Shown are works both completed and in progress during 2021.

The quilt was made for an online journal called The Light Ekphrastic.  A visual artist is paired with a writer:  each creating a new work based on what they see of the present work.  I made Patchwork in response to a poem of the same title by Lana Crossman, a Canadian poet.

Pinwheel was created during latter part of lockdown...perhaps the notion of floating freely and whimsically appealed to my sensibilites at the time.  The screen prints are from my series titled "Q".

Re wedding dresses.  I have been in process with this project for several years.  During the shutdown, I had an opportunity to go to a second hand shop and peruse their gown inventory in the basement.  I have also been receiving gowns from neighbors and friends who are willing to see me repurpose them into visual artist works.  This project is gaining its own legs, so to speak, and will continue to manifest.  It is exciting to use each gown as it's own particular "blank" canvas and to bring it into this world of art and language.  My longer term goal is to mount a fashion and story event - to see the dresses on the catwalk, while also inviting viewers to tell their stories of marriages, love, weddings, and family lore and tradition.

Brides Revisited is an installation and exhibition of refashioned and reclaimed wedding dresses from various eras of style.

The title of the exhibition is a veiled reference to Evelyn Waugh’s book of similar title, Brideshead Revisited.  Waugh’s story has been studied and parsed since its publication in 1945.  One motif debated is whether the central figure is a gay man.  I am broadly referencing gay pride in this installation by printing in series like the rainbow flag that has become synonymous with gay pride outreach.  Each wedding dress and formal wear item chosen and installed is in series (red, orange, yellow, green, blue, purple).  The titles of each dress are the names of the main characters in the novel. 

“Sanzi refines and redefines each gown into a color of the pride flag:  separate but equal, all appreciated, and unified into one.”

Charles Ryder ::::    (Blue/Indigo:  unknown, Spirituality, Divinity.  Blue is calming, Indigo is sedating, mystical; bridges gap between finite and infinite)    
Protagonist and narrator.  Financially comfortable but emotionally hollow.  Unsure of his desires or goals.  Path repeatedly crosses members of the Marchmain family.

Repurposed Centre Stage Theatre costume, represents circa 1890s.  Screen print.     $675

Celia Ryder:::  (Yellow:  sunshine.  Clarity of thought, wisdom, orderliness, energy) Charles’s wife.  Vivacious and socially active beauty, infidelity to Charles.

My wedding dress from the UK (2006).  Screen print.   $1850 US size 14 

Cara:::  (Red:  passion, vitality, enthusiasm, security.  Longest wavelength)  
Lord Marchmain’s Italian mistress, they settle in Venice.

Donation from jilted bride (2010) Screen print.  $950 US size 4

Lady Marchmain aka Teresa Flyte:::  (Green:  fertility, growth, balance, health, wealth)
Member of ancient Roman Catholic family.  Raised all of her children as Roman Catholic

1960 silk gown donated by neighbor; her mother wore it.  Screen print.  $2450 US size estimate 6/8

Lady Julia Flyte:::  (Purple:  highest element of spirituality. Dark tones=sorrow.  Deeper shades of violet/purple=high spiritual mastery).  Elder daughter Marchmain; Debutante.  Turns back to the church later in her life.

Purchased from consignment antique shop south of York, PA.  This dress was splattered with mud and ink - a restoration challenge!   Screen print.  $1275 US size estimate 6/8

Lady Cordelia Flyte::::  (Orange: creativity, practicality, playfulness, equilibrium, control)  Youngest of the siblings.  Most devout, aspires only to serve God.

Repurposed Centre Stage Theatre costume.  Reminiscent of 1910/20s era. Screen print.  $425 US size estimate 4/6

 For Artina at Sandy Spring Museum, Howard County, MD installed summer of 2018.  The works are a series of five tumbleweeds created from heavy weight dark green fabric, meant to evoke a sense of surprise for the viewer to come upon them amongst the trail walks on the museum grounds.   The armature was heavyweight screen and cable wire, sewn onto the fabric which has been screen printed with the "signature" Scrabble pattern.  Each tumbleweed then had a haiku wood block printed onto the surface.  These were outside for four months.  The haiku:  

Tumbleweeds cavort 

Howling winds scour the landscape 

Nature’s broom sweeps wide

Life begins rooted 

Upon death a roiling weed

Scatterlings flurry 

Thistle caught by gusts

Crackerjack seed dispersants 

Whirl prance dance tumble 

Whirling dervishes

Frenetic tumbling thistle

Abrupt finale

Thorny plant unmoored 

Keening wind slings tumbleweed

Desert vagabonds

Installation for exhibition at Ferguson Gallery at Loyola/Notre Dame University Library.

My work focuses on interpreting games of Scrabble that I have played. The structure of a finite set of conditions (a board of 225 squares on a 15x15 grid and 100 letters) and the subsequent permutations that result are compiled and visually interpreted. In this case of NN, I wanted to respond to the exhibition space in a way that would stretch the definition of a book. NN is compiled of 98 pages and each hanging strand is a chapter, if you will. The narrative (haiku, or more correctly, senryu) is strung amongst the illustrations.

