Work samples

  • The master's tools will never dismantle the master's house. - Audre Lorde (2026)
    "The master's tools will never dismantle the master's house." - Audre Lorde (2026)

    Permanent pigment print

  • Fire Year (2025)

    Fire Year is a telematic art installation that addresses the catastrophic fires that overtook Altadena and The Palisades in Greater Los Angeles. Nohe aimed an HD video camera at a miniature set illuminated by flame simulation LEDs. The work was accompanied by a sound mix of environmental and radio frequency sound captured in Los Angeles.

  • CosmonautOp_ReMix (2025)

    CosmonautOp Remix (2025) is a kinetic and color rich experimental video short that features found footage from the Russian space program, video synthesis, Wobbulator, and experimental techniques engaged at a residency at Signal Culture. Music and video by Timothy Nohe. Screens internationally and locally at Maryland Film Festival.

  • Zero Feet Zero Inches (2020)
    A datamosh video employing materials sourced from historic footage at archive.org. This piece features a performance of Variations V by John Cage, with the Merce Cunningham Company and Apollo footage from NASA. Sound created on a modular synthesizer, using recordings of John Cage as foundational elements. This work is linked to Bell labs Mosh through the common thread of Stan Vanderbeek, who created imagery for the original Variations V performance, which was broadcast in West Germany. Video and sound synthesis by Timothy Nohe.

About Timothy

Timothy Nohe’s artistic practice is rooted in a DIY ethos shaped by Punk culture and early hacker communities, emphasizing collaboration, hands-on problem-solving, and public engagement. This philosophy informs his work across music, visual arts, and performance, often extending beyond traditional art spaces. Based in Baltimore, Nohe’s creative pursuits span exhibitions, screenings, and performances in Australia, Singapore and Europe.

Collaboration has been central to Nohe’s practice… more

"The master's tools will never dismantle the master's house." - Audre Lorde (2026)

12 AI prints produced for ARTifical (2026) at Maryland Art Place. Since the launch of ChatGPT, the public has become aware of Artificial Intelligence, though the field has much deeper roots. What is new is the speculative bubble, reminiscent of the dot-com crash, and the extraordinarily disruptive power concentrated among just a few major players. Evoking the bleak satire of Dr. Strangelove, my work uses AI itself to expose the unsettling risks of this moment.

  • This is Not a Bubble (Ceci n’est pas une bulle)
    This is Not a Bubble (Ceci n’est pas une bulle)

    Permanent pigment print, framed

  • Yoga Ball Bros
    Yoga Ball Bros

    Permanent pigment print, framed

  • General Dynamics Dog Poolside Inferno
    General Dynamics Dog Poolside Inferno

    Permanent pigment print, framed
     

  • Tech Titan Directing a Firehose of Water at a TED Talk
    Tech Titan Directing a Firehose of Water at a TED Talk

    Permanent pigment print, framed

  • Power-Hungry Server Farm
    Power-Hungry Server Farm
  • Tech Bro and Child Doing Homework with an AI Agent
    Tech Bro and Child Doing Homework with an AI Agent

    Permanent pigment print, framed
     

    Available for Purchase
  • Middle School Kids Clutching Cellphones
    Middle School Kids Clutching Cellphones

    Permanent pigment print, framed

    Available for Purchase
  • Get Off
    Get Off

    Permanent pigment print, framed

    Available for Purchase
  • Baby Inside the Confines of a Server Farm
    Baby Inside the Confines of a Server Farm

    Permanent pigment print, framed

Fire Year (2025)

Fire Year is a telematic art installation that addresses the catastrophic fires that overtook Altadena and The Palisades in Greater Los Angeles. Nohe aimed an HD video camera at a miniature set illuminated by flame simulation LEDs. The video feed was transmitted to a large flat panel TV, near the miniature set. The work was accompanied by a sound mix of environmental and radio frequency sound captured in Los Angeles.

  • "Fire Year" at The Peale (2025)

    View of video display, playing back a live HD video feed of the miniature set. Sound mix by the artist, using sound from the LA Fires of 2025.

  • Fire Year (2025)

    Detail of the miniature set with LED flame simulation bulbs, "smoke" moved by fans, sound design with documentary elements from the LA fires of 2025.

CosmonautOp_Remix (2025)

CosmonautOp Remix (2025) is a kinetic and color rich experimental video short that features found footage from the Russian space program, video synthesis, Wobbulator, and experimental techniques engaged at a residency at Signal Culture. Music and video by Timothy Nohe.

