About Stephanie
Baltimore City
Stephanie Garmey received her MFA degree from the Maryland Institute College of Art - Hoffberger School of Painting where she studied with Grace Hartigan.
Previously she received a MA in Painting from Purdue University in Indiana and BFA from the Maryland Institute College of Art.
Garmey has received individual artists grants from the Maryland State Arts Council (2015, 2012, 2002) and the Mayors Advisory Committee on Arts and Culture (1990). She was a finalist for the… more
Previously she received a MA in Painting from Purdue University in Indiana and BFA from the Maryland Institute College of Art.
Garmey has received individual artists grants from the Maryland State Arts Council (2015, 2012, 2002) and the Mayors Advisory Committee on Arts and Culture (1990). She was a finalist for the… more
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Forest Floor - Curiosity Cabinets
I am a collector of nature.
Scraps of lichen, bits of feather, snakeskin, boxes of insects, wasp nests, fossils, and a collection of taxidermy animals adorn my home and studio to inspire my work.
My work celebrates the feeling of meditating on these natural forms.
These cabinet of wonders were inspired through years of loving going to the Natural History Museum and the Walters Museums own Cabinet of Wonders.
Scraps of lichen, bits of feather, snakeskin, boxes of insects, wasp nests, fossils, and a collection of taxidermy animals adorn my home and studio to inspire my work.
My work celebrates the feeling of meditating on these natural forms.
These cabinet of wonders were inspired through years of loving going to the Natural History Museum and the Walters Museums own Cabinet of Wonders.
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Bird Cabinet with BookCuriosity Cabinet with Birds - 2011 Wood and (Screen Printed) Glass Cabinet Cut Paper Birds and Bird Nest in Drawer Cut Paper Book of Birds in top 18"D x 21"W x 5"H
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Insect Curiosity CabinetCuriosity Cabinet with Insects - 2011 Cut paper, wood, glass, screenprint Book with cut paper in top 18"W x 24"L x 6"H
Forest Floor - Light Box/ Screens
These Light box screens were made for the show "Forest Floor"at Stevenson University in 2011.
The light gives them a sense of the nocturnal. They are hand cut drawings of the flora and fauna of the forest.
The light gives them a sense of the nocturnal. They are hand cut drawings of the flora and fauna of the forest.
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Gallery ViewGallery view - 2011
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Forest Blues #2/ Dusk (2nd view)Forest Blues / Dusk - 2011 Cut Paper Screens Wood Frame Column, interior light, Indigo ink 78"H x 29"W x 29"D
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Forest Blues #1/ Dawn (2nd view)Forest Blues - Dawn - 2011 Cut Paper Screens Wood Frame Column, interior light, indigo ink 78"H x 29"W x 29"D
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Forest Blues #2/ DuskForest Blues - Dusk - 2011 Cut Paper Screens Wood Frame Column, interior light, indigo ink 78"H x 29"W x 29"
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Forest Blues #1/ DawnForest Blues - Dawn - 2011 Cut Paper Screens Wood Frame Column, interior light, indigo ink 78"H x 29"W x 29"D
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Small TerrariumSmall Terrarium - 2011 Cut Paper Screens Wood and Glass cabinet, interior light 14"H x 11"W x11"D
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Large TerrariumLarge Terrarium - 2011 Cut Paper Screens Wood and Glass cabinet, interior light 17"H x 14"W x 14"D
Forest Floor Drawings and Glass Books
These six cut paper leaf drawings were made for the exhibition "Forest Floor" Stevenson University,Baltimore, MD.in 2011.
I wanted to see how much I could get out of using limited materials. I used graphite pencils
throughout all the leaves and a small amount of gouache on a few. I combined a wasp nest, snake-skin,taxidermy birds,rocks, from my collection of cabinet of curiosities. These are very large life size leaves 2ft. x 2 ft. that I collected to dry out and draw from.
