Work samples

  • New Poems

    A selection of new poems, recently published or forthcoming. Whether the focus is sociopolitical or personal, outward- or inward-facing, as a poet in America in 2026, I am duty-bound as a human being to write "the news," and share it. And isn't the privilege of being alive on earth news worth sharing, too? In a time of great peril to so many in America and around the world, celebrating the beauty, the richness of the human experience is perhaps the ultimate resistance to evil. This is my gift to the world. I have no choice but to give it away.

  • Three poems from AN INDIFFERENT SKY, one of several unpublished manuscripts on which I am currently working.

    Three poems from An Indifferent Sky, a full-length collection of poems begun during my first residency at the Virginia Center for the Creative Arts in 2016. These poems chronicle my experiences inspecting houses in various stages of foreclosure in rural parts of central Maryland. This collection started as a bit more outward-facing than inward, focusing more on poetic reportage and witness than my other collections that include more introspective poems. However, in the last year, fellow poets and editors who've read this collection have suggested adding more poems about how the job affected me emotionally and spiritually, so that's been my focus as I have added new work to the manuscript.

  • Five poems from AT THE EDGE OF A THOUSAND YEARS, winner of the 2023 Jacar Press Book Prize (Jacar Press 2024).

    Salman Rushdie reminds us that "a poem cannot stop a bullet. A novel can't diffuse a bomb. But we are not helpless. We can sing the truth and name the liars." In all of my work, whether personal or political, I choose to face life directly, bear witness, and speak the best truth I can in order to add my voice to humanity's chorus. In that spirit, continuing with topics and themes from my first book Thresholds and Other PoemsAt the Edge of a Thousand Years confronts and explores national and global politics, gun violence, the environment, addiction, personal loss, and more. This collection is out of print and unavailable from the publisher.

    Here is a much-appreciated review of At the Edge of a Thousand Years by Bethany Reid.
     

  • Three poems from THRESHOLDS AND OTHER POEMS (Apprentice House 2018).

    Three poems from my first collection, Thresholds and Other Poems (Apprentice House 2018). 

    On its journey to publication, Thresholds and Other Poems garnered the following recognition: semi-finalist in the 2015 Crab Orchard Series in Poetry First Book Award, finalist in the 2015 Backwaters Press Prize for Full-length Book Manuscript, runner-up for the 2017 Brick Road Poetry Press Book Contest, and honorable mention in the 2017 Broadkill River Press Dogfish Head Poetry Prize. 

    Here is a review of Thresholds and Other Poems by Harvey Lillywhite in The Loch Raven Review. 

    Here is another review of Thresholds and Other Poems by Serena Agusto-Cox in the blog Savvy Verse & Wit. 

    Available for Purchase

About Matt

Matt Hohner, a Baltimore native, holds an M.F.A. in Writing and Poetics from Naropa University in Boulder, Colorado, where he studied under legendary Beat Generation poets Allen Ginsberg, Anne Waldman, Amiri Baraka, Joanne Kyger, Diane DiPrima, and others, as well as renowned poets, translators, scholars, and writers including Anselm Hollo, Jane Hirshfield, Andrew Schelling, Bobbie Louise Hawkins, Pierre Joris, Jerome Rothenberg, Sam Hamill, Wanda Coleman, Arthur Sze, and many others. He is… more

Additional Poems from AT THE EDGE OF A THOUSAND YEARS (Jacar Press 2024)

A selection of additional poems from my book At the Edge of a Thousand Years, winner of the 2023 Jacar Press Full-length Poetry Book Contest.

  • A selection of additional poems from AT THE EDGE OF A THOUSAND YEARS (Jacar Press 2024).

Additional Poems from THRESHOLDS AND OTHER POEMS (Apprentice House Press 2018)

A selection of additional poems from my book Thresholds and Other Poems (Apprentice House 2018).

  • A selection of additional poems from THRESHOLDS AND OTHER POEMS (Apprentice House 2018).

Spoken Word: Video Performances

For more videos of me reading my work, please visit my Youtube channels here and here.

