Work samples

  • blue: ancestral healing
    "blue: ancestral healing"

    2022. handwoven: yarn, spinning fiber, & hand-dyed fabric. 30 in x 223 in.

    I am inspired by my mom, grandmother and their connection to the color blue. Blue flows throughout our entire home—inside and out. It feels sacred and often shows up in the form of glass. My mom is a deep lover of literature, genealogy, and African American history. When I first asked my mom why she’s so drawn to the color blue, she shared her fascination for haint blue used on shutters and ceilings, the beauty of bottle trees, and the African meaning of blue being peace and togetherness. She ended with, “Why do I love blue? I am spiritually drawn to it.”

  • of labor and love close up
    "of labor and love" close up

    2024. collage on 100% cotton.
    water-based pigment inks and dyes, thread, blessing notes, family cloth, hand-dyed cotton.

    Collection of the Reginald F. Lewis Museum of Maryland African American History and Culture

    Aliana was inspired by a profound connection with Elizabeth Talford Scott after a heartfelt phone interview with her mother on December 18th and a nostalgic visit to her childhood home on December 19th; this piece is a unique documentation of love, sacred objects, and ancestry. At its heart, it features an early 1990s photograph of Aliana alongside her great-grandmother, Grace (whom she is named after), with her sewing machine from the 1920s collaged below them. Titled "of labor & love," this artwork serves as a meditation on gratitude, spanning generations and honoring the enduring legacy we leave behind. It speaks to the hard labor of preserving ourselves, our careers, and our craft. It captures our everyday contributions to our own healing and legacy, emphasizing the importance of cherishing the past, valuing the present, and nurturing a vision of hope for the future.

    All imagery in this work is a collection of family archives and photographs of relevant objects taken by the artist.

  • a thailand color story
    "a thailand color story"

    2024. yarn, spinning fiber, & hand-dyed cotton

    In July 2019, my journey through Bangkok and Phuket, Thailand, became an immersive color study as I photographed the vibrant world around me. I traveled with friends and was drawn to the beautiful details and exchanges surrounding me throughout our adventures. Through my lens, I captured the essence of many moments—documenting inspiring colors, patterns, shapes, compositions, elements, movement, and textures. After returning home, I found unexpected joy in organizing these photographs by color and discovering new relationships and harmonies. This weaving emerges from three photographs in that series, translating their visual language of color, texture, and shape into fiber. The piece interweaves rich golds, burnt oranges, deep greens, and bold magentas. Through this transformation from photograph to woven form, I've created a tactile memory of that journey.

  • intimate gestures & pinky promises close up
    "intimate gestures & pinky promises" close up

    2022. digital collage on velvet. 73 in x 54.

    Human touch can increase feelings of trust, compassion, and generosity. Human touch can decrease feelings of fear and anxiety. “intimate gestures and pinky promises” is a visual and body movement interpretation of lessons learned from a seemingly healthy romantic relationship, being exposed as distortion and traumatic. Exploring the intimate gesture of handholding, transfer of energy, and the way we connect through hands—the collage is documentation of performance. The collage features actual polaroids from moments in the relationship and is surrounded by authentic loving intimate gestures with myself post-relationship. The relationship with myself and understanding of myself is what made the relationship beautiful. The visual collage is reflected through words in the 2022 piece, “but you didn’t love him.”

About Aliana Grace

Aliana Grace Bailey is an interdisciplinary fiber artist taking up space with bold softness. She was born and raised in Washington, DC. She is a passionate advocate for radical self-love, wellness, and healing. Her work embraces artmaking as a vehicle for growth, building intimacy, and creating inner peace through weaving vibrant colors, preserving narratives, and creating environments–encompassing the body and providing viewers with a hugging… more

"of labor and love"

2024.
collage on 100% cotton.
water-based pigment inks and dyes, thread, blessing notes, family cloth, hand-dyed cotton.

Collection of the Reginald F. Lewis Museum of Maryland African American History and Culture

Aliana was inspired by a profound connection with Elizabeth Talford Scott after a heartfelt phone interview with her mother on December 18th and a nostalgic visit to her childhood home on December 19th; this piece is a unique documentation of love, sacred objects, and ancestry. At its heart, it features an early 1990s photograph of Aliana alongside her great-grandmother, Grace (whom she is named after), with her sewing machine from the 1920s collaged below them. Titled "of labor & love," this artwork serves as a meditation on gratitude, spanning generations and honoring the enduring legacy we leave behind. It speaks to the hard labor of preserving ourselves, our careers, and our craft. It captures our everyday contributions to our own healing and legacy, emphasizing the importance of cherishing the past, valuing the present, and nurturing a vision of hope for the future.

All imagery in this work is a collection of family archives and photographs of relevant objects taken by the artist.

  • of labor and love
    of labor and love
  • of labor and love
    of labor and love
  • of labor and love close up
    "of labor and love" close up
  • of labor and love
    of labor and love
  • of labor and love
    of labor and love
  • of labor and love
    of labor and love
  • of labor and love
    of labor and love
  • of labor and love
    of labor and love
  • of labor and love
    of labor and love
  • of labor and love
    of labor and love

hand-dyed loc installations

My hand-dyed locs throughout my work first entered my practice in my 2018 installation, My Body is Deserving, and has played a role throughout my work ever since. All of my approaches to experiencing mediums hold a different purpose. Painting is for release. Weaving is for connection. Collaging is for being seen. My locs are for understanding.

