Work samples

  • Present from Another Country to this White Box
    Present from Another Country to this White Box
  • I’ve Been Here (detail)
    I’ve Been Here (detail)
  • The Shrine
    The Shrine
  • Slaughterhouse Scene
    Slaughterhouse Scene

About Lite

Baltimore City
A Chinese artist in the United States looking for differences of arts and culture between the East and the West.
I graduated from Maryland Institute College of Art in Interdisciplinary Sculpture major and continued master study at Rinehart School of Sculpture at MICA.
As a Chinese artist, I redefine many traditional Eastern cultures and present them in modern 3D language, and participate in exhibitions. I am passionate about exploring the infinite possibilities of materials,… more

The Shrine

The Shrine

driftwood, metal, 

hemp rope

24” x 60” x 75”

Different contexts can appreciate or depreciate anything. But all those materials deserve a spot in our history.
  • The Shrine
    driftwood, metal, hemp rope
    24” x 60” x 75”


    Different contexts can appreciate or depreciate anything.
    But all those materials deserve a spot in our history.
  • The Shrine
    driftwood, metal, hemp rope
    24” x 60” x 75”


    Different contexts can appreciate or depreciate anything.
    But all those materials deserve a spot in our history.
  • The Shrine
    driftwood, metal, hemp rope
    24” x 60” x 75”


    Different contexts can appreciate or depreciate anything.
    But all those materials deserve a spot in our history.

Slaughterhouse Scene

Slaughterhouse Scene

2021

drift wood, construction wood, 

metal, hemp rope

80” x 40” x 120”


Construction wood and food-producing animals have a lot of similarities.

  • Slaughterhouse Scene
    drift wood, construction wood,
    metal, hemp rope
    80” x 40” x 120”

    Construction wood and food-producing animals have a lot of similarities.
  • Slaughterhouse Scene (detail)
    drift wood, construction wood,
    metal, hemp rope
    80” x 40” x 120”

    Construction wood and food-producing animals have a lot of similarities.
  • Slaughterhouse Scene (detail)
    drift wood, construction wood,
    metal, hemp rope
    80” x 40” x 120”

    Construction wood and food-producing animals have a lot of similarities.

Vagrancy

Vagrancy

drift wood, construction wood, hemp rope

85" x 34” x 110"


Do you know how much suffering each piece of driftwood has been through?

  • Vagrancy


    drift wood, construction wood, hemp rope
    85" x 34” x 110"

    Do you know how much suffering each piece of driftwood has been through?
  • Vagrancy (detail)
    drift wood, construction wood, hemp rope
    85" x 34” x 110"

    Do you know how much suffering each piece of driftwood has been through?

I’ve Been Here

I’ve Been Here  spray paint Graffiti Intervention I see myself as a tourist in the US. In this graffiti alley, I re-author tagging language into an organized movement, by covering all overlapped, damaged, tagging into I've been here. Creating a vague background for intact graffiti works. Also irony about tourism illegal tagging on scenic spots and historical sites. 
  • I’ve Been Here

    spray paint
    Graffiti Intervention

    I see myself as a tourist in the US. In this graffiti alley, I re-author tagging language into an organized movement, by covering all overlapped, damaged, tagging into I've been here. Creating a vague background for intact graffiti works. Also irony about tourism illegal tagging on scenic spots and historical sites.
  • I’ve Been Here (detail)


    spray paint
    Graffiti Intervention

    I see myself as a tourist in the US. In this graffiti alley, I re-author tagging language into an organized movement, by covering all overlapped, damaged, tagging into I've been here. Creating a vague background for intact graffiti works. Also irony about tourism illegal tagging on scenic spots and historical sites.
  • I’ve Been Here (detail)

    spray paint
    Graffiti Intervention

    I see myself as a tourist in the US. In this graffiti alley, I re-author tagging language into an organized movement, by covering all overlapped, damaged, tagging into I've been here. Creating a vague background for intact graffiti works. Also irony about tourism illegal tagging on scenic spots and historical sites.

The Modern Silk Road

The Modern Silk Road suitcase, fabric, yarn 60” x 45” x 45” As an international student traveling between eastern and western. The suitcase becomes a camel as a vehicle just like the ancient silk road.
  • The Modern Silk Road


    suitcase, fabric, yarn
    60” x 45” x 45”

    As an international student traveling between eastern and western. The suitcase becomes a camel as a vehicle just like the ancient silk road.
  • The Modern Silk Road (detail)


    suitcase, fabric, yarn
    60” x 45” x 45”

    As an international student traveling between eastern and western. The suitcase becomes a camel as a vehicle just like the ancient silk road.
  • The Modern Silk Road (detail)


    suitcase, fabric, yarn
    60” x 45” x 45”

    As an international student traveling between eastern and western. The suitcase becomes a camel as a vehicle just like the ancient silk road.

The Toilet Scene


The Toilet Scene

wood

85” x  85” x  9”


Every time he enters the toilet he sees toilet papers and paper towels scattered in the wrong place.

  • The Toilet Scene


    wood
    85” x 85” x 9”

    Every time he enters the toilet he sees toilet papers and paper towels scattered in the wrong place.
  • The Toilet Scene (detail)


    wood
    85” x 85” x 9”

    Every time he enters the toilet he sees toilet papers and paper towels scattered in the wrong place.