Video 1: "Poem for the Dead at Tuam Beginning and Ending with a Line from U2's '11 O'Clock Tick-Tock,'" published in Bangor Literary Journal, Issue 14, 2021. 
Video 2: "Bearing the Weight of Light," for the 2020 Trim Poetry Festival in Ireland, celebrated virtually due to the COVID-19 pandemic.
Video 3: "Chemo," selected by poet Billy Collins for Second Overall in the 2021 Fish Publishing Poetry Prize and published in the Fish Anthology. From At the Edge of a Thousand Years (Jacar Press 2024).
Video 4: "Oysters," winner of the 2014 Maryland Writers' Association Literary Contest. From Thresholds and Other Poems (Apprentice House 2018). 
Video 5: "Cord," recorded live at the Mom Egg Review Vol. 16 publication reading, The Poets House, New York, NY, June 2, 2018. From Thresholds and Other Poems (Apprentice House 2018).

 

  • Matt Hohner Reading "Poem for the Dead at Tuam Beginning and Ending with a Line from U2's '11 O'Clock Tick-Tock'"
    Published in Bangor Literary Journal, Issue 14, 2021.
  • Matt Hohner Reading "Bearing the Weight of Light"
    Joint runner-up for the 2020 Trim Poetry Festival Competition. Published in Boyne Berries, 2020.
  • Matt Hohner Reading "Chemo"
    Selected by poet Billy Collins as Second Place Overall for the 2021 Fish Publishing Poetry Prize. Published in the 2021 Fish Anthology.
  • Matt Hohner Reading "Oysters"
    Winner, 2014 Maryland Writers' Association Literary Contest. From Thresholds and Other Poems (Apprentice House 2018).
  • Matt Hohner Reading "Cord"
    From Thresholds and Other Poems (Apprentice House 2018).

Spoken Word: Audio Links and Files

I recently enjoyed reading a few poems for the blogspot Eat the Storms, hosted by Damien Donnelly. (Listen for a special guest appearance by Cassanova Cicada, translating one of my poems into Cicadian.) Go to the 15 minute mark on the recording here: https://open.spotify.com/episode/36ZYifZq0tj87fu26STAIC

Another poem, "Mob Hit at the Ark Ramp," winner of the 2018 Sport Literate "Anything But Baseball" Poetry Contest, can be read and heard here: https://sportliterate.org/2018/11/mob-hit-at-the-ark-ramp/

My poem "How to Unpack a Bomb Vest," which appears earlier in my portfolio, can be experienced online in text and audio form here: http://www.rattle.com/how-to-unpack-a-bomb-vest-by-matt-hohner/.  It was featured on May 25, 2017 on the Rattle: Poets Respond website. It was written in response to the suicide bombing of a concert in Manchester, England, which was attended by mostly young girls and women.

The first poem recording uploaded here is "Kevin," about a former student in my tenth grade World Literature class at Towson High School. It was the featured poem for Monday, November 3, 2014 on The Five-Two, a blog of poems about crime, edited by Gerald So. (Recording credit: Jason DeFontes.) Here is the link to the The Five-Two (scroll down to find my poem and recording): http://poemsoncrime.blogspot.com/search?updated-max=2014-12-15T00:01:00-05:00&max-results=20&reverse-paginate=true

The second  poem, "Cal Ripken," was included on a CD of local Baltimore and Maryland poets reading their work, produced by Blair Ewing and released in 2001, entitled Word Up, Baltimore! I wrote it during the height of the media frenzy over "The Streak" in a bit of a tongue-in-cheek tone after detecting during and interview of Ripken a bit of weariness on his part over the hype surrounding what would be his eventual breaking of Lou Gehrig's record for consecutive games played. 

  • "Kevin" read by Matt Hohner
  • "Cal Ripken" read by Matt Hohner

Brechtje and Me: A Transatlantic, Multidisciplinary Collaboration

After my poem "How to Unpack a Bomb Vest" was published online at Rattle: Poets Respond on May 25, 2017, Rattle editor Timothy Green put me in contact with Dutch composer Brechtje Vandijk (she goes simply by her first name, Brechtje). Brechtje had read my poem and wanted to create an original musical composition for it. In a series of e-mails, I worked with Brechtje to edit my poem down a bit in order to fit it better into a musical score, to be sung with accompaniment. 

These images are of my revised poem and a few sections of  the poem as lyrics with the musical score written by Brechtje. The work was performed in early March 2018 at several venues around the Netherlands; my wife and I flew to the Netherlands to see the live performance by the avant-garde band VONK (which means "spark" in Dutch) at the Crosslinx Music Festival held at the Muziekgebouw / Bimhuis venue in Amsterdam on March 3, 2018. You can watch the video of the performance below. VONK also later recorded "How to Unpack a Bomb Vest" for a CD. 

  • VONK performing "How to Unpack A Bomb Vest" (Lyrics: Matt Hohner, Musical Score: Brechtje).

