Work samples

  • Doing me now, not doing you
    Doing me now, not doing you

    Doing me now, not doing you is a drawing installation approximately 12 x 8 x 10', and consists of these materials: a wooden easel, a life size nude self-portrait, a massive paper scroll, numerous drawings using sumi, pen, ink, graphite, and stabilo pencil on rice, watercolor, rives bfk, yupo, and bristol papers.

    Available for Purchase
  • wake up daddy (picture book layouts and one detail)
    wake up daddy (picture book layouts and one detail)

    Wake Up Daddy is a gouache hand painted picture book about parental depression. Featured here are 18 layouts and one detail. Adult guided activities for children wrap the book along with my statement for context:

    Our Story

    My husband suffered from severe depression a year and a half after our first child was born. What began as anxiety and restless nights, evolved into prolonged insomnia, intense weight loss, and disconnection from reality. Unlike when you break your leg, depression has no cast, no quick fix. Luckily, there are many caring, knowledgeable adults who can help. With talk therapy, medication, plus a lot of love and patience, my husband remains stable.

    Within a family, everyone lives in the haunted house of mental illness. Making this book allowed me to step outside the situation, show compassion for the sad dad character. I molded my frustration and bewilderment into something beautiful. It was cathartic to work through my own feelings of isolation and shame. My hope after sharing our story is that you and your family may find some comfort in knowing you aren’t alone. I welcome you and your child to the interactive pages that follow.

    Available for Purchase
  • Obstacle Portraits (series)
    Obstacle Portraits (series)

    Featured here are four portraits from a series of 100+ self-portraits and mother portraits using sumi, pen and ink, graphite, and stabilo pencil on rice, watercolor, rives bfk, yupo, and bristol papers. These intimately sized 9x12" drawings incorporate an obstacle such as: drawing blindly, making a drawing in seven marks, drawing with my foot or non-dominant hand, drawing from a distance - a 4-foot-long stick, drawing while pushing my 3yr old on the swing, drawing with a mop or other found objects… etc.

    Available for Purchase
  • Mad Mama
    Mad Mama

    Featured here are four 11 x14” "doodle" drawings using sumi, pen and ink on rag and bristol papers. They are comics hatched out with little time, energy, sleep, patience, and much madness whilst mothering an infant and 3yr old during the pandemic.

    Available for Purchase

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About Clarissa

Baltimore City  

Visual artist and performer, mother of two, art educator of many, Clarissa Gregory’s work exists over multiple platforms: Maryland Film Festival, High Zero Festival, Artscape, Silber Art Gallery (Goucher College), Center for the Arts Gallery (Towson University), Delaware Center for the Contemporary Arts, School33… and multiple media: drawing, painting, animation, dance.

A two-time Sondheim Artscape Semi-Finalist, Clarissa resides in Baltimore, having earned her MFA at Maryland… more

View Clarissa's Resume
Jump to a project:

Doing me now, not doing you

Doing me now, not doing you is an 12 x 8 x 10’ drawing installation made up of a wooden easel, a life size nude self-portrait, life-size paper sculptures of everyday objects (medicine bottle, infant syringe, a kleenex box, children's books, a cereal bowl etc), an enormous wallpaper scroll, and numerous intimately sized 9x12" drawings made using sumi, pen, ink, graphite, and stabilo pencil on rice, watercolor, rives bfk, yupo, and bristol papers.

My drawings explore the flawed hilarity of parenting during bouts of dissociation and distress. Hundreds of self-portraits (my face, hands, legs…) and portraits of other mothers, are not pretty or complementary selfies, they are the horrified, exasperated, at times demoralizing moments of motherhood.

My current work arises out of complex emotions I have experienced raising children. The fierce love I had for my infant was clouded by Covid: my older son’s preschool shutdown; he needed attention and stimulation I was unable to provide. The pandemic forced me to stop teaching. I was stuck home with a newborn and toddler. I was abandoned by key support systems. Isolation from my immediate family, community, and job, bred in me fear, distrust,and rage.

