2012 - 2020 | We created an original production each year as part of the Baltimore Choral Arts' Christmas for Kids program.  The goal of the collaboration was to introduce children to choral music in a fun and interesting way.

2020 - COVID Pepito and the Snowy Christmas the FILM 
2019 - Baltimore Scrooge
2018 - Pepito and the Snowy Christmas 
2016/17 - Pepito and the Mystery Menace
2015 - Pepito and the Christmas Doll
2014 - Pepito and the Perfect Christmas Tree
2013 - Christmas Cousins
2012 - Pepito's Hidden Talent


I love classical music, and dream of making a show one day in a similar vein where Pepito performs a full length show with a live symphony.

Clown Theater for Adults. The Wiley Sisters Family Roadshow is an ever evolving framework to play on and meet new characters.  Doorleen has performed solo and with many new friends, relations, cows and lovers. The concept of the Wiley Sisters (Doorleen and Larva lee) and their tumultuous relationship was created with Luz Gaxiola and Molly Shannon.

The Wiley Sisters have performed together and apart in many configurations including an edu-tainment piece at the Seattle Science Fair teaching folks about the workings of the theremin, and making a music video of Brendan Bob Bowers original song "Chicken Bread" 

A family show for large outdoor spaces.  It's divergent from my other work in that it is designed to be performed without any need for a stage or wings.  It also relies heavily on a recorded sound track which is something I have avoided in the past.

ABOUT THE SHOW
Fast paced and zany, Pepito y Carmelita (working title) features acts of original physical comedy, classic clown routines, wacky gags, and silly surprises.  

It’s an interactive piece of clown theater that is being  designed to play for the streets and festivals of the world; a visual, physical comedy journey that can be understood by  anyone, anywhere.

The audience themselves are part of the show, and acts are specifically crafted with the goal of participants experiencing  success and being celebrated.

HISTORY OF MOLLY & Z
Pepito y Carmelita is a creation of Z Smith and Molly Shannon.  The two met as students at the San Francisco Clown Conservatory in 2004, and were founding members of Circus Finelli, an ensemble of four female clowns based in the Bay Area. They worked together for years in San Francisco, and then for years lived on separate coasts.  Now, carbon footprints be damned, they are working together again!  They utilize theater, circus, music, and  dance to create original works of clown comedy.

A SHOW IN DEVELOPMENT
Molly and Z began a residency on Vashon Island to finish The Molly & Z Show (working title) in January of 2018. But, they were almost immediately offered the opportunity to perform with Clowns Without Borders in Puerto Rico.  On their return, they decided to put The Molly & Z Show on the back burner and focus on making a street show with the characters they had used in Puerto Rico: Pepito Y Carmelita.

In October 2018 they were offered another chance to perform with Circo National de Puerto Rico, again through Clowns Without  Borders.  On this tour, they were able to try out elements of the show they were creating.  They performed 30  shows for more than 5,000 people.

Inspired by the Clowns  Without Borders mission of bringing laughter where it’s needed most, they continue developing a show that can be performed anywhere and will be used as a platform to spread joy and collaborate with other artists: clowns, circus folk, musicians etc. 

Special thanks to: Arturo Gaskins, Mark Jaster, and Dan Griffiths for helping to shape the show

2014  |  This show was devised in France with Finish Director, Jenni Kallo of the Kallo Collective.  Created not long after my mother passed away, and colored by Jenni's darker take on clowning, Pompo and Pipo follows a clown who has lost someone in a tragic accident and is living in a junkyard.  A Clown/Theater piece, the 4th wall is lifted and lowered throughout the show as Pompo swings between a rich imaginary life and the harsh realities of the present situation.

The first (and only) version of this show was performed in 2014 as part of the New York Clown Theater Festival.  I am currently looking for funding and residencies to further develop it.  I'm particularly interested in exploring surprising set designs and further developing the shadow puppetry and object manipulation aspects.

"The more you make the audience laugh, the more you open them up to experience deeper emotions"
- Jenni Kallo, Director

A clown/theater piece for adult audiences. Working title - this show is still in development.  The characters being developed are not the "red nose" clowns that holds such a loaded stereotype for many.  Molly Shannon and I are designing this evening length piece to be performed as a whole, or broken into several stand alone acts.  We are working to create something to appeal to adult audiences in a European Variety Show setting. 

The samples here are from rehearsal shows.  It's very important for clowns to work their material in front of audiences even as it is being developed.  Working in NYC in the fall of 2017, with direction from Joel Jeske, we hashed out the bare bones. We had gotten as far as three 20 minute rehearsal shows (one of which was adapted for a children's audience) and were starting a residency in 2018 to complete the project, when it got pushed to the back burner by our other collaborative project "Pepito y Carmelita."  

We would like to find residencies and funding to further develop this project.

One night, cabaret style, performance at the Baltimore Creative Alliance.  Collaborated with partners from Circus Finelli (Molly Shannon / Luz Gaxiola) and The Canary Theater (Anna Fitzgerald / Sophie Hinderberger)

2005 -2011 | Multiple zany shows.

We were four clowns from different parts of the nation... and the world, converged at the San Francisco Clown Conservatory in 2005 to form Circus Finelli. They named themselves after beloved teacher and new Circus Pioneer Judy Finelli, and set off across the Atlantic to debut at Czech clown Bolek Polivka’s theatre in Brno, CZ.

Since then they have been performing, traveling, and aspiring to new heights of the stupid and sublime through music and mischief. They perform at theatres, festivals, and variety shows in Mexico, Europe, and throughout the United States.

It is with Circus Finelli that I developed the character Pepito which I still perform today. I left Circus Finelli in 2011 when my mom got sick with cancer and I moved east to help care for her.  I still delight anytime I am able to work with these past partners.

All Circus Finelli shows were collaboratively devised, though the last two I was involved with were directed by the fabulous Micheal Gene Sullian of the San Francisco Mime Troupe.