Work samples
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String Quartet in 3 Parts by Liz Meredith
String Quartet in 3 Parts. Part 1: Gliding, Slowly Part 2: Color, Form Part 3: Fiber, Texture
Composed by Liz Meredith in 2003 and performed by the Esterhazy Quartet in 2003 Boston, MA.
Performance Notes:
This is an interactive and improvisational composition. Each player has the freedom to play any melodic line non-sequentially from Parts 1, 2, or 3 at any time. Every staff system is a separate melodic idea, and may be repeated or lopped as desired. When there is a fermata printed, the instrumentalist can hold the sustained note for however long they feel necessary.
The timing is free, allowing the ensemble and individual players to use their internal sense of tempo. The overall tempo of the piece should fluctuate between 45-65 b.p.m. Please be aware of space and silence. Tbe texture is sparse; therefore players can use silence as an improvisational technique.
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Liz Meredith solo performance 2012 at 2640 Space
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Repro - Ext EP by Liz Meredith (Hard Return, 2024)
Repro - Ext | Liz Meredith | Hard Return
1.
A 08:10
2.
B 09:22
about
In a furtherance of the sound explored on her 2019 album Repro. (released on s P L e e N C o F F i N), Liz Meredith entwines viola into tape loops and dissolves the distinction between them. Both pieces arrive at a slow heave of texture, rendered rough by faltering tape or the scuff of an adjusted bow, while harmonics whistle atop the primary tones like tiny clusters of pipes. As with Repro., there is an irresistible tension at play: between the immaculate premise of the perpetual drone, and the slow deteriorations and strange protrusions that characterise the materials of capture.
About Liz

Liz Meredith is a violist, improviser and composer from Baltimore, MD. Her music explores intersections between acoustic chamber music, instrumental improvisation, electro-acoustic composition, and ambient music. Liz’s recordings include 3 solo albums, The Disposition of Vibrant Forms, a 5 LP set in collaboration with John Somers, and various solo and collaborative works on cassette. Her most recent solo albums Repro – Ext (Hard Return) & Repro (s P L e e N C o… more
Liz Meredith - Interviews, Reviews, Awards & Photographs
A collection of interviews, reviews, awards, and photographs from print and digital publications.
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Liz Meredith - Art/Sound/Now Performance. The Walters Art Museum Members Magazine (2019)Violist and composer Liz Meredith performs an original work meditating on the landscape paintings on the 4th floor in 2018. The Walters Museum Members Magazine (Summer, 2019).
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Liz Meredith - Repro LP. ATTN Magazine. U.K. (April, 2019)Liz Meredith - Repro LP. Jack Chuter, ATTN Magazine. U.K. (April, 2019). www.attnmagazine.co.uk/music/13794
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Liz Meredith - Repro LP. ATTN Magazine. U.K. (April, 2019)Liz Meredith - Repro LP. ATTN Magazine. U.K. (April, 2019). www.attnmagazine.co.uk/music/13794
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Baltimore City Paper - 2012 Top Ten IssueLiz Meredith LP, "2012 Top Ten Local Experimental and Avant-Garde Albums". Baltimore City Paper Vol. 36, No. 50 (December 12-19th, 2012).
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Baltimore City Paper - 2012 Top Ten IssueLiz Meredith LP, "2012 Top Ten Local Experimental and Avant-Garde Albums". Baltimore City Paper Vol. 36, No. 50 (December 12-19th, 2012).
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City Paper - 2013 Best Of Baltimore AwardBest Box Set: The Disposition Of Vibrant Forms, Liz Meredith & John Somers
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Baltimore City Paper - 2013 Best Of Baltimore Issue"Ambient noise is typically the sort of thing people can only take in small doses—if they can take it at all. Ambient noise as long-form jam? In a box set of five LPs? You might need one hand to count all the die-hard fans for that. All of which makes violinist/composer Liz Meredith and guitarist/composer John Somers The Disposition of Vibrant Forms a minor miracle: five side-long tracks of warm, amorphous ooze that engages the brain as much as it pleases the senses. Think of it as the soundtrack to an imagined abstract film being projected onto the backs of eyelids for about three hours." - Baltimore City Paper Vol. 37, No. 38 (September 18-25, 2013).
