Work samples
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DIRECT CURRENT: DCDIT presents Abdu Ali - Millennium Stage (March 7, 2018)This is a performance I did for Kennedy Center's Millennium Stage Series presented by DIRECT CURRENT inaugural season.
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FIYAH!!! by Abdu Alithis album is everything that i am and everything that i am not. i wanted to embrace all of the facets of my identity but not let those paradigms build chains around my artistic vision. this album is a queer’d journey of interrogation in order to discover the seed of my fire.
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Chastity, Cinematic Audio VisualThis is a cinematic audio visual for Abdu Ali's song Chastity. The principal location is a Sci-Fi church designed by Modern architecture icon Eero Saarinen. Futurist themes and radical world-building resonate in both Saarinen’s designs as well as Ali’s song “Chastity.” The church’s 1960s design is also reminiscent the era’s parliament buildings. This setting positions Ali as both a socially radical and spiritual leader. A dance sequence featuring Ali and another performer underscores themes of empathy and interpersonal relationality. While the scenes featuring modernist architecture emphasize place, in stark contrast, the dance sequences are staged in black box theater to evoke non-place expressing the psychological dimension of our conflicts and communions. The song “Chastity” his Abdu’s newest single for their forthcoming debut album “FIYAH!!!” scheduled to be released in 2019.
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ABDU ALI - DID DAT [PROD. MIGHTY MARK]In collaboration with Mighty Mark, Baltimore club anthem, Did Dat is a track created to empower black and brown folk to feel beautiful about who they are despite the anti blackness culture they live in provoked by white supremacy.
About Abdu
Making Home: Artist Residency at Brown Arts Institute, Brown University 2022
Score Composition for weighted sky at The Andy Warhold Museum
About weighted sky
weighted sky is a work collaboratively built and performed by slowdanger, MICHIYAYA Dance Directors Anya and Mitsuko Clarke-Verdery, and sound artist Abdu Ali, with original sonic design by Abdu Ali, set pieces by sculptor Rob Hackett and costumes by MAD RECITAL. The work explores the collapse of capitalism and white supremacist structures on the bodies of people, nationally and globally. It deconstructs hustle culture and seeks to create a process of active imagining for a queer future where we can thrive. The work premiered on November 11, 2021 at the Andy Warhol Museum in Pittsburgh. The weighted sky project was made possible by Unique Projects, Pentacle Administrative Support Program, the Andy Warhol Museum, the Opportunity Fund, the Heinz Endowments Small Arts Initiative, the PNC Charitable Trusts and the Pittsburgh Foundation A W Mellon Grant. With advisory committee support from Sidra Bell and Billy Dean Thomas.
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Weighted Sky
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weighted sky Act I (score/music)This is the music for act one of weighted sky.
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weighted sky Act II (score/music)This is the music for act two of weighted sky.
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weighted sky Act III (score/music)This is the music for act three of weighted sky.
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Video Documentation of weighted sky
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Weighted Sky
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Weighted Sky
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Weighted Sky
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Weighted Sky
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Weighted Sky
7th Athens Biennial 2021; Soft & Solid: Fugitive Harmonies in Pursuit of Home
FIYAH!!! Self Released Album 2019
this album is everything that i am and everything that i am not. i wanted to embrace all of the facets of my identity but not let those paradigms build chains around my artistic vision. this album is a queer’d journey of interrogation in order to discover the seed of my fire. realizing i didn’t need to go anywhere else but my past for inspiration, i shoveled into my upbringing of living in Baltimore, where as a youth, during humid summer days i often would here in the distance, the go ghetters having marching band practice, or how i would sneak into 17 and over nights at the paradox to be engulfed by the vibrations of the powerful subwoofers the played bmore club or vogue music all night long, or how i would love post church sunday drives with grandad, as he play the stylings of motown in his dodge caravan (sometimes he would play a mix of pfunk or mystikal tool) after witnessing the visceral beauty of gospel performances at bethal ame.
so i wondered how can i take my baltimore experiences and my hometown sound into the future where my influences of free jazz, soul, punk, and rap could be fused into one movement? i wondered how could i unleash social political critiques, emotions, and personal traumas into a musical abyss of revolution? FIYAH!!! is me wondering, questioning, climbing up a mountain into the burning bush of endless musical possibilities in a post afro futurist realm. i feel as though, this is the first established musical chapter of Abdu Ali and im excited to invite you into this journey.
