Work samples

  • A lot of moments, a lot of stories
    A lot of moments, a lot of stories

    This painting is part of a series of work, Vacant Lots Are Full of Stories, based on objects found in one or more so-called vacant lots near my studio. It was created using watercolor and gouache on paper, which was made from white mulberry bark, a "weed tree" that is considered to be an invasive species on this continent. Tiny bits of a torn letter were added to the vat, prior to pulling the paper, and some of the text, or marks, on the paper are visible. The painting is small, of an intimate size, 8" H x 6" W, unframed. 

    The images are of objects found in a block long lot, where a row of houses stood for almost 100 years: a fragment of "Blue Willow" pattern china, a rusty bottle cap (most likely from a Mexican soda), rocks and pebbles. For decades, these houses contained families that lived, worked and played in and around what is now a "vacant" lot. The houses were all razed to make room for.....something....nothing has materialized but the remnants of those lives continue to rise to the surface. I cannot help but think that most passersby would assume that the people who lived in those houses were "impoverished" in many ways, The beauty of this shard of pottery, and of others that I have found, indicates otherwise. 

     

    Available for Purchase
  • We Need the Trees to Breathe
    We Need the Trees to Breathe

    This mask represents a tree spirit that is trying to breathe. We need the trees to breathe in order for us to breathe clean air. 

    Available for Purchase
  • Tacloban Philippines, thirteen feet, 2013
    Tacloban Philippines, thirteen feet, 2013
    This drawing was done following Typhoon Haiyan, which struck the Philippines in 2013. It is a palimpsest of telephone messages that were taken over several years — with some anxiety, due to a life long severe hearing loss — relayed, erased and rewritten. My grandmother was Filipino, though my siblings and I were always told that she was Spanish. My grandparents married in the Philippines, where they raised the first five of their children, moving to San Francisco around 1919, when my father was born. It was illegal for them to be married in the United States until around that time.
    Available for Purchase
  • MISINTERPRETATIONS, Audio Tour
    MISINTERPRETATIONS, Audio Tour
    This painting, of the anatomy of an ear, was done on vellum, with drawn images of tongue positions forming different consonants and diphthongs from a speech therapy textbook.

About Annette

Annette Wilson Jones received her BFA from MICA in 1978 and has continued to work as an artist, teaching, and creating community-based public art. In 1980, she was hired by Beautiful Walls for Baltimore as a full-time muralist. In 1986: her work was chosen by New Museum Curator Brian Wallis for the five person show, "Sweet Land of Liberty", at School 33 Arts Center; was featured and awarded an honorarium by Baltimore City Paper for her drawing, "Self-portrait as St. Sebastian… more

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Vacant lots are full of stories

This is a series of small, 8" x 6", thus intimate, paintings of objects found in vacant lots around my studio. Paintings are watercolor and gouache on paper made from white mulberry bark, a "weed tree" that is considered to be an invasive species on this continent. 

  • A lot of moments, a lot of stories
    A lot of moments, a lot of stories

    This small painting, 8" x 6", was made with watercolor (commercially made using natural, hand-ground pigments, and beeswax as the vehicle) and gouache on paper made from the inner bark of a white mulberry tree. The white mulberry was imported to this continent to create a silk industry in the 18th century and has spread widely; it is considered to be an invasive species. The subject matter is of objects found in so-called "vacant" lots around my studio in Baltimore City. 

  • Vacant lots in Baltimore tell lots of stories
    Vacant lots in Baltimore tell lots of stories

    This painting contains images of objects found in a lot that, for around 100 years, contained a block of houses that, in turn, contained families and individuals who lived worked and played on this ground, for more than 100 years. Though it is unlikely that the Piscataway or other First Nations peoples, settled on this specific land (it is too far from good fishing waters, I think) they and, later, European settlers passed through and probably farmed the land. The houses that existed may

    Available for Purchase
  • Pack of Newports # 2
    Pack of Newports # 2

    One rainy Fourth of July night, as I was walking to a neighbors' house, I saw of a pack of Newport cigarettes with several whole, unsmoked but crushed, cigarettes nearby  — I can imagine the....disappointment? frustration? anger?.... of the smoker as those costly cigs fell into the muddy field. It seems like a portrait of a small tragedy. 

    I am not a smoker, not that I didn't try when I was in college. Therefore, I do not fully understand the popularity and ubiquity of Newport cigarettes in Baltimore. Nor do I understand the tendency to just drop the empty pack or empty carton on the street when the contents have been consumed. Empty Newport packs are almost everywhere in Baltimore and, seemingly, especially in the neighborhoods around my studio. I can follow them like a trail of breadcrumbs to get home again. 

    Available for Purchase
  • A lot of stories; a loosie, two butts, some matchsticks and a lost screw
    A lot of stories; a loosie, two butts, some matchsticks and a lost screw

    Recently, I have accepted the responsibility to clean the two-block area around my studio and I go out on alternate Sundays to pick up trash. I don't usually keep the things that I pick up (!), often I take a photo if I have a chance but, even when I get frustrated by the amount of trash that is left on the street and sidewalks, I treasure some of the still-lives that I find in this wonderful city.

    This small watercolor painting is based on a photograph that I took on one of those days of objects found in a small plot of land, next to a corner grocery store, in Baltimore City: a full-sized, unsmoked, cigarette (a "loosie"), two partially smoked "butts", with matchsticks that might have been used to light those, and a perfectly good, brand-new, screw that was dropped in the lot and lost. I am very interested in the ways in which those objects tell stories of the people who live in this neighborhood and shop at that corner store. 

    The painting is small, of an intimate size, 8" H x 6" W, unframed. It is currently in a show, GRIT, at XoXo Gallery, in the Maryland Art Place building.

    Available for Purchase
  • Severed Ear # 2, vacant lots are full of stories
    Severed Ear # 2, vacant lots are full of stories

    I made a similar painting in or around 2023 as an homage to David Lynch's Blue Velvet and as a gift for a friend. This version was made at the request of the owner of Galactic Panther Gallery for a late 2023 exhibition. The idea of finding a severed ear (Blue Velvet? Van Gogh? the Japanese ghost story of Hoichi the Earless?) is horrifying mystifying — especially as a severly hearing impaired individual!

    Available for Purchase