About Colette

Baltimore City

Colette Krogol (she/her/ella) is a Cuban-American, bilingual artist, originally from Miami, Florida. She is a choreographer, director, performer, filmmaker, and educator. In 2020 she received the Helen Hayes Award for 'Outstanding Choreography in a Play' for her work in Round House Theatre's production of The Curious Incident of the Dog in the Night-Time. Krogol is the Co-Artistic Director and Co-Founder of Orange Grove Dance(OGD), a dance, design… more

Children of Babel

Children of Babel is the third installment in ‘4 Recurring Dreams’, a tetralogy of evening length dances that explore the nature of recurring dreams and opens up new dialogues on timely themes such as migration, exodus, and transformation.

Inspired by the invisible radio wars between the United States and Cuba since 1959 and mythopoetic research into personal dreams and stories of one family’s migration from Cuba during the Mariel Boatlift of 1980, Children of Babel takes its audience and performers into a vivid sand filled landscape where the voices of a country pulled apart echo 90 miles in all directions. Orange Grove Dance's world premiere of Children of Babel is supported by The Carla Fund for Choreography and Performance, established by the Howard and Geraldine Polinger Family Foundation, and Joe’s Movement Emporium’s Creative Residency.

Premiere: March 2020
Length: 70 minutes Direction and Choreography: Colette Krogol and Matt Reeves Choreography created in collaboration with performers Performers: London Brison, Robin Neveu Brown, Juliana Pongutá Forero, Jonathan Hsu, Colette Krogol, Shanice Mason, Matt Reeves, and Mei Yamanaka Music Composition: Dylan Glatthorn Lighting Design: Peter Leibold Sound and Media Design: Matt Reeves Costume Design: Robert Croghan Scenic and Prop Design: Colette Krogol and Matt Reeves Stage Manager: Tarythe Albrecht
  • Children of Babel (Trailer)
    Inspired by the invisible radio wars between the United States and Cuba since 1959 and mythopoetic research into personal dreams and stories of one family’s migration from Cuba during the Mariel Boatlift of 1980, Children of Babel takes its audience and performers into a vivid sand filled landscape where the voices of a country pulled apart echo 90 miles in all directions.
  • Children of Babel (Excerpt)
    This video shares two different duets that occurred within this live work. The sections are titled: "Te Doy Una Cancion" & "La Tierra De Mi Madre".
  • Children of Babel - Kathryn Butler photo credit.JPG
    Children of Babel - Kathryn Butler photo credit.JPG
    As two performers make islands out of wooden chairs, hands reach through from the other side.
  • Children of Babel (Photo Credit: Kathryn Butler)
    Children of Babel (Photo Credit: Kathryn Butler)
  • Children of Babel (Photo Credit: Kathryn Butler)
    Children of Babel (Photo Credit: Kathryn Butler)
  • Children of Babel (Photo Credit: Kathryn Butler)
    Children of Babel (Photo Credit: Kathryn Butler)
  • Children of Babel (Photo Credit: Kathryn Butler)
    Children of Babel (Photo Credit: Kathryn Butler)
  • Children of Babel (Photo Credit: Kathryn Butler)
    Children of Babel (Photo Credit: Kathryn Butler)
  • Children of Babel performance image (Photo credit Kathryn Butler).jpg
    Children of Babel performance image (Photo credit Kathryn Butler).jpg
  • Children of Babel (Photo Credit: Kathryn Butler)
    Children of Babel (Photo Credit: Kathryn Butler)

Leaning Toward the Sky

As the United States Botanic Garden's 2019 Dance Commission, my company, Orange Grove Dance created an immersive site-specific dance and design performance experience. This is what we shared with our audiences:

Come curiously explore the lush and abundant living collection of the USBG Conservatory as never before with Orange Grove Dance's transformative site-specific choreography and design. Performed among the Celebrating New American Gardens exhibit and elsewhere in the Conservatory, Orange Grove Dance illuminates and further reveals the richness and wonder of life cycles in plants, people, and mythology through dynamic dancing, an original sound score, and vivid projection design. Step into the Garden for an evening of discovery that exists at a special place within yourself; that place where, if you stand still for a moment and listen, you can hear the heartbeat of the universe aligning with your own.

Within this project, I took on the roles of Director, Choreographer, Performer, and Rehearsal Director.