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20190301_MG_8854_Cover_ORIGINAL.jpg
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FIYAH!!! by Abdu Alithis album is everything that i am and everything that i am not. i wanted to embrace all of the facets of my identity but not let those paradigms build chains around my artistic vision. this album is a queer’d journey of interrogation in order to discover the seed of my fire.
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20190301_MG_8905.jpg
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20190301_MG_8932.jpg
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Chastity, Cinematic Audio VisualThis is a cinematic audio visual for Abdu Ali's song Chastity. The principal location is a Sci-Fi church designed by Modern architecture icon Eero Saarinen. Futurist themes and radical world-building resonate in both Saarinen’s designs as well as Ali’s song “Chastity.” The church’s 1960s design is also reminiscent the era’s parliament buildings. This setting positions Ali as both a socially radical and spiritual leader. A dance sequence featuring Ali and another performer underscores themes of empathy and interpersonal relationality. While the scenes featuring modernist architecture emphasize place, in stark contrast, the dance sequences are staged in black box theater to evoke non-place expressing the psychological dimension of our conflicts and communions. The song “Chastity” his Abdu’s newest single for their forthcoming debut album “FIYAH!!!” scheduled to be released in 2019.
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Abdu Ali makes "FIYAH!!!" from Baltimore's past and futureA short doc by the Baltimore Sun
Press and Video Features
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Editorial Feature with The Baltimore Sunhttp://www.baltimoresun.com/entertainment/music/midnight-sun-blog/bal-abdu-ali-interview-kahlon-present-future-crown-baltimore-story.html
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Interview with Baltimore Magazinehttp://www.baltimoremagazine.net/2016/7/22/bmore-club-artist-abdu-ali-says-2016-will-be-best-year-yet
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Featured in Teen Vogue List: Coolest Queers on The Internethttp://www.teenvogue.com/gallery/coolest-queers-on-the-internet
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Interview with French Based magazine, LesIn Rockshttp://www.lesinrocks.com/2016/05/10/musique/abdu-ali-le-rappeur-queer-de-baltimore-a-decouvrir-absolument-11825610/
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Interview on the Marc Steiner Showhttp://www.steinershow.org/podcasts/community-event/baltimore-musician-and-writer-abdu-ali/
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Hands Up! How Baltimore Weathers The Storm - THUMP SpecialsThump/Vice comes interview Baltimore artist post Freddie Gray.
Tours and Live Performance
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Abdu Ali European TourDates for my debut in Europe.
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Winner of Best Live Act from City Paper 2016http://www.citypaper.com/bob/2016/artsandentertainment/bcpnews-best-live-act-abdu-ali-20160913-story.html
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The Black Light Tour with Joy PostellThis is a headlining tour with support, Joy Postell.
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Crystal Leaf Tour with KilbourneUs tour with Kilbourne.
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I'm Alive Tour with Elon and DylijensHeadlining tour with support, Elon and Dylijens.
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Keep Movin TourSolo tour.
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Motivational Tour with Schwarz and KilbourneUS tour with Schwarz and Kilbourne.
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ABDU ALI @ GAYBIGAYGAY SXSWLive at GayBiGayGay in Austin
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ABDU ALI live in Philly
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Abdu Ali @ Sound Acts in Athens, GreeceAbdu Ali's debut in Greece.
Mongo (Self Released) 2016
Credits:
All album art by Elliott Brown Jr.
Please credit photographer if using imagery
Mixing & Mastering by JPEGMAFIA, MIGHTY MARK, & MR. 14TH
Lyrics are available in each song's description box. All lyrics by me, except the vocal features, who made their own lyrics.
Production credits on track listing.
Artist Statement in a short essay
i wanted to give up. ovah and ovah again. why? look at me, then look at the world i live. you see what im saying? life for me, aint been no crystal stair. do i even have a life? do i own one? i got a lot of debt. broke af, cant really obtain the wealth america promised me. am i here? is my life alive?
i believe i do have a life because…i cant give up. esp after witnessing the shade of it all in my city, post freddie gray's death. vividly i saw through that moment and still what i see today, are the attacks from media, all the systems, and the white hooded neighbors…is something that can really bring a bitch down. so im surprised by the fact that i am still here. after the shade of it all, i still rise. Maya Angelou, is that you?
