Work samples
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Foreign ExchangeUsing a collection of banknotes and sand gathered from over 50 countries, "Foreign Exchange" looks like nothing you have seen before, taking you into a tiny world of dazzling details. What you observe there, and the meaning you derive from that observation depends on where you start your journey. Look closely, it's all in the details...
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Uncanny BodiesUncanny Bodies draws on the artistry of scientific documentarians like Robert Hooke and F. Percy Smith, who revealed the wonders of microscopic structures and beings through the technology of their times. For me, working with sand means contemplating the significance of the individual. On a microscopic scale, the movement of one small grain can ripple down the length of a beach, can tilt the world on its axis. When I inspect these trivial fragments of geological history, I find their inner autonomy. By shrinking time, I discover complex relationships within their small communities, which the human eye is too impatient to see. Carefully constructing an intimate environment for them, I coax them to reveal their gravity and impulse. This is the science-magic of the animator, to discover the invisible life in the overlooked, offering the possibility of significance to the diminutive. Sound by Jason Charney
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freeze/thaw - The Peale
freeze/thaw was adapted for projection in the Garden View Gallery at The Peale in Baltimore. This version of the piece offered a fully immersive experience for the viewer to sit with the glacier, now in an enveloping scale and surround sound created specifically for the space by my collaborator, Maksym Prykhodko. The piece was on view during the SPARK VI exhibition from 26 October – 26 November, 2023.
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EyeofDjerba_Parks001.jpgEye of Djerba is an original site specific interactive installation with light, sand, and projection created for the International Media Arts Biennial SEE DJERBA on the island of Djerba in Tunisia. The work asks viewers to look closely and consider the metaphorical worth of a single grain of sand within a global context. Viewers control a microscope camera to examine grains of sand from Djerba, enlarging the tiny grains to a human scale as they are projected on the facade of the St Nicholas Greek Orthodox Church in Houmet Souk.
About Corrie
Animator Corrie Francis Parks investigates themes of human individuality and significance through the geological lens of sand animation. Using sand collected from around the world, her films and installations evoke the uncanny, manipulating time and space to question the role of the human speck in Deep Time.
In addition to her award-winning short films, which have… more
Foreign Exchange
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Foreign ExchangeUsing a collection of banknotes and sand gathered from over 50 countries, "Foreign Exchange" looks like nothing you have seen before, taking you into a tiny world of dazzling details. What you observe there, and the meaning you derive from that observation depends on where you start your journey. Look closely, it's all in the details...
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ForeignExchange_01.jpgForeign Exchange - video still
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ForeignExchange_02.jpgForeign Exchange - video still
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Imaginary borderFilm still
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Foreign ExchangeProduction ShotAnimated grain by grain in the studio
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Eye of ProvidenceThe all seeing eye. Film still.
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Micro multiplaneA miniature multiplane built specifically for the production.
Uncanny Bodies
As beings confined to our own understanding of time and space, the camera lens offers a portal into a new world of scale. As you step into the gallery, you condense to the size of a grain of sand. Your relationship to the world changes. The space is intimate, but expansive. Your time here is brief, but the opportunity for discovery is immense. Look closely… the life hides in the details.
"Uncanny Bodies" is a collection of video and collage works by artist Corrie Francis Parks. It is a developing body of work which includes micro animation paired with minature sculptures and dioramas. The works were first installed as a solo show at the Montpelier Arts Center in Laurel, MD from June 11 - August 1, 2021, and later at Lycoming College Gallery, in Williamsport, PA, from October 21 – November 28, 2022.
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Uncanny BodiesUncanny Bodies draws on the artistry of scientific documentarians like Robert Hooke and F. Percy Smith, who revealed the wonders of microscopic structures and beings through the technology of their times. For me, working with sand means contemplating the significance of the individual. On a microscopic scale, the movement of one small grain can ripple down the length of a beach, can tilt the world on its axis. When I inspect these trivial fragments of geological history, I find their inner autonomy. By shrinking time, I discover complex relationships within their small communities, which the human eye is too impatient to see. Carefully constructing an intimate environment for them, I coax them to reveal their gravity and impulse. This is the science-magic of the animator, to discover the invisible life in the overlooked, offering the possibility of significance to the diminutive. Sound by Jason Charney
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Uncanny Bodies - GalleryUncanny Bodies projected on a wall in the gallery.
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Angle of ReposeVideo works "Angle of Repose" and "Butterfly Effect" installed in the gallery.
