About Kris

Baltimore County
Kris Faatz (rhymes with skates) is a writer, pianist, and teacher. Her short fiction has appeared in journals including Los Angeles Review, NELLE, and Typehouse Magazine, and has received recognition in competitions run by Tiferet Journal, Philadelphia Stories, Uncharted Magazine, Dzanc Books, and others. Most recently she received NELLE's 2022 Three Sisters Award. Her first novel, TO LOVE A STRANGER (Blue Moon Publishers, 2017) was a finalist for the Schaffner Press Music in Literature Award.… more
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TO LOVE A STRANGER

My first novel, To Love A Stranger, was written, edited, and re-written over a period of ten years. During this time, my career shifted from focusing on music to writing and teaching fiction professionally. The novel draws on my own experiences of the backstage world of classical music; I wanted both to translate the "heard" experience of music to the page, and to engage with issues of social and societal justice relevant to that community and the wider world. 

Praise for To Love A Stranger

"How well do we know the people we love? This question is at the heart of Kris Faatz's beautifully written first novel. With Sam and Jeannette, Faatz has created two sympathetic, deeply flawed characters, driven by loneliness and a desire to belong. Set in the 1980s, at the height of the AIDS epidemic, their story unfolds with tragic inevitability. Compassionate and emotionally engaging, To Love A Stranger is a page-turner, a story that will resonate with the reader for a long time to come." - Geeta Kothari, author of I Brake For Moose and Other Stories

"Readers are safe in this author's thoughtful hands, amidst these gorgeous words, in this world rich with the heady sounds of darkness, honesty, forgiveness. To Love A Stranger is written with the harmony of humanity in mind. To Love A Stranger is a song." - Leesa Cross-Smith, author of Whiskey and Ribbons

"Artfully plotted, elegant and sharply observed, the book has the effect of holding you in proximity to two deeply flawed characters as they advance grudgingly and by degrees toward acceptance of who they are and where they come from. The novel has the grace to allow its characters to come to terms with what they're trying to escape, and it accomplishes this without sentimentality." - Tom Andes, interviewer, JMWW Magazine



  • To Love A Stranger, front cover
    To Love A Stranger, front cover
    The front cover of my music-inspired debut novel, released May 2017 by Blue Moon Publishers (Toronto).
  • To Love A Stranger chs. 1 and 2, Baker.pdf
    Chapters 1 and 2 of To Love A Stranger
  • Launch party excerpt: TLAS reading and Brahms intermezzi
    From the video taken at TO LOVE A STRANGER's launch party, which included Kris's solo piano recital of music featured in the book. This excerpt includes a reading from STRANGER, two intermezzi (Op. 116 no. 6 and Op. 117 no. 1) by Johannes Brahms, and Kris's comments on the historical background of the music.
  • To Love a Draft_ An Interview with Kris Faatz by Tom Andes _ JMWW.pdf
    My interview at JMWW Journal with writer Tom Andes: "I thought about the shattering loneliness [AIDS] patients must have experienced, and the stigma surrounding them, and wanted to bring the human experience of their love and loss to the page."
  • Kris Faatz _ My Memories of a Future Life.pdf
    My feature at The Undercover Soundtrack: "I was in love with Sam, my primary character. He was clear and alive in my mind, and his story - about love and loss, and isolation and condemnation because of the person he was - felt urgent and real."
  • The Quivering Pen_ My First Time_ Kris Faatz.pdf
    My "My First Time" column at The Quivering Pen: " If you’ve read [Watership Down], you might remember Dandelion, the warren’s own storyteller, the keeper of his people’s history and, often, the source of their courage. I saw what he did inside the story, and I saw what the writer did outside it. Without meaning to, I found myself imitating the way Richard Adams wrote: the gentle voice, the depth of detail, the meditative, immersive tone. I didn’t know anything about him other than the book he had written, but for me, he was a hero."
  • Backstage With To Love a Stranger, Music, and the Writing Life.pdf
    TO LOVE A STRANGER's feature article at The Negatives: "Early on in my musical training, I began thinking of music and instruments as living things....When I practiced, making music felt like talking to the instrument, as if it and I were having a conversation that communicated more than words ever could. Anything I thought or felt, even the most difficult things – especially the most difficult things – had an outlet in what I played. The piano always understood."

Short Stories

Many of my stories are inspired or informed by music or art. Many of them also deal with relationships between people, and the underlying deeper societal and/or cultural issues that can emerge in such relationships, or inform them.

This project contains a cross-section of my short fiction. All of these pieces have been published in literary journals, as noted in the individual files. While my initial focus as a writer was on literary fiction, I've become increasingly interested in blending fantasy into my work, while still writing character-driven stories.