    Here is a video of the live performance by VONK of my collaboration with Brechtje on my poem "How to Unpack a Bomb Vest."

  • "How to Unpack a Bomb Vest" Revised for Music

    My poem "How to Unpack a Bomb Vest," revised in collaboration with Brechtje to make it work lyrically for the music she was composing.

  • "How to Unpack a Bomb Vest" Score Part 1.pdf
    The opening measures of the composition Brechtje wrote using my poem. It was refreshingly liberating to let go of control over how this poem would be interpreted as Brechtje reimagined it into the realm of music.
  • "How to Unpack a Bomb Vest" Score Part 2.pdf
    The second page of our collaboration. This composition is a boldly experimantal vision and was absolutely worth the journey over the pond to see it.
  • "How to Unpack a Bomb Vest" Score Part 3.pdf
    The third page of Brechtje's composition using my poem "How to Unpack a Bomb Vest." Poetry has given me such rich and rewarding experiences, and this certainly has been one of them. I am deeply grateful that I have these opportunities.

Here / Not Here: Art and Poetry of Place

This ekphrastic project paired images by Maryland artists, mostly of places or scenes in Maryland, with poets from Maryland, who wrote pieces in response to the images. My poem "Rumbley, Maryland," written in response to Jonathan Nepini's painting "Hooper's Island," was chosen along with his painting to be included in the book.

Images in this project are of pages from the book Here / Not Here: Art and Poetry of Place, published by Salisbury University Art Galleries in 2020 to accompany an exhibit of the artwork in Salisbury, MD in October 2020. I have included a PDF of my poem as well, in case the image of my poem from the book doesn't translate well visually on some people's computer screens.
 

  • "Rumbley, Maryland"
    My poem "Rumbley, Maryland," written in response to Jonathan Nepini's painting "Hooper's Island" (oil on canvas 2019), published in Here / Not Here: Art and Poetry of Place, Salisbury University Art Gallery 2020.
  • Nepini-HoopersIsland-OilonCanvas2019-HereNotHere.jpg
    Nepini-HoopersIsland-OilonCanvas2019-HereNotHere.jpg
    "Hooper's Island" (oil on canvas 2019) by Jonathan Nepini. From Here / Not Here: Art and Poetry of Place, published by Salisbury University Art Gallery 2020.
  • Hohner-RumbleyMaryland-HereNotHere.jpg
    Hohner-RumbleyMaryland-HereNotHere.jpg
    My poem "Rumbley, Maryland," as it appears in the book Here / Not Here: Art and Poetry of Place, published by Salisbury University Art Gallery 2020.

The Baltimore Ekphrasis Project: A Conversation of Poetry and Art

A collaboration with Baltimore artist "Spilly" for the Baltimore Ekphrasis Project, published online and on a giant LED billboard on Charles Street next to Penn Station in Baltimore.

My poem "Pulse" was written in response to Spilly's painting "Play." Spilly, in turn, painted "Of Light and Water" in response to my poem of the same title.

Here is a link to my poems alongside artwork by Spilly: https://thelightekphrastic.com/baltimore-hoop-love-hohner/.

  • Pulse
  • Play
    Play

    In deference to the integrity and autonomy of the work by the original artist, this is a smaller sample image of the larger work entitled "Play" by the artist Spilly, also known as "Baltimore Hoop Love." Click on the link in the general description of this project to see the painting in its entirely.

  • Of Light and Water
  • Of Light and Water
    Of Light and Water

    In deference to the integrity and autonomy of the work by the original artist, this is a smaller sample image of the larger work entitled "Of Light and Water" by the artist Spilly, also known as "Baltimore Hoop Love." Click on the link in the general description of this project to see the painting in its entirely.

STATES (Third Ear Books 1999)

States is my chapbook published by Third Ear Books. This chapbook originally started as a series of micro cassette tapes spoken as a travel journal as I drove solo across the country to Naropa University (then called The Naropa Institute) in Boulder, Colorado to pursue my MFA in Writing at their Jack Kerouac School of Disembodied Poetics. States was first transcribed verbatim from the tapes, then shaped, workshopped, and edited over the next two years. This is the final product of the creative portion of my master's thesis, which Editor Jerry Tumlinson at Third Ear Books was gracious enough to publish.

  • STATES, Text Sample 1
    STATES, Text Sample 1
  • STATES, Text Sample 2
    STATES, Text Sample 2
  • States cover
    States cover
  • Preface
    Preface
    Written by poet / translator Andrew Schelling.