Curated by Liz Faust (Catalyst Contemporary Gallery), this exhibition space is located on the campus of Northern Virgina Community College, Loudon County Campus, Stirling VA.  Exhibition dates :  Sept 24 - Nov 4, 2022
Nine repurposed wedding gowns, presented with audio stories collected from community members answering the following questions:
1.  What is the first wedding you ever attended and about how old were you?
2.  What is your favorite part of a wedding?
3.  Does your family have any specific wedding traditions?
4. Do you know of anyone who has worn their mother's wedding dress?
5.  Do you like weddings?
6. Do you have an opinion on name changes?
7. Have you been in weddings? 

Brides Revisited is an installation and exhibition of refashioned and reclaimed wedding dresses from various style eras.

The title of the exhibition is a veiled reference to Evelyn Waugh’s book of similar title, Brideshead Revisited.  Waugh’s story has been studied and parsed since its publication in 1945.  One motif debated is whether the central figure is a gay man.  I am broadly referencing gay pride in this installation by printing in series like the rainbow flag that has become synonymous with gay pride outreach.  Each wedding dress and formal wear item chosen and installed is in series (red, orange, yellow, green, blue, purple).  The titles of each dress are the names of the main characters in the novel. 

Charles Ryder ::::(Blue/Indigo:  unknown, Spirituality, Divinity.  Blue is calming, Indigo is sedating, mystical; bridges gap between finite and infinite)    
Protagonist and narrator.  Financially comfortable but emotionally hollow.  Unsure of his desires or goals.  Path repeatedly crosses members of the Marchmain family.                                                                                                                                             Repurposed Centre Stage Theatre costume, represents circa 1890s.  Screen print.    

Celia Ryder:::(Yellow:  sunshine.  Clarity of thought, wisdom, orderliness, energy) Charles’s wife.  Vivacious and socially active beauty, infidelity to Charles.  My wedding dress from the UK (2006).  Screen print.  

Cara:::(Red:  passion, vitality, enthusiasm, security.  Longest wavelength)  
Lord Marchmain’s Italian mistress, they settle in Venice.                                                                                                               Donation from jilted bride (2010) Screen print.  

Lady Marchmain aka Teresa Flyte:::  (Green:  fertility, growth, balance, health, wealth)
Member of ancient Roman Catholic family.  Raised all of her children as Roman Catholic                                                                 1960 silk gown donated by neighbor; her mother wore it.  Screen print.  

Lady Julia Flyte:::(Purple:  highest element of spirituality. Dark tones=sorrow.  Deeper shades of violet/purple=high spiritual mastery).  Elder daughter Marchmain; Debutante.  Turns back to the church later in her life.                                                     Purchased from consignment antique shop south of York, PA.  This dress was splattered with mud and ink - a restoration challenge!   

Lady Cordelia Flyte::::(Orange: creativity, practicality, playfulness, equilibrium, control)  Youngest of the siblings.  Most devout, aspires only to serve God.                                                                                                                                                         Repurposed Centre Stage Theatre costume.  Reminiscent of 1910/20s era. Screen print. 

 Tumbleweeds on view:
1.  Artina at Sandy Spring Museum, Howard County, MD installed summer of 2018 for four months.  The works are a series of five tumbleweeds created from heavy weight dark green fabric, meant to evoke a sense of surprise for the viewer to come upon them amongst the trail walks on the museum grounds.   The armature is heavyweight screen and cable wire, sewn onto screen printed fabric with my "signature" Scrabble-derived pattern.  Each tumbleweed has a haiku wood block printed onto the surface.  

2.  Foggy Bottom Biennial in Foggy Bottom neighborhood of Washington DC. Invitational exhibition during the summer/fall of 2021.

3.  Installation at Waddell Arts Center in Stirling VA fall 2022.

Tumbleweeds cavort                                                                                                                                                                        Howling winds scour the landscape
Nature’s broom sweeps wide

Life begins rooted
Upon death a roiling weed
Scatterlings flurry

Thistle caught by gusts
Crackerjack seed dispersants
Whirl prance dance tumble 

Whirling dervishes
Frenetic tumbling thistle
Abrupt finale

Thorny plant unmoored
Keening wind slings tumbleweed
Desert vagabonds

 Blinds on view:

1. Artina at Sandy Spring Museum, Howard County, MD installed September - November 2023

2. Installed on the grounds at AnnMarie Sculpture Gardens, Solomons MD.  January - May 2024 

3. June 2024, private installation - Caves Road, Owings Mills MD

 Looped Noodles on view:

1. Artina at Sandy Spring Museum, Howard County, MD installed September - November  2024

Installation for exhibition at Ferguson Gallery at Loyola/Notre Dame University Library.