I wanted to see how much I could get out of using limited materials. I used graphite pencils
throughout all the leaves and a small amount of gouache on a few. I combined a wasp nest, snake-skin,taxidermy birds,rocks, from my collection of cabinet of curiosities. These are very large life size leaves 2ft. x 2 ft. that I collected to dry out and draw from.
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Forest Floor/ Snake SkinGraphite on Cut Paper (framed) 31"W x 31"L . 2011
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Forest Floor/ RocksGraphite on Cut Paper (framed) 31"W x 31"L . 2011
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Forest Floor/ Two BirdsGraphite on Cut Paper (framed) 27"W x 27"L . 2011
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Forest Floor/ Wasp NestGraphite on Cut Paper (framed) 27"W x 27"L . 2011
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Forest Floor/ One BirdGraphite on Cut Paper (framed) 27"W x 27"L . 2011
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Forest Floor / MushroomGraphite on Cut Paper ( Framed) 27"W x 27"L . 2011
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Critters Large Glass BookGlass, wood, enamel pen 14" Height x 24" Diameter 2013
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Critters Small Glass BookGlass, wood, enamel pen 12" Height x 13" Diameter 2013
Forest Floor - Paper Animals/ Animal Architecture
These paper wax animals were created for "Forest Floor" at Stevenson University,Baltimore,MD.2011. Combining trace monoprints on mulberry paper with the cut paper and wax helped combine drawing and sculpture.The trace monoprints became a second skin over the animals bellies and backs.To my surprise they looked like tattoos or drawings of anatomy.These are life size animals that I find joy in spotting through my walks in the woods.
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Two WebsSculpture Installation: Cut Paper installed in trees 86"H x 48"W x22"D. 2011
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Large Wasp NestSculpture Installation: Cut Paper, trace monoprint, twig 18"W x 14"D x10"H. 2011
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Wood Chuck/Magnolia Leaves and PodSculpture Installation: Cut Paper, wax, trace monoprint 18"x24" base. 2011
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Skunk / PodSculpture Installation: Cut Paper/ Wax/ Trace monoprint 18" x 24" base. 2011
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Porcupine / Black Pine ConeSculpture Installation: Cut Paper/ wax/ trace monoprint 18" x 24" base. 2011
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OwlSculpture Installation on tree Branch Cut Paper/ wax/ trace monoprint 24"H x 20" D x 12"W. 2011
Wetlands
Wetlands, Pinkard Gallery, The Maryland Institute College of Art, Baltimore, MD. 2013.
I am interested in the slowing of time and a meditative recollection of the regenerative and corroding events of nature.
A canoe gliding on the surface of a river.
A heron returning to a stream.
The muddy undergrowth and continuous humming of the swamp.
A fish skeleton picked clean.
The sound of woodpeckers tapping into trees.
The weathered scattered bones of a deer.
These images come from time spent exploring natural areas along the east coast.
I am interested in the slowing of time and a meditative recollection of the regenerative and corroding events of nature.
A canoe gliding on the surface of a river.
A heron returning to a stream.
The muddy undergrowth and continuous humming of the swamp.
A fish skeleton picked clean.
The sound of woodpeckers tapping into trees.
The weathered scattered bones of a deer.
These images come from time spent exploring natural areas along the east coast.
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WetlandsInstallation view of black tyvek cut paper tents with lights. Flying silhouettes of black tyvek birds. 2013
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WetlandsWhite organza tent with led light, felt sleeping bag, felt boots, ceramic rocks with watercolor and wax, handmade books, box of paper graphite insects,and embroidery pillow. 2013
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WetlandsInstallation view of white organza tent with led light and two cut paper black tyvek tents with lights. 2013
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WetlandsReed canoe, cut paper heron with wax, handmade abaca paper with hemp string made into lotuses, white tyvek folded river. 2013
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Wetlands InstallationWetlands Installation - 2013
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Wetlands / Graphite Wax LogsDetail - Graphite encaustic transfers on natural cut logs. 2013
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Wetlands/ Deer SkeletonCeramic with arctic white underglaze, black sand, and wood. 2013
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Wetlandswax encaustic scroll drawing, ceramic rocks with watercolor and wax, two graphite cut paper drawings of leaves - "Snake Leaf" and "Rock Leaf". 2013
Edge of The Forest
Edge of the Forest, VisArts, Rockville,MD. 2015.
