A datamosh video employing materials sourced from historic footage at archive.org. This piece features a performance of Variations V by John Cage, with the Merce Cunningham Company and Apollo footage from NASA. Sound created on a modular synthesizer, using recordings of John Cage as foundational elements. This work is linked to Bell labs Mosh through the common thread of Stan Vanderbeek, who created imagery for the original Variations V performance, which was broadcast in West Germany. Video and sound synthesis by Timothy Nohe.

Entr’acte-Interact (2017) interactive HD video synthesis system triggered by a microphone and two infrared sensors, stimulating a drum machine and animation system. Installed at the Kohl Gallery, Washington College, November 9 - December 15, 2017.

Bell Labs Mosh (2018), total running time 05:12. Part of a video series that examines the early information age, this industrial film was produced at Bell Labs and represents early experiments in rendering human speech and the "Poem Fields" computer animation work of Stan Vanderbeek and Kenneth Knowlton. Many of the inventions predicted within this video area a reality and commonplace, as accessible as our mobile phone. The original industrial film was made available under Creative Commons license, at archive.org. This data-moshing work was created while in residence at Signal Culture, Owego, NY. Installed in the Electronic Gallery, Salisbury University, July 16 - October 25, 2018. Exhibited at Electronic Gallery, Salisbury University, July 16 - October 25, 2018. Screened as interstitital video during Livewire 9 concerts, October 26-27, 2018, Earl and Darielle Linehan Concert Hall, UMBC.

At or Near the Melting Point, (2017-2018), chocolate dipped TV remotes

At or Near the Melting Point, (2017-2018), chocolate dipped TV remotes

At or Near the Melting Point, (2017-2018), chocolate dipped TV remotes

Installation view of one of four CRT analog video monitors.

View of four CRT analog video monitors, analog modular audio and video synthesizer, powered audio speakers reproducing the audio patch.

View from above of the discrete space where the system was installed.

Video color transforms over a long time cycle, mixing chroma and value to a central "well."

Close up of the analog modular sound and video synthesizer patch cable network.

Excerpt of Light Well for James Turrell (2017), analog video and sound synthesis. Installed at the Kohl Gallery at Washington College with four matched CRTs, November 9 - December 15, 2017.

Documentation of Electron Drawing - Visual Music, installed at Light City Baltimore, Maryland, USA. March 30 - April 8, 2017. Analog modular synthesizer, two wireless infrared sensors in lasercut interfaces, vintage hacked Vectrex game machine, HD camera, stereo PA system and LED wall.

View of the LED Wall "Jumbotron"

Kids interacting with the wireless infrared sensors to shape the sound and drawings.

Shaping sound and drawings in real time with a touchless interface.

Behind the scenes at Light City, this view shows the synth, camera and Vectrex game console that displayed the live "electron drawings"

Evolving drawing captured from screen of the Vectrex.

Screen capture

Screen capture of Electron Drawing - Visual Music

Matter, Energy, Human (repertory version), Deep Vision Dance Company, Nicole A. Martinell, director and choreographer. Commissioned original 40 and 20 minute dance score composed by Timothy Nohe, scored for friction percussion, boy soprano, analog and wavetable synthesizers, e-bow guitar, narrators, and samples. Performers - Timothy Nohe: analog and digital synthesizers, sample sequencing, shortwave, ebow guitar; Shelly Purdy: friction percussion; Ruskin Nohe-Moren, boy soprano. Tour dates include: Theater Project, Baltimore, April 15-17, 2016; Artscape, Baltimore, MD July 17, 2016; Community Education Center Philadelphia, PA, February 18th and 19th, 2017; Atlas Performing Arts Center (Intersections Festival), Washington, DC, February 25th and 26th, 2017; Baltimore Theatre Project, Baltimore, MD, March 17th and 18th, 2017.

CosmonautOp screen capture.

Screen capture.

Screen cap, CosmonautOp

Color, TRT 20:00 with original sound score by the artist. Analog video synthesis with digital compositing. Scaled to HD video, 720P.