Premiere: April 2019
Length: 75 minutes
  • LEANING TOWARD THE SKY @ U.S. Botanic Garden (Trailer)
    LEANING TOWARD THE SKY @ U.S. Botanic Garden (Trailer) *The 2019 Dance Commission for the United States Botanic Garden. Orange Grove Dance illuminates and further reveals the richness and wonder of life cycles in plants, people, and mythology through dynamic dancing, an original sound score, and vivid projection design. Step into the Garden for an evening of discovery that exists at a special place within yourself; that place where, if you stand still for a moment and listen, you can hear the heartbeat of the universe aligning with your own. Direction & Choreography: Colette Krogol & Matt Reeves *Choreography created in collaboration with performers Music Composition: Dylan Glatthorn Projection Design: Matt Reeves Costume Design: Matt Reeves Lighting Design: Peter Leibold VI Stage Manager: Tori Ujczo
  • Leaning Toward the Sky - Solo into Duet
    Solo performed by Orange Grove Dance company member, London Brison that leads into a duet with company member, Sydney Lemelin. Within the site-specific work, this is performed in the Garden Court of the U.S. Botanic Garden's Conservatory. Choreographically, this section was built through research and images on tropism and adaptation.
  • Leaning Toward the Sky at the U.S. Botanic Garden (Image by J.Hsu)
    Leaning Toward the Sky at the U.S. Botanic Garden (Image by J.Hsu)
  • Leaning Toward the Sky at the U.S. Botanic Garden (Image by Mariah Miranda)
    Leaning Toward the Sky at the U.S. Botanic Garden (Image by Mariah Miranda)
  • Leaning Toward the Sky at the U.S. Botanic Garden (Image by J.Hsu)
    Leaning Toward the Sky at the U.S. Botanic Garden (Image by J.Hsu)
  • Leaning Toward the Sky at the U.S. Botanic Garden (Image by Mariah Miranda)
    Leaning Toward the Sky at the U.S. Botanic Garden (Image by Mariah Miranda)
  • Leaning Toward the Sky at the U.S. Botanic Garden (Image by J.Hsu)
    Leaning Toward the Sky at the U.S. Botanic Garden (Image by J.Hsu)
  • Leaning Toward the Sky at the U.S. Botanic Garden (Image by Mariah Miranda)
    Leaning Toward the Sky at the U.S. Botanic Garden (Image by Mariah Miranda)
  • Leaning Toward the Sky (graphic image)
    Leaning Toward the Sky (graphic image)
    Graphic image created by Colette Krogol and Matt Reeves to be used for advertisement by the United States Botanic Garden for the 'Leaning Toward the Sky' performances.
  • Leaning Toward the Sky at the U.S. Botanic Garden (Image by Mariah Miranda)
    Leaning Toward the Sky at the U.S. Botanic Garden (Image by Mariah Miranda)
    Leaning Toward the Sky performance image by Mariah Miranda

Frequency

FREQUENCY casts its performers into a vast friction-filled digital landscape that evokes images and relationships from a past grievously misremembered. A duet between Artistic Directors Colette Krogol and Matt Reeves, FREQUENCY is a throwback to the company’s genesis as a duet company and reflects the significance of time spent trying to tune two lives together.
Premiere: September 2019
Length: 50 minutes Direction, Choreography, and Performance by Colette Krogol and Matt Reeves of Orange Grove Dance Lighting Design by Dylan Uremovich Projection & Media Design by Mark Costello  Original Music by Dylan Glatthorn Sound Design by Matt Reeves Videography by Jonathan Hsu of JHsu Media Video trailer edited by Matt Reeves
  • FREQUENCY (Performance Trailer)
    FREQUENCY casts its performers into a vast friction-filled digital landscape that evokes images and relationships from a past grievously misremembered. A duet between Artistic Directors Colette Krogol and Matt Reeves, FREQUENCY is a throwback to the company’s genesis as a duet company and reflects the significance of time spent trying to tune two lives together.
  • Frequency (Colette Solo)
  • FREQUENCY (image by J.Hsu)
    FREQUENCY (image by J.Hsu)
  • FREQUENCY (image by J.Hsu)
    FREQUENCY (image by J.Hsu)
  • FREQUENCY (image by J.Hsu)
    FREQUENCY (image by J.Hsu)
  • FREQUENCY (image by J.Hsu)
    FREQUENCY (image by J.Hsu)
  • FREQUENCY (image by J.Hsu)
    FREQUENCY (image by J.Hsu)
  • FREQUENCY (image by J.Hsu)
    FREQUENCY (image by J.Hsu)
  • FREQUENCY (image by J.Hsu)
    FREQUENCY (image by J.Hsu)
  • FREQUENCY (image by J.Hsu)
    FREQUENCY (image by J.Hsu)

Waking Darkness. Waiting Light.

Orange Grove Dance, under the direction of Colette Krogol and Matt Reeves, transforms the stage with its trademark virtuosic athleticism and evocative multimedia design. Waking Darkness. Waiting Light. uses sophisticated sensor technology and digital-media interaction to explore the nature of recurring dreams that tear through our homes, awakening us from sleep.

“These dreams are the bridge to the stories that we have been told since we were young and the places we’ve still never touched.”

