"Barcelona Mosaics" represents an attempt to arrive at a series of rules that guided both the image gathering as well as the editing strategies I employed. I start by using all the raw, ambient audio that originally accompanied the video footage shot in the field, in this case, the existing sound from various locations I visited in Barcelona in 2008. And guiding my choice of the visual for this work, I decided to compose each and every camera shot to include a diagonal edge running between opposite corners of the frame.
AUDREY CHEN: voice/cello/electronics
www.myspace.com/audreychen

Some current and past DUO projects with:
Phil Minton (voice), KAMAMA: with Luca Marini (drums/percussion) Frederic Blondy (prepared piano), Robert van Heumen (live sampling/electronics), Katt Hernandez (violin/voice), Nate Wooley (trumpet), Id M Theft Able (voice/mouth/objects/friction/electronics/antics), Pierre-Yves Martel (viola da gamba/double bass), Tatsuya Nakatani (percussion), Alessandro Bosetti (soprano saxophone)
AUDREY CHEN: voice/cello/electronics
www.myspace.com/audreychen

Some current and past DUO projects with:
Phil Minton (voice), KAMAMA: with Luca Marini (drums/percussion) Frederic Blondy (prepared piano), Robert van Heumen (live sampling/electronics), Katt Hernandez (violin/voice), Nate Wooley (trumpet), Id M Theft Able (voice/mouth/objects/friction/electronics/antics), Pierre-Yves Martel (viola da gamba/double bass), Tatsuya Nakatani (percussion), Alessandro Bosetti (soprano saxophone)
THE TANK: solo performance by Audrey Chen
(for voice, hydrophones, 100 gallon tank) 20 minutes.

This piece was originally performed at the Transmodern Age Festival in Baltimore, MD USA (2005). It was later realized in 2006 and incorporated two more musicans.