Mother rage is not ‘appropriate.’ Mothers are supposed to be martyr-like in our patience. …  As if rage has never shared a border with love. Fearing judgment, we say nothing. The rage festers and we are left under a pile of loneliness and debilitating shame. (Minna Dubin April 15, 2020 NYT)

Mothers have always pulled more than their weight. But no one paid attention. The pandemic shed light on the physical and emotional toll spent on mothers. As a way to cope with my own psychological upheaval, I began to add chance and risk, and embrace non-drawing tools in my art making practice. It is a painterly drawing process which mines the connection between gesture and mark-making. It is also very much like the multi-tasking parent: parenting while cooking, parenting while working, parenting while depressed…

At first I fought against real-life limitations - time, space, sanity. Now I consciously incorporate an obstacle between myself and my subject, to reveal raw emotion and honest portraits of mothering today. Obstacles I’ve adopted include: a 4-foot long stick, a 3 - 5 second time limit, drawing with the “wrong hand,” blindly, continuously, while swinging my 3yr old on the swing…. These practices are analogous to improvised movement, contemporary dance. They are a record of motion — the mundane, the manic, the mothering we perform daily.

  • Doing me now, not you (drawing installation - full and detail)
    Doing me now, not you (drawing installation - full and detail)
  • Doing me now, not you (detail)
    Doing me now, not you (detail)
  • Doing me now, not you (detail)
    Doing me now, not you (detail)
  • Doing me now, not you (detail)
    Doing me now, not you (detail)
  • Doing me now, not you (detail)
    Doing me now, not you (detail)
  • Doing me now, not you (detail)
    Doing me now, not you (detail)
  • Not doing you, doing me (Rhizome DC exhibition Upbringing installation)
    Not doing you, doing me (Rhizome DC exhibition "Upbringing" installation)
  • Not doing you, doing me (Rhizome DC exhibition Upbringing installation detail)
    Not doing you, doing me (Rhizome DC exhibition "Upbringing" installation detail)
  • Not doing you, doing me (Rhizome DC exhibition Upbringing installation detail)
    Not doing you, doing me (Rhizome DC exhibition "Upbringing" installation detail)
  • Not doing you, doing me (Rhizome DC exhibition Upbringing installation detail)
    Not doing you, doing me (Rhizome DC exhibition "Upbringing" installation detail)
    •

    • Obstacle Portraits (series)

    9x12” drawings (from series of 100+ self-portraits and mother portraits) using sumi, pen and ink, graphite or stabilo pencil on rice, watercolor, rives bfk, yupo, or bristol papers. Obstacles between artist and her subject include: drawing blindly, drawing using touch only, drawing with limit to seven marks, drawn with foot or non-dominant hand, or from a great distance - a 4-foot-long stick, drawing while pushing my 3yr old on swing, drawing with a mop or other found objects… etc.

    • Obstacle Portraits (series)
      Obstacle Portraits (series)

      9x12” drawing (from series of 100+ self-portraits and mother portraits) using sumi, pen and ink, graphite or stabilo pencil on rice, watercolor, rives bfk, yupo, or bristol papers. Obstacles for 9x12” self-portraits may include: drawing blindly, drawing using touch only, drawing with limit to seven marks, drawn with foot or non-dominant hand, or from a great distance - a 4-foot-long stick, drawing while pushing my 3yr old on swing, drawing with a mop or other found objects… etc.

      Available for Purchase
    • Obstacle Portraits (series)
      Obstacle Portraits (series)

      9x12” drawing (from series of 100+ self-portraits and mother portraits) using sumi, pen and ink, graphite or stabilo pencil on rice, watercolor, rives bfk, yupo, or bristol papers. Obstacles for 9x12” self-portraits may include: drawing blindly, drawing using touch only, drawing with limit to seven marks, drawn with foot or non-dominant hand, or from a great distance - a 4-foot-long stick, drawing while pushing my 3yr old on swing, drawing with a mop or other found objects… etc.

      Available for Purchase
    • Obstacle Portraits (series)
      Obstacle Portraits (series)

      9x12” drawing (from series of 100+ self-portraits and mother portraits) using sumi, pen and ink, graphite or stabilo pencil on rice, watercolor, rives bfk, yupo, or bristol papers. Obstacles for 9x12” self-portraits may include: drawing blindly, drawing using touch only, drawing with limit to seven marks, drawn with foot or non-dominant hand, or from a great distance - a 4-foot-long stick, drawing while pushing my 3yr old on swing, drawing with a mop or other found objects… etc.

      Available for Purchase
    • Obstacle Portraits (series)
      Obstacle Portraits (series)

      9x12” drawing (from series of 100+ self-portraits and mother portraits) using sumi, pen and ink, graphite or stabilo pencil on rice, watercolor, rives bfk, yupo, or bristol papers. Obstacles for 9x12” self-portraits may include: drawing blindly, drawing using touch only, drawing with limit to seven marks, drawn with foot or non-dominant hand, or from a great distance - a 4-foot-long stick, drawing while pushing my 3yr old on swing, drawing with a mop or other found objects… etc.