  • CosmonautOp_ReMix (2025)

    CosmonautOp Remix (2025) is a kinetic and color rich experimental video short that features found footage from the Russian space program, video synthesis, Wobbulator, and experimental techniques engaged at a residency at Signal Culture. Music and video by Timothy Nohe. Video screens internationally.

Telemetry (2025)

Telemetry (2025) video and audio synthesis, Wobbulator, archival sound, and Apollo 9 film footage. Video and music by Timothy Nohe. Experimental short video, stereo sound, trt: 02:39 Screens nationally and internationally.

  • Telemetry (2025)

    Telemetry (2025) video and audio synthesis, Wobbulator, archival sound, and Apollo 9 film footage. Video and music by Timothy Nohe. Experimental video short, stereo sound, trt: 02:39

Entr’acte-Interact (2017-2024)

Entr’acte-Interact (2017-2024), interactive HD video synthesis system triggered by audience members improvising with a microphone and two infrared sensors that triggered a drum machine.  The installation featured a drum machine, animation system and stereo speakers. Installed at Sweaty Eyeballs: Animation Adjacent, AREA 405, Baltimore September13th – October 20th, 2024; and at the Kohl Gallery, Washington College, November 9 - December 15, 2017.

  • Entr’acte-Interact (2017)
    Entr’acte-Interact (2017) interactive HD video synthesis system triggered by a microphone and two infrared sensors, stimulating a drum machine and animation system. Installed at the Kohl Gallery, Washington College, November 9 - December 15, 2017.

Zero Feet, Zero Inches (2020)

A datamosh video employing materials sourced from historic footage at archive.org. This piece features a performance of Variations V by John Cage, with the Merce Cunningham Company and Apollo footage from NASA. Sound created on a modular synthesizer, using recordings of John Cage as foundational elements. This work is linked to Bell labs Mosh through the common thread of Stan Vanderbeek, who created imagery for the original Variations V performance, which was broadcast in West Germany. Video and sound synthesis by Timothy Nohe.
  • Zero Feet Zero Inches (2020)
    A datamosh video employing materials sourced from historic footage at archive.org. This piece features a performance of Variations V by John Cage, with the Merce Cunningham Company and Apollo footage from NASA. Sound created on a modular synthesizer, using recordings of John Cage as foundational elements. This work is linked to Bell labs Mosh through the common thread of Stan Vanderbeek, who created imagery for the original Variations V performance, which was broadcast in West Germany. Video and sound synthesis by Timothy Nohe.

Bell Labs Mosh (2018)

Bell Labs Mosh (2018), total running time 05:12. Part of a video series that examines the early information age, this industrial film was produced at Bell Labs and represents early experiments in rendering human speech and the "Poem Fields" computer animation work of Stan Vanderbeek and Kenneth Knowlton. Many of the inventions predicted within this video area a reality and commonplace, as accessible as our mobile phone. The original industrial film was made available under Creative Commons license, at archive.org. This data-moshing work was created while in residence at Signal Culture, Owego, NY. 

Installed in the Electronic Gallery, Salisbury University, July 16 - October 25, 2018.
  • Bell Labs Mosh (2018)
    Bell Labs Mosh (2018), total running time 05:12. Part of a video series that examines the early information age, this industrial film was produced at Bell Labs and represents early experiments in rendering human speech and the "Poem Fields" computer animation work of Stan Vanderbeek and Kenneth Knowlton. Many of the inventions predicted within this video area a reality and commonplace, as accessible as our mobile phone. The original industrial film was made available under Creative Commons license, at archive.org. This data-moshing work was created while in residence at Signal Culture, Owego, NY. Installed in the Electronic Gallery, Salisbury University, July 16 - October 25, 2018. Exhibited at Electronic Gallery, Salisbury University, July 16 - October 25, 2018. Screened as interstitital video during Livewire 9 concerts, October 26-27, 2018, Earl and Darielle Linehan Concert Hall, UMBC.

