Work samples
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Sanzi Solo at Waddell 2022Overview of solo exhibition with nine repurposed wedding dresses and stories about weddings emanating from each gown
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Full install view.jpgInstallation view of "Brides Revisted" : an exhibition of repurposed wedding dresses and a nod to the 1945 novel by Evelyn Waugh titled BridesHead Revisited. Each dress is named for a main character in the novel. In the foreground, you see Cara (red/rose) named for the mistress of Lord Marchmain.
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2 crackerjack.jpgUsing a strong wire armature, this series of 5 textile pieces are printed with white, light grey tones for the pattern and yellows/greens for the text. The panel size is 58” x 78”.
The haiku on this "tumbleweed" is:
Thistle caught by gusts
Crackerjack seed dispersants
Whirl prance dance tumble -
Kermes_Sanzi_01 NN.jpgInstallation view of paper sculptural work: screen print on paper and origami fold, hung with fishing line. Each strand measures longer than 7' and less than 9'.
The concept behind this piece: screen prints of one Scrabble game. Title of the piece is NN (the letters left at end of game), and the "pages" of this book are folded and stacked vertically.
About Sanzi
Sanzi Kermes is the progeny of immigrant grandparents (Bohemia and Italy). At age seven, Sanzi declared that she wanted to be an artist, but her family was less than enthusiastic, encouraging her to choose a path other than “starving artist.” She complied, pursuing a double major in geography and advertising at Syracuse University.
In 1995, Sanzi left her job as a cartographer and began to focus her energy on an art career. Her life took two extraordinary turns: In 2003, she became… more
Solo gallery Exhibition 2022
Nine repurposed wedding gowns, presented with audio stories collected from community members answering the following questions:
1. What is the first wedding you ever attended and about how old were you?
2. What is your favorite part of a wedding?
3. Does your family have any specific wedding traditions?
4. Do you know of anyone who has worn their mother's wedding dress?
5. Do you like weddings?
6. Do you have an opinion on name changes?
7. Have you been in weddings?
Brides Revisited
The title of the exhibition is a veiled reference to Evelyn Waugh’s book of similar title, Brideshead Revisited. Waugh’s story has been studied and parsed since its publication in 1945. One motif debated is whether the central figure is a gay man. I am broadly referencing gay pride in this installation by printing in series like the rainbow flag that has become synonymous with gay pride outreach. Each wedding dress and formal wear item chosen and installed is in series (red, orange, yellow, green, blue, purple). The titles of each dress are the names of the main characters in the novel.
“Sanzi refines and redefines each gown into a color of the pride flag: separate but equal, all appreciated, and unified into one.”
Charles Ryder :::: (Blue/Indigo: unknown, Spirituality, Divinity. Blue is calming, Indigo is sedating, mystical; bridges gap between finite and infinite)
Protagonist and narrator. Financially comfortable but emotionally hollow. Unsure of his desires or goals. Path repeatedly crosses members of the Marchmain family.
Repurposed Centre Stage Theatre costume, represents circa 1890s. Screen print. $675
Celia Ryder::: (Yellow: sunshine. Clarity of thought, wisdom, orderliness, energy) Charles’s wife. Vivacious and socially active beauty, infidelity to Charles.
My wedding dress from the UK (2006). Screen print. $1850 US size 14
Cara::: (Red: passion, vitality, enthusiasm, security. Longest wavelength)
Lord Marchmain’s Italian mistress, they settle in Venice.
Donation from jilted bride (2010) Screen print. $950 US size 4
Lady Marchmain aka Teresa Flyte::: (Green: fertility, growth, balance, health, wealth)
Member of ancient Roman Catholic family. Raised all of her children as Roman Catholic
1960 silk gown donated by neighbor; her mother wore it. Screen print. $2450 US size estimate 6/8
Lady Julia Flyte::: (Purple: highest element of spirituality. Dark tones=sorrow. Deeper shades of violet/purple=high spiritual mastery). Elder daughter Marchmain; Debutante. Turns back to the church later in her life.
Purchased from consignment antique shop south of York, PA. This dress was splattered with mud and ink - a restoration challenge! Screen print. $1275 US size estimate 6/8
Lady Cordelia Flyte:::: (Orange: creativity, practicality, playfulness, equilibrium, control) Youngest of the siblings. Most devout, aspires only to serve God.
Repurposed Centre Stage Theatre costume. Reminiscent of 1910/20s era. Screen print. $425 US size estimate 4/6
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Full install view.jpgInstallation at Project Space Creative York, York PA. October/November 2018. Culmination of 14 months of work to acquire, restore, print on repurposed wedding dresses. Included in exhibition are screen prints on paper, screen print on vintage gloves, handing pendants of textile, fishing line, crystal/s.