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Baltimore City Paper - Sunny Disposition: Liz Meredith & John Somers Go Epic on 5 LP Box Set“The Disposition of Vibrant Forms is an epic release in every sense of the word. It’s also quite frequently breathtakingly gorgeous, a recording that rewards spending the time it takes to drink it in. […] Each piece is an example of extreme subtlety, music that works in different ways at low or intense volumes and becomes borderline hallucinogenic through headphones. What can initially sound like a snail’s plodding journey also carries these little dancing tones in clusters, and the ear begins to seek them out patiently. Such minute alterations, like a window’s lights coming on in Warhol’s Empire, occur over such elongated time periods that they accrue a dramatic impact. […] ‘Montebello Lake’ parts I and II suggest late-afternoon sunlight slowly drifting into dusk. Meredith’s viola lines trace long drones that capture that levitating twilight when the sun sets yet the sky remains bathed in light. Somers’ guitar textures get smeared into long shadows, and the piece concludes in a ringing tone of night’s arrival, that reminder that dark has imperceptibly swallowed the sky and it’s time to head home.” - Bret McCabe, "Sunny Disposition: Liz Meredith and John Somers Go Epic on 5 LP Box Set." Baltimore City Paper Vol. 37, No.12 (March 20-27, 2013).
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Baltimore City Paper - Sunny Disposition: Liz Meredith & John Somers Go Epic on 5 LP Box Set"Somers (left), and Meredith (right) would rather suffocate than risk over-exposure." Press photograph. Michael Northrup, Baltimore City Paper Vol. 37, No.12 (March 20-27, 2013).
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Baltimore City Paper - Sunny Disposition: Liz Meredith & John Somers Go Epic on 5 LP Box SetJohn Somers (left), Liz Meredith (right). Press photograph. Michael Northrup, Baltimore City Paper Vol. 37, No.12 (March 20-27, 2013).
Liz Meredith - Repro, Ext EP (Hard Return, 2024)
Repro - Ext | Liz Meredith | Hard Return
1.
A 08:10
2.
B 09:22
about
In a furtherance of the sound explored on her 2019 album Repro. (released on s P L e e N C o F F i N), Liz Meredith entwines viola into tape loops and dissolves the distinction between them. Both pieces arrive at a slow heave of texture, rendered rough by faltering tape or the scuff of an adjusted bow, while harmonics whistle atop the primary tones like tiny clusters of pipes. As with Repro., there is an irresistible tension at play: between the immaculate premise of the perpetual drone, and the slow deteriorations and strange protrusions that characterise the materials of capture.
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Liz Meredith - Repro, Ext (Hard Return, 2024)
Repro - Ext | Liz Meredith | Hard Return
1.
A 08:10
2.
B 09:22
about
In a furtherance of the sound explored on her 2019 album Repro. (released on s P L e e N C o F F i N), Liz Meredith entwines viola into tape loops and dissolves the distinction between them. Both pieces arrive at a slow heave of texture, rendered rough by faltering tape or the scuff of an adjusted bow, while harmonics whistle atop the primary tones like tiny clusters of pipes. As with Repro., there is an irresistible tension at play: between the immaculate premise of the perpetual drone, and the slow deteriorations and strange protrusions that characterise the materials of capture.
Available for Purchase -
Liz Meredith - Repro - Ext (Hard Return, 2024)
Repro - Ext | Liz Meredith | Hard Return
1.
A 08:10
2.
B 09:22
about
In a furtherance of the sound explored on her 2019 album Repro. (released on s P L e e N C o F F i N), Liz Meredith entwines viola into tape loops and dissolves the distinction between them. Both pieces arrive at a slow heave of texture, rendered rough by faltering tape or the scuff of an adjusted bow, while harmonics whistle atop the primary tones like tiny clusters of pipes. As with Repro., there is an irresistible tension at play: between the immaculate premise of the perpetual drone, and the slow deteriorations and strange protrusions that characterise the materials of capture.