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Angle of ReposeVideo work Angle of Repose in the gallery
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Uncanny Bodies - micro sculptureA micro sculpture used to create the animation in Uncanny Bodies
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Uncanny Bodies - micro sculptureMicro sculpture used to create the animation in Uncanny Bodies
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Uncanny Bodies - GalleryDetail of the video work "Uncanny Bodies"
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Uncanny Bodies - stillVideo still - Uncanny Bodies
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Uncanny Bodies - stillVideo Still - Uncanny Bodies
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Angle of Repose - StillVideo still - Angle of Repose
freeze/thaw
freeze/thaw is an iterative installation inspired by rock glaciers, an essential and largely unknown part of alpine environments. Unlike glaciers made of pure ice, in a rock glacier the ice is protected from warming temperatures by a blanket of debris several meters thick. These will be the last glaciers of the anthropocene. Due to the seasonal freeze-thaw cycle, these massive rock piles also creep slowly forward, creating striking ripples and furrows in their form.
The work was first conceived and realized for the Asifakeil at the Musuemsquartier in Vienna, Austria. The installation uses sand and sediments collected from two rock glaciers and one glacier in the Austrian alps, all of which are part of the Danube river catchment. Austria is home to 5769 rock glaciers, but only 2309 still contain ice and feed their hydrological catchments. During my Fulbright/Q21 residency at the Museumsquartier in Vienna, I infused these sediments with frozen water from the Danube to create miniature rock glaciers. Using a technique practiced on economically significant glaciers at ski areas, I wrap these miniature rock glaciers in synthetic blankets as a way of protecting them from anthropogenic influence and record their freeze/thaw cycles as a way of translating a Deep Time phenomenon into more visible Human Time. The resulting videos are complimented with sound design by Baltimore artist Maksym Prykhodko and installed as a response to the architecture of the space. Despite their fragility, these miniature rock glaciers find an uneasy equilibrium in the urban environment, offering viewers a moment to pause and sync their breath with the natural alpine cycles as transitory antidote to climate anxiety.
Iterations:
Apr 19 – May 24, 2023: Site-specific installation, Museumsquartier Asifakeil, Vienna, Austria
Sept 8 – Oct 14, 2023: Sweaty Eyeballs: Outside the Frame, Current Space, Baltimore, USA
Oct 26 – Nov 26, 2023: Spark VI: Refractions The Peale, Baltimore, USA
Animation and Installation: Corrie Francis Parks
Sound: Maksym Prykhodko
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freeze/thaw - detail
One of the miniature rock glaciers installed in the Asifakeil gallery in Vienna.
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freeze/thaw - The Peale
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freeze/thaw - The Peale
freeze/thaw was adapted for projection in the Garden View Gallery at The Peale in Baltimore. This version of the piece offered a fully immersive experience for the viewer to sit with the glacier, now in an enveloping scale and surround sound created specifically for the space by my collaborator, Maksym Prykhodko. The piece was on view during the SPARK VI exhibition from 26 October – 26 November, 2023.
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freeze/thaw - Asifakeil
This iteration of freeze/thaw is a site specific installation for the Asifakeil at the Musuemsquartier in Vienna, Austria. Austria is home to 5769 rock glaciers, but only 2309 still contain ice and feed their hydrological catchments. The installation contextualizes the distant alpine source of the city's river, the Danube, by integrating the "active" rock glaciers (Blockgetschern) into the urban environment. Surrounded by a landscape of “city sediment” (baushutt) scavenged from various construction and demolition projects around Vienna, these miniature rock glaciers find an uneasy equilibrium in the urban environment, offering viewers a moment to pause and sync their breath with the natural alpine cycles as an antidote to climate anxiety.
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freeze/thaw - detail
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Innere Olgrube rock glacier
The Innere Olgrube rock glacier in Austria where the sand was collected for the piece
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Glacier blankets
A synthetic blanket covers a shrinking glacier at the Kaunertal ski area in Austria. Fragments of these blankets were used in the artwork.
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Sound recording
Sound for the piece was made with field recordings and studio recordings of the sand and then arranged into the composition.
Eye of Djerba
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Eye of DjerbaLive microscopic view of sand from the island of Djerba, Tunisia.
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Eye of DjerbaVisitors interact with the installation during See Djerba Festival
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Eye of Djerba - Sand pilesMagnifying globes allow visitors to view piles of sand from different parts of the world up close.
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Microscope cameraUsing a microscope camera, visitors project their view of the sand into the center circle of the façade projection.
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discovering the detailsIt's all about the tiny details...
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Installation viewTunisian guides help visitors interact with the installation.
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Choosing sandEach visitor chooses one grain of sand to add to a collection.
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Special sandThe collection of hand-picked grains of sand grows over the duration of the festival.
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Hand-picked sandOne bottle from each night of the festival.