      Available for Purchase
    • Obstacle Portraits (series)
      Obstacle Portraits (series)

      9x12” drawing (from series of 100+ self-portraits and mother portraits) using sumi, pen and ink, graphite or stabilo pencil on rice, watercolor, rives bfk, yupo, or bristol papers. Obstacles for 9x12” self-portraits may include: drawing blindly, drawing using touch only, drawing with limit to seven marks, drawn with foot or non-dominant hand, or from a great distance - a 4-foot-long stick, drawing while pushing my 3yr old on swing, drawing with a mop or other found objects… etc.

      Available for Purchase
    • Obstacle Portraits (series)
      Obstacle Portraits (series)

      9x12” drawing (from series of 100+ self-portraits and mother portraits) using sumi, pen and ink, graphite or stabilo pencil on rice, watercolor, rives bfk, yupo, or bristol papers. Obstacles for 9x12” self-portraits may include: drawing blindly, drawing using touch only, drawing with limit to seven marks, drawn with foot or non-dominant hand, or from a great distance - a 4-foot-long stick, drawing while pushing my 3yr old on swing, drawing with a mop or other found objects… etc.

      Available for Purchase
    • Obstacle Portraits (series)
      Obstacle Portraits (series)

      9x12” drawing (from series of 100+ self-portraits and mother portraits) using sumi, pen and ink, graphite or stabilo pencil on rice, watercolor, rives bfk, yupo, or bristol papers. Obstacles for 9x12” self-portraits may include: drawing blindly, drawing using touch only, drawing with limit to seven marks, drawn with foot or non-dominant hand, or from a great distance - a 4-foot-long stick, drawing while pushing my 3yr old on swing, drawing with a mop or other found objects… etc.

      Available for Purchase
    • Obstacle Portraits (series)
      Obstacle Portraits (series)

      9x12” drawing (from series of 100+ self-portraits and mother portraits) using sumi, pen and ink, graphite or stabilo pencil on rice, watercolor, rives bfk, yupo, or bristol papers. Obstacles for 9x12” self-portraits may include: drawing blindly, drawing using touch only, drawing with limit to seven marks, drawn with foot or non-dominant hand, or from a great distance - a 4-foot-long stick, drawing while pushing my 3yr old on swing, drawing with a mop or other found objects… etc.

      Available for Purchase
    • Obstacle Portraits (series)
      Obstacle Portraits (series)

      9x12” drawing (from series of 100+ self-portraits and mother portraits) using sumi, pen and ink, graphite or stabilo pencil on rice, watercolor, rives bfk, yupo, or bristol papers. Obstacles for 9x12” self-portraits may include: drawing blindly, drawing using touch only, drawing with limit to seven marks, drawn with foot or non-dominant hand, or from a great distance - a 4-foot-long stick, drawing while pushing my 3yr old on swing, drawing with a mop or other found objects… etc.

      Available for Purchase
    • Obstacle Portraits (series)
      Obstacle Portraits (series)

      9x12” drawing (from series of 100+ self-portraits and mother portraits) using sumi, pen and ink, graphite or stabilo pencil on rice, watercolor, rives bfk, yupo, or bristol papers. Obstacles for 9x12” self-portraits may include: drawing blindly, drawing using touch only, drawing with limit to seven marks, drawn with foot or non-dominant hand, or from a great distance - a 4-foot-long stick, drawing while pushing my 3yr old on swing, drawing with a mop or other found objects… etc.

      Available for Purchase
    •

    • wake up daddy

    Wake Up Daddy is a gouache hand painted picture book about parental depression. Featured here are 9 layouts and the cover. Adult guided activities for children wrap the book along with my statement for context:

    Our Story

    My husband suffered from severe depression a year and a half after our first child was born. What began as anxiety and restless nights, evolved into prolonged insomnia, intense weight loss, and disconnection from reality. Unlike when you break your leg, depression has no cast, no quick fix. Luckily, there are many caring, knowledgeable adults who can help. With talk therapy, medication, plus a lot of love and patience, my husband remains stable.