The locs in the installation “Patience” were a mindfulness journey of learning what the material needs as it grows in size. It was a practice of creating support, listening to the material, moving through the process, and having faith—knowing I could undo and do it again. Through this work, I practiced the same themes that I needed to give to myself during a period of deep healing and rediscovery. As we grow, our relationships grow, and our visions grow—we must learn to adapt and evolve through the changes with patience and faith.

  • finding peace installation
    finding peace installation
  • patience close up
    patience close up
  • patience close up
    patience close up
  • patience close up
    patience close up
  • patience close up
    patience close up
  • a loving home installation
    a loving home installation
  • a loving home installation
    a loving home installation
  • a loving home installation
    a loving home installation
  • a loving home installation
    a loving home installation

color studies

Through weaving, I have challenged myself both in color and scale. Through color studies, I challenge myself through repetition, variety, and color—an investigation into how many ways I can express a color. How many textures of yellow can I dive into? How can shades and tints be portrayed through fiber? What is the impact of surrounding ourselves with these colors and these colors alone? How can I convey photography through weavings?

  • a thailand color story
    "a thailand color story"

    "a thailand color story"

    yarn, spinning fiber, & hand-dyed cotton

    In July 2019, my journey through Bangkok and Phuket, Thailand, became an immersive color study as I photographed the vibrant world around me. I traveled with friends and was drawn to the beautiful details and exchanges surrounding me throughout our adventures. Through my lens, I captured the essence of many moments—documenting inspiring colors, patterns, shapes, compositions, elements, movement, and textures. After returning home, I found unexpected joy in organizing these photographs by color and discovering new relationships and harmonies. This weaving emerges from three photographs in that series, translating their visual language of color, texture, and shape into fiber. The piece interweaves rich golds, burnt oranges, deep greens, and bold magentas. Through this transformation from photograph to woven form, I've created a tactile memory of that journey.

  • a thailand color storyphotography
    "a thailand color story"photography
  • a thailand color story
    "a thailand color story"
  • a thailand color story
    "a thailand color story"
  • a thailand color story
    "a thailand color story"
  • a thailand color story
    "a thailand color story"
  • yellow weaving
    yellow weaving
  • yellow weaving close up
    yellow weaving close up
  • turquoise weaving
    turquoise weaving
  • turquoise weaving close up
    turquoise weaving close up

music that raised us: the vinyl series

2022, yarn, spinning fiber, & hand-dyed fabric.

Honoring my family through my art creates space for me to give them more of my time, archive their stories, and to ease my anxieties around future loss. It gives us joy, builds our relationship, gives the rest of our family an opportunity to learn more about each other, and gives me peace in knowing they will live on forever through my work. My dad took me to my very first concert, the TLC Fanmail Tour. When I think of home, music blasting from the basement is one of the first things I imagine. My dad’s lifelong relationship to and love for music seamlessly integrated into our lives as an everyday part of our upbringing. Through the musical presence he created in our home, his vast knowledge of genres, and his frequent storytelling of his own experiences, my appreciation for music is interwoven into his own. Through these weavings, I celebrate conversations and moments shared with my dad, as well as music that evokes a memory for us both. In creating this work, I returned home, bonded with my dad over his love for music, and dug through his favorite vinyl records. The weavings were created intuitively, with colors directly inspired by the vinyl covers and rhythm inspired by the music.

  • 1975. Rufus featuring Chaka Khan. weaving 8 and 1982. The Five Stairsteps, Greatest Hits. weaving 9
    "1975. Rufus featuring Chaka Khan. weaving 8" and "1982. The Five Stairsteps, Greatest Hits. weaving 9"
  • reference records
    reference records
  • 1982. The Five Stairsteps, Greatest Hits. weaving 9 close up
    1982. The Five Stairsteps, Greatest Hits. weaving 9 close up
  • 1975. Rufus featuring Chaka Khan. weaving 8
    1975. Rufus featuring Chaka Khan. weaving 8
  • 1972. Stevie Wonder, Music of My Mind. weaving 10
    1972. Stevie Wonder, Music of My Mind. weaving 10
  • 1972. Stevie Wonder, Music of My Mind. weaving 10 close up
    1972. Stevie Wonder, Music of My Mind. weaving 10 close up
  • music of my mind
    music of my mind
  • The Commodores
    The Commodores
  • 1977. Commodores close up
    1977. Commodores close up

"blue: ancestral healing"

2022, yarn, spinning fiber, & hand-dyed fabric. 30 in x 223 in

I am inspired by my mom, grandmother and their connection to the color blue. Blue flows throughout our entire home—inside and out. It feels sacred and often shows up in the form of glass. My mom is a deep lover of literature, genealogy, and African American history. When I first asked my mom why she’s so drawn to the color blue, she shared her fascination for haint blue used on shutters and ceilings, the beauty of bottle trees, and the African meaning of blue being peace and togetherness. She ended with, “Why do I love blue? I am spiritually drawn to it.”

