About Asia-Anansi
Baltimore City
Whenever I pray before a production meeting, rehearsal, or performance, I recite the names of every designer and technician I admire. Someone advised me that this helps to channel the talented energy of all the costume, audio, and lighting designers/technicians who inspire me, including but not limited to artists like Ruth Carter, Sharen Davis, Paul Tazewell, Clint Ramos, and Russell Williams.
My name is Asia-Anansi McCallum, and I am a costume, sound, and… more
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Seussical at Sitar Arts Center
Sitar Arts Center is a youth theater company that services underpriveleged children and teenagers who live below the poverty line. Each summer, the company produces a full-size musical, directed by Lorraine Robinson, a Black woman with a Tony Award in Theater Education.
I served as Costume Designer for their summer 2018 production of Seussical. There was a cast size of 51, including the actors between the ages of 7 and 18, the pit band, ushers, and stagehands, which I had to create costumes for. My team included an intern and I, and we worked Monday-Friday from May-August 2018 on-site in the costume shop, as well as served as wardrobe dressers backstage during performances.
My budget was $2,000. I constructed about half of the costumes, including ears for Horton, a tutu dress for Gertrude McFuzz, a crown and gown for Mayzie LaBird, as well as wings and tails for all ensemble creatures, just to name a few. In addition, I purchased another half of the costumes from speciality craft stores, online, and thrift stores. What I love most about children's theater is that there are no limits to color, texture, and sensory details, such as incorporating taste and smell into the costumes. I incorporated a range of fabrics, such as tulle, silk, feathers, crepe, velvet, and faux fur.
I served as Costume Designer for their summer 2018 production of Seussical. There was a cast size of 51, including the actors between the ages of 7 and 18, the pit band, ushers, and stagehands, which I had to create costumes for. My team included an intern and I, and we worked Monday-Friday from May-August 2018 on-site in the costume shop, as well as served as wardrobe dressers backstage during performances.
My budget was $2,000. I constructed about half of the costumes, including ears for Horton, a tutu dress for Gertrude McFuzz, a crown and gown for Mayzie LaBird, as well as wings and tails for all ensemble creatures, just to name a few. In addition, I purchased another half of the costumes from speciality craft stores, online, and thrift stores. What I love most about children's theater is that there are no limits to color, texture, and sensory details, such as incorporating taste and smell into the costumes. I incorporated a range of fabrics, such as tulle, silk, feathers, crepe, velvet, and faux fur.
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Mr. and Mrs. MayorMrs. and Mrs. Mayor of Seussical. Costumes include: beehive wig, purple hair dye, pink vintage dress, purple plaid full suit, mayoral sash.
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The Wickersham BrothersThe Wickersham Brothers of Seussical. Costumes include: faux fur monkey tails, wingtip shoes, 3-piece suits, top hats with ears, satin flower lapel pins.
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The Bird GirlsThe Bird Girls of Seussical. Costumes include: pink feather tails, pink satin biker jackets, pink velvet skirts, vintage wigs, pink leotards, stockings, character shoes.
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Mayzie La BirdMayzie La Bird of Seussical. Costume includes: emerald green satin gown, long emerald green satin gloves, feather crown, feater scarf.
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Horton the ElephantHorton the Elephant of Seussical. Costume includse: grey jumpsuit, grey mittens, grey plush ears.
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Gertrude McFuzzGertrude McFuzz of Seussical. Costume includes: blue glitter tutu skirt, blue feathered train, blue and white polka dot stockings, cobalt blue leotard, blue feathered ponytail holder,black character shoes.
Lost in Monet at ArtStream
ArtStream is an inclusive theater company, which means the theater provides aritstic opportunities for people with physial and intellectual disabilities.
I served as Costume Designer for their April 2017 production of Lost in Monet. The actors were all people living with disabilities, and the ensemble was empowered to collaborate with a professional director, playwright, choreographer, and musical director to write and compose an original musical.
While the ensemble and leaderhip team met for rehearsals two days per week between September 2016 and March 2017, I attended rehearsals as well. This helped me to build an initmate relationship with each actor, because some of them had special restrictions and needs, such as a need to wear certain colors, specific measurements, and ideal fabrics that would suit their disabilities. My favorite costume that I constructed was the Adam costume, inspired by a classical Adam & Eve painting. The director specified that she did not want any actor to appear "naked" onstage, so I used the illusion of leaves to create texture and story.
I served as Costume Designer for their April 2017 production of Lost in Monet. The actors were all people living with disabilities, and the ensemble was empowered to collaborate with a professional director, playwright, choreographer, and musical director to write and compose an original musical.
While the ensemble and leaderhip team met for rehearsals two days per week between September 2016 and March 2017, I attended rehearsals as well. This helped me to build an initmate relationship with each actor, because some of them had special restrictions and needs, such as a need to wear certain colors, specific measurements, and ideal fabrics that would suit their disabilities. My favorite costume that I constructed was the Adam costume, inspired by a classical Adam & Eve painting. The director specified that she did not want any actor to appear "naked" onstage, so I used the illusion of leaves to create texture and story.
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Museum StaffThese actors are museum staff--the young man is a security guard, and the young lady is from the marketing department. Both costumes were purchased from the thrift store, and altered for best fit.
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Adam and Eve CostumeThis is representative of Adam from the Bible. Because this actor and his ensemble has special disabilities, I focused on making the costume tasteful, colorful, and whimsical, instead of nude as many people would visualize Adam being. This costume was made from a green polo shirt purchased from the thrift store, and I hand-cut leaves from varied green felt paper and used hot glue to reinforce it. Additionally, a pair of matching pants were made from green thermal fabric, along with a leaf crown.
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Painting Comes AliveOne aspect of the musical was that a famous came to life. This painting featured musicians, so this photograph depicts one of museum visitors getting to meet one of the fictitious musicians. Her dress and his vest were built, and all other costume items were purchased.
Ain't Misbehavin at Arena Players
Arena Players is one of the oldest, continuosly producing African-American theater companies in the country, nestled in Baltimore. I served as a season-long costume designer/design assitant for the 2017-2018 season.
I served as Costume Designer for their July 2018 production of Ain't Misbehavin'. This is arguably the most successful production in Arena Players' history, based on article reviews, audience reception, and ticket sales, which is important because Ain't Misbehavin' is the only Black musical to ever be produced on Broadway. An additional method that Arena Players used to raise the bar was hiring a Black director, Devron Young, who is a member of the famous union, Society of Stage Directors and Choreographers.
There were 4 rotating actresses and 5 rotating actors. I built all of the ladies dresses and borrowed furs, with the assistance of resident costume designer Victoria Jackson, who sourced all of the ladies jewelry and hats. In addition, I borrowed the men's suits, crafted the satin lapel pins, and purchased shoes and vintage coats.
I was nominated for a BroadwayWorld Award in Best Costume Design for this production.
I served as Costume Designer for their July 2018 production of Ain't Misbehavin'. This is arguably the most successful production in Arena Players' history, based on article reviews, audience reception, and ticket sales, which is important because Ain't Misbehavin' is the only Black musical to ever be produced on Broadway. An additional method that Arena Players used to raise the bar was hiring a Black director, Devron Young, who is a member of the famous union, Society of Stage Directors and Choreographers.
There were 4 rotating actresses and 5 rotating actors. I built all of the ladies dresses and borrowed furs, with the assistance of resident costume designer Victoria Jackson, who sourced all of the ladies jewelry and hats. In addition, I borrowed the men's suits, crafted the satin lapel pins, and purchased shoes and vintage coats.
I was nominated for a BroadwayWorld Award in Best Costume Design for this production.