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Lady Julia Flyte purple.jpgHONORABLE MENTION :: 4th Biennial Maryland Regional Juried Art Exhibition, Dec 8, 2019 - March 15, 2020.
Jurors: Schroeder Cherry, Preston Sampson, Gretchen Schermerhorn
Repurposed wedding dress. This dress was purchased at an antiques consignment shop for $15 - it was riddled with ink and mud all over the back train. After restoring, the screen print was added in several shades of purple -- a veiled reference to the Evelyn Waugh novel titled "Brideshead Revisited". Also shown: screen print on felted paper, screen print on fabric with crystal on fishing line.
Tumbleweeds
1. Artina at Sandy Spring Museum, Howard County, MD installed summer of 2018 for four months. The works are a series of five tumbleweeds created from heavy weight dark green fabric, meant to evoke a sense of surprise for the viewer to come upon them amongst the trail walks on the museum grounds. The armature is heavyweight screen and cable wire, sewn onto screen printed fabric with my "signature" Scrabble-derived pattern. Each tumbleweed has a haiku wood block printed onto the surface.
2. Foggy Bottom Biennial in Foggy Bottom neighborhood of Washington DC. Invitational exhibition during the summer/fall of 2021.
3. Installation at Waddell Arts Center in Stirling VA fall 2022.
Tumbleweeds cavort
Howling winds scour the landscape
Nature’s broom sweeps wide
Life begins rooted
Upon death a roiling weed
Scatterlings flurry
Thistle caught by gusts
Crackerjack seed dispersants
Whirl prance dance tumble
Whirling dervishes
Frenetic tumbling thistle
Abrupt finale
Thorny plant unmoored
Keening wind slings tumbleweed
Desert vagabonds
Installation Ferguson Gallery, Loyola University
My work focuses on interpreting games of Scrabble that I have played. The structure of a finite set of conditions (a board of 225 squares on a 15x15 grid and 100 letters) and the subsequent permutations that result are compiled and visually interpreted. In this case of NN, I wanted to respond to the exhibition space in a way that would stretch the definition of a book. NN is compiled of 98 pages and each hanging strand is a chapter, if you will. The narrative (haiku, or more correctly, senryu) is strung amongst the illustrations.
Each documented game of Scrabble is interpreted into a different book type. Other projects include traditional book arts.
The opening haiku is written based on the letters left at game's end (NN) as well as including words played during the game. In this instance, FUD is an acceptable Scrabble word and means fear, uncertainty, doubt.
ERR::
A series of sculptural objects made using screen printed fabric, fishing line, crystals
II (pronounced eye-eye)::
Screen print and collage on repurposed room divider.
This "binding", if you will, is a tete-beche (from the French, meaning head to tail). One side of the screen is right side up reading and if one walked to the back, the work is upside down. The precedent was set as early as the 16th century for The New Testament and Psalter, as each book was needed during services. In a 1956 novel by Patrick Dennis, The Loving Couple: His (and Her) Story, the author used the tete beche binding to give each character a separate voice in the narrative. Because the letters left at games end were "II", I chose to use the tete beche binding (loosely interpreted, to say the least) for this screen. My opening haiku for each side:
I am, she uttered
Head to tail, I stand upright
Cut and run? Or stay?
I am, replied he.
Tail to head, I'm upside down.
Rocky road traveled.
HAIKU HAIR CIGARETTES:
Rolled cigarettes, with human hair, and screen print Haiku
These are a visual biography of my ancestry. My father was a lifelong smoker of Camel unfiltered cigarettes. My mother's family were hairdressers and own many salons as well as a beauty school. The haiku are those written for my Scrabble books.
2021
The quilt was made for an online journal called The Light Ekphrastic. A visual artist is paired with a writer: each creating a new work based on what they see of the present work. I made Patchwork in response to a poem of the same title by Lana Crossman, a Canadian poet.
Pinwheel was created during latter part of lockdown...perhaps the notion of floating freely and whimsically appealed to my sensibilites at the time. The screen prints are from my series titled "Q".
Re wedding dresses. I have been in process with this project for several years. During the shutdown, I had an opportunity to go to a second hand shop and peruse their gown inventory in the basement. I have also been receiving gowns from neighbors and friends who are willing to see me repurpose them into visual artist works. This project is gaining its own legs, so to speak, and will continue to manifest. It is exciting to use each gown as it's own particular "blank" canvas and to bring it into this world of art and language. My longer term goal is to mount a fashion and story event - to see the dresses on the catwalk, while also inviting viewers to tell their stories of marriages, love, weddings, and family lore and tradition.
