Work samples

  • Water Play Day
    Water Play Day

    From the Memories, 2011 (I) collection.

    Baltimore, Maryland

    July 24th 2011

     

  • Crooklyn/Do The Right Thing Inspired (September 19th 2022)
    Crooklyn/Do The Right Thing Inspired (September 19th 2022)

    Inspired by Spike Lee's Crooklyn and Do The Right Thing; the warm tones of the image that emulates a hot, Summer day, along with the little girl in the photo as the highlight and focal point; a resemblance of the precocious and observant/perceptive Troy Carmichael. 

    Baltimore, Maryland

    September 19th 2022

  • Between the Room and the Sky I
    Between the Room and the Sky I

    From The Universe Knows Her Name collection

    April 2nd 2021

  • Her Flowers
    Her Flowers

    BCAN’s (Baltimore Creates) ‘We Own This’ brunch in partnership with Alpha Female Fest.

    Outside of Mera Kitchen Collective.

    Baltimore, Maryland.

    February 26th 2023.

About Ebony

Ebony DeGrace is a Baltimore-based photographer whose work centers lived experience, memory, the everyday landscapes of Black life, and the other-worldly/spiritual. Her practice began in middle school through black-and-white film photography, where she developed a commitment to candid observation and quiet documentation.

Working primarily in natural light, Ebony creates images that move between documentary intimacy and perceptual exploration. She describes her… more

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Memories, 2011 (I)

Memories, 2011 (I)  is a collection of nostalgic keepsakes from a previous period in time that embodies the quintessence of what living in Baltimore City (and overall Maryland) is like no matter the era. It carries remnants of a life existing and navigating spaces, while linking these same spaces and everyday life/fleeting moments across time. Through visual observation, each photo captures ephemeral moments, even if subjects noticed or acknowledged the presence of the camera. Taken in 2011, a realization of the lives of each person captured are 14+ years older; their younger selves frozen in time in images comprising the memory of who they once were and another version of their lives once lived. These collection of images represent the heart of the city (and Maryland as a whole), along with the everyday people that inhabit(ed) the landscape they knew/know as their home. 

  • Fremont Ave & Lexington Street
    Fremont Ave & Lexington Street

    Poppleton Place

    Baltimore, Maryland

    July 20th 2011

  • Water Play Day I
    Water Play Day I

    Poe Homes (aka Lexington Terrace)

    Baltimore, Maryland

    July 24th 2011

  • Water Play Day II
    Water Play Day II

    Poe Homes (aka Lexington Terrace)

    Baltimore, Maryland

    July 24th 2011

  • Water Play Day III
    Water Play Day III

    Poe Homes (aka Lexington Terrace)

    Baltimore, Maryland

    July 24th 2011

  • Water Play Day IV
    Water Play Day IV

    Poe Homes (aka Lexington Terrace)

    Baltimore, Maryland

    July 24th 2011

  • Water Play Day V
    Water Play Day V

    Poe Homes (aka Lexington Terrace)

    Baltimore, Maryland

    July 24th 2011

  • Water Play Day VI
    Water Play Day VI

    Poe Homes (aka Lexington Terrace)

    Baltimore, Maryland

    July 24th 2011

  • Water Play Day VII
    Water Play Day VII

    Poe Homes (aka Lexington Terrace)

    Baltimore, Maryland

    July 24th 2011

  • Boys on the Court
    Boys on the Court

    Poe Homes (aka Lexington Terrace)

    Baltimore, Maryland

    July 24th 2011

  • Lone Boy on the Court
    Lone Boy on the Court

    Poe Homes (aka Lexington Terrace)

    Baltimore, Maryland

    July 24th 2011

The Universe Knows Her Name

In The Universe Knows Her Name, Ebony explores perception, interiority, and the body’s relationship to light and space. These photographs were created by positioning the camera above the artist as she lay on her back with her hands extended toward a television screen displaying cosmic imagery. The final images were rotated 180 degrees; additionally, some images were horizontally mirrored. The images produced an optical illusion in which the figure appears upright and suspended, as if floating toward the illuminated screen. In subsequent variations, light is refracted through prisms and layered across the face, further bending orientation and dissolving the boundary between body and atmosphere. The rotation becomes not only spatial but perceptual, destabilizing gravity while maintaining stillness.

By reorienting the frame, the work disrupts spatial logic while remaining grounded in a lived domestic environment. The bedroom becomes both physical setting and psychological landscape. Blending documentary presence with surreal abstraction, Ebony uses light, shadow, and stillness to suggest ascent without spectacle. The cosmos functions as both image and atmosphere, evoking interior expansiveness within an ordinary room.

  • Between the Room and the Sky I
    Between the Room and the Sky I

    April 2nd 2021

  • Between the Room and the Sky II
    Between the Room and the Sky II

    April 2nd 2021

  • Between the Room and the Sky III
    Between the Room and the Sky III

    April 2nd 2021

  • Light, Reoriented I
    Light, Reoriented I

    March 14th 2021

  • Light, Reoriented II
    Light, Reoriented II

    March 14th 2021

  • Light, Reoriented III
    Light, Reoriented III

    March 14th 2021