Based on mythopoetic research into personal dreams and stories of one family’s migration from Cuba in 1980, Orange Grove Dance opens up new dialogues on timely themes such as migration, exodus, and transformation. An excerpt of this work won the Audience Choice Award at the 34th Annual Choreographers’ Showcase in 2017 and was described by Dance Metro DC as a “magically spun… visual tale of suspension, tension, and community within a multilayered moving painting.”

Original score and sound design: Dylan Glatthorn and Jeff Dorfman.
Projection Design: Mark Costello
Lighting Design: Peter Leibold

Premiere: October 2016
Restaged: January 2019 for Dance Place DC
Length: 1 hour

  • Waking Darkness. Waiting Light.
    Waking Darkness. Waiting Light. uses sophisticated sensor technology and digital-media interaction to explore the nature of recurring dreams that tear through our homes, awakening us from sleep. “These dreams are the bridge to the stories that we have been told since we were young and the places we’ve still never touched.” Based on mythopoetic research into personal dreams and stories of one family’s migration from Cuba in 1980, Orange Grove Dance opens up new dialogues on timely themes such as migration, exodus, and transformation.
  • Waking Darkness. Waiting Light. 5 Min excerpt
    5 mins excerpt from 'Waking Darkness. Waiting Light."
  • Waking Darkness. Waiting Light. (Credit C. Stanley)
    Waking Darkness. Waiting Light. (Credit C. Stanley)
    Image from live performance of "Waking Darkness. Waiting Light."
  • Waking Darkness. Waiting Light. (Credit C. Stanley)
    Waking Darkness. Waiting Light. (Credit C. Stanley)
    Image from live performance of "Waking Darkness. Waiting Light."
  • Waking Darkness. Waiting Light. (Credit C. Stanley)
    Waking Darkness. Waiting Light. (Credit C. Stanley)
    Image from live performance of "Waking Darkness. Waiting Light."
  • Waking Darkness. Waiting Light. (Credit C. Stanley)
    Waking Darkness. Waiting Light. (Credit C. Stanley)
    Image from live performance of "Waking Darkness. Waiting Light."
  • Waking Darkness. Waiting Light. (Credit C. Stanley)
    Waking Darkness. Waiting Light. (Credit C. Stanley)
    Image from live performance of "Waking Darkness. Waiting Light."
  • Waking Darkness. Waiting Light. (Credit C. Stanley)
    Waking Darkness. Waiting Light. (Credit C. Stanley)
    Image from live performance of "Waking Darkness. Waiting Light."
  • Waking Darkness. Waiting Light. (Credit C. Stanley)
    Waking Darkness. Waiting Light. (Credit C. Stanley)
    Image from live performance of "Waking Darkness. Waiting Light."
  • Waking Darkness. Waiting Light. (Credit C. Stanley)
    Waking Darkness. Waiting Light. (Credit C. Stanley)
    Image from live performance of "Waking Darkness. Waiting Light."

Work Reimagined

Due to the pandemic, my artistic projects shifted in scope, space, and concept. Commissions that were originally planned for large gatherings and spaces like the Reflection Pool/Lincoln Memorial in Washington DC were reframed. Work requiring planes and trains to be on site and in residency  had to be reimagined. The world as I knew it evaporated yet it seemed that making work and building connections through movement and technology was even more vital and necessarry. 

The projects shared below were all conceieved, reconcieved, created, and performed between April 2020 and September 2021. Zoom, Vimeo, live-streaming platforms, Isadora, Dropbox, and Facetime became a lifeline for artmaking. These technologies allowed my work to become even more accessible to audiences and participants around the world.

