Work samples

  • The Essence of Change
    The Essence of Change

    Woodblock Print

    63 x 36 inches

    Edition of 2 on Mulberry paper; 1 available

    Edition of 2 on Stonehenge paper; 2 available

    2022

    The first edition printed in collaboration with Big Inks LLC.

    Available for Purchase
  • Time Passing
    Time Passing

    Relief Reduction Print

    12 x 12 inches

    2022

    Edition of 20

    Color Proof Prints available.

  • Oneness with Time
    Oneness with Time

    Relief Reduction Print

    26 x 26 inches

    2017

    Edition of 3; 1 available

     

  • You're Doing it Wrong
    You're Doing it Wrong

    Acrylic and Ink on Carved Wood

    12 x 8 feet

    2018

     

About Sherry

Sherry Jankiewicz is an artist and educator residing in Ellicott City, Maryland.  Sherry’s work is established in printmaking, including relief and monotype prints, and extends to collages and paintings on carved woodblocks.  Her imagery narrates the idea of change through the lens of psychology, the environment, and personal history.  Bold color shifts and flowing marks create a sense of movement adding an emotional experience to the work. more

Jump to a project:

You're Doing It Wrong

12 x 8 feet; Acrylic and Ink on Carved Wood

Carved woodblocks are often seen for printmaking, used to make multiple copies of an image, and then discarded, however I am attached to the woodblock.  I appreciate the physical weight of the block, the honesty of the carving, and the metaphors that the process holds.  Using brushes and other found objects, I paint and create energetic marks on the wood moving between spontaneity and improvisation to lay out the composition.  Carving the marks makes them permanent, unlike a painting where I may change my mind and paint over them.  While carving the plywood, I am conscious of the direction of the wood grain; carving with the grain requires less effort but with less resistance the tool can easily slip, and carving against the grain requires more energy but the resistance helps with accuracy. I fill in the carved marks with paint, changing the colors often to create a sense of movement and to reflect the emotions of joy and hope.  I paint the surface using brayers playing with color and contrast to the painted marks. Looking closely you will see additional marks added to the surface with silkscreen to create a playful illusion of space and depth. Not quite a painting but not printmaking either, "You're Doing it Wrong" creates a hybrid of the two and challenges our expectations of each medium.

  • You're Doing it Wrong
    You're Doing it Wrong

    Acrylic and Ink on Carved Wood

    12 x 8 feet

    2018

     

  • You're Doing it Wrong
    You're Doing it Wrong