    Within a family, everyone lives in the haunted house of mental illness. Making this book allowed me to step outside the situation, show compassion for the sad dad character. I molded my frustration and bewilderment into something beautiful. It was cathartic to work through my own feelings of isolation and shame. My hope after sharing our story is that you and your family may find some comfort in knowing you aren’t alone. I welcome you and your child to the interactive pages that follow.

    •

    • cicada

    Watch hand-drawn frame-by-frame animation: https://vimeo.com/241629995

     

     

    • cicada (still image1)
      cicada (still image1)

      hand-drawn (graphite and charcoal on paper)  frame by frame animation

    • cicada (still image3)
      cicada (still image3)

      hand-drawn (graphite and charcoal on paper)  frame by frame animation

    • cicada (still image2)
      cicada (still image2)

      hand-drawn frame by frame animation

    •

    • walk through forest, enter water, build fort

    Watch stop-motion animation: https://vimeo.com/906456201?share=copy

    featuring a young person exploring the natural world - crafted with paper mache, puppetry, yarn etc.

    • walk through forest, enter water, build fort (4 stills)
      walk through forest, enter water, build fort (4 stills)

      Watch animation: https://vimeo.com/906456201?share=copy

    • walk through forest, enter water, build fort (still)
      walk through forest, enter water, build fort (still)

      still image from stop-motion animation featuring a young person exploring the natural world - crafted with paper mache, puppetry, yarn etc.

    • walk through forest, enter water, build fort (still)
      walk through forest, enter water, build fort (still)

      still image from stop-motion animation featuring a young person exploring the natural world - crafted with paper mache, puppetry, yarn etc.

    • walk through forest, enter water, build fort (still)
      walk through forest, enter water, build fort (still)

      still image from stop-motion animation featuring a young person exploring the natural world - crafted with paper mache, puppetry, yarn etc.

    • walk through forest, enter water, build fort (still)
      walk through forest, enter water, build fort (still)

      still image from stop-motion animation featuring a young person exploring the natural world - crafted with paper mache, puppetry, yarn etc.

    • walk through forest, enter water, build fort (still)
      walk through forest, enter water, build fort (still)

      still image from stop-motion animation featuring a young person exploring the natural world - crafted with paper mache, puppetry, yarn etc.

    • walk through forest, enter water, build fort (still)
      walk through forest, enter water, build fort (still)

      still image from stop-motion animation featuring a young person exploring the natural world - crafted with paper mache, puppetry, yarn etc.

    • walk through forest, enter water, build fort (embedded)
      walk through forest, enter water, build fort (embedded)

      walk through forest, enter water, build fort animation embedded in tree diorama (full and detail)

    • walk through forest, enter water, build fort (embedded2)
      walk through forest, enter water, build fort (embedded2)

      paper mache tree hole diorama featuring stop-motion animation "walk through forest, enter water, build fort"

    •

    • Dioramas

    universes in and of themselves. microcosms underground, inside of, out of reach or unseen.

    • Call of Warr model
      Call of Warr model

      Watch "behind the scenes" of model here: https://vimeo.com/manage/videos/717368006

      I crafted this model for Wham City Comedy's mini-series "Call of Warr" hosted by Adult Swim

    • Call of Warr model
      Call of Warr model

      Watch here: https://vimeo.com/manage/videos/717363418

      cinematic shots - model for Wham City Comedy's mini-series "Call of Warr" hosted by Adult Swim

    • Call of Warr model
      Call of Warr model

      studio image of full model I crafted for Wham City Comedy's mini-series "Call of Warr" hosted by Adult Swim

    • installation at Goucher College (two installation perspectives)
      installation at Goucher College (two installation perspectives)

      installation of my dioramas, drawings, and animation at Goucher College

    • Centipede
      Centipede
      viewers peep in
    • centipede (exterior and interior)
      centipede (exterior and interior)

      diorama of hand-painted log featuring sculpted centipede inside

    • tree diorama (animation embedded)
      tree diorama (animation embedded)

      tree diorama (animation embedded: walk through forest, enter water, build fort)

    • Installation for Sondheim Semi-Finals (detail and installation with viewer)
      Installation for Sondheim Semi-Finals (detail and installation with viewer)

      Installation of nature dioramas including animation for Sondheim Semi-Finals (detail and installation with viewer)

    • diorama viewing boxes (installation and detail)
      diorama viewing boxes (installation and detail)

      handcrafted diorama boxes ranging from 2.5' to 4' tall with glass eyepiece at top for viewers to peer inside on different habitats: cave, beach, cityscape, forest