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Eye of Djerba
Snow Beach
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Snow Beach - UNDARK FestivalSnow Beach is an original site specific interactive installation with light, sand, and projection created for the UnDark Festival in Yekaterinburg, Russia. Snow Beach explores the connection between sand and snow as a touristic draw and economic resource. Using sand collected from beach renourishment projects along the eastern seaboard of the USA, I recreate the movement of the ocean waves, projecting them on the surface of man-made snow at the Уктус ski area in land-locked Yekaterinburg, Russia. The location and atmosphere of the installation invites relaxation and play while pointing to societal efforts to maintain recreation environments that are dependent on the ecological cycles of natural replenishment threatened by climate change.
Individual Grains
Each work in this collection explores an angle of the social and political systems in which the individual can be lost in the abstractness of the group. The light sculptures offer a tangible presence which can be inspected in an intimate setting, while the accompanying video are a meditation on the life within each grain of sand.
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Individual Grains at SpectrumVideo and photo documentation of five video and sculpture installations at the Center for Art, Design, and Visual Culture at the University of Maryland, Baltimore County, USA. Each work in this collection explores an aspect of the social and political systems in which the individual can be lost in the abstractness of the group. Via provided magnifiers, viewers closely examine such inscrutable topics as economic stratification, redlining, and gender equality, placing the complexity of a single grain of sand in the context of its story.
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Black ButterflyBlack Butterfly is a video installation and sculpture that uses location mapping from Open Baltimore Police Department Part 1 Victim Based Crime Data. Each grain of sand represents one individual who was killed in Baltimore from 2007-2017.
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Black Butterfly - detailBlack Butterfly is a video installation and sculpture that uses location mapping from Open Baltimore Police Department Part 1 Victim Based Crime Data. Each grain of sand represents one individual who was killed in Baltimore from 2007-2017.
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Desired to MoveDesires to Move is a video installation and sculpture about systemic racism in housing policy and its generational repercussions in underserved communities. Shot at macro level, tiny grains of sand navigate through color-coded “neighborhoods”, sourced from the 1937 Residential Security Map of Baltimore
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Desires to Move - detailDesires to Move is a video installation and sculpture about systemic racism in housing policy and its generational repercussions in underserved communities. Shot at macro level, tiny grains of sand navigate through color-coded “neighborhoods”, sourced from the 1937 Residential Security Map of Baltimore
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Political BandsPolitical Bands is a video installation and sculpture about the dissolution of ideological and cultural groups in the current political climate. Shot at macro level on a $100 bill, tiny grains of sand group, dissolve, and regroup in an endless cycle.
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Political Bands - detailPolitical Bands is a video installation and sculpture about the dissolution of ideological and cultural groups in the current political climate. Shot at macro level on a $100 bill, tiny grains of sand group, dissolve, and regroup in an endless cycle.
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Messy ConversationA piece about difficult conversation between opposing sides.
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Messy Conversation - detailA piece about difficult conversations between opposing sides.
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Studio documentationMacro sand animation
Bay Bingo
Bay Bingo is a large-scale projection created for and exhibited at the Light City Baltimore Festival in collaboration with artist Kelley Bell. The whimsical animated work draws parallels between the fragile ecosystem and recent regeneration of the Chesapeake Bay and its landmark city, Baltimore, Maryland.
Subsequent commissioned versions of the work were created for the Great South Bay, in Patchogue NY, and Corpus Christi Bay in Texas.
Learn more about our City, our Bay, and the fish featured in Bay Bingo in our online Limerick Field Guide. As you watch the piece, play our mobile bingo game. The first to find 4 fish in a row, wins!
Exhibitions
Light City Baltimore
28 March – 3 April, 2016
Columbus Center, Baltimore, MD
Animafest goes MSU
21 May – 9 June, 2016
Zagreb Museum of Contemporary Art, Zagreb, Croatia
MoCA L.I.ghts
5-8 November, 2020
Bargain Bilge Facade, Patchogue, NY
underCurrent
18 September – 1 December 2023
CCBC Essex, MD
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Projected Aquaculture - Light City 2016Projected Aquaculture is a large-scale projection mapping animation created by Corrie Francis Parks and Kelley Bell for Light City Baltimore 2016. This 5-minute looping animation was projected on the 250-foot-wide canopy of the IMET center on the Inner Harbor in Baltimore from March 28-April 4, 2016. Through a whimsical approach to animation, the piece presents the underwater ecosystem of the Chesapeake Bay, drawing parallels between the decline and resurgence of the Bay’s health and the similar decline and recent efforts to transform Baltimore into a livable city.
