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Work Samples

Present from Another Country to this White Box

Present from Another Country to this White Box
Present from Another Country to this White Box

I’ve Been Here (detail)

I’ve Been Here (detail)

The Shrine

The Shrine

Slaughterhouse Scene

Slaughterhouse Scene

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About Lite

Baltimore City

Lite Zhang's picture
A Chinese artist in the United States looking for differences of arts and culture between the East and the West. I graduated from Maryland Institute College of Art in Interdisciplinary Sculpture major and continued master study at Rinehart School of Sculpture at MICA. As a Chinese artist, I redefine many traditional Eastern cultures and present them in modern 3D language, and participate in exhibitions. I am passionate about exploring the infinite possibilities of materials, using common materials... more

The Shrine

The Shrine

driftwood, metal, 

hemp rope

24” x 60” x 75”

Different contexts can appreciate or depreciate anything. But all those materials deserve a spot in our history.

  • The Shrine

    driftwood, metal, hemp rope 24” x 60” x 75” Different contexts can appreciate or depreciate anything. But all those materials deserve a spot in our history.

  • The Shrine

    driftwood, metal, hemp rope 24” x 60” x 75” Different contexts can appreciate or depreciate anything. But all those materials deserve a spot in our history.

  • The Shrine

    driftwood, metal, hemp rope 24” x 60” x 75” Different contexts can appreciate or depreciate anything. But all those materials deserve a spot in our history.

Slaughterhouse Scene

Slaughterhouse Scene

2021

drift wood, construction wood, 

metal, hemp rope

80” x 40” x 120”

Construction wood and food-producing animals have a lot of similarities.

  • Slaughterhouse Scene

    drift wood, construction wood, metal, hemp rope 80” x 40” x 120” Construction wood and food-producing animals have a lot of similarities.

  • Slaughterhouse Scene (detail)

    drift wood, construction wood, metal, hemp rope 80” x 40” x 120” Construction wood and food-producing animals have a lot of similarities.

  • Slaughterhouse Scene (detail)

    drift wood, construction wood, metal, hemp rope 80” x 40” x 120” Construction wood and food-producing animals have a lot of similarities.

Vagrancy

Vagrancy

drift wood, construction wood, hemp rope

85" x 34” x 110"

Do you know how much suffering each piece of driftwood has been through?

  • Vagrancy

    drift wood, construction wood, hemp rope 85" x 34” x 110" Do you know how much suffering each piece of driftwood has been through?

  • Vagrancy (detail)

    drift wood, construction wood, hemp rope 85" x 34” x 110" Do you know how much suffering each piece of driftwood has been through?

I’ve Been Here

I’ve Been Here 

spray paint Graffiti Intervention I see myself as a tourist in the US. In this graffiti alley, I re-author tagging language into an organized movement, by covering all overlapped, damaged, tagging into I've been here. Creating a vague background for intact graffiti works. Also irony about tourism illegal tagging on scenic spots and historical sites. 

  • I’ve Been Here

    spray paint Graffiti Intervention I see myself as a tourist in the US. In this graffiti alley, I re-author tagging language into an organized movement, by covering all overlapped, damaged, tagging into I've been here. Creating a vague background for intact graffiti works. Also irony about tourism illegal tagging on scenic spots and historical sites.

  • I’ve Been Here (detail)

    spray paint Graffiti Intervention I see myself as a tourist in the US. In this graffiti alley, I re-author tagging language into an organized movement, by covering all overlapped, damaged, tagging into I've been here. Creating a vague background for intact graffiti works. Also irony about tourism illegal tagging on scenic spots and historical sites.

  • I’ve Been Here (detail)

    spray paint Graffiti Intervention I see myself as a tourist in the US. In this graffiti alley, I re-author tagging language into an organized movement, by covering all overlapped, damaged, tagging into I've been here. Creating a vague background for intact graffiti works. Also irony about tourism illegal tagging on scenic spots and historical sites.

The Modern Silk Road

The Modern Silk Road

suitcase, fabric, yarn 60” x 45” x 45” As an international student traveling between eastern and western. The suitcase becomes a camel as a vehicle just like the ancient silk road.

  • The Modern Silk Road

    suitcase, fabric, yarn 60” x 45” x 45” As an international student traveling between eastern and western. The suitcase becomes a camel as a vehicle just like the ancient silk road.

  • The Modern Silk Road (detail)

    suitcase, fabric, yarn 60” x 45” x 45” As an international student traveling between eastern and western. The suitcase becomes a camel as a vehicle just like the ancient silk road.

  • The Modern Silk Road (detail)

    suitcase, fabric, yarn 60” x 45” x 45” As an international student traveling between eastern and western. The suitcase becomes a camel as a vehicle just like the ancient silk road.

The Toilet Scene

The Toilet Scene

wood

85” x  85” x  9”

Every time he enters the toilet he sees toilet papers and paper towels scattered in the wrong place.

  • The Toilet Scene

    wood 85” x 85” x 9” Every time he enters the toilet he sees toilet papers and paper towels scattered in the wrong place.

  • The Toilet Scene (detail)

    wood 85” x 85” x 9” Every time he enters the toilet he sees toilet papers and paper towels scattered in the wrong place.

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LiteZhang

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