Additionally, Orange Grove Dance hosts an annual intensive (more info on the 2020 intensive below). In 2020, we built out a 5-day immersive Dance, Design, and Film Intensive experience where participants from over a dozen different US states  participated. It was an exceptional time to share, learn, and reflect on the new live performance frontier we had all been driven to undertake. It has left me forever changed as an artist because it redefined what I thought was possible for dance, design, and film. 
  • Paso Installation at Kennedy Center
    PASO brings dance film into an exciting new container where audiences peer into a grand heptagonal structure to watch the adjacent walls come to life. A unique panoramic world unfolds seamlessly with each of the seven panels offering a unique viewing experience that investigates the prism of paths inside oneself and within nature. The seven sided structure (with each panel 8ft wide by 14 ft tall) is designed by Ben Levine. Paso was commissioned by Extreme Lengths Productions as part of LENS at The John F. Kennedy Center (September 2021). This work features a collaboration amongst a small crew of artists that worked remotely and in small isolated pods from Baltimore, New York, and DC. LENS is supported by a Projects, Events, and Festivals Grant from the DC Commission on the Arts and Humanities, awarded to Ben Levine. Creative development for this project took place during a residency at Aunt Karen’s Farm.
  • Paso Installation at Kennedy Center
    Paso Installation at Kennedy Center
    PASO live experience. Audience arrived in the studio and peered into the seven-sided structure to view the cinematic experience of PASO.
  • Inner Island
    'Inner Island' exists as a lighthouse on the edge of a secluded, unsteady cliff where technology serves as a soft beacon of light and a narrow navigational aid. Due to Covid-19, Choreographers Colette Krogol and Matt Reeves were unable to be in the physical space with Sarasota Contemporary Dance Company and created the entire work through Zoom and video technology. Social distancing of 6 feet was mandatory between company members out of safety and these unique circumstances deeply influenced the choreographic journey of this work.
  • Inner Island.JPG
    Inner Island.JPG
    Moment from Inner Island Live-Streamed performance.
  • National Water Dance 2020 Virtual Performance
    Orange Grove Dance performed live through Facebook Live as part of NATIONAL WATER DANCE on April 18th, 2020, with an original score by Dylan Glatthorn, and live performances by London Brison, Jonathan Hsu, Colette Krogol, and Juliana Ponguta with behind-the-scenes direction by Matt Reeves. Directed and Choreographed by Colette Krogol and Matt Reeves. Choreography was created in collaboration with OGD performers. National Water Dance is an annual performance that occurs across the country simultaneously with the same opening and closing gesture. Prior to the COVID-19 crisis, National Water Dance DC was taking place on the National Mall at the steps of the Lincoln Memorial and the Reflecting Pool. Our company, along with many other organizations and DC dancers were planning an afternoon of movement, connection, and conversation regarding the importance of water, our voices, and community. Now although our physical space has changed our mission remains.
  • National Water Dance 2020 Still
    National Water Dance 2020 Still
  • OGD Summer Intensive 2020
    OGD's 2020 virtual 5-day Dance, Design, & Media Intensive led by Artistic Directors Colette Krogol and Matt Reeves alongside key OGD company members. Intended for serious pre-professional and professional dancers, this intensive features a unique class schedule of OGD Technique and Repertory, as well as participation in the company's brand new Creative LAB series for the digital stage. The Creative LAB will feature a collaborative class atmosphere engaging pivotal design and compositional principles at the core of OGD's creative process. This year's LAB kicks off with Layering the Moment, Harnessing the Solo, and Dancers in the Dark. This intensive was held primarily on Zoom in order to maximize personal interaction and feedback. No audition required for pre-professional and professional dancers age 18 & up. If you have questions about placement within the intensive please contact [email protected] to discuss.
  • OGD Intensive 2020.PNG
    OGD Intensive 2020.PNG
    Final collective moment from the 2020 OGD Summer Intensive

Films: Creations and Collaborations

Dance film serves as a conduit to bring dance to and from spaces we can't always have on stage. It also reaffirms that dance is not just a theatrical medium but it is a vibrant expression of our everyday lives navigated through the shared experience we all have with a moving body. 
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Reservoir Dance Film
Premiere: TBD (Created and Filmed in August 2021)

Facing unprecedented challenges to our environment and the impact we have on it, 'Reservoir' is a new series of works using dance and live music to remind us of the fragile but deep well of life our natural environments provide.  This past year has pushed our art-making out of theaters and into natural open spaces, reminding us of a divine connection we as humans experience with nature. It is not something separate for us to tame or fence out but rather it is something we are a small but incredible force within.
Choreography & Direction: Colette Krogol & Matt Reeves Director of Photography: Jonathan Hsu Dancer: London Brison Composer & Cellist: Daniel Frankhuizen
Editing: Matt Reeves
Pierrot and the Reverie Site-Specific Concept Video
Premiere: March 2021

A new site-specific concept video by Delune, “Pierrot and the Reverie,” blends music with animation, theater, dance, multimedia, and AI. This piece will be created on-site, one year after so many performing arts spaces closed their doors. The composer-singer duo’s ethereal vocals and haunting electronic beats scaffold this amorous epic, underscored by excerpts from the sisters’ upcoming debut concept album Pierrot. Glamour says, “Delune will be your next music obsession.” 