    • diorama viewing boxes (detail top view)
      diorama viewing boxes (detail top view)

      handcrafted diorama boxes ranging from 2.5' to 4' tall with glass eyepiece at top for viewers to peer inside on different habitats: cave, beach, cityscape, forest

    •

    • nature drawings

    graphite and sumi ink drawings on assorted grounds

    • chasm
      chasm

      14 x 29" sumi ink drawing of nature up close and landscape on rives bfk 

      Available for Purchase
    • chasm (detail)
      chasm (detail)
    • severed limb
      severed limb

      14 x 17" graphite drawing on paper of severed tree limb

      Available for Purchase
    • installation at Goucher College
      installation at Goucher College
    • yearning (full and detail)
      yearning (full and detail)

      8 x 10 graphite drawing on paper (including framed and detail)

      Available for Purchase
    • rockface (full and detail)
      rockface (full and detail)

      15 x 15" graphite drawing on rives bfk - full drawing and detail drawing of rock formation

      Available for Purchase
    • reaching in
      reaching in

      8x10 graphite drawing on paper

      Available for Purchase
    • mini fungus
      mini fungus

      8x10 graphite drawing on brown paper

      Available for Purchase
    • brown log
      brown log

      11 x 14" graphite on brown paper 

      Available for Purchase
    • hiccup
      hiccup

      8 x 10" graphite drawing of underwater life on bristol paper

      Available for Purchase
    •

    • Waiting for the Birds

    My animations and forest installation are a vision to revitalize human connection to nature through the story of childhood. Art can be a refuge. It is an echo of nature's mystery, providing solace along an unpredictable path.

    • opening view of forest
      opening view of forest
    • Viewer discovers miniature forest model
      Viewer discovers miniature forest model
    • Detail: girls
      Detail: girls
    • Viewer watching animation
      Viewer watching animation
    • Viewer in the forest
      Viewer in the forest
    • tree trunk bases
      tree trunk bases
    • Detail: mossy ground
      Detail: mossy ground
    • Detail: girls, close-up
      Detail: girls, close-up
    • animation in the forest
      animation in the forest
    •

    • Pull / Drift

    With support from Effervescent & friends, Clarissa Stowell Gregory and Joshua Wade Smith collaborated on dance & sculpture for a performance involving: water, woods and raft. Clarissa & Joshua created the site-specific performance PULL / DRIFT on September 8th at Patapsco Valley State Park, Daniels Area.

    Gallery CA will present a collection of photographs, video, and film from Pull/Drift, opening Friday, December 6th from 6-9pm. For six months, Baltimore photographers/filmmakers Liz Donadio, Carr Kizzier, and Margaret Rorison documented the evolution and execution of this site-specific performance, and in this exhibition will share their personal visions of the Pull/Drift process, an immersive “experiment in movement, rhythm, and ritual.”

    Pull / Drift: In the Slipstream (upcoming art exhibition!)

    Art exhibition opening at GALLERY CA: December 6th, 6 – 9 pm, featuring a film projection @7 & dance performance @7:30pm

    Gallery CA
    440 East Oliver St
    Baltimore 21202

    Monday – Friday 12 pm – 4 pm & by appointment


    Photographer/filmmaker statements:

    Carr Kizzier
    Pull/Drift was an impressive collaboration among an array of talented artists – dancers, sculptors, musicians, photographers. The energy they created swelled through the summer until it spilled over the banks of the river at the Daniels Area and infused the crowd – and my camera – with their vision. But that radiance was so awesome, so intense that the only way I knew how to safely look at it was to focus on the smallest reflective surfaces – the faces, the hands, the feet – like looking at shards of glass to intuit the brilliance of the whole.

    Margaret Rorison
    Throughout my documentation process of Pull/Drift, I focused on the flow of the human form and its relationship to its surrounding environments. I was interested in discovering a dialogue between limbs and hips, the curves of the land, the mechanics of flesh, the rhythmic channeling through water, grass and earth. I was captivated by how the development of motion sculptured a new sense of time and established a magical sense of ritualistic bliss.

    Liz Donadio
    With a video camera, I sought to capture a chronological record of the live performance as well as a creative exploration of the dancers’ interactions with each other and the surrounding landscape. My goal was to make a visual document of these graceful bodies coursing through the woods, merging into water, and finally uniting as one.


