Furnished Room Wallpaper, 7 sections, 102� x 35� ea This series of six 8 by 3 foot printed panels are a study in integrating previously produced object drawings with surface drawings. In this case the 7-Eleven wall section has been tiled to create what may be a brick wall in a den. Three of the interior object drawings have been placed on this surface to produce a semblance of a furnished room.

7-Eleven Wall Section Poster, 36" x 48" This authentic scale reproduction of a 3 by 4 foot section of a brick wall from a 7-Eleven Store in Baltimore County will hopefully give its owner a warm feeling and a memory of a good moment. Maybe it was that pack of cigarettes that got you though a tough time, or that Slurpee that cooled you on a hot day, or maybe itâ??s that 16 ounce cup of Mountain Blend that gives you the strength to walk into work each morning. This poster is a blowup of a hand drawn scale rendering printed on an OCE 300 industrial photocopier on a single sheet of paper and folded for easy storage and transport.

Cinder Block Wall Section Poster, 48" x 66" This poster enables the purchaser to alter his or her living space so that it can feel like a basement, institutional stairwell, Laundromat, prison cell, back of shopping center, or other cinder block related space. This poster is a Xerox blowup of a hand drawn scale rendering of a section of block wall. It is constructed of 20 hand trimmed Xerox panels that have been taped together and folded into an easily transportable package. We feel that the impact this poster will have on your living space will more than warrant the price tag.

This was made with xeroxes of 13 different fountain pen drawings that make up a chain link fence and grass. There were a total of about 600 8.5 x 11 panels used for this installation.

Installed on the side of Current Gallery in the alley.

The perimeter of the yard was pasted with cut out xeroxes of grass and wildflowers. It was done for the exhibition Axis alley, you can see more of the exhibition at axisalley.wordpress.com/specific-address-list-_text-build...

Plaster, driftwood, birch plywood, oil paint, and encaustic wax 6.5”x7”x12” 2015

(detail) Acrylic and graphite on canvas cut out, metal wire and clamp.

Acrylic, Oil, Copper Leaf on Panel. A consistent theme in my work is colorism. This was my take on a "white painting". In the center is this very dark-skinned man.

O Scale Model Railroad Architectural Windows, Acrylic Dome and Rust on Styrofoam. 50" diameter x 24" deep Wall sculpture, blurring the boundaries between landscape and architecture. Inspired by Mesa Verde.

O Scale Model Railroad Architectural Staircases, Acrylic Dome and Rust on Styrofoam. 50" diameter x 24" deep Sculpture: blurring the boundaries between landscape and architecture. Inspired by the Grand Staircase-Escalante National Monument.

"14 untitled photos mounted as a set on one wall. They’re deceptively revealing. They show a nude woman (presumably the artist, though her face is never clearly visible) in what appears to be a swimming pool, but there’s nothing about the imagery that feels like a playful summer frolic. In one, the woman floats face down, a life jacket nearby. In another she’s face up, the preserver held in a hand. In another she’s submerged, swimming through the water. In yet another she’s coming up for air, her head breaking through the surface. In many, she’s maybe submerged, maybe swimming, maybe sunk, maybe trying to come toward the surface. The photos are arranged in two rows of seven, but there’s nothing serial about the sequencing. They don’t seem to tell a story, or if they do, the arrangement is presented with such discord that the implied story is something more turbulent, perhaps frames from a short film about almost drowning, presented out of order. Slowly, you notice that, though it’s clear the photos were taken at a pool, they’re composed in such a way that the water swallows the frame: There is no visible avenue of escape. These are images of a human lost at sea with no safe harbor in sight." Bret McCabe Photographed by: Jes Contro

Tree with Flags, 1/24th Actual Size Pencil on paper, 11" x 8.5"

Pencil on paper, 11" x 8.5"

Pencil on paper, 11" x 8.5"

Drawing for Life-Sized Print of Television and Stand 2008 Pencil on paper, 8.5� x 11�

Drawing for Life-Sized Print of Sofa 2008 Pencil on paper, 8.5� x 11�

Pencil on paper, 11" x 8.5"

Drawing for Life-Sized Print of Trash Container 2008 Pencil on paper, 8.5� x 11�

Drawing for Life-Sized Print of Tent 2008 Pencil on paper, 8.5� x 11�

Oak Floor Section 2010 Pencil on paper 8.5" x 11" This will be used to create a simulated wood floor installation.