something in me. the fire inside that makes me feel like no road cant be unconquered. what is that? i say its my mother’s hand, my lineage, my ancestors. the voodoo. the music. the music keeps me alive. the drums, the beat, and voices, (that cant ever be mimicked). my genetically passed down unbothered mien to be so me. to be black. even after being bleached a thousand times. my blood aint sterile. that pain i felt last april provoked the energy, the fire, to rage a bit more. my vision became a bit more focused. so my music became more and my performances became more. this mixtape, MONGO is who i am and what i am for what i be. its only for us. Mongo, I consider to be the blk self care mixtape consists of: Anthems Mantras & Narratives. Fela, Marvin, Nina, Lauryn, Tupac, Octavia E. Butler, and Miss Tony, I see what y'all was saying now. I know what I gotta do. I just gotta do me through us. The revolution is not just communal, it can also be an individual protest through thy work, sweat, or screams. Energy is infectious like the many systematic diseases that plagued our people. Teach one, teach all. also our other experiences are worthy to be art, our love trials, being queer and black, missing our deceased loved ones, or consuming the fruits of the green, because the self care is important. all of that deserves a song too. but I still don't know what it is that keeps my fist up, my hair nappy, and my skin so gold. but what i do kno is that me and u gonna get thru this. for some reason we have to. Is it just justice? is it the return of the black gods? deep down we know they will be back. cause one thing is for sure, the sun don't hurt me none. RIP PRINCE (CONTROVERSY IS THE REASON WHY I THOUGHT I COULD MAKE MUSIC). - ABDU ALI
Track List:
- TAKE ME TO DA WATA
- PRODUCED BY ABDU ALI & PANGELICA
- IM ALIVE (HUMANIZED)
- PRODUCED BY JPEGMAFIA
- ANTI.CHIP ft. JPEGMAFIA & ELON
- PRODUCED BY JPEGMAFIA & ABDU ALI
- TEARS OF A BLACK MOVA
- PRODUCED BY DJ HARAM
- HOW? (FIGHT BACK)
- PRODUCED BY GOBBY
- DID DAT
- PRODUCED BY MIGHTY MARK
- BOY BYE
- PRODUCED BY MR. 14TH
- SIRENS ft. JOY POSTELL & AL ROGERS
- PRODUCED BY BUTCH DAWSON
- KEEP MOVIN (NEGRO KAI)
- PRODUCED BY MENTAL JEWERLY & ABDU ALI
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Mongo Mixtape CoverMixtape cover photographed by Elliott Brown Jr.
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MONGO by Abdu AliArtist Statement in a short essay i wanted to give up. ovah and ovah again. why? look at me, then look at the world i live. you see what im saying? life for me, aint been no crystal stair. do i even have a life? do i own one? i got a lot of debt. broke af, cant really obtain the wealth america promised me. am i here? is my life alive? i believe i do have a life because…i cant give up. esp after witnessing the shade of it all in my city, post freddie gray's death. vividly i saw through that moment and still what i see today, are the attacks from media, all the systems, and the white hooded neighbors…is something that can really bring a bitch down. so im surprised by the fact that i am still here. after the shade of it all, i still rise. Maya Angelou, is that you? something in me. the fire inside that makes me feel like no road cant be unconquered. what is that? i say its my mother’s hand, my lineage, my ancestors. the voodoo. the music. the music keeps me alive.
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Album Art IIIThis is apart of the album art shot by Elliott Brown Jr.
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Album Art VThis is apart of the album art shot by Elliott Brown Jr.
ALREADY (Self Released) 2014
ALREADY is "used to describe a situation that exists now and that will continue to exist"and in Baltimore when we say "ALREADY" to a person we are validating that a something between each other, like a love or loyalty, exists and will continue to exist 4EVA.
COVER ART X ABDU ALI MIXED AND PRODUCED BY SCHWARZ ENGINEER MICHAEL BIRNBAUM
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Abdu Ali - I, ExistI release a visual interpretation directed by me and Jedicom (who did the editing/animation) of a single on ALREADY, titled "I, Exist". The video was premiered by Afro Punk. http://www.afropunk.com/profiles/blogs/afropunk-premiere-check-the-surreal-visuals-to-abdu-ali-s-i-exist Credits Video was created by Baltimore based animation and projection artist Johnny Rogers. Song produced by Schwarz. Lyrics and vocal composition by Abdu Ali. Photos tagged adidas stripes and couch1 are by Walker Seydell. Photos tagged hzybr are by Heezy Bear. Other photos are just stills from video. Artist Statement "It was raining bad one day, I was very very grey too, and thankfully a shed of light came upon in form of a thought: I'm still here. We are all still here. Very much alive even in the shadiest rain, where time isn't present, we are still up. Remember out loud: I, Exist.