    CONTRIBUTORS OF PULL/DRIFT:
    Director & Choreographer – Clarissa Stowell Gregory
    Sculptor – Joshua Wade Smith
    Additional Choreography– Jenny Berkowitz, Lily Susskind, and input from the dancers
    Cinematography – Liz Donadio, Carr Kizzier, Margaret Rorison
    Dancers – Jenny Berkowitz, Sarah Fask, Danielle Fistner, Hannah Friedland, Clarissa Gregory, Corey Hennessey, Amy Reid, Erin Reid, Christine Stiver, Lily Susskind, Rebecca Tischman
    Costume Designer – Stephanie Santos
    Music – Rod Hamilton and Tiffany Seal
    Post-Production Video Editor for 5minute promo video – Maggie Schneider
    Flag Designer & Lead Guide – Graham Coreil-Allen
    Flag Guides – Mary Anne Arntzen, Rachel Boss

    • pull / drift (3 stills)
      pull / drift (3 stills)

      still photographs of pull / drift, courtesy Carr Kizzier.

      Pull/Drift was directed, choreographed, and danced in by Clarissa Gregory and was an interdisciplinary site-specific performance of movement, sound, photography -- a collective work by many artistic contributors (see full project description for acknowledgements)

    • pull / drift (4 stills)
      pull / drift (4 stills)

      still photographs of pull / drift, courtesy Carr Kizzier.

      Pull/Drift was directed, choreographed, and danced in by Clarissa Gregory and was an interdisciplinary site-specific performance of movement, sound, photography -- a collective work by many artistic contributors (see full project description for acknowledgements)

    • pull / drift (3 stills - duets)
      pull / drift (3 stills - duets)

      still photographs of pull / drift, courtesy Carr Kizzier.

      Pull/Drift was directed, choreographed, and danced in by Clarissa Gregory and was an interdisciplinary site-specific performance of movement, sound, photography -- a collective work by many artistic contributors (see full project description for acknowledgements)

    • pull / drift

      https://vimeo.com/92273660

    • pull / drift (3 stills b&w)
      pull / drift (3 stills b&w)

      still photographs of pull / drift, courtesy Carr Kizzier.

      Pull/Drift was directed, choreographed, and danced in by Clarissa Gregory and was an interdisciplinary site-specific performance of movement, sound, photography -- a collective work by many artistic contributors (see full project description for acknowledgements)

    • pull / drift (2 stills)
      pull / drift (2 stills)

      still photographs of pull / drift, courtesy Carr Kizzier.

      Pull/Drift was directed, choreographed, and danced in by Clarissa Gregory and was an interdisciplinary site-specific performance of movement, sound, photography -- a collective work by many artistic contributors (see full project description for acknowledgements)

    • Film Still by Margaret Rorison
      Film Still by Margaret Rorison
      Margaret Rorison: Throughout my documentation process of Pull/Drift, I focused on the flow of the human form and its relationship to its surrounding environments. I was interested in discovering a dialogue between limbs and hips, the curves of the land, the mechanics of flesh, the rhythmic channeling through water, grass and earth. I was captivated by how the development of motion sculptured a new sense of time and established a magical sense of ritualistic bliss.
    • Film Still by Margaret Rorison
      Film Still by Margaret Rorison
      Margaret Rorison: Throughout my documentation process of Pull/Drift, I focused on the flow of the human form and its relationship to its surrounding environments. I was interested in discovering a dialogue between limbs and hips, the curves of the land, the mechanics of flesh, the rhythmic channeling through water, grass and earth. I was captivated by how the development of motion sculptured a new sense of time and established a magical sense of ritualistic bliss.
    • pull / drift (still)
      pull / drift (still)

      still photograph of pull / drift, courtesy Carr Kizzier.

      Pull/Drift was directed, choreographed, and danced in by Clarissa Gregory and was an interdisciplinary site-specific performance of movement, sound, photography -- a collective work by many artistic contributors (see full project description for acknowledgements)

    •

    • quicky giffys

    Watch https://vimeo.com/719267121?from=outro-local

    I was able to generate gifs in the brief un-interupted moments in between teaching and mothering my first born

    • zit
      zit

      hand-drawn animation (gif)

    • Physical Therapy
      Physical Therapy

      hand-drawn animation (gif)

    • Cat
      Cat

      hand-drawn animation (gif)

    • TP
      TP

      hand-drawn animation (gif)

    • Roach
      Roach

      hand-drawn animation (gif)

    •