Work samples
-
FROG HOLLOW -- Feature Film Still
A sci-fi narrative film in collaboration with Hansen Robotics and Singularity Net’s humanoid AI robot. This film takes place in a future where all humans have left a damaged earth for space stations, leaving behind Francis, a Humanoid robot tasked with caring for the planet. Frog Hollow is a metaphor for the human condition in our present day. Francis shows us that it is not the technology around us that defines and makes us uniquely human, but our ability to adapt and live in coexistence with our home, the planet Earth.
-
ETERNITY ONE -- Feature Film Still
A feature documentary film on the direct effects of the climate crisis, the history of labor, girlhood in the face of unstoppable change, while also investigating how deep time informs the cyclical nature of life, the future, and the present day. Filmed over four years on Tangier Island in the Chesapeake Bay, I’ve shot, written, and directed this intimate glimpse into the extraordinary within the ordinary, living amongst the insular community that the film is about and for.
-
CRESTONE-- Clips from the Feature Film
A futuristic hybrid-documentary that follows a group of SoundCloud rappers as they navigate a post-societal existence in the now abandoned town of Crestone, Colorado. This artful documentary blurs reality and fiction as it introduces a new world: one where “performing” and “being” are indistinguishable. As the film explores the often hidden aspects of collaboration and friendship as well as the human desire to persist against all odds, it also interrogates the traditional documentary form’s inability to fully capture reality and the human experience.
-
DIRT DAUGHTER -- Short Film Trailer
A narrative short film exploring the tangible nature of the internet. Often overlooked as a purely digital entity, the film reveals the physical infrastructure that underpins our online world. Set in a deserted department store in downtown Baltimore, Maryland, a six-foot-diameter fiber optic cable - crucial for transatlantic internet connectivity - is housed beneath the building. The story centers around a solitary security guard tasked with protecting this vital piece of infrastructure. As she navigates her isolation, an omniscient algorithm emerges, offering guidance in her quest for genuine human connection. Through this unlikely partnership, DIRT DAUGHTER delves into the profound impact the internet has had on our sense of self and our interpersonal relationships.
About Marnie Ellen
Marnie Ellen Hertzler is a filmmaker from the Southern United States, currently based in Baltimore, Maryland. Her work spans lens-based media, digital systems, and isolated landscapes, exploring the intersection of historical and speculative narratives to examine deep time, the environment, and the relationships between humans and the more-than-human world.
Her debut feature film, Crestone, premiered at True/False in 2020 and was subsequently showcased at SXSW, CPH:DOX, BAM… more
Crestone - Feature Film
Synopsis:
In a world teetering between fact and fiction, digital and physical, the last people on Earth are a group of SoundCloud rappers living in the remote desert town of Crestone, Colorado. Once a spiritual and religious mecca, Crestone serves as a surreal backdrop, blending vast sand dunes, waterfalls, and dark caves with images of tattooed bodies, cosplay wardrobes, and clouds of marijuana smoke.
When the rappers are visited by a childhood friend, they decide to make a movie together. What begins as a simple project evolves into a love letter—to friendship, to their music, and to a world on the brink of collapse. CRESTONE is a cinematic ode to self-expression, community, and the end of the world.
Personal Statement:
CRESTONE captures the lives of a unique subculture through both their self-made digital personas and a cinematic lens. By weaving an apocalyptic narrative into their daily routines, the film reveals how their brotherhood—originally built around music and leisure—becomes a mechanism for survival. Their shared world, shaped by creativity and resilience, reflects both who they appear to be and who they truly are: a group of young men supporting each other as they pursue joy in the face of uncertainty.
As a filmmaker, my connection to the cast runs deep. We are old friends from high school in North Carolina, and this long-standing relationship shaped CRESTONE as a naturally collaborative project. Together, we crafted a narrative that flows through the desert’s stark beauty, the complexities of friendship, and the struggle to maintain inner peace. From looting abandoned houses to finding refuge in caves and riverbeds, their lives take on a mythic quality. A drone, operated by one of the characters, becomes a guardian presence, its disembodied voiceovers forming a chorus of reflection and resilience. Social media interludes—Instagram and YouTube clips—offer glimpses of each character’s layered persona, connecting their constructed identities to their reality.
