"A rock sits on the gallery floor side by side with its twin, a copy of itself cast in iron. Would you look at the shadowy concavities, craggy angles and weightiness of this rock as closely if it sat alone? Staged with its duplicate, it invites puzzling out the differences between its grainy mineral textures and the faintly velvety rusting surface of the casting. The intense heat of molten metal comes to mind, but how does that compare with the unimaginable fiery temperatures and pressures that formed the rock?

Nature has long been the subject of my large mixed-media paintings. In recent works I layer fluid paint mediums and drawing materials with archival ink-jet prints. The effects of invasive species and environmental changes on human life, and the reaction of the earth’s habitat to these threats, underlie my investigations and images.

Over the past several years I have been working with the metal casting process to create my sculpture. The sources for my work are drawn from the landscape and the processes that have formed it, the scale and power of industry, and the effect that environmental forces have on human ordering, ranging from remote ancient ruins to urban archeology.

I see the processes and elements used to shape metal in the foundry as a metaphor for the forces that have shaped and are shaping our environment.

These are sculptures I've created over the past several years. I take objects from my surroundings and transfigure them into industrial/organic implements that are slightly abstract in not being easily reconizable, Influences would include areas where I have lived and worked.  These forms refer to the industrial object as a vestige of  my physical environment.    More importantly these sculptures refer to utilitarian objects. Implements of work. Work as craft and craft as work. The process of making conceptually becomes part of the work. This is literal and figurative.