GT: GT (Gran Turismo) My brother loved to drive fast Cool wind billowing
I began with a finite set of parameters : 225 squares, 100 letter tiles. How many variations and ways are there to visually represent one Scrabble game? Each book presented is based solely on one game.
During the process of creating the screen prints, I randomly added woodblock letters (in the original positions to the documented resource game) and then from those random letters, rearranged and contextualized the words using Haiku as the narrative form.
This particular game was interpreted at full Scrabble-scale! Deluxe version! The paper is handmade heavy weight paper - its only distributor in the US is Daniel Smith. I spoke to Daniel Smith himself who told me that the paper is brought down from the mountains in India by sherpa. The 100% cotton rag and mottled texture of the paper made it perfect for multiple screen passes. The result is a truly beautiful painterly effect.
Once the prints and interleaves were finished, I found I had a very large book and needed a very large box. Given the Eastern influence of my work (using Haiku and the logographic reference in the prints), I chose a hinged box of Japanese influence.
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GT open boxThis box contains 98 screen prints, as depicted in other details, portraying one Scrabble game. The title of GT derives from the letters left over at the end of play.
The title page, GT, contains a haiku ~ a short narrative form chosen as much for its brevity as for its syllabic formula of 5-7-5, for a total of 17 syllables. Succinct and obtuse at the same time, this mimics the words played during a game of Scrabble.
Glenview Mansion Art Gallery installation Sept 2016
Glenview Mansion Art Gallery/specific costumes
In the fireplace, I positioned a book made on felted paper and folded into origami tessellation design to evoke a sense of a fire.
On the walls are located sewing patterns of period era clothing upon which I screen printed my Scrabble design.
These ten photos are details of several of the costumes acquired and printed with my Scrabble design.
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WWII brown wool coat front.JPGThis is a costume from Center Stage Theatre in Baltimore MD. It is a replica of a 1940s WWII era wool coat dress. I screen printed my Scrabble design onto the front and back (if you compare them side to side, you will see the subtle shift of color field).
The gloves are vintage leather gloves, also printed with my Scrabble design.
IIITU: Three eyes of beauty. Striking gaze reveals her soul. Five arms caress you.
Each of my works are developed from a single concept - a visual and linguistic interpretation of a game of Scrabble. I screen print the pattern from the finished game. The title of the book is the letters left at game's end. The narrative is based on the words played during the game. As Scrabble is a game of brevity, I have chosen haiku. Below are examples written for this specific game.
Led Zeppelin sings
My ears hear Zed Leppelin!
Jefferson Starship
Page, Plant, Bonham, Jones
Alcohol binge kills player
Stairway to Heaven
A song for Sara
No time is good for goodbye
Slick rasps a sad dirge
Large tub of butter
Baking a better batter
Bitter buns abound
Apples and pears, dears.
Aloe?! Anyone at home?
Cockney rhyming slang.
Passengers emplane
Pilot announces flight plan
Cacophonous squeg
Turbulence ensues
Plethora of distressed kophs
Tranquil skies ahead
Play it, Sam. Play it.
Of all the gin joints...
Bogart delivers
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IIITUThis was a fun and interesting project. A Colorado gallery put out a call - the gist of it is this:
A deck of cards with prompts for creating a project. My cards were:
color – single color;
structure – single sheet binding;
technique – low tech;
layout – based on historic example;
text – self generated image symbols;
paper – multiple colors.
Adjectives – layered, poetic, issue-based, descriptive, instructive/decorative.
As my work is singularly focused on interpreting a game of Scrabble, the content was a shoe-in. The single sheet binding along with a layout based on historic example gave way to creating an oversized "map" of this game. I used a Turkish map fold for each page, glued back to back - hence the chapter opens like a pinwheel. On the reverse of each page, I used wood block letters.
The title of the book - those five letters were left at game's end. The subtitle is the score of the game.
Once the chapters were complete, I designed a box that would flap open like a game board. A very challenging process and very satisfying result!
UI: UI pronouns left. You travel to parts unknown. I wait up for you
I began with a finite set of parameters : 225 squares, 100 letter tiles. How many variations and ways are there to visually represent one Scrabble game? Each book presented is based solely on one game.
During the process of creating the screen prints, I randomly added woodblock letters (in the original positions to the documented resource game) and then from those random letters, rearranged and contextualized the words using Haiku as the narrative form.