CRESTONE was my first feature film and a transformative milestone in my career. Shot in just eight days on a $5,000 budget, with a total production cost under $25,000, the project pushed me to grow as a filmmaker under intense constraints. These challenges sharpened my skills, making me a resourceful and adaptive artist. The process taught me to embrace intimacy and collaboration, setting the standard for how I approach relationships with my cast and crew.
More than a filmmaking endeavor, CRESTONE was an education in vulnerability, trust, and creative exploration. It allowed me to establish my voice as a hybrid-doc filmmaker, blending reality and fiction to reflect the complexity of human experience. This film opened the door to long-form storytelling, laying the foundation for my artistic journey and giving me the confidence to pursue my vision as a filmmaker.
Official Screenings:
Screenings/Festivals:
2020 TRUE/FALSE FILM FEST • Columbia, MO
2020 SXSW Film Festival Official Selection
2020 THE 4:3 ONLINE FILM FESTIVAL
2020 Maryland Film Festival
2020 Milwaukee Film Festival
2020 Beat Film Festival
2020 Champs Elysées Film Festival
2020 Denver Film Festival
2020 American Film Festival in Poland
2020 Sound Unseen 21
2020 Unerhört Music Film Festival
2020 The DocYard Online
2020 Bellweather Series
2021 CPH:DOX
(see resume for other screenings)
Selected press:
Bright Wall/Dark Room
Filmmaker Magazine
IonCinema
Bmore Art
Moveable Fest
Vox Magazine
Director/Writer - Marnie Ellen Hertzler
Original Score - Animal Collective
Cinematographer/Writer - Corey Hughes
Editor - Albert Birney
Producers - Riel Roch-Decter and Sebastian Pardo
https://memory.is/crestone
-
Crestone behind the scenes photo
-
Crestone Still
-
Crestone Still
-
Crestone Still
-
Crestone Still
-
Crestone Still
-
Crestone Still
-
Crestone Still
-
Crestone | Official Red Band TrailerCrestone official trailer through Utopia Distribution.
-
CRESTONE-- Clips from the Feature FilmClips from the feature film CRESTONE. -- In a world that undulates between fact and fiction, digital and physical, the last people alive on earth are a group of Soundcloud rappers living a solitary existence in the desert town of Crestone, Colorado. Once a religious and spiritual mecca for many, Crestone creates a compelling cinematic backdrop of endless sand dunes, waterfalls, and dark caves juxtaposed with images of tattooed bodies, cosplay wardrobes, and clouds of marijuana smoke. When the rappers are visited by a hometown friend, they decide to make a movie together. This movie is a love letter. This movie is about the end of the world.
Dirt Daughter
Synopsis:
Many of us think of the internet as an infinite, invisible resource, but it is finite, physical, and stored in vast underground servers. One such server lies beneath a giant, empty building far from anywhere, where Lily lives alone, guarding its vast, visible nothingness. Recently, she broke up with her boyfriend.
Personal Statement:
Dirt Daughter is a dark-comedy short film exploring themes of digital communication, online dating, and the strange, humorous ways these intersect with our humanity. The film draws parallels between the ephemeral nature of romantic relationships and the tangible yet surreal physicality of the internet. By juxtaposing the internet’s vast, looming presence with the protagonist’s emotional isolation, the story highlights the existential tension of being human in an incomprehensible universe.
Blending sci-fi with speculative realism, Dirt Daughter reimagines the internet as a physical, finite space—both infinite in its implications and deeply rooted in reality. Filmed in downtown Baltimore at the historic Hutzler Building, the location becomes an integral character, guiding Lily through its vacant halls and shaping her journey toward self-actualization. Ultimately, the film explores how connection, even within the seemingly infinite realm of the digital world, can provide unity and meaning.
Dirt Daughter was my first scripted narrative film and marked a pivotal shift in my practice as a filmmaker. Known for documentaries and hybrid-docs, I created this film as a way to challenge myself with the structure and discipline of scripted storytelling while editing my first feature, Crestone. The project allowed me to stay engaged with my crew and collaborators during a demanding creative period.
