frame)
    View from a balcony in Berlin.
  • DER SPAZIERGANG (still frame)
    DER SPAZIERGANG (still frame)
    A train pulls into the Hallesches Tor. stop of the S-bahn in Berlin.
  • DER SPAZIERGANG (still frame)
    DER SPAZIERGANG (still frame)
  • DER SPAZIERGANG (still frame)
    DER SPAZIERGANG (still frame)
    Construction site near Checkpoint Charlie site in Berlin.
  • DER SPAZIERGANG (still frame)
    DER SPAZIERGANG (still frame)
    Memorial to the Murdered Jews of Europe in Berlin Germany.
  • DER SPAZIERGANG (still frame)
    DER SPAZIERGANG (still frame)
    Overcast afternoon in Kreuzberg, Berlin.
  • DER SPAZIERGANG
    The film was shot on one 100' roll of 16mm color film, all of which was composed and shot in-camera. The film is made of up single frames taken during extensive walks throughout the layered historical landscape of Berlin, Germany in April 2013. The title, DER SPAZIERGANG (The Walk) comes from a story by German-Swiss writer, Robert Walser.

Harry and Marg

A series of Van Dyke prints, documenting my grandparents' relationship after moving in with their daughter.
  • Harry Bennett
    Harry Bennett
  • Harry Bennett
    Harry Bennett
  • Marg
    Marg
  • Harry Bennett
    Harry Bennett
  • Harry and Marg
    Harry and Marg
  • Marg
    Marg
  • Harry Bennett
    Harry Bennett
  • Kitchen Light
    Kitchen Light

SCANSION

SCANSION
2014 | 16mm | 7m | sound

“…in complete consciousness I understood what for me walking travel and cinema had in common. Sometimes I preferred walking, that is to say, talk
ing with my legs over speaking, which is to say, walking with my mouth- but basically, it’s the same thing”
-Serge Daney

SCANSION is a short 16mm film composed of extensive walks through various Baltimore landscapes. The film has been hand edited like a poem, where cuts function like line breaks, working to establish inherent rhythm and meter.

This documentation is an installation of my short film, running on a continuous loop with an accompanying surround sound speaker installation. The soundtrack has been compiled of field recordings taken on my walks through Baltimore City. Additional sound by C. Spencer Yeh and Lea Bertucci, voice by Kelly Laughlin.


  • Installation shot of SCANSION
    Installation shot of SCANSION
    SCANSION (2012) runs in a looper in the D-Center Gallery. Baltimore, MD May 2012
  • Installation shot of SCANSION
    Installation shot of SCANSION
    SCANSION (2012) runs in a looper in the D-Center Gallery. Baltimore, MD May 2012
  • Installation shot of SCANSION
    Installation shot of SCANSION
    SCANSION (2012) runs in a looper in the D-Center Gallery. Baltimore, MD May 2012
  • Installation shot of SCANSION
    Installation shot of SCANSION
    SCANSION (2012) runs in a looper in the D-Center Gallery. Baltimore, MD May 2012
  • Installation shot of SCANSION
    Installation shot of SCANSION
    SCANSION (2012) runs in a looper in the D-Center Gallery. Baltimore, MD May 2012
  • Installation shot of SCANSION
    Installation shot of SCANSION
  • Installation shot of SCANSION (2012)
    Installation shot of SCANSION (2012)
    Wide shot of my MFA thesis installation, SCANSION. Maryland Institute College of Art Baltimore, MD

Live Projections

In addition to making short films for the cinematic space and gallery, I am interested in film as a live form of storytelling as well as the various ways in which 16mm film projection can create a visceral experience for viewers. I have projected my films on bills with musicians, collaborated with sound artists to create live performances and used my projector as an instrument exploring ways it can work and improvise with sound, movement and performance. 
  • Live performance with Audrey Chen (cello) & Flandrew Fleisenberg (percussion)
    Live performance with Audrey Chen (cello) & Flandrew Fleisenberg (percussion)
    Fire Museum presents Audrey Chen, Margaret Rorison and Flandrew Fleisenberg Philadelphia, PA
  • Live performance documentation
    Fire Museum presents Audrey Chen, Margaret Rorison and Flandrew Fleisenberg November 15, 2014 Philadelphia, PA
  • Mono No Aware VI
    Mono No Aware VI
    Live performance at Mono No Aware's annual festival of expanded cinema and performance. Light Space Studios Brooklyn, NY 2012
  • Futures Transcended, UMD
    Futures Transcended, UMD
    Live projection performance with sound artist, J. Graf. University of Maryland, College Park Stamp Student Gallery. July 2012
  • 2012 High Zero Festival
    2012 High Zero Festival
    Solo Projection Performance 14th Annual High Zero Festival The Theatre Project Baltimore, MD September 2012
  • The Bank
    The Bank
    Baltimore, MD July 2013
  • 5th Dimension
    5th Dimension
    Baltimore, MD July 2013
  • Projecting PULL/DRIFT at Mono No Aware VII in Brooklyn, NY
    Projecting PULL/DRIFT at Mono No Aware VII in Brooklyn, NY
    Projecting PULL/DRIFT Mono No Aware VII Light Space Studios Brooklyn, NY 2013
  • HPSCHD
    HPSCHD
    Multimedia performance curated by Bradley Eros. John Cage and Lejaren Hiller's 1969 multimedia Gesamtkunstwerk HPSCHD, presented by Nick Hallett for Darmstadt Essential Repertoire on May 3 & 4, 2013 at Eyebeam Art + Technology Center, produced by ISSUE Project Room in collaboration with Electronic Music Foundation, and NYU-Poly. Eyebeam, NYC May 2013
  • Philadelphia Free Form Festival 2016
    Philadelphia Free Form Festival 2016