Available for Purchase -
"Best Experimental Music on Bandcamp: August 2024 Liz Meredith - Repro, Ext (Hard Return, 2024)
"Best Experimental Music on Bandcamp: August 2024:
https://daily.bandcamp.com/best-experimental/the-best-experimental-music-on-bandcamp-august-2024
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Liz Meredith - Repro - Ext - 01 A.mp3
Liz Meredith - Repro, Ext 01 A
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Liz Meredith - Repro - Ext - 02 B.mp3
Liz Meredith - Repro, Ext - 02 - B
Liz Meredith - Repro, LP (Spleencoffin, 2019)
© 2019 s P L e e N C o F F i N
On Spleencoffin:
www.spleencoffin.com/portfolio/liz-meredith-repro
Press:
“Meredith’s gestures are simple and seemingly impulsive. Recurring drones that whirr and cough. Harmonics snagged on the sharp edge of the looper return. Yet endurance renders them profound, just how even the most everyday objects accrue a quiet wisdom as their colours start to fade and mud smatters their surfaces.”
- Jack Chuter, ATTN Magazine
“Meredith is a true electroacoustic adventurer, utilizing viola, electronics, and tape loops to unfurl drones behind her as she progresses, as if she were alone on a slowly drifting boat and the sounds were the memories of her passing.”
– Ryan Masteller, Tiny Mix Tapes
“Four pieces, all dealing with loops, so I would think, and in each of them this is worked out in quite a different way, and yet Meredith keeps it all close together by using a very minimal approach every time. That is the thread that runs through these pieces. This is all quite a surprise! It is a very great and consistent record. It begs the question: why act so obscure? This is a great record; something to be proud of.”
– Frans de Waard, Vital Weekly
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Liz Meredith - Repro, LP (Spleencoffin, 2019)Liz Meredith’s long-awaited follow up to her self-released debut solo LP presents four new minimalist pieces for viola, electronics, and tape loops. Wielding a rich palette of densely laden string textures, tape squelches, and searing tones, Liz shows her mastery of the slow burn. Cover art is screen printed with magenta, yellow, and silver spectrographic renderings of the tape loop sources from these compositions.
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iRepro, LP (Spleencoffin, 2019) Track 1
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iiRepro, LP (Spleencoffin, 2019) Track 2
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iiiRepro, LP (Spleencoffin, 2019) Track 3
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ivRepro, LP (Spleencoffin, 2019) Track 4
Liz Meredith & John Somers - The Disposition Of Vibrant Forms, 5 LP Set (Self-Released, 2013)
© 2013 Liz Meredith & John Somers
On Bandcamp:
www.thedispositionofvibrantforms.bandcamp.com
Press:
"This month, Meredith and Somers self-released The Disposition of Vibrant Forms, a five-LP box set of ambient textures and droning soundscapes. [...] Yes, that's right: five LPs, a single piece of music per side, total running time 181 minutes and 28 seconds. [..] The Disposition of Vibrant Forms is an epic release in every sense of the word. It’s also quite frequently breathtakingly gorgeous, a recording that rewards spending the time it takes to drink it in. […] Each piece is an example of extreme subtlety, music that works in different ways at low or intense volumes and becomes borderline hallucinogenic through headphones. What can initially sound like a snail’s plodding journey also carries these little dancing tones in clusters, and the ear begins to seek them out patiently. Such minute alterations, like a window’s lights coming on in Warhol’s Empire, occur over such elongated time periods that they accrue a dramatic impact. […] ‘Montebello Lake’ parts I and II suggest late-afternoon sunlight slowly drifting into dusk. Meredith’s viola lines trace long drones that capture that levitating twilight when the sun sets yet the sky remains bathed in light. Somers’ guitar textures get smeared into long shadows, and the piece concludes in a ringing tone of night’s arrival, that reminder that dark has imperceptibly swallowed the sky and it’s time to head home.”
