Sweet Sweat

SWEET SWEAT: A SOLO SHOW
Sweet Sweat is about treasured and lost connections; to both my first home in the deep Florida south and to loved ones through the years. Intimacy and nostalgia are central throughout the show, referencing the melancholy in mourning memories and places never to exist again.

A solo show exhibited at Current Space in Baltimore, MD

Bountiful

The collage artworks in Bountiful bring together seductive scenes of abundance and adornments. These tantalizing  displays are full of allurements such as diamonds, extravagant clothes, and decor that feed our society’s ever-present unhealthy relationship to materialism. These items, juxtaposed with the Black female body, adds an element of objectivity and the transactional nature in which Black women’s bodies have been viewed through history. 

The Air is Plastic

The Air Is Plastic is an invitation to curiosity and pleasure. The work presents itself as a sensory experience, welcoming participants to move through and around the suspended plastic. To engage multiple modalities through visual, tactile, and auditory experiences, this work offers new sensibilities for reframing our bodies with plastic.

Fine Company

Fine Company is a multimedia installation centered around the utopian aspirations of the English colonizers of the United States. The exhibition space contains time capsules built by the Virginia Company in an alternate reality in which the corporation that founded Jamestown still exists today.

Material Studies

In my research-based practice, material and process choice is informed by the histories and subjects I build each series around. I like to then experiment with both in as many ways as I can to inform how a work comes together. Shown here are various material studies that are in progress or studies that have lead to a more "finished" pieces. 

The House that Daddy Built

The House that Daddy Built is a multimedia installation centered around propaganda from Altria - the 2003 rebranding of Philip Morris Companies, Inc headquartered in Richmond, VA. This work addresses the theft, violence, and greed associated with the early founding of the United States and pivots that against the artists childhood aspiration of becoming a famous architect.
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