Work samples

  • Lehna Huie _Selection B_ 2:3.jpg
    Lehna Huie _Selection B_ 2:3.jpg
    Moment in Time Installation Shot
  • Leatherette .jpg
    Leatherette .jpg
    ink on paper
  • Watching.jpg
    Watching.jpg
    ink on paper
  • Discounted Dreams 2.jpg
    Discounted Dreams 2.jpg
    ink on paper

About Lehna

Lehna Huie (b. 1988, New York City) is a multidisciplinary artist, educator, and cultural worker of Jamaican heritage whose practice weaves  painting, sculpture, installation and spatial work through the lens of mysticism and wonder. Her approach to representational portraiture engages memory, diaspora, and embodied identity through layered materials and immersive compositions grounded in personal and collective histories collage, drawing, and video to address the ways we… more

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Wood and Water

In July of 2020, I began my research based installation titled Wood and Water. The Indigenous name for Jamaica is Xaymaca and it translates to the “ Land of Wood and Water.” I have been studying the history of colonization in relation to nature on the island. In my research I am learning about the socio- political complexities of that space while mapping where my family and communities narrative is in conversation with that history. 

My approach stems from a series of family interviews, gathers clusters of accumulated disparate materials representing home and my ancestral geographies. I utilize materials such as cut strips of moving blankets coated in bright acrylic paint, ribbons, bottles and beads, shells, leaves, recycled clothing and drop cloth.

  • LehnaHuie_Wood and Water_.jpeg
    LehnaHuie_Wood and Water_.jpeg
  • LehnaHuie_Water Spirit_
    LehnaHuie_Water Spirit_
  • Wood and Water - Mother and Child
    Wood and Water - Mother and Child

    ACRE Projects is pleased to present Lehna Huie’s solo exhibition, In Remembrance of Us. This exhibition is an autobiographical visual reflection

    of the self, serving as the artist’s love letter to her ten-year-old daughter. A lyrical voyage mapping the multiplicity of our intergenerational

    geographies, this body of work highlights the complex patterns of personal and cultural memory among the past, present, and future.

    Metaphors of windows and mirrors as portals are used to weave stories of reclamation and longing. Combining fiber, natural, and plant-based

    sculptural elements, Huie leans on ritual as a means to reverberate the act of bearing witness in a dystopian society.

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