More information about my short fiction can be found on my website: https://krisfaatz.com/stories. 
  • Tejedora
    My complete short story "Tejedora." My first draft of this piece was written in 2019, in response to the immigration crisis at the US-Mexico border, and particularly in response to the separation of children from parents. Published in Typehouse Magazine, March 2022.
  • Like Orange Essence and Vanilla
    This flash piece was written in 2021, in response to a prompt in which the word "guard" and the action of baking a pie needed to be included. I had fun playing with the fantastical in it. Published in Black Fox Literary Magazine, March 2021.
  • Coreopsis
    This piece blends historical fiction with magical realism. I enjoyed the World War I era setting, as well as creating a mysterious main character whose magic is hinted at but never exactly defined. Published in Los Angeles Review, July 2022.
  • Silver Ghosts
    (Also included in my work sample above) - This flash piece was originally drafted in 2017 and completed in 2021. It was published in NELLE Journal in 2022, and was the recipient of NELLE's Three Sisters Award, which included a Pushcart Prize nomination.
  • Proofreader (published in Writers Resist, March 2018)
    “'Cinnabar,' the warden said. 'The color of passion. Also poison.' Cinny couldn’t hide her surprise. Nobody else in the legal system had looked twice at her name. 'A gifted thief,' the warden went on. 'Pickpocketing. Cat burglary. Felony misdemeanor sheet considerably longer than the average arm. An amazing career, all told.'"

FOURTEEN STONES

Fourteen Stones (working title) is my recently-completed second novel. It has its roots in a trip my husband and I made to Spain in the summer of 2015, in which we visited Iron Age castros on the northern coast of Spain. I was deeply impressed with the hand-built stone structures and the intense sense of home the castros conveyed: people had lived here thousands of years before, loved this ground, built on it, guarded it, buried their dead in sight of  their homes. Out of that experience, I created a fictional religion which gave me the seed of the novel.

Fourteen Stones is a fantasy, and therefore a departure from the strictly-literary work in To Love A Stranger, but I'm increasingly interested in writing stories that interweave literary and speculative elements. I love to read fantasy, and found it enormously satisfying to create a fictional world and work outside the parameters of our "usual" reality. 

The story focuses on a nomadic group of people called the Pala Vaia, who face religious persecution in their homeland, and look for safety and help in a neighboring country. Religious belief is a strong element in the novel's plot overall. I wanted to explore what fervent belief could cause, in a few different ways, and how it can both create barriers between people and - in what I argue is its best form- bring people together with the reminder that we are all human. 

The book is a direct response to various political and social attitudes currently present in the United States. As a fiction writer, sometimes I wonder how much "good" my work can do in the world, but I do believe storytelling matters, and that stories are one of the simplest and most effective ways to bring people together. 

Advance praise for Fourteen Stones:
"This is amazing. Huge. The depth and breadth of your imagination astonishes me, and the writing is gorgeous." - Louise Marburg, author of The Truth About Me 

  • Fourteen Stones, beginning through Chapter 2
    "Once there was a woman who wished to build a house. Not a house for her husband and children: she had no husband yet, was too young to have children, and in any case she meant to live alone a while longer. She loved the scent of the wind, the warmth of the sun, and the sound of the sea as it rushed and broke against the rocky shore of her land. While she could, she wanted to have those things all to herself."

Multimedia Blog: "Zen for Ten: Storytelling and Sound"

My blog feature "Storytelling and Sound" combines verbal and musical storytelling. It came out of a collaboration at the 2017 Kenyon Review Writers Workshops, in which fellow novelist Taylor Larsen and I presented an afternoon program for the students and faculty. Taylor read excerpts of her novel STRANGER, FATHER, BELOVED, and I interspersed her readings with musical interludes to complement the writing.

The program was a huge success and I wanted to do more with this combination of arts. For my blog, I make videos in which I read excerpts of fiction and poetry (in a few cases it's my own work, but more often, I share the work of other writers) and alternate the readings with short piano works. This combination of music and words seems to be a treat for listeners, and the writers I've hosted have loved hearing their work presented in this new way. I'm looking forward to continuing this project through the coming year.


  • Absolution and Beethoven Op 49 no 1
    My short story "Absolution," paired with Ludwig van Beethoven's Sonata Op 49 no. 1
  • Fly Away Home, with Beethoven Sonata Op 14 no 1, 2nd mvt
    My short story "Fly Away Home," paired with the second movement of Ludwig van Beethoven's Sonata Op. 14 No. 1
  • "The Truth About Me," & J S Bach
    Excerpt of fellow writer Louise Marburg's short story "The Truth About Me," paired with two-part Inventions by J. S. Bach
  • Stranger, Father, Beloved; Chopin preludes
    Excerpt of fellow writer Taylor Larsen's novel STRANGER, FATHER, BELOVED, paired with three preludes by Frederic Chopin
  • dear Petrov; Prokofiev Tales
    Poetry cycle "dear Petrov," by fellow writer Susan Tepper, paired with excerpts from Sergei Prokofiev's "Tales of the Old Grandmother"
  • The Hit and Shostakovich preludes
    Excerpt from "The Hit," short story by fellow writer Tom Andes, paired with two preludes by Dmitri Shostakovich