The piece opens in a dream-like trance: a performer wakes up alone in National Sawdust, to find the venue abandoned and in disarray. Reality and fantasy blur as he attempts to find connection in the void. He moves through winding back corridors in search of the Main Hall. Suddenly, he finds himself alone on stage: what will he do? A love story to performance in space, “Pierrot and the Reverie” provides an intimate insight into our performer’s interaction with the empty venue. A truly collaborative ode to performance, the piece incorporates many artistic disciplines that explore not only the stage, but all of the architectural flourishes that make the building unique. Direction and multimedia design by Obie-award winner Jared Mezzocchi. Starring Robert Rubama. Choreography by Helen Hayes award winners Colette Krogol and Matt Reeves. Script supervision by writer & playwright Taylor Steele. Cinematography and editing by Stephanie Gaweda. Production design by Sadah Espii Proctor. Hand-drawn animations by Russian Hungarian Alexandra Hohner. AI sound design by Icelandic composer David Brynjar Franzson. Lighting by Dan Kent. Michael Hojkanski grip.  Performer ensemble: Orange Grove Dance dancers and collaborators - London Brison, Robin Brown, Tiffanie Carson, Alexus Crooms, Greg David, Laurie Dodge, Atlas Hill, Jonathan Hsu, Abby Farina, Angad Kalsi, Colette Krogol, Chris Law, Mariama Law, Shanice Mason, Brandon Washington, and Mei Yamanaka.
PASO Dance Film
Premiere: December 2020

PASO investigates the prism of paths inside oneself and in nature. Colette Krogol and Matt Reeves, along with two Orange Grove Dance collaborators created this work while on a film residency at Aunt Karen's Farm in Upstate New York. 

This video represents a component of a live installation in LENS, a performance set to premiere at The REACH at the Kennedy Center in July 2020. Due to the pandemic, the performance has been postponed until the summer of 2021.  LENS is supported by a Projects, Events, and Festivals Grant from the DC Commission on the Arts and Humanities, awarded to Ben Levine. Creative development for this project took place during a residency at Aunt Karen’s Farm.  Choreography & Direction: Colette Krogol & Matt Reeves Director of Photography: Jonathan Hsu Dancer: Juliana Ponguta Forero Composer: Dylan Glatthorn LENS Producing Director: Ben Levine LENS Associate Producer: Annie Peterson

LA TIERRA DE MI MADRE Dance Film Premiere: July 2020

'La Tierra De Mi Madre' is sprung from Orange Grove Dance's performance Tetralogy '4 Recurring Dreams'. The four part series of works stand as mythopoetic research into personal memories and stories of one family’s migration from Cuba in 1980. "Evening was quickly turning to night as the boat pulled off the dock. The captain handed each person a glow stick. He broke his and told everyone aboard, 'If we capsize on this journey to the US make sure to illuminate your glow stick so that you have a better chance of being found in the ocean.' And with that my family watched the lights of Cuba fade away in the distance, the only land they had ever known. Only left with each other, the darkness of the night, and a few distant stars reflecting off the water. My mother tells of a darkness she had never experienced before. "                        -Colette Krogol - Choreographer Choreography & Direction: Colette Krogol & Matt Reeves Performers: Robin Neveu Brown & Juliana Ponguta Scenic & Prop Design: Matt Reeves Lighting Design: Peter Leibold Costume Design Robert Croghan Original Score: Dylan Glatthorn Cinematography: Jonathan Hsu Editor: Matt Reeves
THE ARCHETYPES Film
Premiere: February 2017

THE ARCHETYPES is a visual journey steeped in mythology and expressed through dance-film aesthetics. The film follows six ARCHETYPES through a dream-like reality as they near the end of a cycle. Doomed to their legendary roles, the ARCHETYPES have no choice but to fulfill their cosmic destinies, compelled by nature to play their part in this epic story, which is revealed on a human scale.


BEST DANCE FILM*** ET CULTURA FILM FESTIVAL
FLORIDA FILMMAKERS AWARD*** ET CULTURA FILM FESTIVAL

OFFICIAL SELECTION
DAM SHORT FILM FESTIVAL, UNDERGROUND FILM FEST, STOCKHOLM INDEPENDENT FILM FESTIVAL, SKYLINE INDIE FILM FEST, ET CULTURA FILM FESTIVAL, TAMPA BAY UNDERGROUND FILM FESTIVAL, FESTIVAL ANGAELICA, RICHMOND INTERNATIONAL FILM FESTIVAL

Director: Joseph Stribling
Choreography and Concept: Colette Krogol and Matt Reeves
Music: Dylan Glatthorn
Director of Photography: Alex Gallitano
Light Garden Lighting: Shaun Suchan
Scenic Design: Alex Whittenberg
Costume Design: Jessica Harrison
Performers: Daniel Cucinella, Quincie Hydock, Colette Krogol, Joey Loto, Matt Reeves, and Brandon Washington


