This project seeks to capture the moments just before an event occurs, the proceeding moment. The constructions portray the unseen domino effect of situational collisions that go unnoticed in daily life.
    These intuitive constructions  suggest mapping techniques, manuscripts, and color field painting as the basis for what is more a constructed device rather than a painting. These devices do not calculate time, they represent the footprint of time. If time passes through space we are caught in its wake. Evidence of time passing can be found in the three dimensional space that is all around us. 

     The fabric of reality is a tapestry woven by our perception. The perspective we have is unique to our personal identity. We are limited in what we can perceive with our physical senses, but there are momentary glimpses of a greater weave. Simultaneous occurrences and coincidences pop up from time to time providing that glimpse of some greater pattern. When these curious connecting events overlap for just the briefest moment there lies an alignment indicating evidence of the greater connections.  
    These constructed depictions attempt to illustrate these connections by identifying units of time and space (x+y) where the coinciding strands of colliding moments intersect. Once the convergence is identified additional data can be extrapolated helping to single out the given moment, at this point the object depicting the convergence thus becomes an icon or glyph of the convergence itself. The convergence is manifested within the object itself.

     This avenue of research observes time as both tactile and conceptual. These constructions try to capture the momentary and fleeting moments that stream passed us. The painted construction illustrates the moment and there by assigns the moment an identity. Shadows, scars and foot prints are examples and indicators of its passing. This project goes a little deeper and a lot more abstract as these works explore in a non-linear means how time can be broken into individual parts or "moments".
    These creations have come to be through an editing process where the use of materials, combined with intuitive unconscious intention, they  form a 3 dimensional time stamp. The energies of the universe coalesce through the artistic act to manifest these objects securing them in a single moment of time. The object arrives at a given moment through the creative process that activates an identity for the object by becoming present in the 3 dimensional state. 

I've begun to think that objects form their identity based on their relationship to the environment in which they are placed, thereby creating a new identity. "Things" contain implied function based on their shape. Objects by design have functional indication such as a point, threads, a hole handle or base. A plane, spherical nature and legs or feet are all indicators of function. These objects once removed from original function almost guide themselves toward their new function as they provide iconography for universal concerns such as time, space and thought.

All things are vibrating at a certain frequency. These geometric structures are a reflection the harmony found when color and geometry harmonize. The subconscious mind calculates the collaborative result of sound and shape that emminates from the union in the form of frequencies. These structures are the outcome of the union.