Accustomed to the flexibility of documentary filmmaking, I found scripted storytelling to be both challenging and invigorating, pushing me to adapt my creative instincts to new constraints. This experience taught me to embrace structure while maintaining the collaborative and experimental spirit of my previous work—a balance I strive to bring to every project I undertake.
Screenings and Collections:
The Criterion Channel
EYESLICER SEASON 2
NoBudge online screening feature, 2019
Indie Grits, Columbia, SC, 2019
Borscht Film Festival, Miami, FL, 2019
Press:
CULTURED MAG
(2019, 13 min.)
-
Dirt DaughterMany of us believe that the internet isn't a physcial thing, rather an infinite, invisible resource. But the internet is finite, and very physical, and it is tucked away in a vast underground internet serer below a giant, empty building far, far away. Lily lives alone in this building and guards it and all of its visible, physical, nothingness. She just broke up with her boyfriend. (2019, 13 min.)
-
Dirt Daughter StillStill from short film "Dirt Daughter"
-
Dirt Daughter StillStill from short film "Dirt Daughter"
-
Dirt Daughter StillStill from short film "Dirt Daughter"
-
Dirt Daughter StillStill from short film "Dirt Daughter"
-
Dirt Daughter StillStill from short film "Dirt Daughter"
-
Dirt Daughter StillStill from short film "Dirt Daughter"
Hi I Need To Be Loved
Synopsis:
"I am going to have you read from a collection of my spam emails," the director explains, ushering Craigslist actors one by one into an audition room. Together, they attempt to breathe life into lifeless, manipulative, and nonsensical email dialogue, transforming the digital and inhumane into something startlingly human.
The film unfolds as a playful yet poignant exploration of the absurd. The slate, light stands, teleprompter, boom operator, and scattered film equipment are all visible, grounding the performance in its constructed reality. Scenes shift from a sterile audition room to a cow pasture, a sunset, and even a strip club. The result is a surreal tapestry of moments that ask: Is this poetry or malware?
Personal Statement:
HI I NEED TO BE LOVED was my most ambitious project to date. It brought together a full crew, a cast of over 15 actors, and four unique locations. It was also my first collaboration with the production company MEMORY, a partnership that has continued to shape my filmmaking journey.
This film represents a moment of creative freedom for me as a filmmaker. Inspired by the internet, literature, personal relationships, dreams, and the world around me, I wove these elements into an experimental short that feels deeply personal. It’s a work that not only reflects my identity as an artist but also celebrates the collaborative spirit that drives my process.
Filmed in and around Baltimore, HI I NEED TO BE LOVED captures the vibrancy of the city and its surrounding landscapes. Collaboration was at the heart of the project, from working closely with my crew and cast to integrating the evocative score by Dan Deacon and the Mind on Fire orchestra. Music and image coalesced to create a film that feels alive—a celebration of connection, creativity, and the language of film itself.
This project allowed me to embrace my voice as an experimental filmmaker while strengthening relationships with those around me. It’s a work that embodies not just what I make, but how I make it—with curiosity, collaboration, and a commitment to weaving meaning out of the unexpected.
Written and Directed by: Marnie Ellen Hertzler
Original Score: Dan Deacon
Director of Photography: Corey Hughes
Executive Producers: Riel Roch-Decter and Sebastian Pardo
Edited by: Albert Birney
Official Selections/Screenings:
2019 Rotterdam International Film Festival
2019 London Short Film Festival
2018 Locarno Film Festival
2018 Vancouver International Film Festival
2018 El Gouna Film Festival
2018 Valdiva Film Festival
2018 New Orleans Film Festival
2018 Denver Film Festival
2019 London Short Film Festival
Press:
Medium: Experimental Shorts Highlights NOFF - 2018
The New Orleans Advocate: 7 Must See Films at the 2018 New Orleans Film Festival - 2018
(2018, 11 min.)