  • Reservoir
    Facing unprecedented challenges to our environment and the impact we have on it 'Reservoir' is a new series of works using dance, film, and live music to remind us of the fragile but deep well of life our natural environments provide. This past year has pushed our art-making out of theaters and into natural open spaces, reminding us of a divine connection we as humans experience with nature. It is not something separate from us to tame or fence out but rather it is an awe-inspiring force of which we are a small but incredible synapse within.
  • Reservoir Dance Film Still
    Reservoir Dance Film Still
    Reservoir Dance Film still of London Brison dancing.
  • Pierrot and the Reverie – Delune
  • Pierrot and the Reverie Concept Video still
    Pierrot and the Reverie Concept Video still
    Pierrot and the Reverie still Performer Robert Rubama moving through choreography created by Colette Krogol and Matt Reeves of Orange Grove Dance
  • PASO Dance Film
    PASO investigates the prism of paths inside oneself and in nature.
  • PASO Dance Film still
    PASO Dance Film still
  • La Tierra De Mi Madre Dance Film
    'La Tierra De Mi Madre' is sprung from Orange Grove Dance's performance Tetralogy '4 Recurring Dreams'. The four part series of works stand as mythopoetic research into personal memories and stories of one family’s migration from Cuba in 1980. "Evening was quickly turning to night as the boat pulled off the dock. The captain handed each person a glow stick. He broke his and told everyone aboard, 'If we capsize on this journey to the US make sure to illuminate your glow stick so that you have a better chance of being found in the ocean.' And with that my family watched the lights of Cuba fade away in the distance, the only land they had ever known. Only left with each other, the darkness of the night, and a few distant stars reflecting off the water. My mother tells of a darkness she had never experienced before.
  • La Tierra De Mi Madre Dance Film still
    La Tierra De Mi Madre Dance Film still
  • The Archetypes Trailer
    THE ARCHETYPES is a visual journey steeped in mythology and expressed through dance-film aesthetics. The film follows six ARCHETYPES through a dream-like reality as they near the end of a cycle. Doomed to their legendary roles, the ARCHETYPES have no choice but to fulfill their cosmic destinies, compelled by nature to play their part in this epic story, which is revealed on a human scale.
  • The Archetypes Film
    The Archetypes Film
    Still shot from THE ARCHETYPES film.

The Barrier Project

THE BARRIER PROJECT by Orange Grove Dance is a part of the Mapping Racism Project.

After months of field work and conversations with residents of the historic neighborhood of North Brentwood, Maryland, THE BARRIER PROJECT became a multi-location site-specific dance and design performance that traversed audiences through the town in May of 2019.

The event began at Sis's Tavern where participants could enter the historic site and experience projection design throughout it's raw walls with the sound score from community members talking about the history of the building. At a certain point, the audience gathered back outside where they were each handed an individual audio headset, which we transmitted the sound score to them wirelessly. We all then took a walking tour of North Brentwood and and it culminated at a guardrail barrier that stands as a dividing line between historically segregated black and white communities. This location is where the final part of the experience took place.

Premiered: May 2019
Length: 45 minutes

Directed and conceived by: Orange Grove Dance
Choreography: Colette Krogol and Matt Reeves in collaboration with performers

Performers: Colette Krogol, Chris Law, Shanice Mason, Juliana Ponguta, Matt Reeves, and Nicole Sneed
Projection & Sound Design: Matt Reeves
Stage Manager: Tori Ujczo

Voices of the North Brentwood Community:
Mr. Arthur J. Dock
Stuart Eisenberg
Una Palmer
Mayor Petrella Robinson
Denise Thomas

Alongside voices from a 1994 interview with North Brentwood residents graciously shared by The Maryland-National Capital Park and Planning Commission

Thanks to Chris Law and Ama Law for their vital role within the creation of this work. Through important conversations and a dedication to this project you helped bring this work to life.

Special Thanks
Joe’s Movement Emporium, Brooke Kidd, Neena Narayanan, Andre Mazelin, Mayor Petrella Robinson, Stuart Eisenberg, PGAAMCC, Jake Rollow, Ryan Craun, The Maryland-National Capital Park and Planning Commission, and Gustavo

Collaboration
A partnership between Hyattsville Community Development Corporation and Joe’s Movement Emporium.

Community Collaborators:
Cities of Hyattsville & North Brentwood
Prince George’s African-American Musuem & Cultural Center
Pyramid Atlantic
Ally Theatre Company
Orange Grove Dance

Support for Mapping Racism comes from:

MID-ATLANTIC ARTS FOUNDATION: Cross-Sector Arts Grant
City of Hyattsville
Prince George’s Arts & Humanities Council
Prince George’s County Council Member, Deni Taveras
Long & Foster Real Estate Broker, Ann Barrett

