This wistful sincerity and simultaneous playfulness finds a fitting motif in the show’s title, “Homemade Tattoo”. A vision of earnest teenagers trying to carve a message they may soon outgrow confounds the expectation that tattoos are meant to last forever. Where before the dots in Case’s paintings could imply embroidery, doodling, or meditative abstraction, now we see skin itself present as a similar surface for an image constructed of sequential tiny dots. The body becomes a playground for aesthetic overhaul, but unlike a painting, we are only given one chance to get it right.

For Case, sanding acts as a metaphor for starting over and making new choices. The frequent motif of notebook paper acts as a fragile formal device where blue lines create an Agnes-Martin like pattern, as well as a suggestion of trying hard in school to get it right. Upon closer looking, one sees an awkward mirroring– as drips are hand-painted in a Rorschach-like repetition. Case titles her paintings after the myriad of influences of any one seemingly abstract gesture – the colors of her high school, the arrangement of knick-knacks in a home, the porousness of time, and the effort required as daily mundane tasks, repeated over the years, add up to the building of a life. In the bewildering complexity of Case’s paintings, small repeated gestures crescendo towards a hard-fought equilibrium, much as we try to steer our lives, in increments large and small, towards a larger meaning.