Falling Off the Edge of Nebraska is an ongoing large-scale multimedia installation that presents a fractured memoir that draws on the American West and the counter-culture experience of the past half century. The artist uses this format to exhume a rich cultural and personal history, full of revelation and myriad contradictions. Livingston grew up in the region and lived there for most of his life.

The installation includes audio, video, sound, found objects, photographs, painting, drawing, and creative writing.

Note: Many of the artist's family have an inherited form of  essential tremor. Essential tremor is a neurological disorder that causes involuntary and rhythmic shaking. It can affect almost any part of the body, but the trembling occurs most often in the hands . As the artist ages, he has essential tremors. He embraces it. Throughout the work presented he retains evidence of this. Videos quiver, lines shake, paint  is raked, and the sound of his voice wavers .

The Falling Off the Edge of Nebraska installation includes text not only in the work and videos, but a series of short stories published together in a book of the same title. Like the exhibiton, which changes in each installation the book is published in small editions which include differing stories depending on the show.

There are future plans to publish everything together in a final book combining image and text. The stories are also recorded to audio, read by the author, and played in discreet locations within the exhibtion.

The short stories are all auto fiction based on aspects of the artists life and personal history.

Photographs of cars in western landscapes from the multimedia installation Falling Off the Edge of Nebraska.

Driving across the region is a key motif repeated in the exhibition. The artist has photographed many areas discussed from cars throughout his life. To replicate some the key locations he was depicting, he began to use small cars and google maps to travel back to key locations. He found by placing the cars in front of screens he could capture a sense of the landscape while toying with a sense of reality and playfulness.

He also began using old slides he had taken and collected over the years, digitizing them, and producing them in large formats.