  • The Barrier Project Trailer
    THE BARRIER PROJECT by Orange Grove Dance is a part of the Mapping Racism Project. After months of field work and conversations with residents of the historic neighborhood of North Brentwood, Maryland, THE BARRIER PROJECT became a multi-location site-specific dance and design performance that traversed audiences through the town in May of 2019. Directed and conceived by: Orange Grove Dance Choreography: Colette Krogol and Matt Reeves in collaboration with performers Performers: Colette Krogol, Chris Law, Shanice Mason, Juliana Ponguta, Matt Reeves, and Nicole Sneed Projection & Sound Design: Matt Reeves Stage Manager: Tori Ujczo Voices of the North Brentwood Community: Mr. Arthur J.
  • The Barrier Project (Image by Mark Roth)
    The Barrier Project (Image by Mark Roth)
  • The Barrier Project (Image by J.Hsu)
    The Barrier Project (Image by J.Hsu)
  • The Barrier Project (Image by J.Hsu)
    The Barrier Project (Image by J.Hsu)
  • The Barrier Project (Image by J.Hsu)
    The Barrier Project (Image by J.Hsu)
  • The Barrier Project (Image by J.Hsu)
    The Barrier Project (Image by J.Hsu)
  • The Barrier Project (Image by J.Hsu)
    The Barrier Project (Image by J.Hsu)
  • The Barrier Project (Image by J.Hsu)
    The Barrier Project (Image by J.Hsu)

Remnants

Remnants is a bridge to the stories that we have been told since we were young and the places we have still never touched. This Orange Grove Dance world premiere takes audiences on a mytho-poetic and dream-like journey that physically conjures up the visual metaphors of the inexhaustible burning hope of the human spirit. What does it mean to start over? What are the things we carry? What survives within us? What is left behind? 

Remnants was commissioned and presented as part of The Kennedy Center's 2018 Direct Current Festival

Premiere: The Kennedy Center's Terrace Theater, March 2018
Length: 50 minutes


Within this project, I took on the roles of Director, Choreographer, Performer, and Rehearsal Director.
  • REMNANTS performance trailer
    Remnants is a bridge to the stories that we have been told since we were young and the places we have still never touched. This Orange Grove Dance takes audiences on a mytho-poetic and dream-like journey that physically conjures up the visual metaphors of the inexhaustible burning hope of the human spirit. What does it mean to start over? What are the things we carry? What survives within us? What is left behind? Presented as part of the Kennedy Center's DIRECT CURRENT inaugural season. (World Premiere)
  • Orange Grove Dance: DIRECT CURRENT - Millennium Stage (March 11, 2018)
    Remnants is a bridge to the stories that we have been told since we were young and the places we have still never touched. This Orange Grove Dance world premiere takes audiences on a mytho-poetic and dream-like journey that physically conjures up the visual metaphors of the inexhaustible burning hope of the human spirit. What does it mean to start over? What are the things we carry? What survives within us? What is left behind? Presented as part of the Kennedy Center's DIRECT CURRENT inaugural season.
  • Remnants (Credit Mark Costello)
    Remnants (Credit Mark Costello)
    Image from live performance of REMNANTS at Kennedy Center's Terrace Theater
  • Remnants (Credit Mark Costello)
    Remnants (Credit Mark Costello)
    Image from live performance of REMNANTS at Kennedy Center's Terrace Theater
  • Remnants (Credit Mark Costello)
    Remnants (Credit Mark Costello)
    Image from live performance of REMNANTS at Kennedy Center's Terrace Theater
  • Remnants (Credit Mark Costello)
    Remnants (Credit Mark Costello)
    Image from live performance of REMNANTS at Kennedy Center's Terrace Theater
  • Remnants (Credit Mark Costello)
    Remnants (Credit Mark Costello)
    Image from live performance of REMNANTS at Kennedy Center's Terrace Theater
  • Remnants (Credit Mark Costello)
    Remnants (Credit Mark Costello)
    Image from live performance of REMNANTS at Kennedy Center's Terrace Theater
  • Remnants (Credit Mark Costello)
    Remnants (Credit Mark Costello)
    Image from live performance of REMNANTS at Kennedy Center's Terrace Theater
  • Remnants @ The Kennedy Center
    Remnants @ The Kennedy Center
    Image from live performance of REMNANTS at Kennedy Center's Terrace Theater

OPEN BOX Project

The OPEN BOX Project is an evening-length collaboration between Rogue Collective and Orange Grove Dance featuring compelling music and dancing. Performed in the vast tunnels of Dupont Underground, the architecture serves as rich inspiration for this interactive evening, which explores how space, material, light, and sound affect the experiences and actions of their inhabitants. Influenced by American minimalism and popular music the string players of Rogue Collective blend their sounds and creations with the dynamic, virtuosic, and visually athletic choreography of Orange Grove Dance.

