About David
David is an Irish born artist living and working in Baltimore/Washington. He received his BFA from the Limerick School of Art and Design, Limerick, Ireland and his MFA from The Pennsylvania State University.
Throughout his 40-year career, David has exhibited extensively in Maryland, Washington DC and Pennsylvania, including exhibitions at Anton Gallery, C. Grimaldis Gallery, School 33 Art Center, Maryland Art Place, Creative Alliance and Maryland Institute College of Art. His awards… more
Recent Works
In my current body of work, I frequently reference objects such as bridges, tunnels and walls as metaphors for my observations on human behavior, particularly behavior relating to power and subjugation. Much of the inspiration for these works revolves around the reality and inevitability of loss; the lengths we go to to protect the things that are meaningful to us, and the intersection between power, subjugation, gain and loss.
You will see structures with elaborate outer shells, these are interventions designed to protect fragile interiors, sometimes at the expense of radically altering the inner core in the process.
There are barriers intended to control, protect, divide and separate, and there are cross sectional ‘landscapes’ where life forces are mostly hidden or driven underground.
Amidst all this, there are many moments of ubiquitous hope and defiance.
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Resist.jpgWood, pigment. 14 x 8 x 6
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Encased.jpgWood, 12x 8 x 8
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The Hidden Masses.JPGWood. 18 x 8 x 5
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Pallbearers.jpgWood, Pigment. 14 x 12 x 5
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Monument to the Remnant.jpgWood, Pigment. 12 x 6 x 6
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The Opposition.jpgWood, Pigment. 16 x 8 x 6
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Control.JPGWood, Pigment. 16 x 12 x 8
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Glorious Weed.JPGWood. 18 x 10 x 10
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Futility.JPGWood, Pigment. 6 x 40 x 36
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Double Wall.JPGWood, Pigment. 16 x 8 x 6
Projects 2000-2005
I spent a lot of time designing interactives for a health related exhibition at the Maryland Science Center and this inspired a series of works on medical interventions and my own mortality.
Projects 1995-2000
A selection of works that explored the conflicting actions of destruction and salvation in one process. These works were mostly a response to the Irish Government's token efforts towards maintaining historically significant national monuments.
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Back to Nature.jpgWood, Charred Wood. 16 x 8 x 6
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What Once Was.jpgWood, Charred Wood. 12 x 8 x 8
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Remnant.jpgWood, Charred Wood. 14 x 8 x 6
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Forgotten.jpgWood, Charred Wood. 18 x 10 x 6
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Beehive Huts.jpg
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Ring Fort.jpgWood, Charred Wood. 12 x 12 x 12
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Foto 06 n021.jpg
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Foto 01 j002.jpg
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Foto 01 f043.jpg
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Full Cast.jpgWood, Charred Wood, Pigment, Rivets. 60 x 20 x 20
Projects 1995- 2000
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Yellowcake Landscape.jpgWood, Pigment. 100 x 72 x 60
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Foto 06 n015.jpg
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Passing Through.jpgWood. 72 x 240 x 30
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Untitled.jpgWood, Pigment. 18 x 100 x 18
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Face Off.jpgWood, Pigment. 18 x 90 x 18
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Group II.jpgWood, Pigment, Wax. 84 x 80 x 60
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Homage to John Smith.jpgWood, Pigment. 24 x 100 x 16
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The Spirit Level.jpgWood, Pigment. 12 x 72 x 10
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Median.jpgWood, pigment. 20 x 200 x 6
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Mining Series.jpgWood, Wax, Pigment. 84 x 36 x 10
Projects 1990 - 1995
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Cityscape Series.jpgWood,Pigment. 14 x 72 x 20
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Lunar Landscape.jpgWood, Pigment. 24 x 80 x 60
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Our Hidden World.jpgWood, Pigment, Graphite. 30 x 120 x 18
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Uisce.jpgWood, Pigment. 72 x 100 x 40
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Networks.jpgWood, Pigment. 55 x 100 x30
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Unseen.jpgWood,Pigment. 72 x 72 x 24
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Lunar landscape II.jpgWood, Charcoal. 20 x 80 x 30
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Foto 06 n010.jpg
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No Escape.jpgWood, Pigment, Charcoal. 30 x 160 x 30
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Underbelly.jpgWood, Pigment. 48 x 70 x 40