Indigo is a commission completed for the 2020 Sweaty Eyeballs Animation festival. Normally, the festival opens with musicians providing live accompaniment to a silent film. As the 2020 festival was virtual, the festival organizer asked some animators to make films for Baltimore musicians and bands. I chose WUME, and they asked me to animate their song, Indigo.

I completed the stop motion, scroll based animation in less than two weeks. The scroll is 40' long and the animation features dozens of cut paper puppets.

When I was young, I got into a great deal of trouble for melting various army men and cowboys together to create new toys. I still enjoy making new characters, and I make molds of the more compelling figures so that I can reproduce them. I have digitally scanned some, like the red Birdman Roshambo and the Cactus Cowboy, in order to make 3D prints.

The Benefits of Radiation is an animation that tells the backstory of these transmuted figures shown in this entry. This is a hand-drawn animation, for which I recorded and produced all the audio.

I had a lovely dream that I was hired to be the Moon. This animation highlights some of that dream.

The animation happens on a 50' scroll of black tyvek, some of which is filmed under black lights. I set the film to Clair de Lune by Claude Debussy, performed by Amber Short.

Scientifically Sound Questions are a series of animations that seek to answer life's big questions. I created an accompanying website where visitors can ask questions for me to answer in future animations.

The animations unfold on scrolls of paper, and feature cut paper puppets, my foley/sound effects and an accompanying soundtrack.

This collection features short 2D and 3D stop motion animation, each with a slightly different style. In some cases (Son of a Gun, About Face), the audio came first and inspired the animations themselves. In all cases, I animated the pieces and made/recorded/assembled the audio.

I've been so very fortunate to have participated in two shows at the American Visionary Art Museum: THE ART OF STORYTELLING: Lies, Enchantment, Humor & Truth and The Great Mystery Show. AVAM is one of my favorite parts of Baltimore, and has been instrumental in my development as an artist.

Small Stories and Other Stories, a solo show at the Hamilton Gallery, collected over 80 dioramas that illustrated multiple storylines and themes.

My favorite is the story of the widower tailor, which appears in the manlte clock. He discovers that if one looks through the handles of scissors previously owned by other widowed tailors/cloth merchants/seamstresses on the 13th day of the 13th month during a full moon, one can see into the Land of the Dead. He's collected many such scissors, and some of these appeared on the wall next to the clock in the gallery.

Debuting large scale drawings at The Greenbelt Community Center Art, I decided to weave a single story into almost all the pieces of this show. The cornerstone is the map, which points the viewer to the key elements of the story. For example, the map shows a paddock of the Four Horsemen, and on the opposite wall in the gallery stands a 10' drawing of the Horsemen waiting to ride out.

This is work from my first solo show at School33 in 2011, which was one of my first shows anywhere. This material heavily relied upon and explored my theories on an afterlife.

I ran for Artist in the 2016 election. I won by a landslide, but was overshadowed by the next 4 years of unprecedented political chaos.

I created a 12' circus peanut for the 2010 outdoor component of Artscape, and an accompanying website, orangenuts.com, which asked visitors if they enjoy this weird candy, YES/NO?

For all of my solo shows and significant artist talks, I like to make a zine for people to take home. I've attached a few here.

I cannot understate the importance of music in my life, and the joy that I experience from writing and recording material.