This was created and presented through a CulturalDC Space4 Grant

Premiere: December 2017 at Dupont Underground
Length: 50 minutes


  • OPEN BOX PROJECT- TRAILER AND SELECT EXCERPTS
    The OPEN BOX Project is a brand-new evening-length collaboration between Rogue Collective and Orange Grove Dance featuring compelling music and dancing. Performed in the vast tunnels of Dupont Underground, the architecture serves as rich inspiration for this interactive evening, which explores how space, material, light, and sound affect the experiences and actions of their inhabitants. Influenced by American minimalism and popular music the string players of Rogue Collective blend their sounds and creations with the dynamic, virtuosic, and visually athletic choreography of Orange Grove Dance. Premiered in 2017 Performances @ Dupont Underground
  • Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Image from live performance of OPEN BOX PROJECT at Dupont Underground.
  • Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Image from live performance of OPEN BOX PROJECT at Dupont Underground.
  • Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Image from live performance of OPEN BOX PROJECT at Dupont Underground.
  • Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Image from live performance of OPEN BOX PROJECT at Dupont Underground.
  • Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Image from live performance of OPEN BOX PROJECT at Dupont Underground.
  • Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Image from live performance of OPEN BOX PROJECT at Dupont Underground.
  • Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Image from the live performance of OPEN BOX PROJECT at Dupont Underground.
  • Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Orange Grove Dance - Open Box Project (Credit Zachary Z. Handler)
    Image from live performance of OPEN BOX PROJECT at Dupont Underground.
  • Open Box Project (Performance Trailer)
    The OPEN BOX Project is an evening-length collaboration between Rogue Collective and Orange Grove Dance featuring compelling music and dancing. Performed in the vast tunnels of Dupont Underground, the architecture serves as rich inspiration for this interactive evening, which explores how space, material, light, and sound affect the experiences and actions of their inhabitants. Influenced by American minimalism and popular music the string players of Rogue Collective blend their sounds and creations with the dynamic, virtuosic, and visually athletic choreography of Orange Grove Dance. Performances @ Dupont Underground

Still Standing

Still Standing is a site-specific, socially-distanced dance and design performance experience that premiered in Annapolis, Maryland in November 2020. It was conceived, created, and performed amidst/in response to the 2020 Covid-19 pandemic. The work was commissioned by the Maryland Theatre for the Performing Arts in Annapolis and in true Orange Grove Dance aesthetic, Still Standing exists at the intersection of dance and immersive, performer-operated design. 

Inspired by the adjacent Annapolis National Cemetery, the performers utilized over 170 wireless lighting units, creating a grid of light, memory, and hope that mirrors the precise rows of the gravestones that sprawl across the horizon. Each dancer and light will serve as a reminder of the importance of casting our lights together during times of darkness.  The work features an incredible company of nine performers, a state-of-the-art lighting design installation by Peter Leibold, and a powerful, original sound score by Dylan Glatthorn.

Premiere: November 2020
Re-staged at Sweet Briar College: April 2021
Length: 55 minutes Direction & Choreography:  Colette Krogol & Matt Reeves *Choreography created in collaboration with performers Music Composition: Dylan Glatthorn Lighting Design: Peter Leibold VI Stage Manager: Tori Ujczo Drone Videographer: Jeff Voigt
Annapolis Performers: Robin Neveu Brown Juliana Pongutá Forero Jonathan Hsu Colette Krogol Chris Law Mariama "Ama" Law Shanice Mason Matt Reeves Candace Scarborough Understudy: Jemma Lehner
Sweet Briar College Tour Performers:
London Brison
Jonathan Hsu
Colette Krogol
Chris Law
Mariama "Ama" Law
Matt Reeves
Robert Rubama
  • Still Standing (Trailer)
    Still Standing is a site-specific, socially-distanced dance and design performance experience that took place in Annapolis, Maryland in November 2019 and at Sweet Briar College in May 2020. It was conceived, created, and performed amidst/in response to the 2020 Covid-19 pandemic. The work was commissioned by the Maryland Theatre for the Performing Arts in Annapolis and in true Orange Grove Dance aesthetic, Still Standing exists at the intersection of dance and immersive, performer-operated design. The work features an incredible company of nine performers, a state-of-the-art lighting design installation by Peter Leibold, and a powerful, original sound score by Dylan Glatthorn.
  • Still Standing (Production still)
    Still Standing (Production still)
  • Still Standing (Production still)
    Still Standing (Production still)
  • Still Standing (Production still)
    Still Standing (Production still)
  • Still Standing (Production still)
    Still Standing (Production still)
  • Still Standing (Photo credit: Andrea Stein)
    Still Standing (Photo credit: Andrea Stein)
  • Still Standing (Photo credit: Andrea Stein)
    Still Standing (Photo credit: Andrea Stein)
  • Still Standing (Production still)
    Still Standing (Production still)
  • Still Standing (Production still)
    Still Standing (Production still)
  • Still Standing (Production still)
    Still Standing (Production still)