  • blue: ancestral healing
    blue: ancestral healing
  • blue: ancestral healing close up
    blue: ancestral healing close up
  • blue: ancestral healing close up
    blue: ancestral healing close up
  • aliana grace bailey_bars_blue ancestral healing_mlk_all together 4 copy.png
    aliana grace bailey_bars_blue ancestral healing_mlk_all together 4 copy.png
  • aliana grace bailey_bars_blue ancestral healing_mlk_all together 2 copy.png
    aliana grace bailey_bars_blue ancestral healing_mlk_all together 2 copy.png
  • aliana grace bailey_bars_blue ancestral healing_mlk_all together 3 copy.png
    aliana grace bailey_bars_blue ancestral healing_mlk_all together 3 copy.png
  • aliana grace bailey_bars_blue ancestral healing_mlk_all together copy.png
    aliana grace bailey_bars_blue ancestral healing_mlk_all together copy.png

tender gestures

  • intimate gestures & pinky promises
    intimate gestures & pinky promises

    digital collage on velvet
    73 in x 54 in
    2022

    Human touch can increase feelings of trust, compassion, and generosity. Human touch can decrease feelings of fear and anxiety. "intimate gestures and pinky promises" is a visual and body movement interpretation of lessons learned from a seemingly healthy romantic relationship, being exposed as distortion and traumatic. Exploring the intimate gesture of handholding, transfer of energy, and the way we connect through hands—the collage is documentation of performance.

    The collage features actual polaroids from moments in the relationship and is surrounded by authentic loving intimate gestures with myself post-relationship. The relationship with myself and understanding of myself is what made the relationship beautiful. The visual collage is reflected through words in the piece, "but you didn’t love him.”

  • intimate gestures & pinky promises close up
    "intimate gestures & pinky promises" close up
  • part two: blossoming
    "part two: blossoming"

    part two: blossoming
    2023. digital collage on velvet
    54 in x 72 in

    Part Two: Blossoming was created a year later, using self-portraits of my hands from the same photo shoot in 2021. A year later, I was drawn to poses, compositions, and colors that are more expansive, lighter, natural, expressive, and loving—representative of the place I am today in comparison. Revisting the collection of photographs. This piece embraces a new era of freedom, loving, and openness to community.

  • part two: blossoming close up
    "part two: blossoming" close up

self-portrait collages

  • “thankful for her: rhythms of growth”
    “thankful for her: rhythms of growth”

    2023. Mixed Media on Cotton.
    58 inches x 72 inches

    Thankful for Her: Rhythms of Growth is a tribute to myself, my self-awareness, and my past self. Three self-portraits—including a 2014 me, are collaged together to create a meditation on time with self and appreciation for the rhythms of my growth. At times, through my practice, I unintentionally create artwork for the version of me that needs it on the other side—and for that, I thank my spiritual connection and ancestors. Towards the end of this piece, it became the soft, radiant, healing energy I needed while navigating emotional changes and relationship shifts. This piece honors the various journeys that I move through in solitude to evolve into new versions of myself to share with my loved ones and the world.

  • “thankful for her: rhythms of growth” closeup
    “thankful for her: rhythms of growth” closeup
  • “thankful for her: rhythms of growth” closeup
    “thankful for her: rhythms of growth” closeup
  • thank for her: rhythms of growth close up
    thank for her: rhythms of growth close up
  • water gaze
    "water gaze"
  • water gaze
    "water gaze"
  • water gaze
    "water gaze"
  • water gaze
    "water gaze"

"finding peace" installation

finding peace
2022-2023 fiber installation
yarn, spinning fiber, hand-dyed cotton, mixed media collage

  • Install
    Install
  • finding peace installation
    finding peace installation
  • finding peace installation
    finding peace installation
  • finding peace installation
    finding peace installation
  • finding peace installation
    finding peace installation
  • finding peace installation
    finding peace installation
  • Install
    Install
  • finding peace installation
    finding peace installation

soft gather at BLOOM

Founded in 2023, Soft Gather is a series of healing spaces. Utilizing fiber and the vibrant language of color therapy, Black women and gender-expansive people and communities are invited to comfortably gather, reflect, rest, and nurture relationships. Soft Gather is an intentional space that evokes a cohesive sense of mind, body, and spirit through art. Soft Gather is the artist’s life's work.

The Bloom Collective provides holistic care along the preconception, pregnancy, and postpartum journey. This Soft Gather space is inspired by being held, circular process of life, connection to the land, the earth’s nourishment, and honoring of the grand midwives.

Installed during Black Maternal Health Week 2024, Soft Gather is an accessible healing space open to the Bloom community. Through the colors and textures, it is a restful, beautiful experience that aligns with how they want their community to feel—light and at peace. People gather, and build community through conversation, rest, play, and release. Soft Gather provides the space for them to do these things in a new, comfortable, and inspiring way.

 

  • soft gather
    soft gather
  • soft gather
    soft gather
  • soft gather mood board
    soft gather mood board