At or Near the Melting Point (2017-2018)

36 television remote controls dipping in chocolate, included in Voltage is Signal: Analog Video Works by Timothy Nohe,  Kohl Gallery, Washington College, November 9 - December 15, 2017, and, the Electronic Gallery at SalisburyUniversity, July 16 - October 25, 2018.
  • At or Near the Melting Point, (2017-2018), chocolate dipped TV remotes
    At or Near the Melting Point, (2017-2018), chocolate dipped TV remotes
    At or Near the Melting Point, (2017-2018), chocolate dipped TV remotes
  • At or Near the Melting Point, (2017-2018), chocolate dipped TV remotes
    At or Near the Melting Point, (2017-2018), chocolate dipped TV remotes
    At or Near the Melting Point, (2017-2018), chocolate dipped TV remotes
  • At or Near the Melting Point, (2017-2018), chocolate dipped TV remotes
    At or Near the Melting Point, (2017-2018), chocolate dipped TV remotes
    At or Near the Melting Point, (2017-2018), chocolate dipped TV remotes
  • At or Near the Melting Point (2017), installation view
    At or Near the Melting Point (2017), installation view
  • At or Near the Melting Point (2017), installation view
    At or Near the Melting Point (2017), installation view
  • At or Near the Melting Point (2017), installation view
    At or Near the Melting Point (2017), installation view

Light Well for James Turell (2017)

Light Well for James Turrell (2017), employed analog video and sound synthesis to evolve in real-time dynamic and shifting sound and light patterns that immersed a room in vivid hues. Four analog CRT tv monitors screened opening and closing concentric circles of deeply saturated color. Installed at the Kohl Gallery at Washington College with four matched CRTs, November 9 - December 15, 2017.
  • Light Well for James Turrell, (2017)
    Light Well for James Turrell, (2017)
    Installation view of one of four CRT analog video monitors.
  • Light Well for James Turrell, (2017)
    Light Well for James Turrell, (2017)
    View of four CRT analog video monitors, analog modular audio and video synthesizer, powered audio speakers reproducing the audio patch.
  • Light Well for James Turrell, (2017)
    Light Well for James Turrell, (2017)
    View from above of the discrete space where the system was installed.
  • Light Well for James Turrell, (2017)
    Light Well for James Turrell, (2017)
    Video color transforms over a long time cycle, mixing chroma and value to a central "well."
  • Light Well for James Turrell (2017)
    Light Well for James Turrell (2017)
    Close up of the analog modular sound and video synthesizer patch cable network.
  • Light Well for James Turrell, (2017)
    Excerpt of Light Well for James Turrell (2017), analog video and sound synthesis. Installed at the Kohl Gallery at Washington College with four matched CRTs, November 9 - December 15, 2017.

Electron Drawing – Visual Music (2017)

Electron Drawing – Visual Music was installed at Light City as a public art commission on the Art Walk. The piece employed analog modular synthesis sound which simultaneously produced live vector graphic video that was captured by a HD camera fed directly to a 12’ by 9’ LED jumbotron wall. Audience members shaped the sound and the drawings through two motion infrared motion sensors, and these were inset into two custom lasercut boxes produced by the artist.
  • Electron Drawing - Visual Music, Light City Documentation April 7, 2017
    Documentation of Electron Drawing - Visual Music, installed at Light City Baltimore, Maryland, USA. March 30 - April 8, 2017. Analog modular synthesizer, two wireless infrared sensors in lasercut interfaces, vintage hacked Vectrex game machine, HD camera, stereo PA system and LED wall.
  • Electron Drawing - Visual Music, Light City
    Electron Drawing - Visual Music, Light City
    View of the LED Wall "Jumbotron"
  • Electron Drawing - Visual Music, Light City
    Electron Drawing - Visual Music, Light City
    Kids interacting with the wireless infrared sensors to shape the sound and drawings.
  • Electron Drawing - Visual Music, Light City
    Electron Drawing - Visual Music, Light City
    Shaping sound and drawings in real time with a touchless interface.
  • Electron Drawing - Visual Music, Light City
    Electron Drawing - Visual Music, Light City
    Behind the scenes at Light City, this view shows the synth, camera and Vectrex game console that displayed the live "electron drawings"
  • Screen capture, Electron Drawing - Visual Music
    Screen capture, Electron Drawing - Visual Music
    Evolving drawing captured from screen of the Vectrex.
  • Electron Drawing - Visual Music, Light City
    Electron Drawing - Visual Music, Light City
    Screen capture
  • Electron Drawing - Visual Music, Light City
    Electron Drawing - Visual Music, Light City
    Screen capture of Electron Drawing - Visual Music