Pencil on paper, 11" x 8.5"

Pencil on paper, 11" x 8.5" This exact scale reproduction is of one of the many ubiquitous utility boxes particular to the Baltimore metropolitan area (maybe theyâ??re other places too, weâ??re not sure). These boxes have an especially interesting detailing of inset faux wood grained panels.

Pencil on paper, 11" x 8.5"

Pencil on paper, 11" x 8.5" This is a taller side loading dumpster located at the apartments that are just east of the artistâ??s home. This dumpster is seen every day on the way home from work.

Pencil on paper, 11" x 8.5"

Pencil on paper, 11" x 8.5"

These are sample pages from an ongoing xeroxed book of drawings of motors. There re currently 160 images in the book all with descriptions in the back. This book is somewhat regularly updated as new drawings are made.

Motors 2006-present Various pens on paper, various sizes Drawings are a continuation of doodles first made in junior high school. Earliest ones were based on engines from model car kits, later ones on European road racing engines.

Grass 2007-Present Pen drawings from expanding project, 81 pieces, 4.25" x 4.25" each Grass is drawn roughly at actual size. Panels are installed in a tight grid that creates an ever-expanding field of grass.

Grass Panel 2008 Ballpoint pen on paper, 4.25" x 4.25" each

size: 6" x 8" materials: aluminum, paint, wood, steel

Signature Guitar Portraits (top left) Ibanez Andy Timmons Model AT300 (top center) Fender Frank Bello Model Jazz Bass (top right) Schecter Jerry Horton Signature Model (bottom left) Gibson Angus Young SG Model (bottom center) Schecter Robert Smith Signature Model (bottom right) ESP Stef Carpenter Signature Model Pencil drawings from guitar store catalogues, 6 pieces, 5" x 7" each

Slot Cars That Were Owned by Gary Kachadourian 2005 Pencil on paper, 2 pieces, 8.5" x 11" each Drawings are of the electric slot cars that I owned at various points. The two panels are designed to be photo-copied and made into a booklet that is sold for 50 cents.

Self Portraits from Memory 2004-2007 Pencil on paper, 20 pieces, 5" x 7" each

Snake and Mouse 1996 Carved pear wood and latex model train paint 2" x 3" x 1 1/2"

Dandelion Carved pear wood and egg tempera

Pickup Truck 1999 Carved pear wood and egg tempera, 2.5� x 4� x 1�

Tent 1999 Carved pine and egg tempera, 5� x 8.5� x 1�

Park 2001 Carved cherry and egg tempera, 13� x 6� x 3�

Tree 1997 Carved cherry and model train paint, 8� x 13� x 2�

Lawn Mower 1995 Carved pine and egg tempera, 6� x 5.5� x 1�

Water Line 1998 Carved pear wood and egg tempera, 2.5� x 3.5� x 2.5�

Monument 2007 Carved pear wood and War Hammer paint, 2.5� x 4� x 1�

Pay Phone 2007 Carved pear wood and War Hammer paint, 2� x 1.5� x 1�

Model Home was an exhibition I curated for Artscape 2003. It was a 2,000 square foot structure with 13 installations and arrange them like a home, ie front porch, living room, bedrooms, etc. This was at a time when it seemed that a lot of artists were making work that played off of memories of domestic times such as childhood and decorative design issues among other things. Building was designed by Craig Carbrey, Wayne Norbeck, John Shorb, and Glenn Shrum. The front porch (left) was a sculpture by Tabatha Tucker.

Top image is room by Brian Randolph, lower left is by Dearraindrop, and cooling system is by David Gissen and Michael Rakowitz.

Porch is by Tabatha Tucker.

Artists made 10 x16 patterns that could be Xeroxed and wallpapered. A book was produced with the show and distributed. Shown are installed patterns by Michael Magnan, Adeye Deresse, Bruce Willen, and Liz Enz.

This book was a black and white Xerox publication that contained all of the patterns from the exhibition. The purchase of the book allows the owner the right to reproduce and install any of the patterns. The book is priced at cost, $5.

112 artists remade drawings they had made at some time in their youth and had since lost.

This magazine was produced as a color and black and white xerox publication that included all images and text and was distributed and sold for under $6.

View of exhibition installation.

Patterns were designed by different artists and installed on buses, bus shelters and street signs along with designs for billboards and trash trucks.

106 artists made works that were installed on the boarded openings of abandoned city houses. This one was by Ellen Harvey.