About Mia
Born into a lineage of artists, Halton initially turned to art-making as a refuge and a way to navigate the emotional complexities of family life. Her early development was deeply influenced by the raw materiality of Jean Dubuffet, the intuitive layering of Jackson Pollock, and the existential inquiry of Philip Guston. These influences manifest in her central use of the figure—ranging… more
PENELOPE; A Woman's Odyssey
Margaret Atwood’s book, “The Penelopiad” was the inspiration for these 40” x 30” mixed media pieces on paper. Penelope, wife of Odysseus, was left behind when her new husband sailed off to adventure the world. She found herself living in a strange land with no friends or family. As the story goes, she spent most of her time weaving a shroud, a strategy for keeping the many suitors away from the castle’s doorstep. She unraveled her work every night because, had she finished the weaving, she'd have had to marry one of the many suitors, who were there because they believed Odysseus would never return, and they wanted her (his) money.
Penelope’s situation, finding herself isolated in a relationship, resonates with me and, I’m sure, with many women.
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A Woman's Odyssey 1, 40x26 acrylic+charcoal on paper, 2025 -
A Woman's Odyssey 2, 40x26 acrylic+charcoal on paper, 2025 -
A Woman's Odyssey 3, 40x26 acrylic+charcoal on paper, 2025 -
A Woman's Odyssey 4, 40x26 acrylic+charcoal on paper, 2025 -
A Woman's Odyssey 6, 40x26 acrylic+charcoal on paper, 2025 -
A Woman's Odyssey 7, 40x26 acrylic+charcoal on paper, 2025 -
A Woman's Odyssey 9, 40x26 acrylic+charcoal on paper, 2025
Excavations: Pulp Paper Painting
My journey begins when wet paper pulp is applied to a wet pulp paper base sheet. The material is unpredictable and hard to control. I layer colored pulp onto the white sheet of pulp underneath.The painting becomes an object of sorts when the layers of paper fuse into each other.
The Mound
The Mound work refers to dark and challenging times.
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In the Mound, 12x12, Oil Pastel on Panel, 2025 -
Into the Mound, 16x14, Oil Pastel on Paper, 2025 -
Twitching Toes, 22x20, Charcoal on Paper, 2025 -
Situations 1, Glazed Red Earthenware, 2019 -
Situations 2, Glazed Red Earthenware, 2019 -
Situations 3, Glazed Red Earthenware, 2019 -
Situations 4, Glazed Red Earthenware, 2019 -
Situations 5, Glazed Red Earthenware, 2019