- Bret McCabe, Baltimore City Paper (2013)
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Liz Meredith & John Somers - The Disposition Of Vibrant Forms (5 LP Set, Self-Released 2013)Liz Meredith & John Somers - The Disposition Of Vibrant Forms, 5 LP Set (Self-Released, 2013)
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Liz Meredith & John Somers - The Disposition Of Vibrant Forms, 5 LP Set (Self-Released, 2013)Liz Meredith & John Somers - The Disposition Of Vibrant Forms, 5 LP Set (Self-Released, 2013)
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Liz Meredith & John SomersJohn Somers (left), and Liz Meredith (right). Press photograph. Michael Northrup, Baltimore City Paper Vol. 37, No.12 (March 20-27, 2013).
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The Disposition Of Vibrant FormsTrack 10. Precession (In Time)
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The Disposition Of Vibrant FormsTrack 9. Cloud Dance
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The Disposition Of Vibrant FormsTrack 8. Slow Lift
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The Disposition Of Vibrant FormsTrack 5. Montebello Lake - Part I
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The Disposition Of Vibrant FormsTrack 4. Resonant Flow
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The Disposition Of Vibrant FormsTrack 3. Forward Motion
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The Disposition Of Vibrant FormsTrack 1. Wind Harp - Part I
Liz Meredith - s/t, LP (Self-Released, 2012)
Limited edition 12" record (LP). Record pressed to dark turquoise blue marble colored vinyl. Album packaged in original artwork by Liz Meredith.
On Bandcamp:
www.lizmeredith.bandcamp.com
© 2012 Liz Meredith
Press:
"Last month, local violinist and composer Liz Meredith released a self-titled LP featuring two luxuriant, sidelong immersions into subtly shifting moods. Surprisingly, it's her first proper solo outing and it features two pieces she's been working over the past decade. This debut is surprising only because it feels like Meredith has become a versatile presence in local avant music, plying her string brio in High Zero/Red Room lineups and delivering hypnotic solo sets-surely she's set sound to wax sometime before? Turns out she hasn't, instead spending the last decade impressively honing her skills and ideas: She studied viola with the Kronos Quartet's Hank Dutt and composition with Fred Frith, the British guitarist who put the wiggy beauty and gnarled thrusts into Henry Cow, the Art Bears, and Naked City. Well, her patience has paid off. Liz Meredith is a gorgeous plunge into a plaintive mood, a place where rising and falling electronic textures and drawn-out viola lines cast soothing shadow plays on the brain. The glistening Side B clings to the ears the longest, the sound of a slow, cinematic fade-out that takes nearly 20 minutes to move from a tight close-up to a widescreen vista, every increment recalibrating the emotional kick of the image being branded on the mind's eye".
- Bret McCabe, Baltimore City Paper (2012)
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Liz Meredith - s/t LP (Self-Released, 2012)Liz Meredith - s/t LP: Limited edition 12" record (LP). Record pressed to dark turquoise blue marble colored vinyl. Album packaged in original artwork by Liz Meredith. © 2012 Liz Meredith. On Bandcamp: www.lizmeredith.bandcamp.com
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Liz Meredith - s/t LP (Self-Released, 2012)LP record artwork (back). Album artwork: Liz Meredith.
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Liz MeredithLiz Meredith solo performance: violin/electronics. Baltimore MD, 2014.
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Liz MeredithLiz Meredith solo performance: violin/electronics. Baltimore MD, 2014.
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Liz Meredith - s/t LP (Self-Released, 2012)Track 2. B (17:42)
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Liz Meredith - s/t LP (Self-Released, 2012)Track 1. A (20:28)
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Liz Meredith at 2640 Space
Liz Meredith solo performance: viola/electronics. 2640 Space Baltimore MD, 2012.
Light/Dark - Art/Sound/Now performance at The Walters Art Museum (2018, 2019)
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Liz MeredithViolist and composer Liz Meredith performs an original work meditating on the landscape paintings on the 4th floor in 2018. The Walters Museum Members Magazine (Summer, 2019).
