The video installations bring together the various interests and media that I have been working with over the past several years. It is also heavily influenced by my observations of nature and my interest in the physical presence of material, the history of an object and the use of technology.

LAB: Empirical Evidence is an immersive installation /exhibition produced at The Center for Art, Design and Visual Culture at UMBC (the University of Maryland Baltimore County). Two years in the making, this survey exhibition incorporates various aspects of my work, juxtaposing sculptural objects, photography, video, and sound as they relate to the natural world, blurring the lines between art and science, and bringing awarness to climate change.  The interrelated body of work, create a synergy beyond the individual elements.  A 64 page catalogue documenting the exhibition including essays by art critics Sarah Tanguy and Dominique Nahas has also been published.

Over the past several years I have been working with the metal casting process to create my sculpture. The sources for my work are drawn from the landscape and the processes that have formed it, the scale and power of industry, and the effect that environmental forces have on human ordering, ranging from remote ancient ruins to urban archeology.

I see the processes and elements used to shape metal in the foundry as a metaphor for the forces that have shaped and are shaping our environment.

What interests me most about a cast object is its fossil like nature: its ability to retain and convey information. The marks of the sand mold, the flashing and the cracks left from the molten metal shrinking and the natural patina of the metal all convey history.

My castings address the way creative forces in nature shape material; comparing time and material. Wood fragments blown from trees struck by lightning, boulders worn by glaciers and water, and hybrid oversized gourds have been used for patterns for the castings.

Each cast iron wedge weighs approximately 1,000 lbs.  The shape of each wedge is determined by the angle of the sides of the mold and the incline of the mold in the ground.

This project is on going..........

"A rock sits on the gallery floor side by side with its twin, a copy of itself cast in iron. Would you look at the shadowy concavities, craggy angles and weightiness of this rock as closely if it sat alone? Staged with its duplicate, it invites puzzling out the differences between its grainy mineral textures and the faintly velvety rusting surface of the casting. The intense heat of molten metal comes to mind, but how does that compare with the unimaginable fiery temperatures and pressures that formed the rock? And which is more interesting, the rock or its man-made facsimile?"  Mary McCoy

Metal castings of Boulders that have been effected by natural and human energy events.

In most cases, the original boulder is displayed with the cast copy, creating a tension between them, and bringing into question what is real and what is not .....

Copper, Aluminum and iron castings made from shards of trees that have been hit by lightning.

Exploration of form, material and light.
The chain-link fabric objects become catalysts in the site and perform as perceptual devices or monitors in the landscape, bringing attention to their surroundings.

These composite photographs are a result of various residencies that I have participated in.

I choose residencies  by their proximity to the landscape. 

The composite photographs are,  in a sense, constructed and are a direct response to the landscape. 

They are an investigation into the origins of the earth and where we are headed. 

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