My work focuses on interpreting games of Scrabble that I have played. The structure of a finite set of conditions (a board of 225 squares on a 15x15 grid and 100 letters) and the subsequent permutations that result are compiled and visually interpreted. In the case of NN, I responded to the exhibition space. NN is compiled of 98 pages and each hanging strand is a chapter, if you will. The narrative (haiku, or more correctly, senryu) is strung amongst the illustrations.

Each documented game of Scrabble is interpreted into a different book type. Other projects include traditional book arts.

The opening haiku is written based on the letters left at game's end (NN) as well as including words played during the game. In this instance, FUD is an acceptable Scrabble word and means fear, uncertainty, doubt.

ERR::
A series of sculptural objects made using screen printed fabric, fishing line, crystals

II (pronounced eye-eye)::
Screen print and collage on repurposed room divider.  
This "binding", if you will, is a tete-beche (from the French, meaning head to tail). One side of the screen is right side up reading and if one walked to the back, the work is upside down. The precedent was set as early as the 16th century for The New Testament and Psalter, as each book was needed during services. In a 1956 novel by Patrick Dennis, The Loving Couple: His (and Her) Story, the author used the tete beche binding to give each character a separate voice in the narrative. Because the letters left at games end were "II", I chose to use the tete beche binding (loosely interpreted, to say the least) for this screen. My opening haiku for each side:

I am, she uttered
Head to tail, I stand upright
Cut and run? Or stay?

I am, replied he.
Tail to head, I'm upside down.
Rocky road traveled.

HAIKU HAIR CIGARETTES:
Rolled cigarettes, with human hair, and screen print Haiku

These are a visual biography of my ancestry. My father was a lifelong smoker of Camel unfiltered cigarettes. My mother's family were hairdressers and own many salons as well as a beauty school. The haiku are those written for my Scrabble books.

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A book designed and developed via a springboard called The Ideation Project. Six idea cards are drawn and the ensing product was developed as a result of those cards.
Each of my works are developed from a single concept - a visual and linguistic interpretation of a game of Scrabble. I screen print the pattern from the finished game. The title of the book is the letters left at game's end. The narrative is based on the words played during the game. As Scrabble is a game of brevity, I have chosen haiku. Below are examples written for this specific game.


Led Zeppelin sings
My ears hear Zed Leppelin!
Jefferson Starship

Page, Plant, Bonham, Jones
Alcohol binge kills player
Stairway to Heaven

A song for Sara
No time is good for goodbye
Slick rasps a sad dirge

Large tub of butter
Baking a better batter
Bitter buns abound

Apples and pears, dears.
Aloe?! Anyone at home?
Cockney rhyming slang.

Passengers emplane
Pilot announces flight plan
Cacophonous squeg

Turbulence ensues
Plethora of distressed kophs
Tranquil skies ahead

Play it, Sam. Play it.
Of all the gin joints...
Bogart delivers

I submitted a proposal to the curatorial staff at Glenview Mansion in Rockville, MD to do a site specific installation and response to the gallery space.  I chose the gallery next to Mrs Lyon Smith's dressing room, which has been historically replicated and installed.  I acquired clothing reminiscent of the eras during which the mansion saw its height of activity and social entertaining (1920s-50s).  The photos here are installation views and detail views of vintage screen printed gloves. The following  project shows the screen printed costumes dating from these eras.  (My personal favorite is the Cher-bodysuit!).

In September of 2016 I developed a visual installation in response to the gallery assigned to me, which was adjacent to Mrs Lyon Smith's dressing room.  Mrs Lyon Smith was a Washington socialite who entertained at the mansion from the 1920s-1950s.  I obtained costumes from Center Stage Baltimore reflective of these eras and screen printed on the costumes, as well as vintage gloves and sewing patterns.

In the fireplace, I positioned a book made on felted paper and folded into origami tessellation design to evoke a sense of a fire. On the walls are located sewing patterns of period era clothing upon which I screen printed my Scrabble design.

These ten photos are details of several of the costumes acquired and printed with my Scrabble design.