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Liz MeredithViolist and composer Liz Meredith performs an original work meditating on the landscape paintings on the 4th floor in 2018. The Walters Museum Members Magazine (Summer, 2019).
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Liz MeredithViolist and composer Liz Meredith performs an original work meditating on the landscape paintings on the 4th floor in 2018. The Walters Museum Members Magazine (Summer, 2019).
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Liz Meredith Light/Dark at The Walters Art Museum Art/Sound/Now 5 Year CelebrationLiz Meredith Light/Dark. The Walters Art Museum Art/Sound/Now 5 Year Celebration. Baltimore MD, July 18th, 2019. Liz Meredith: viola, field recordings, electronics.
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North Point State ParkField recording site at North Point State Park. Edgemere, MD 2019.
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North Point State ParkField recording site at North Point State Park. Edgemere, MD 2019.
Liz Meredith - Freely Improvised Music (2000-Present)
Free improvisation is at the heart of much of my practice as an instrumentalist and also as a composer. Career highlights include being a featured improviser at Baltimore's own High Zero Festival in 2010 and 2021, Experimental Sound Studio's "The Quarantine Concerts Series" for Spleencoffin Record Label Showcase, the Impermanent Society of Philadelphia's Philadelphia Free Form Festival in 2016, and for Baltimore's Ratscape Festival in 2019; in collaboration with NYC-based master Butoh choreographer Azumi OE.
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High Zero Festival, 2010 (Part 1)High Zero Festival (2010). Ayako Kataoka: movement, MaxMSPJitter, Peter B: electronics, Drew Daniel: electronics, Shayna Dunkelman: percussion, Ju Suk Reet Meate: trumpet, Liz Meredith: viola, Wobbly: electronics. September 25th, 2010. Baltimore Maryland.
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Liz Meredith & Azumi OE at Ratscape Festival, 2019Ratscape Festival, 2019. Baltimore MD. Azumi OE: choreography, dance, Liz Meredith: viola, electronics, Michael Young: lighting, curation
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High Zero Festival, 2010 (Part 2)High Zero Festival (2010). Ayako Kataoka: movement, MaxMSPJitter, Peter B: electronics, Drew Daniel: electronics, Shayna Dunkelman: percussion, Ju Suk Reet Meate: trumpet, Liz Meredith: viola, Wobbly: electronics. September 25th, 2010. Baltimore Maryland.
Liz Meredith - Graphic Scores (2009-present)
These pieces are to be interpreted freely. Musicial decisions such as dynamics, rhythm, pitch, and timbre are to be made on an individual basis by the performer(s). The instrumentation and number of players is open, with a suggested number ranging between 1-4 performers. The sequence, duration, and number of scores performed are to be chosen by the performer(s).
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Graphic Score, #1Graphic Score: black ink, paper.
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Graphic Score, #2Graphic Score: black ink, paper.
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Graphic Score, #3Graphic Score: black ink, paper.
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Graphic Score, #4Graphic Score: black ink, paper.
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Graphic Score, #5Graphic Score: black ink, paper.
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Graphic Score, #6Graphic Score: black ink, paper, transparency.
Liz Meredith - String Quartet in 3 Parts (2003)
String Quartet in 3 Parts. Part 1: Gliding, Slowly Part 2: Color, Form Part 3: Fiber, Texture
Composed by Liz Meredith in 2003 and performed by the Esterhazy Quartet in 2003 Boston, MA.
Performance Notes:
This is an interactive and improvisational composition. Each player has the freedom to play any melodic line non-sequentially from Parts 1, 2, or 3 at any time. Every staff system is a separate melodic idea, and may be repeated or lopped as desired. When there is a fermata printed, the instrumentalist can hold the sustained note for however long they feel necessary.
The timing is free, allowing the ensemble and individual players to use their internal sense of tempo. The overall tempo of the piece should fluctuate between 45-65 b.p.m. Please be aware of space and silence. Tbe texture is sparse; therefore players can use silence as an improvisational technique.