“How Much Time Do We Have?” explores longing, self-awareness, vulnerability of the heart, and gratitude for nature.

Choreographer's Note* The movement in this piece is entirely improvisational, yet guided by a clear emotional vision. Filmed during golden hour in an empty field, we chose to capture the movement in slow motion, which helped translate a sense of somberness and reflection. The film concludes with the dancer moving slowly toward the sun, a moment that feels like reverence—an offering, or a quiet acknowledgment.

Although the film ends at 2 minutes and 4 seconds, it leaves behind a lingering question: does this moment feel like an ending, or a beginning?

Cinematography : Kirby Griffin |Editing: Kirby Griffin and Brittney London |Dancer: Brittney London

Nanm Selés (translated as 'celestial souls' in Creole) was created from a place of longing — the desire to heal, to feel, and to be seen. The piece emerged during a period of transition, and that emotional landscape deeply informed the choreography, shaping both the intention and the way the movement lives in the body.

The choreography is structured, yet fluid, allowing the movement to feel continuous and timeless. I was interested in creating a sense of repetition and return, where the dance exists almost in a loop, unbound by a clear beginning or end. Breath, weight, and internal awareness guide the pacing, inviting the viewer to slow down and fully experience each moment.

Created in collaboration with Nia, the work centers warmth, softness, and sisterhood. There is a shared energy in the way we move together that reflects trust, care, and mutual presence. The choreography becomes a quiet conversation, holding space for vulnerability, connection, and emotional truth.

Nanm Selés honors the cyclical nature of healing and the depth of Black womanhood. It is a reminder that strength can exist in tenderness, and that movement, when guided by intention, can become both grounding and luminous.

*Choreographer's Note*  Nia and I approached this work from a place of transition, letting those emotions shape the intention, quality, and energy of the movement. I was drawn to creating choreography that feels timeless, allowing the dance to unfold in a continuous rhythm rather than a defined beginning or end. From this approach, the piece emerged as an expression of warmth, connection, and sisterhood.

Directed and Choreographed by: Brittney London |Dancers: Brittney London & Nia June |Filmed and Edited by: Kirby Griffin |Original Score by: A Poet Named Nate |Trumpet Performed by: Brandon Woody |Production Engineers: Tyler Moonlight, Eric Barry

Goddess Rose Water  is a visual exploration of femininity, presence, and embodied expression. It reflects what it feels like for a Black woman to move from a place of internal truth into the world with softness and intention. The choreography is rooted in subtlety and curiosity, shaped by breath, weight shifts, and the quiet ways the body holds memory, emotion, and grace.

Filmed during golden hour, the natural light becomes an active element of the work, casting warmth and depth that amplify the tenderness of each movement. The pacing invites the viewer to slow down and witness the power that exists in restraint, vulnerability, and gentleness. The movement is not performative, but deeply personal, offering moments of introspection and presence rather than spectacle.

This piece honors the complexity of Black womanhood by centering softness as strength and embodiment as expression. It creates space for nuance, stillness, and emotional honesty, allowing femininity to exist without explanation or defense. Through simplicity and intention, the work invites the viewer to witness a Black woman fully present in her body, her spirit, and her artistry.

Cinematography: Kirby Griffin 

Body Language reimagines the Black female body on display, stepping into the tension of being seen everywhere yet rarely at all. These moments aren't just visual- they're intimate traces of the Black female body's presence, reminders that the body in itself carries its own subjectivity.

Cinematogprahy: Kirby Griffin |Edited: Brooke Jay, Kirby Griffin, Chrys Seawood|  Dancer: Brittney London

When Spring Comes  explores what it means to move through difficult times. Sometimes we need stillness, and sometimes we turn inward, searching for answers too complex or tender to speak aloud. This piece reflects the journey of healing, unfolding through movement, flow, and sensuality, which emerges from introspection and self-reflection. It is a meditation on resilience, the quiet power of sitting with our emotions, and the ways our bodies hold both struggle and grace.

Cinematography: Wavey | Dancer: Brittney London

Words from the Singer

"This moment isn’t nostalgia.  This moment is a mirror.  A reminder of what was and what still is. WHY is a song I wrote years ago addressed to America, through the body and voice of a Black queer artist. Who noticed that time has passed but the themes and feelings didn’t." 

Reimagined with the brilliance of Mykst Ancestree, Beautifully choreographed by Brittney London featuring Sade Morgan & Nia June, shot by Khamaree Owens & Katie Simbala, edited by Khamaree Owens. Written and performed by Ashley Yates, creatively known as Black Assets. Inspired by the work of Darlene Cain and her organization Mothers on the Move and Mothers Against Gun Violence.

*Choreographer's Note*

It was a pleasure choreographing to such a powerful song with an enduring and difficult message. As a Black queer woman and artist living in America, translating the emotional weight of the music into movement came with both a sense of ease and the need to touch moments of heartbreak. Creating this work was an honor, and one that asked me to move through vulnerability, truth, and deep feeling.

Intimate moments in her studio in Baltimore at Abundant Healing Wellness 

Photos by Wavey