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ALREADY(PROD. SCHWARZ & ABDU ALI) by Abdu AliMusic for ALREADY
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ALREADY, COVER ARTCover art designed by me.
Push + Slay (Self Released) 2013
"it's almost been a year since i dropped invictos. i wilted. i grew. and now i got this: PUSH + SLAY. it’s an epic with micro-nonfiction and monologue like songs, exported epiphanies for your gut that entails the come up by voguing against the petty shit of the world (like pigs), and questing for the covered beauty that's very rough to discover. it reveals my urges, frustrations, and pleasures i have in life. very personal, very intimate. peaches smell like honey, a scent has pushed me to slay, even if it was miles away from the hood where i grew up at. thank god for my crystal eyes to see that octarine. you know, if the world is in somebody else’s hands, take that shit with no mercy. don’t give a three fucks and be buck. be polite though, kind, and try to have a transparent attitude. conquer buddha style. PUSH + SLAY , is conjured up sounds for the future, with a bass that’s like 1000 hearts coming up from the darkness pumping in your face all to get the body/spirit/mind motivated. experimental? naw my niggas this is real life. this is for my classic trill mothafuckers who like to break their backs and rock their heads against the skyline. so PUSH + SLAY, be hardcore, be ready to die, be a warrior, get gen and get in." - #BMOREF4EVA -Abdu Ali PUSH + SLAY Cover Art: Xavier Schipani Mastered By: Adam Straney TRACKLIST: HUSTLE DA APPLE (MATIC808) NIGGA BELIEVE (SCHWARZ) CRYE (LORD BABY) TORNADOES IN THE ALLEY (LORD BABY) MAD AMBROSIA (LORD BABY) BLEED (JAMES NASTY) FUCK WIT DIS (JAMES NASTY) TOLD EM’ [PIG WIGZ] ( SXYLK REMIX X MAGARHOUR) MACHETE WARZ (SCHWARZ) THORNZ (SCHWARZ)
Kahlon, The Creative Agency - Founder
Kahlon was inspired by the lack of creative platforms, especially in the music scene, for underrepresented people like black and brown folk, womyn, and the LGBTQI community. In the Summer of 2014 Abdu Ali, the founder of Kahlon, The Agency, teamed up with Lawrence Burney, Chanel Cruz, and DJ Genie to start Kahlon to create a more inclusive music event that represented the diversity of the creative world within Baltimore City and putting black and brown artists to forefront of these events. For the visual component of Kahlon, digital illustrator and multi disciplinary artist, Theresa Chromati was appointed as the flyer designer for all Kahlon events and Jedicom, a projection artist help establish the physical ambience for Kahlon events.
For the past two years Kahlon has hosted performances by Princess Nokia, Juliana Huxtable and Dan Deacon, as well as beautiful art installations from Jedicom.
Now Kahlon is a creative agency that is working on changing the artistic climate of Baltimore and making it a more productive space for underrepresented creatives.
Kahlon focuses on uplifting and exhibiting various modes of production by people who are often oppressed and misrepresented. In addition to furthering Kahlon’s impact through a robust curation of musical acts, Kahlon has expanded to include “The Cut Up Series,” a diverse platform for exhibitions and arts/music programming set in Baltimore. As a creative agency we utilize the strengths of the artistic and cultural communities within Baltimore to bridge the gap between multiple levels of class, race, and gender, thus strengthening the community through events that are geared toward accessibility.
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KahlonKahlon
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The Kid Mero Versus Baltimore Party Rap - The Great Adventures of the Kid Mero - Ep 2Noisey/Vice did a documentary covering a Kahlon event.
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CUT UP MIX 1 x LOGICOMA by Kahlon, The Agency Radio premiered on The FaderPremiered by The Fader, Kahlon releases a mix by Logicoma in celebration of the 1st Cut Up Series installment. http://www.thefader.com/2016/11/02/kahlon-baltimore-logicoma-mix-premiere
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KAHLON w/ ABDU ALI - The Crown, STATION NORTHBMOREhush does a documentary feature on Kahlon.