As time passes through space we are caught in its wake. Evidence of time passing can be found in the three dimensional  space that is all around us. 
This project seeks to capture the moments just before an event occurs, the preceeding moment. The constructions portray the unseen domino effect of situational collisions that go unnoticed in dailey life.
    These intuitive constructions  suggest mapping techniques, manuscrits and colorfield geometry as the basis for what is more a constructed device rather than a painting. These devices do not calculate time, they display times footprint.

     Time is both tactile and  conceptual, my efforts to focus and visualize the fleeting moment and try to illustrate that moment as if  giving the moment an identity.  Shadows, scars  and foot prints  are examples and indicators of its passing. This project goes a little deeper and a lot more abstract as these works explore in a non-linear  means of how time can be broken into individual parts or moments.
    These creations have come to be  through  an editing process  where the use of materials, combined with acknowledged unconscious intention form a 3 dimensional stamp of sorts. The energies of the universe coalesce through the artistic act to manifest these objects securing them in a single moment of time. Arriving at this moment through the creative journey brings out a form of identity by their mere existence.

    Modern quantum mechanics allows us to acknowledge the multi-verse of known reality. This broader perspective allows us to realize the intricate complexity of each woven moment that create the fabric of time. These  small and intimate constructions capture the harmony that lies hidden in that weave. Color, shape and symbols draw together the balancing elements of a few tendrils of reality that can be detected.  This series uses various concepts and forms to explore how we are a reflection of the universe.

The restrictions of three dimensional space inhibit our ability to perceive the constant pulse of activity unfolding throughout time and space. These paintings explore this concept using schematic and cartographic influences.

In this project  I am subdividing moments and assigning them an identity. Moments are threaded together in an endless stream of ceaseless manifestation. The work in this project uses geometry and line to provide a visual format to use as a means to designate a location in both time and space. Thereby creating the "Time Stamp". Designating that moment as there and then. .

This project utilizes the grid as a means to map  the game like qualities of  life.  One step at a time each moment passes bringing the anticipated next moment as well as its unknowns. Between  one line and another the coordiates allow us to track the progess as we move through the temporal landscape.

Be it 123 or a plus b mathematics have been with us, hidden in the fabric of reality. These works have been an attempt to follow the weave of that fabric, following the various strands that we can comprehend.

I've begun to think that objects form their identity based on their relationship to the environment in which they are placed, thereby creating a new identity. "Things" contain implied function based on their shape. Objects by design have functional indication such as a point, threads, a hole handle or base. A plane, spherical nature and legs or feet are all indicators of function. These objects once removed from original function almost guide themselves toward their new function as they provide iconography for universal concerns such as time, space and thought.

     The fabric of reality is a tapestry woven by our perception, the perspective we have is as unique as our personal identity. We are limited in what we can perceive with our physical senses, but there are momentary glimpses of a greater weave. Simultanious occurences and coincidencs pop up from time to time providing that glimpse of some greater pattern. When these curious connecting events overlap for just the briefest moment there lies an alignment idicating the greater connections.  
    These constructed depictions attempt to illustrate these connections by identifying units of time and space (x+y) where the coinciding strands of colliding moments intersect. Once the convergence is identified additional data can be extrapolated helping to single out the given moment, at this point the object depicting the convergence thus becomes an icon or glyph of the convergence itself. The convergence is manifested within the object itself.

All things are vibrating at a certain frequency. These geometric structures are a reflection the harmony found when color and geometry harmonize. The subconscious mind calculates the collaborative result of sound and shape that emminates from the union in the form of frequencies. These structures are the outcome of the union.