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Projected AquacultureProjected Aquaculture on the Columbus Center canopy at Light City 2016
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Projected AquacultureProduction still
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Projected AquacultureStill from the production
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Projected AquacultureStill from the production
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Blue CrabLimerick from the guidebook. Click the image to see it move. Can you solve it?
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Cownose RayLimerick from the guidebook. Click the image to see it move. Can you solve it?
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Sea NettleLimerick from the guidebook. Click the image to see it move. Can you solve it?
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Long Nose GarLimerick from the guidebook. Click the image to see it move. Can you solve it?
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ChessieLimerick from the guidebook. Click the image to see it move. Can you solve it?
The Klondike Letters Project
The Klondike Letters Project is a public art project in collaboration with Klondike Goldrush International Historic Park. From June 25 thru July 7, 2012, I hiked the historic Chilkoot Trail as an artist-in-residence. During that 2 week period, I asked my fellow travelers to write a postcard to themselves as they hiked over the historic Chilkoot Pass from Alaska to the Yukon. The 174 postcards, along with sound recordings and my drawings from the trail, formed a collective memory portrait of the Chilkoot Trail. One year later, when the words and images of that journey had lost their sharpness and faded in the mind, I mailed those postcards to the writers as a vibrant catalyst for our memories of the Chilkoot.
From July 5 thru July 9, 2016, I hiked the trail again bringing a box of fresh postcards in the hopes of establishing an ongoing project. With the help of trail rangers and hut wardens from the National Parks Service and Parks Canada, we collected over 742 postcards in 2016, 1274 postcards in 2017, and over 1700 in 2018! Unfortunately the pandemic brought an end to the project in 2020. Learn more and read postcards on klondikeletters.com
On a deeper level, this project is about why we seek out places of wildness and what we experience there. Though the stampeders were seeking gold in the Klondike wilderness, the vast majority didn’t find their fortune. From their letters and diaries, we can see they did find other things: adventure, suffering, love, an insight into human nature at its best and worst. It’s a long journey to get to the Klondike. What do you find in this place that you can’t experience in your daily life, what moment is going to change your life in some small but hopefully significant way? Ultimately, this is what makes these places worth preserving.
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The Klondike Letters ProjectThe Klondike Letters Project is an ongoing public art project in Klondike Goldrush International Historic Park. Hikers preserve a memory from the top of Chilkoot Pass by writing a postcard to their future self, which is then sent one year later. These are postcards from 2016 season on the Chilkoot Trail.
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Chilkoot PassHikers arriving at the warming hut at the top of Chilkoot Pass.
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PostcardA postcard written by a hiker
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PostcardA postcard written by a hiker
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PostcardA postcard written by a hiker
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PostcardA postcard written by a hiker
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PostcardPostcard written by a hiker at the top of Chilkoot Pass
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PostcardPostcard drawn by a hiker at the top of Chilkoot Pass
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PostcardPostcard written by a hiker at the top of Chilkoot Pass
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PostcardPostcard written by a hiker at the top of Chilkoot Pass
A Tangled Tale
A lone fish, hooked by an angler's line, encounters another in the same dire situation. As the two fish struggle against their fate, they develop an inevitable, entangling attraction. Is it love or merely a will to survive?
This vibrant, underwater world showcases a revolutionary approach to sand animation. Animated in sand with watercolor backgrounds, the 3600 frames of the film are a seamless blend of traditionally handcrafted imagery and digital painting. The technique involves moving sand on a backlit plate of glass, creating silhouetted animation that is captured frame-by frame. Each drawing is destroyed in the process of creating the next, so at the end of the process there remains only a pile of sand. Through the art of compositing and motion design, it is the first film to expand the black and white aesthetic of traditional sand animation to include vibrant color and cinematic movement.
Love is a slippery business. Some will point to the heavens or chance as the source of our relationships, while others plow forward on the strength of self-determination. Either way, there is pain intertwined with a growing attraction, and the survival of a relationship depends on the perseverance of the lovers. In "A Tangled Tale", the fisherman’s line becomes an enigmatic metaphor for a fate and attraction, leading us to consider what is the source of our love and where it will ultimately take us.
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A Tangled TaleA lone fish, hooked by an angler's line, encounters another in the same dire situation. As the two fish struggle against their fate, they develop an inevitable, entangling attraction. Is it love or merely a will to survive? This vibrant, watery underwater world showcases my revolutionary approach to sand animation, a seamless blend of traditionally handcrafted imagery and technological innovation.
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Making Of - A Tangled Tale
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A-Tangled-Tale---Poster.jpgA Tangled Tale - film poster
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A Tangled TaleA Tangled Tale - film still
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A Tangled TaleA Tangled Tale - film still
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A Tangled Tale - productionProduction still