“Edge of the Forest”
“Edge of the Forest” explores the solitude of travel, place, and time through nature. The slow looking at water, trees, plants, and animals translates the life force, movement, rhythm, and our perspective of time and place.
Garmey was inspired by the naturalist Henry David Thoreau's stay in a small cabin on Walden Pond in 1847. Thoreau's simplicity for a single cot and three chairs - one chair for solitude, two for conversation, and three for socializing. This influenced her choices for her own paper cabin with hand made hiking boots, handmade rocks and filling journals with writings and drawings. Thinking of her own solitudes and replenishment through nature helped create this space.
The artist invites the viewer to walk through these environments, to evoke subtle and sometimes surprising shifts of moods and space. The work will heighten awareness of our inter-dependence with nature, and evoke a respect and willingness to protect the environment.
The installation includes many works made with cut paper, as with the three dimensional animals. The mural of animal drawings are done in graphite with screen printed ferns. The drawings on the cabin are drawn on paper which has been made transparent with wax. Wax was used to transfer drawings to the encaustic surface on the slices of wood.
I went into the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not , when I came to die discover that I had not lived.
- Henry David Thoreau
“Edge of the Forest”
“Edge of the Forest” explores the solitude of travel, place, and time through nature. The slow looking at water, trees, plants, and animals translates the life force, movement, rhythm, and our perspective of time and place.
Garmey was inspired by the naturalist Henry David Thoreau's stay in a small cabin on Walden Pond in 1847. Thoreau's simplicity for a single cot and three chairs - one chair for solitude, two for conversation, and three for socializing. This influenced her choices for her own paper cabin with hand made hiking boots, handmade rocks and filling journals with writings and drawings. Thinking of her own solitudes and replenishment through nature helped create this space.
The artist invites the viewer to walk through these environments, to evoke subtle and sometimes surprising shifts of moods and space. The work will heighten awareness of our inter-dependence with nature, and evoke a respect and willingness to protect the environment.
The installation includes many works made with cut paper, as with the three dimensional animals. The mural of animal drawings are done in graphite with screen printed ferns. The drawings on the cabin are drawn on paper which has been made transparent with wax. Wax was used to transfer drawings to the encaustic surface on the slices of wood.
I went into the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not , when I came to die discover that I had not lived.
- Henry David Thoreau
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DeerDeer - 2015 72" H x 36" W - Graphite on paper with silkscreen. Cut paper leaves with paper / wax fungi
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SkunkSkunk - 2015 34"W x 28"H - Graphite on paper with silkscreen. Cut paper / wax fungi
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BearBear - 2015 72"H x 36"W - Graphite on paper with silkscreen. Cut paper leaves and cut paper / wax fungi
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RabbitRabbit - 2015 20"W x 34"H - Graphite on paper with silkscreen. Cut paper leaves and cut paper / wax fungi
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FoxFox - 2015 36"W x 24"H - Graphite on paper with silkscreen. Cut paper leaves and cut paper / wax fungi
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WetlandsWetlands - 2015 4'W x 15'L with 9' long canoe Reed,handmade paper,wax, white tyvek,
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Forest FloorInstallation view
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Fern ShelterFern Shelter - 2015 6' W x 9'H x 9' L - wood, wax, encaustic paper, light, linen, embroidery, cut paper,clay.
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Fern ShelterFern Shelter - 2015 6' W x 9' L x 9' H - wood.wax, encaustic paper, linen, embroidery, clay, cut paper.
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Fern ShelterFern Shelter - 2015 6' W x 9' L x 9' H - wood, wax, encaustic paper, linen, embroidery, cut paper, light, clay.