-
Hi I Need To Be Loved'I am going to have you read from a collection of my spam emails,' The director explains as she ushers actors from Craigslist one-by-one into an audition room. The actors and the director together attempt to breathe life into lifeless, manipulative, malicious, and nonsensical email dialogue in an attempt to realize and humanize the digital and inhumane. All is revealed to the viewer; The slate, light stands, teleprompter, a boom operator, film equipment litters the audition room floor, a cow pasture, a sunset, a strip club. Is this poetry or malware? (2018, 11 min.)
-
Film StillActor while preforming a reading of a spam email from the view of the teleprompter.
-
Film StillClose up of Actor while preforming a reading of a spam email.
-
Set PhotographyA photograph on set of the Director (Marnie Ellen Hertzler) and Actor during the audition process
-
Set PhotographyPhotograph of the farm location.
-
Set PhotographyThe teleprompter - an integral character to the audition process of the film
-
Hi I Need To Be Loved -- Short Film TrailerTrailer for the short film HI I NEED TO BE LOVED - Actors from Craigslist audition for a film by reading spam emails from a teleprompter. Three are cast: A Dancer, A Chef, and A Milkmaid. Is it poetry or malware? (2018, 11min)
Growing Girl animation and performance
Synopsis:
Using unconventional animation platforms and stock photo characters, Growing Girl is an animated exploration of office culture, the reclamation of female identity, and a remedy for the internalization of a universal social conflict.
The film unfolds as a surreal PowerPoint presentation—a meditation on snakes and all the things I wish I had done. Growing Girl has been showcased in theatrical settings and performed live in the style of a business presentation, complete with a live score and dialogue, blending humor, reflection, and innovation into a unique cinematic experience.
Personal Statement:
Growing Girl was a pivotal moment in my career as a filmmaker. It was the first time I directed an actor within my practice and the first of my films to find success on the film festival circuit. This success brought transformative opportunities: I connected with producers who now collaborate with me on my feature films and formed lasting relationships with festival programmers who continue to champion my work.
Most importantly, Growing Girl helped me discover my voice as a director. Through the process, I learned the power of fostering meaningful relationships with actors and how those connections can elevate the art we create together. My collaboration with Isobel Arnberg, the actress in this animation, was particularly significant. Our creative partnership has since grown, leading to her appearances in two subsequent short films. I look forward to continuing our collaboration in the future.
Beyond its professional impact, Growing Girl taught me the importance of honesty and vulnerability in my work. By embracing openness, I created a film that resonates deeply with audiences while staying true to my artistic instincts. This project not only marked a turning point in my career but also solidified my commitment to crafting films that are bold, personal, and unafraid to explore the unexpected.
Directed/Animated - Marnie Ellen Hertzler
Sound/Original Score - Dan Deacon
Original Poetry - Maya Martinez
Producers - Jillian Mayer, Matt Porterfield
Starring - Isobel Arnberg
Additional Animation - Albert Birney
Official Selections/Screenings
2019 Museum of Modern Art New York
2018 Oak Cliff Film Festival
2018 Indie Grits Film Festival
2018 Florida Film Festival
2018 Ann Arbor Film Festival
2017 Borscht Film Festival
2017 Maryland Film Festival
2017 New Orleans Film Festival
2017 Cucalorus Film Festival
Press:
Good Short Films: Growing Girl - 2018
(2016, 11 min.)
-
Growing Girl AnimationUtilizing unconventional animation platforms, and stock photo characters, Growing Girl is an animation that explores the form and setting of office culture, the reclamation of an empowered female identity, and a remedy for the internalization of an all-too-common social conflict. (2016, 11 min.)
-
Growing Girl animation stillVideo still from Growing Girl animation
-
Growing Girl animation stillVideo still from Growing Girl animation
-
Growing Girl performance photoPhotograph from Growing Girl live performance Miami, FL 2017 -- Borscht Film Festival
-
Growing Girl performance photoPhotograph from Growing Girl live performance Miami, FL 2017 -- Borscht Film Festival
-
Growing Girl performance photoPhotograph from Growing Girl live performance Miami, FL 2017 -- Borscht Film Festival
-
Growing Girl performance photoPhotograph from Growing Girl live performance Miami, FL 2017 -- Borscht Film Festival