Each documented game of Scrabble is interpreted into a different book type. Other projects include traditional book arts.

The opening haiku is written based on the letters left at game's end (NN) as well as including words played during the game. In this instance, FUD is an acceptable Scrabble word and means fear, uncertainty, doubt.

Handmade artist book with 98 screen print pages and 30 interleaves of original Haiku, all based on one game played of Scrabble.
I began with a finite set of parameters : 225 squares, 100 letter tiles. How many variations and ways are there to visually represent one Scrabble game? Each book presented is based solely on one game.
During the process of creating the screen prints, I randomly added woodblock letters (in the original positions to the documented resource game) and then from those random letters, rearranged and contextualized the words using Haiku as the narrative form.

This particular game was interpreted at full Scrabble-scale! Deluxe version! The paper is handmade heavy weight paper - its only distributor in the US is Daniel Smith. I spoke to Daniel Smith himself who told me that the paper is brought down from the mountains in India by sherpa. The 100% cotton rag and mottled texture of the paper made it perfect for multiple screen passes. The result is a truly beautiful painterly effect.

Once the prints and interleaves were finished, I found I had a very large book and needed a very large box. Given the Eastern influence of my work (using Haiku and the logographic reference in the prints), I chose a hinged box of Japanese influence.

I submitted a proposal to the curatorial staff at Glenview Mansion in Rockville, MD to do a site specific installation and response to the gallery space.  I was offered a choice of two rooms and chose the gallery next to Mrs Lyon Smith's dressing room, which has been historically replicated and installed.  I acquired clothing reminiscent of the eras during which the mansion saw its height of activity and social entertaining (1920s-50s).  The photos here are installation views and detail views of vintage screen printed gloves. The following  project shows the screen printed costumes dating from these eras.  (My personal favorite is the Cher-bodysuit!).

In September of 2016 I developed a visual installation in response to the gallery assigned to me, which was adjacent to Mrs Lyon Smith's dressing room.  Mrs Lyon Smith was a Washington socialite who entertained at the mansion from the 1920s-1950s.  I obtained costumes from Center Stage Baltimore reflective of these eras and screen printed on the costumes, as well as vintage gloves and sewing patterns.

In the fireplace, I positioned a book made on felted paper and folded into origami tessellation design to evoke a sense of a fire.
On the walls are located sewing patterns of period era clothing upon which I screen printed my Scrabble design.

These ten photos are details of several of the costumes acquired and printed with my Scrabble design.

A book designed and developed via a springboard called The Ideation Project. Six idea cards are drawn and the ensing product was developed as a result of those cards.
Each of my works are developed from a single concept - a visual and linguistic interpretation of a game of Scrabble. I screen print the pattern from the finished game. The title of the book is the letters left at game's end. The narrative is based on the words played during the game. As Scrabble is a game of brevity, I have chosen haiku. Below are examples written for this specific game.

Led Zeppelin sings
My ears hear Zed Leppelin!
Jefferson Starship

Page, Plant, Bonham, Jones
Alcohol binge kills player
Stairway to Heaven

A song for Sara
No time is good for goodbye
Slick rasps a sad dirge

Large tub of butter
Baking a better batter
Bitter buns abound

Apples and pears, dears.
Aloe?! Anyone at home?
Cockney rhyming slang.

Passengers emplane
Pilot announces flight plan
Cacophonous squeg

Turbulence ensues
Plethora of distressed kophs
Tranquil skies ahead

Play it, Sam. Play it.
Of all the gin joints...
Bogart delivers

Handmade artist book with 98 screen print pages and 30 interleaves of original Haiku, all based on one game played of Scrabble.
I began with a finite set of parameters : 225 squares, 100 letter tiles. How many variations and ways are there to visually represent one Scrabble game? Each book presented is based solely on one game.
During the process of creating the screen prints, I randomly added woodblock letters (in the original positions to the documented resource game) and then from those random letters, rearranged and contextualized the words using Haiku as the narrative form.

ERR::
A series of sculptural objects made using screen printed fabric, fishing line, crystals

II (pronounced eye-eye)::
Screen print and collage on repurposed room divider.  
This "binding", if you will, is a tete-beche (from the French, meaning head to tail). One side of the screen is right side up reading and if one walked to the back, the work is upside down. The precedent was set as early as the 16th century for The New Testament and Psalter, as each book was needed during services. In a 1956 novel by Patrick Dennis, The Loving Couple: His (and Her) Story, the author used the tete beche binding to give each character a separate voice in the narrative. Because the letters left at games end were "II", I chose to use the tete beche binding (loosely interpreted, to say the least) for this screen. My opening haiku for each side:

I am, she uttered
Head to tail, I stand upright
Cut and run? Or stay?

I am, replied he.
Tail to head, I'm upside down.
Rocky road traveled.

HAIKU HAIR CIGARETTES:
Rolled cigarettes, with human hair, and screen print Haiku

These are a visual biography of my ancestry. My father was a lifelong smoker of Camel unfiltered cigarettes. My mother's family were hairdressers and own many salons as well as a beauty school. The haiku are those written for my Scrabble books.