This Project Contribution: Extraneous Portfolio Project Paintings Represent, the Project Image limit is 10 per Project and My Painting Series Range in Numbers i.e. 8, 10, 12, etc. Please find the final Triptych of AGE~RACE~SEX recent 2020 works, 12 within the series "Femme Fatale" I, II, III, and 1 additional Tarot Trapeze from 2019 "Wheel of Fortune" Please see above & review prior Descriptions/Statements. The final Image here, the refashioned, Spray Paint, Art Park Project 2020 logo, LOVE PEACE LIVE ART!

This rebuilt year, this solo journey 2019, has been transformative. As I stage for Winter Production, the experiences I've encountered and the exposure to urban life in a big city, have become very real, that's Baltimore. This 2020, I am an impassioned champion for Brandon Scott for Mayor 2020, for mainly one reason in my heart of hearts, "Stop the Violence"; as Lady Baltimore wails over the ominous cloud, distraught over a "Reign of Tears" oppressing her children, holding her people captive.

Solo Exhibition Explores the World of Joan Cox’s Narrative and Symbolic Portraits of Women Sharing their Lives Together

Catalyst Contemporary presents Frauenhaus, an exhibition showcasing the work of Baltimore painter, Joan Cox, whose vibrant, textural, and richly painted works validate the presence of dynamic, complex, sensual, sexual and loving relationships between women, giving warrant to their permissibility. 

Over the past few years, I began making photomontages of buildings in ruin, examples of which can be found throughout Baltimore. This project is an extension of my Constructions series, but focuses on the deterioration of buildings rather than their creation. In 2019, I was granted access to a demolition site on the Johns Hopkins medical campus to document its methodical process; the building is now completely gone.

Love Sonnets from Shakespeare to Baltimore is a project using  Shakespeare's sonnets, recycled wedding dresses, quilts and original printmaking to create finely crafted couture art books. The primary inspiration for this project is literary: Suzanne is fascinated by the fourteen-line structure of  Shakespearean sonnets. Composed of three quatrains and a couplet, the poems are structured like logical arguments about emotions influenced by love and hate. 

As an empathetic person who processes debilitating tragedies through art, I have decided that while life may be worth continuing, it is not worth starting. Whereas the instances that informed my decision are US-specific—namely the separation of migrant children and their families, as well as rampant school shootings—they are indicative of a universal condition. Through my multimedia triptych, To Be or Not to Be?, I question whether life is a gift or a curse, a choice or an imposition.
As the Chinese government calls for women to have children to ease the population crisis exacerbated by the decades-long one-child policy, I utilize my adult body and my one-year-old portrait to question whether a government can turn population on and off like a water faucet.